We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
restocked. Lee Gamble is a UK-based artist and electronic music producer with roots in the original jungle-techno and extreme computer music fields. The Kuang EP heralds the release of Gamble's keenly-awaited 2nd LP KOCH with three tracks of dissociative ambient/techno. "Kali Wave" opens with a bittersweet breakbeat roller sounding something like early AGCG playing in a hall of mirrors, whereas "Mimas Skank" diffuses oily acid and dry dub techno inna dancefloor wormhole, and the detached amb…
Brainnectar is Rudolf Eb.er's most developed program to date, combining psychodynamic audio-environments built from specific nature-sounds and extreme acoustics, often including ecstatic elements on instruments of shamanic origin. Binaural beats as well as isochronic tones stimulate a direct neural reaction to this unique and unheard audio-art. In addition, the grand lady of japanese extreme music - screamvocalist Junko Hiroshige (Hijokaidan) - participates on several tracks throughout this doub…
Humoresken und Vekotren takes up a work that was started upon the invitation of Francisco Lopez for the spanish Störung label. The task was to deliver thirteen 2-minute original compositions for a compilation release. "Humoresken und Vektoren" recycles these miniatures from 2010 and undfolds it into eight new works having no resemblance with the original sourcings whatsoever. These eight tracks are bound together by eight short pieces entitled "Tristia" that function as bridges between the longe…
The 6th full-length studio recording and first since his move to Baltimore, Disqualifier steps beyond the shadow of Ottoman Black to yield a programmatic, mature and vulnerable setting. Dense brass, concrete sounds and mutated noise reveal a pointed narrative & unmatched compositional stroke. Equal parts harsh and ambient, Disqualifier is an exemplar for the American underground. Recorded from nothing November, 2012 through July, 2013 in Baltimore, MD. Additional musicians: Jeff Stockham french …
Notebook (techniques of self-destruction)' is the new studio album from Francisco Meirino. Created and assembled 2012-2014. Features 'Techniques Of Self-Destruction' originally a piece for eight speakers commissioned by Jérome Noetinger for l'Audible Festival, Paris 2012.Artist bio:Born in 1975, Francisco Meirino is active since 1994 (as phroq until 2009) in sound and live performance, he explores the tension between programmable material and the potential for its failure by working mainly with…
Drone vanguard Robert Curgenven returned to his ancestral home of Cornwall to put together the visceral, yet contemplative Siréne, a gorgeous drone works massively recommended if yr into Kevin Drumm, Eliane Radigue, Jason Lescalleet, Janek Schaefer. Mastered & Cut by Rashad Becker, Dubplates & Mastering, Berlin, April 2014.16-foot pipe organs recorded in Cornwall at the churches of St Paul (Ludgvan), St Winnow (Towednack), St Uny (Lelant), St Wyllow (Lanteglos), St Cyrus & Juliette (St Veep). Un…
MINDBLOWING! The tracks on this CD were recorded between 2005 and 2006, yet the music seems to have surfaced from another time - completely isolated from influences of the current era. Dimpflmeier also seems to be an "assistant" to the unique and arcane instruments that he helped manifest. As he has stated, his instruments seem to be "autonomous - their own masters"... However, that is not to say that it doesn't require a form of mastery to successfully "collaborate" with such strange ins…
The Abyss is an epic, dynamic statement that shows the wide range of sound these two esteemed artists are capable of creating. The lengthy list of instruments used, plus the year it took to assemble, gives an indication that there is a grander modus operandi at play here than the linear works that Kevin Drumm and Jason Lescalleet are known for. CD-1 is made up of seven pieces that run the gamut, with electronic crackle, digital shards of noise, piano mangle, and even dissonant brass clust…
The label doesn't want to do notes anymore about his new releases. So we have to write some with our very good English. With these two names you can imagine that for sure the music will be closer to silence than to wall of noise. First we must say that no credit is written on the CD, like it was not important to know who is playing what and first what is played. CD1 is an instrumental piece signed by Radu Malfatti. CD2 by Jürg Frey where instruments are mixed with field recordings. It was r…
Zo Rèl Do is the first volume of a trilogy that explores the sounds of the geographical area between 34°Ν - 42°Ν & 19°Ε - 29°Ε. In this new adventure Mohammad further enrich their monolithic, resonant and deep-dark melodic sound with rhythmic shreds, seismic vibrations that echoes past and future rituals. Volume 2 entitled Lamnè Gastama and Volume 3 Segondè Saleco will be released later in 2014 - early 2015."Greek ‘cha…
