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Following the publication of the extremely limited single-sided 12" record “Surfaces”, which occurred just a few months ago and is now hopelessly sold-out, Gianluca Favaron returns on 13 with a new solo work released in the prestigious "Private Sounds" series. Besides having published a few solo works, Favaron is part of Under The Snow along with Stefano Gentile and collaborates with Ennio Mazzon on the Zbeen project. In the past he has released music as Ab'she and was part of Lasik Surgery alon…
Born in the province of Taranto, in southern Italy, after many years spent in Naples and now based in Berlin, Fabio Orsi sits among the most interesting names of the European electronic and experimental scene. Following his early output on A Silent Place and Smallvoices, his music works have been published by many other labels worldwide, including Last visible Dog, Porter Records, Boring Machines and Silentes. His talent has become an estabilished reality thanks to his abilities in finding a nic…
This is the debut release of Souffle Continu Records, the newly-founded label by the Parisian record shop. This new imprint will focus on high-quality vinyl reissues and explore avant-rock, early electronics, psychedelic noise and kosmische beats. The first three releases are reissues of three ultra-rare 7"s by France's finest guitarist Richard Pinhas (Heldon, Lard Free, etc.). In 1972, Richard Pinhas and his group Schizo invited Gilles Deleuze to read text by Nietzsche for a recording that …
This release marks the second release of Souffle Continu Records, the newly founded label by the well respected Parisian record shop. This new imprint will focus on high quality vinyl reissues and explore avant-rock, early electronics, psychedelic noise, kosmische beats and free jazz. The first 3 releases are reissues of 3 ultra-rare 7”s by France’s finest guitarist Richard Pinhas (Heldon, Lard Free…). Following "Third", Heldon brings out this EP "Soutien à la RAF" in 1975. Radical, highly polit…
This release marks the third release from Souffle Continu Records, the newly-founded label by the Parisian record shop. Perspectives, the companion EP to the Heldon IV/Agnetta Nilsson LP, came out in 1976 and saw Heldon toughening its music with the appearance of sequencer and Moog. "Pure savage electronic energy," as would later describe Dominique Grimaud and Eric Deshayes. Now almost impossible to find, this record is available again for the first time in almost 40 years in its original sh…
The fourth release by Angel for Editions Mego expands upon their singular combination of electronics, traditional instrumentation and extended technique. The musical reduction & simplicity of Terra Null. is a beautiful and brooding statement on cultural Darwinism. At a time when the dominance of capital and greed blanket our world in a singular destructive objective, Angel deploy a reductionist technique that opens a path towards a potential new reality. Slow-moving drones peer from the cracks, …
Electroacoustic Sludge Dither Transformation Smear Grind Decomposition nO!se File Exchange Mega Edit is the long-awaited collaboration from two of the world's finest purveyors of noise, electroacoustics, and top-shelf audio mayhem. Having met at the legendary Tokyo venue 20000 Volts in 1997, Russell Haswell and Pain Jerk (Kohei Gomi) stayed in touch with the intent to collaborate at some point in the future. This was eventually realized in 2012 when they were offered a gig to play together at th…
Formed in opposition to the media identity schizophrenia of the present, Thought Broadcast thrive upon the post-punk tactics of forgery and radical anonymity. Votive Zero is the second release on Editions Mego from this mysteriously coded American outfit. Emerging from the U.S. noise/punk background, Thought Broadcast further trace a unique path with nine carefully-considered obfuscations of rhythm and blurred takes on expressionism. Utilizing minimalist spaces, rhythmic repetition and material …
**3LP edition of 300. All the 'pal trimmings** Itinerant radical computer musician Goodiepal presents a typically unfathomable slab of brilliance for Editions Mego. 'My Paris is Called Colchester' would appear to be Goodiepal's commission for IRCAM, Paris, mixed and recorded live during his annual show at Colchester Arts Centre. It's gotta be one of the most beguiling albums anyone will release in 2014. Across six sides Goodiepal follows a line of illest Nordic logic transporting us throu…
Tautologos III' (1969) from Luc Ferrari performed by GOL (Jean-Marcel Busson : electronics (Metacrackle, Luxonic), charango. Frédéric Rebotier : voice, clarinet, objects. Ravi Shardja : bass, electric mandoline, flute, sanza) and Brunhild Meyer-Ferrari, voice, cardboard. 'Havresac' (2012) by Gol & Brunhild Meyer-Ferrari.
