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Electronic /

Le Bunker de la derniere Rafale
Mindblowing obscure soundtrack taken by "Le Bunker de la Dernière Rafale" made in 1981 by Marc Caro and Jean-Pierre Jeunet, a retro-futuristic medium-length film of 26 minutes bursting with punk and industrial culture, in the tradition of expressionist cinema, and that has the characteristic of being a silent film. At the time the soundtrack was made by the sonorous system Parazite in monaural version for the 35mm copy.
Frog 2
The music developped by Frog is a work on percussions of all sorts : electronic, metallic, or else.. bathing in atmospheres made of « humid » tessituras. The music is simple, and unlike Brume, accessible ! Except for the arrangement of rhythms, 75% of work is concentrated on textures, mainly electronic : analog and digital.Electroacoustic is rarer here, most of the sounds being filtered by « vintage » analog synths using the whole usual range : VCO, VCF, VCA, envelope modulators etc.…
Geometry Of Chromonium Skin
In 2011, Le Syndicat & Sektor 304 began to exchange sounds through internet, driven by a mutual artistic respect & the will to create a new project together. No way to make another traditional split with separate tracks by each bands. The goal was to rearrange, transform, mutate & sometimes destroy each other sounds to create real collaborative tracks where the sound and styles of the bands are efficiently melted. This process has been on work for 2 years, during 2011 & 2012. The re…
Winter Family
Winter Family is born in Jaffa on 2004. Ruth Rosenthal writes her texts in Hebrew and English. Xavier Klaine plays piano, harmoniums and pipe organ. They have been playing live in concert rooms, galleries, clubs, theatres, crypts and churches in Paris, New-York, Milan, Gent, Tel-Aviv, Jerusalem and more. They collaborated with the choreographers Paco Decinà, Stefan Ferry and Paolo Rudelli, the artists Philippe Petit, Maïder Fortuné, Fabien Lehalle, Olivier Mirguet, Henrike Stahl and the m…
Chromanatron
Machine-numbered edition of 500 copies on wine-red vinyl in a deluxe heavy-duty cover with metallic silver embossing. Chromanatron is the new album from Nurse with Wound, collages of no less than 5 albums by the mythical German band from the late 60s Sand. These five psyche-experimental-krautrock albums include their first oddity Golem, that NWW discovered a long time ago and represented straight away a great source of inspiration for him. A great dedication to Sand, and hat-in-hand, chapeau bas…
Humid Weather
Exceptional Polish imprint, Bocian Records presents a necessary vinyl edition of Kevin Drumm's super limited 2012 release for Hospital Productions, "Dedicated to my least favorite thing in the world, humidity." Over two sides breaking down to three pieces, Drumm expresses his irritation through a mixture of field recordings and microtonal drones made in july/august 2012 and transposed with intercepted voice recordings from summer 1995 at Mosquito Net Studio, Chicago, Il. In 'Humid Weather' prope…
Alien, All Too Alien
Their cat may well be all too alien but there's quite an earthly feel to this epic voyage of a record from the brothers Maurizio and Roberto Opalio. It feels like you are slowly drifting through different continents perched on a floating glass-domed steel barge, observing the strangely contrasting cultures go about their business, seemingly unaware they are being watched. Though there are certain sounds contained herein that are quite familiar to many 21st century homosapie…
Psycho-System
My Cat Is An Alien's most extreme work to date. The most advanced expression of their current creative method of composition  through  the brothers' brand new self-made strings and electronic  instrumentation. A black swamp full of analog processing and whirling drones with Maurizio Opalio playing self-made double-bodied string instrument, handmade pocket harp, antique zither, drums, percussion, sticks, cymbals, bells, gong, space modulator, real-time loops. While his brother Roberto Opalio …
Soundtracks for Takeshi Murata
Glistening Examples is proud to announce “Soundtracks for Takeshi Murata”, the debut LP of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police a nd more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists including Oneohtrix Poin…
weltraumruckfuhrungsubereinkommen
Third vinyl release by the mysterious Von Himmel commune. Some of these guys go back a long way into Sloow’s history and their classic ‘Space Communion’ tape from way back received the vinyl treatment by Humito. ‘weltraumrückführungsübereinkommen’ has more of those awesome serious zoned and mind melting fractals spider webbed into shining diamond stars mirroring inner and outer space. There’s the obvious nods to the kraut gods but Von Himmel seem to exist in their private spacetime continuum of …
