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Kye is proud to present Much To My Demise, the brand new solo LP by Jason Lescalleet. Since establishing himself as a preeminent voice in contemporary electro-acoustic study, Jason Lescalleet has, through his solo work and in collaboration, exploded the notion of what is possible within the realm of tape-based music. His recorded catalog acknowledges a diversity of application, from lo-fi reel-to-reel soundscaping and work for hand-held cassette machines, on through to digital sampling and…
A real event: Jac Berrocal has not released disc for 20 years. The legendary French trumpeter is back with its special atmosphere and feeling. Lot of guests too. Jacques "Jac" Berrocal (born 22 October 1946, Saint-Jean d'Angély) is a French trumpeter, singer and composer. He has been active since the 1970s in the independent and avant-garde music scene (he recorded/played with Steven Stapleton/Nurse With Wound and collaborated with Sunny Murray, Pascal Comelade, MKB (F. J. Ossang), James Chance,…
** 300 copies ** The 20 years old young David Chesworth experiments with the gigantic Serge synth that occupies half the room of the latrobe university electronic studio. On the traces of pioneers such as Tristram Cary or Warren Burt, a new avant-garde is blooming in Sidney and Melbourne with bands like Severed Heads, The Makers, The Loop Orchestra and The Like. David Chesworth will soon play a major role by coordinating the Clifton Hill community music centre in Melbourne, by co-founding the cu…
“Sonja Henies Vei 31" is a profoundly moving document of the personal and artistic union between Crys Cole and Oren Ambarchi. Abandoning their usual instrumental artillery, both performers make themselves vulnerable to the listener, undertaking a committed exploration of pure physical gesture. Surrounding an explicitly intimate duo performance is a hazy collage of field recordings, tape hiss, metallic clinks and wandering voices. This forces the listener to hover in a disorienting psychological …
** First pressing limited to 300 copies of which only the half are available for distribution outside switzerland. ** The subtitle of this album describes it as "Messa in scena arcaica per strumenti elettronici e voci ingannevoli" -- a play on words which could be translated as "Mass in an archaic scene (or archaic enactment) for electronic instruments and deceptive voices." The Italian graphic designer and musician Marco Papiro deliberately plays with different forms of religious music, and loo…
A very special Disposable Music edition comprising two programmes of lost early 80s North American synthesiser music from American/Italian Buchla pioneer Suzanne Ciani and Alaska’s only dedicated electronic collective Clone. Comprising of instrumental versions of Ciani’s much coveted cassette-only electronic advertising portfolio (featuring Atari music and power tool jingles) alongside a Clone archive of exclusive Anchorage one-off radio synth sessions and theme tunes, this release rep…
A compilation tape filled to the brim with only contemporary Antwerpian (experimental) music. With tracks by Miaux, Mik Prims, Innercity, Joris Van De Moortel, Ria Pacquee, Gerard Herman, Blaastaal, Crimpers, Beach, Dolphins into the future, Smokers, W. Ravenveer, Steve Van Den Bosch, Possessed Factory, Orphan Fairytale, Cassis Cornuta, Vom Grill, Mittland Och Leo, DSR Lines, Dog Republic, and Remörk.
The strangest lp in the UE Antwerpian archival series so far! Recorded on christmas eve in 1980 by visual artist and general lune Bruneau, who is illegal about everywhere on this planet, and his pals Tom Van den Broek, Ewald Van Dyck and Jan De Pauw, at the time all creating trouble in the Antwerp scene around the legendary punk/glam basement Cinderella's Ballroom, Café Tom Tom (and Radio Centraal), Café De Mok and so on! The same puddle Ze Barbies were swimming in. B.P. was rather ambitious in …
For all those of you who enjoyed The Great Wall Of China, here is the second Mormos LP at last reissued! Again done in cooperation with Jim Cuomo, who provided two previously unreleased tracks for the bonus EP (which also has the two songs from their second 45), and again a fantastic masterpiece of gently crafted acid folk sounds with jazzy touches that will take you to the same lands The Pentangle or John Martyn have taken you before. The album is sure to appeal not only folk lovers, but …
An even more tuneful set than the first record from OPMC – one that features shorter tunes with a bit more lyrical appeal – and this style of dreamy harmonizing – mostly a mix of acoustic guitar with well-crafted basslines and drums that give things just enough kick – and although the group are Dutch, lyrics are all in English – and pretty captivating too.