These recordings were made at the edge of Washington state's Olympic Rainforest, where the Hoh River meets the Pacific Ocean. The point of entry to this landscape, named Oil City on the map, is no more than a place where the road widens before coming to an end at a trailhead. Just north of the road, through the trees, and on the homestead of the late Captain Hank who one day disappeared at sea, is the ghost of an oil rig and some comings and goings along a plank road. Early 20th century settlers…
Roananax 1999 (Axel Dörner, Robin Hayward, Annette Krebs, Andrea Neumann) and Obliq 2014 (Hannes Lingens, Pierre Borel, Derek Shirley). Powerful archive recordings from the legendary group Roananax at the very start of 'Berlin reductionism'. Combined on a split disc with a beautiful example of reductionism 15 years on played by Obliq, a group of younger Berlin-based musicians.
Sabine Vogel 'luv', and Chris Abrahams + Sabine Vogel 'kopfüberwelle'. Another split disc, presenting two aspects of the music of Berlin-based flautist - composer - improviser Sabine Vogel. The first half of the disc contains a solo composition created from recordings made by Sabine with Landscape Quartet, a group committed to improvisation in and with natural environments. The second half of the disc features an extended improvised performance by Sabine on flutes in duo with The Necks' Chris Ab…
A Survery of Locked Modes is a collaboration between Blood Wedding (Chuck Johnson and Danishta Rivero), critical theorist Timothy Morton and visual artist Marlo Pascual. Blood Wedding has described these recordings as sonifying what Morton defines as the hyperobject, objects and forms so massively distributed in time and space that they transcend categories and localization. For Morton, nature is no arbitrary or anthropomorphic signifier and artistic representations of the environment should off…
Extraction is a collaboration between composer Ben Vida, visual artist Meredyth Sparks and curtor and writer Anthony Elms. Continuing Vida's explorations of digital and analog synthesizing systems,ÊExtractionÊgives particular focus to aural phenomena-engaging electronic, non-representational sounds that appear to cut, move and oscillate on both vertical and horizontal planes.The conceptual and formal parameters for this release circle around Sparks's notion of extraction, a practice and theory t…
A new musique concrète piece by Renato Rinaldi. Entirely based on sounds recorded in the Planta quarry, located in Menàrguens, Spain. “Planta” is one of the sections of a larger installation realised by Renato Rinaldi, Armin Linke and Giuseppe Ielasi as part of the 14th International Architecture Exhibition in Venice. Total running time: 16’44″
mixing (guitar by katsuyoshi kou, composed by takahiro kawaguchi); skit2; tuning (tuning by yosuke yamagishi, guitar by shinjiro yamaguchi, composed by takahiro kawaguchi); skit1; watching (story by cal lyall, composed by takahiro kawaguchi); doing (improvised by giuseppe ielasi and takahiro kawaguchi). Recorded by Takahiro Kawaguchi, except 6 recorded by Attila Faravelli. Mastered by Giuseppe Ielasi, photography by Ujin Matsuo. Inspired by “Realm of the dead” by Hyakken Uchida.
Subterranean, nearly-inaudible restraint and a rushing, stuttering throb rule the night on this new record. Its electric moods are so resolutely alien they suggest worlds unknown rather than create them. Irregular heartbeat thumps are set against high end atmospheres explored in microscopic detail. Haunting overlays of tones fluctuate and tremble, and not one moment feels forced. The music is meticulously constructed and consistently surprising. The electronics spin away, shooting off int…