MILESTONE! After being mooted for several years, the soundtrack to Arthur and Corinne Cantrill's 1970 feature-length film Harry Hooton is finally available. Features the groundbreaking music/sound created using a variety of musique concrete/tape techniques, collage, and treated recordings of early CSIRO mainframe computers. Hooton was a poet, futurist and thinker associated with the Sydney Push, and a formative influence on the Cantrill's artistic view, as detailed in Arthur's liner notes. T…
Recorded in 1978, the instrumental El Poeta Del Ruido by Decibel could be labeled a prog album but don't expect it to sound anything like Yes! This is more in the spirit of Art Zoyd, Univers Zero, Henry Cow, Faust, and Gong, which is to say, quite experimental, a bit dark, complex, and generally highly-structured (though it's also sometimes deliberately disjointed). Classical instruments form an important part of the group's sound, but it is augmented by interesting sound effects and there are e…
Probably our favourite release on RVNG Intl comes from metal duo Lee Buford and Chip King aka The Body produced by Bobby Krlic aka The Haxan Cloak for their crushing 4th album, 'I Shall Die Here'. Abetted by Krlic's visceral production, The Body sound more fearsome and physical than ever before, shaping a series of tracks which only seem to get more intense and nightmarish as the trip takes hold. From the funereal trudge of opener 'To Carry the Seeds of Death Within Me' we pass through successiv…
Probably our favourite release on RVNG Intl comes from metal duo Lee Buford and Chip King aka The Body produced by Bobby Krlic aka The Haxan Cloak for their crushing 4th album, 'I Shall Die Here'. Abetted by Krlic's visceral production, The Body sound more fearsome and physical than ever before, shaping a series of tracks which only seem to get more intense and nightmarish as the trip takes hold. From the funereal trudge of opener 'To Carry the Seeds of Death Within Me' we pass through successiv…
Incredible 30 track anthology ranging from spaced-out Kosmische to blunted & skewed pop - honestly one of the most eye-opening and worthy archival discoveries of the year RVNG Intl.'s issue of 'A Period of Review (Original Recordings: 1975 - 1983)' is a wide-reaching and revelatory survey of Kerry Leimer's prescient output operating on the cusp of ambient, 4th World and industrial musics. From his base in Seattle, Leimer accumulated a unique catalogue of recordings created on a Micromoog, drum m…
'Body Sound' is a dynamic collaboration from sound artist Holly Herndon and dancer/choreographer Cauahtemoc Peranda, composed and performed at Stanford University's famous CCRMA. Using Peranda's body as a voice, Herndon maps and spatialises a kinaesthetic grammar of stomping feet and flying limbs punctuated by shuddering shockwaves and wrenched gasps. Like her previous work with vocals and laptops, 'Body Sound' is a unique duet between the corporeal and the computerised, a unique, abstracted exp…
"Head Boggle returns with what is perhaps his most refined and focused work to date. "Serge Modular In Hi-Fi" was recorded in early 2012 at the S.F. City College Electronic Music Lab utilizing a vintage pre-STS Serge Modular Synth system and was conceived as a pseudo aural "cubist" sound piece with an intention to achieve pseudo 3D "cubed" sound through discrete recording and mixing techniques. The only effects utilized were four or more analog delays being played real-time a la dub/reggae mixin…
“High End” is the latest musical installment from the People’s Higher Order of Royal Kinship, as facilitated by Los Angeles producer Neal Reinalda. With recent releases on Opal Tapes and Orange Milk, as well as two previous NNA full-length cassettes under his belt, we are pleased to offer PHORK’s debut vinyl record to the masses. On “High End”, Reinalda digs deeper still into the established PHORK sound world, procuring a modern conceptual take on the idea of “ambient music” as constructed with …
“Melt Into Nothing” is Ensemble Economique’s most lucid seance to date. The prolific Humboldt County musician has stripped layers off of his trademark haze but retained the beautiful desolation that’s earned him a rabid fanbase. The solo project of former Starving Weirdos member Brian Pyle, Ensemble Economique has crossed a land bridge from apocryphal world music and dusty soundtracks to gauzy 4AD-style atmospherics. Trellises of guitar embolden Pyle’s whispered, threadbare lyrics. On “Hey Baby”…
An amazing new composition by the Danish sound explorer Jacob Kirkegaard, a soundtrack for the film of Uzbek director Saodat Ismailova, a journey into silence and its possible inner variations, an intimate and deep sonic journey, that takes us further into ourselves. Listen carefully and inmerse yourself into the dense and haunting drones of 40 days of Silence.
"Von present six selections from Kirkegaard's soundtrack, framing a desolate, distant soundfield rent with glistening, spectral harmon…