Through A Pre-Memory
CD edition: Pan Sonic space explorer Mika Vainio and Sunn 0))) strongarm Stephen O'Malley rock our world to the foundations with this anticipated union of electronics and guitars recorded as ÄÄNIPÄÄ, featuring vocals by Alan Dubin (Khanate) and string arrangements from Eyvind Kang. In gestation for some years now, the results are little short of a modern doom masterpiece; a bracing exposition of cold, condensed, rage and stoic passion delivered like a slow, internally bruising hate-f**k t…
Keeping a record of it
Keeping a Record of It is the follow-up to Lonnie Holley's debut album, Just Before Music. It features recordings made in 2006, 2010 and 2011. Guest performers include Cole Alexander from the Black Lips, Bradford Cox from Deerhunter, and visual artist Lillian Blades.   'Last year, at 62, after decades of singing while he worked, Holley released his jarring debut album, Just Before Music, a marriage of improvised keys and the rambling, hollow bellow of his voice, as well as the first original rec…
Voyage a l'ombre
CD in 4-panel chipboard sleeve. The complete, unabridged masterpiece from 1997. Almost impossible to find since more than 10 years. After a vinyl reissue (but not complete) here\'s the CD version again ! Voyage à l\'ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Original lbel note \'Ghédalia Tazartes combines an orchestra and a pop …
Processes & potentials
So much music claims to capture the moment. But as Processes & Potentials proves, in-the-momentness can be a malleable concept. The result of three years of studio work, the album sees Bjarni Gunnarsson following his longstanding interest in exploring liquid states, transformational activities and the complex relationships between cause and effect. It is music which behaves differently, unexpectedly, veering off into surprising directions and never staying in one place for too long Ð it is certa…
Radi d'or
A composed piece for small ensemble of instruments and live electronics. ÔRadi d'Or' uses shifting sinetones alongside sustained sounds from the acoustic instruments to create a shimmering music that unfolds slowly with gracefully. Composed in 2010, this recording is of the first public performance by the Ferran Fages Ensemble, which took place in Barcelona in February 2011: Olga Abalos (flute and alto saxophone), Lali Barrière (sinetones), Tom Chant (soprano and tenor saxophones), Ferran Fages …
L'anneau des sept lumieres
The Ring of the Seven Lights (Metametal, long version) (1994-95 / revision and new master: 2013). Seven continuous variations from a single Bonshô sample(Buddhist temple traditional bell from Japan), a tribute to Inayat and Vilayat Khan. Jean-Claude Eloy: 'I created and partially realized it in 1994-95 during this conversion of Anâhata into an electro-acoustic version alone. I first made a short version out of it which integrated into Electro-Anâhata and became the fourth station within the firs…
Galaxies full-electro
Galaxies' (Warsaw version), electro-acoustic alone. Fully electro-acoustic version of Anâhata / Galaxies realized on the composer's personal computer from the original electro-acoustic recordings of this work.Electronic music studios where the original Anâhata / Galaxies were produced (1984-86): Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Toky…
Electro-Anahata
Electro-Anâhata (1986-1994). Fully electro-acoustic version of Anâhata realized on the composer's personal computer from the original electro-acoustic recordings of this work. Electronic music studios where the original Anâhata was produced (1984-86) : Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Tokyo-Gakuso studio, Tokyo (1983): for the Shô a…
Variable formations
Johnny Chang (viola), Angharad Davies (violin), Jamie Drouin (electronics), Phil Durrant (electronics), Lee Patterson (amplified objects), John Tilbury (piano).In February 2013 the Berlin-based musician Johnny Chang, who is a member of the Wandelweiser collective, visited London as part of a short tour along with his some-time playing partner Jamie Drouin, the Canadian musician and artist who had recently moved to Berlin. The duo constructed an installation at the Soundfjord gallery in Tottenham…
Music for Earbuds
Music for Earbuds is composed entirely from headphone feedback which makes some surprisingly organic (as well as electronic) sounds, Stephen Cornford writes to introduce his new CD. A collection of sounds stark and stubborn, as a listener you hit against their form, slide on their surfaces. These sounds so alien yet alluring call you to spend time with them, attend to them. They mark the edges of hearing and understanding. The edge here is the ear that hears as listening encounters nothing but i…