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CD in 4-panel chipboard sleeve. The complete, unabridged masterpiece from 1997. Almost impossible to find since more than 10 years. After a vinyl reissue (but not complete) here\'s the CD version again ! Voyage à l\'ombre was originally released in 1997, as a limited CD on the France-based Demosaurus label run by David Fenech, a frequent Tazartes-collaborator. With tracks featuring Pambin Thullal, Syeta Choir, and Yumi Nara. Original lbel note \'Ghédalia Tazartes combines an orchestra and a pop …
So much music claims to capture the moment. But as Processes & Potentials proves, in-the-momentness can be a malleable concept. The result of three years of studio work, the album sees Bjarni Gunnarsson following his longstanding interest in exploring liquid states, transformational activities and the complex relationships between cause and effect. It is music which behaves differently, unexpectedly, veering off into surprising directions and never staying in one place for too long Ð it is certa…
A composed piece for small ensemble of instruments and live electronics. ÔRadi d'Or' uses shifting sinetones alongside sustained sounds from the acoustic instruments to create a shimmering music that unfolds slowly with gracefully. Composed in 2010, this recording is of the first public performance by the Ferran Fages Ensemble, which took place in Barcelona in February 2011: Olga Abalos (flute and alto saxophone), Lali Barrière (sinetones), Tom Chant (soprano and tenor saxophones), Ferran Fages …
The Ring of the Seven Lights (Metametal, long version) (1994-95 / revision and new master: 2013). Seven continuous variations from a single Bonshô sample(Buddhist temple traditional bell from Japan), a tribute to Inayat and Vilayat Khan.
Jean-Claude Eloy: 'I created and partially realized it in 1994-95 during this conversion of Anâhata into an electro-acoustic version alone. I first made a short version out of it which integrated into Electro-Anâhata and became the fourth station within the firs…
Galaxies' (Warsaw version), electro-acoustic alone. Fully electro-acoustic version of Anâhata / Galaxies realized on the composer's personal computer from the original electro-acoustic recordings of this work.Electronic music studios where the original Anâhata / Galaxies were produced (1984-86): Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Toky…
Electro-Anâhata (1986-1994). Fully electro-acoustic version of Anâhata realized on the composer's personal computer from the original electro-acoustic recordings of this work. Electronic music studios where the original Anâhata was produced (1984-86) : Studio of the Sweelinck Conservatory of Music, Amsterdam (1984 and 1986): the entire production (pre-recorded material processing, new material generation, premixing) and all final mixing processes. Tokyo-Gakuso studio, Tokyo (1983): for the Shô a…
Johnny Chang (viola), Angharad Davies (violin), Jamie Drouin (electronics), Phil Durrant (electronics), Lee Patterson (amplified objects), John Tilbury (piano).In February 2013 the Berlin-based musician Johnny Chang, who is a member of the Wandelweiser collective, visited London as part of a short tour along with his some-time playing partner Jamie Drouin, the Canadian musician and artist who had recently moved to Berlin. The duo constructed an installation at the Soundfjord gallery in Tottenham…
Music for Earbuds is composed entirely from headphone feedback which makes some surprisingly organic (as well as electronic) sounds, Stephen Cornford writes to introduce his new CD. A collection of sounds stark and stubborn, as a listener you hit against their form, slide on their surfaces. These sounds so alien yet alluring call you to spend time with them, attend to them. They mark the edges of hearing and understanding. The edge here is the ear that hears as listening encounters nothing but i…
Nordwall is here captured - perhaps on cassette, given the self-confessed terrible quality of the recording - during a 17-minute set in Oslo, in 2008. It's too bad that we can't really get a hold on the actual gradations generated by this 'skull transmission' (I had thought about an Alvin Lucier-like performance with wires linked to the artist's head, then read that JN is a member of Skull Defects) because what transpires is positively stimulating. These sounds might have ranked in the field of …
Reissue. \'As darkness fell outside so the duo of Joachim Nordwall and Mark Wastell took their places behind their instruments, assorted tone generators-synths and a tam tam respectively. This was the third time I had seen this duo play, the first two occasions, both in 2007 had been in the tiny basement of the Sound323 shop and in a packed Red Rose club, two very different performances. These days the duo have (for some inexplicable reason!!) chosen the name Oceans of Silver and Blood for the d…