Wah Wah is proud to present for the first time ever the lost 1976 / 1977 recordings by this legendary band from Barcelona. Suck Electronic Enciclopedic were born in 1975, in the last days of Franco's dictature, when Spain was awaking again to democracy and everything was possible. Even with the menace of an army too friendly to the old regime a fresh new breeze was spreading the change, and S.E.E. were an important part of its musical underground movement and the ones who brought influences from…
Numero present a sincerely wide-eyed and wondrous collection of new age synth music prototypes imagined and created between 1975-1985 by Iasos. As the story goes, Iasos was inspired by "...the infinitely numbered harmonies transmitted by Vista, a benevolent being from a distant dimension..." Iasos broke ground for a new age of electronic sound manipulation. His was pioneering work—done from a bohemian boat-slip home office—on some of the first commercially available synthesizers and, on stage, i…
LP version. Following a hypothesis according to which "Music and Economics share a fundamental object: number," Marcus Schmickler and Julian Rohrhuber's project Politiken der Frequenz circles around the acoustic rendering of number concepts. Inspired by Alain Badiou's Le Nombre et les Nombres, and accompanied by mixed choir, the piece attempts to question the apparent immediacy of numbers that allows calculation to govern today's economy, social sciences and everyday life. "Change, flexibilit…
2013 Reissue.Xex were an all-synthesizer band from South River, New Jersey in the late 1970s. The band formed when a trio of high school misfits with funny names (Waw Pierogi, Thumbalina Gugielmo and Alex Zander) teamed up with some friends from Rutgers College. They released their debut album “group: xex” in 1980 which Dark Entries reissued in 2010. We were lucky to discover the master tapes of their unreleased second album “xex:change” in Waw’s basement. “xex:change” takes a leap from where th…
Felix Kubin looks a lot like an alien on the cover of this set – and sounds a fair bit like a space visitor in the music as well! The work\'s got this very cool blend of electronics and playful rhythms – served up in a style that really takes us back to some of our favorite German work of the post-punk years – particularly the music of Der Plan and Pyrolator, both of whom would be a great comparison to Kubin\'s work! The tunes are catchy and playful, but also have this undercurrent of darkness t…
The debut-album of Shampoo Boy was released in 2013 on Blackest Ever Black (London, UK) harsh electronic-noise-drone by new project of Peter Rehberg one of the shining names in the international electronic/avantgarde scene. First and final pressing of 750.
Sound art project that connects the city of Hamburg’s church St. Michaelis and the funfair "Hamburger DOM" :: soundcompositions, soundscapes and remix: Gregory Büttner, Roland Etzin, Stefan Funck, Costa Gröhn, Christoph Korn, Martin Moritz, Lasse-Marc Riek, Philip Samartzis, Hans Schüttler, Suspicion Breeds Confidence, Asmus Tietchens "Der Michel und der DOM" is a sound art project that connects the city of Hamburg’s church St. Michaelis ("Michel") and the funfair "Hamburger DOM" by merging the …
Costa Gröhn “Zwergohreulen in der Vikos-Schlucht”, Martin Moritz “No Input Output”, Thomas M. Siefert “No I, Improvisation gong”, Lasse-Marc Riek “Fahnenstange”, Suspicion Breeds Confidence “Ein Abenteuer ist zumeist nur eine verpaßte Mahlzeit”, Dirk HülsTrunk “Forward”, Etzin “Wundschwelpn”, Gran où lée “Bird cage blues”, Dirk HülsTrunk “Fall out”, Waldlust “Krachgarten”, Gran où lée “Tangonflies”, Etzin “Voegel-Verteidigung der Nester”, Ohrginal “Kombinationen 04”, Dirk HülsTrunknie “Live at G…
Peter Cusack “Through the Robots", Eric La Casa "Clisson: Moulin de Gervaux", Roland Etzin "Premium 900", Jez Riley "Boat Ropes & Lake Hollow Pole", Takahiro Kawaguchi "for example #01", Dale Lloyd "1928 Australian Streetcar", Takefumi Naoshima "self adjustments on mirror", Lasse-Marc Riek "Matti, 06.02.2007, 10:29 am", Sawako "Rain Clock", Walter Tilgner "Tag, Mittelspecht".
The "fauna and flora of the Vatican City" is the 6th release of Tobias Schmitt’s pet project Suspicion Breeds Confidence. The record is a continuation and development of the eclectic and complex music presented on its predecessors: polyrhythmic beats, abstract electronica, processed field recordings and conventional instruments are blended into a homogeneous and wide-ranging elaborate result. Moments of highly structured music meet flow-of-consciousness like improvisation meet poppy melodies. Th…