A blast from the past! Or, rather, a whisper from those long ago days when reductionism (that hated term) held reign and only the merest sounds were often discerned during the course of a concert. A welcome return, in this case.Previously available in exceedingly minimal quantity (like 50), Confront has generously allowed these two sets to once again see the light of day. Davis was often heard on trumpet and Wastell on cello or percussion, but here it seems (no instrumentation is listed) that bo…
John Zorn and Bill Laswell are two of the Downtown scene’s most consistently intrepid musical explorers, and PainKiller, formed in 1991 is their longest running project together. “The Prophecy,” the first official PainKiller release in over ten years, was recorded live in Europe in 2004–5 and pulls together music from several concerts into a powerful and mind blowing suite unlike anything the group has ever released before. Featuring master drummer Yoshida Tatsuya (Ruins, Korekyojin) the music t…
Mectypo Bakterium is a work furnished of implacable plastic exasperation. The icy oppression, the hallucinatory electronic wounds, are a precious and singular fact in a technological society brought to the limit. The emotion is pushed into dangerous zones, and unusual tensions free biological groans of extreme effectiveness. A vivid expression of a world in extinction. Near exact replica of this classic Maurizio Bianchi LP published by DYS in the USA in 1982."An other awesome, bizarre, ultra-opp…
A recent collaboration between these sound experimentalists consisting of both musicians’ passionate relation to found objects and recycled material treated as instruments. Devoted solo performers of free improvised music, also members of the London Improvisers Orchestra, Tasos Stamou (modified electronics, prepared zither, found violin) & Adam Bohman (amplified objects, prepared balalaika and prepared violin) create layers of “instant” musique concrète which balances between narrative structure…
This is a rather unusual recorded material from Yiorgis Sakellariou, a greek sound artist who has been concentrated for the past few years under the project and recording name Mecha/Orga over treating manipulated field recordings and electroacoustic sounds into minimal atmospheric and textural live compositions, both on stage and in various releases. “31:56” (2007 production) is rather different in context; no sample-based or acoustic material is used but strict electronically generated signals,…
An improvised duo piece of Nikos Kyriazopoulos and Korhan Erel. Recorded live at Knot gallery, Athens, on March 18, 2011 this documentation consists of both artists' performing explorations on electronics and combines the ‘warmness’ of handmade analog oscillators and spring reverbs (by Nikos Kyriazopoulos) to the ‘sharpness’ of digitally synthesized and computer-software performed sounds (by Korhan Erel who played with his Omnibus instrument). Both traditional and contemporary electronic equipm…
Free piece of tape is an Athens-based duo of Giorgos Axiotis and Efthimis Theodosis that has been performing and producing amplified and electroacoustic music for the past eight years. “Two fields and a snowflake” is a rather peculiar approach to their usual sounds, since it consists of three totally acoustic improvised tracks, played and recorded live between March 2008 and April 2009 in three different locations in Athens; at a toilet, a living room and a 2nd floor balcony. Use of smaller inst…
“::Vtol::” is the recording & performing project of the Russian electronic-music artist Dmitry Morozov, also a developer and designer at his brand that launches small-production handmade synthesizer modules. “Aerophobia” is a documentation of a December 2011 performance at the “Chocolate fabric Club” in Moscow. During the specific piece “::Vtol::” has utilized his unique modular synthesizer system as a generating source of electronic textures that are highly rich in material essence. Repetitive …
New solo album by the highly prolific yet always captivating Richard Youngs, whose music can waver healthily between new forms of singer-songwriter material, lo-fi drones and all manner of avant-garde forms. Here, his music sways towards the difficult and embraces organ drones and swells, frazzled electronics, a voice that is at once unnerving and unnerved, and more besides. Anybody expecting a comfortable listen should be prepared.
Feathered Coyote is very proud to present this re-issue of Maurizio Bianchi's "Industrial Tape", originally self-released in 1980. Four tracks of explorations on analog synth, moving between eerie soundscapes that wouldn't sound out of place in a late 70s/early 80s horror movie, repetitive rhythmic structures and barrages of noise.