GYU
CD version. Tujiko Noriko returns to Editions Mego after a period of relative silence, this time in collaboration with Tyme. (aka Tatsuya Yamada, member of MAS). This album was developed from songs that the duo made once a year at the end and beginning of the new year, for a period of six years. These were sent to friends and people who asked. After six years, there were six tracks and they added five more tracks based on the illustrations of Kimura Toshiko to complete the album. A gaudy ta…
Split
Justin Wright’s Expo 70 is back, this time sharing vinyl space with French duo Altair Temple for a trip headlong into the bonged up psych-drone ether. On Wright’s side we’ve got a jam from the same sessions as his righteous Death Voyage outing, and he sculpts swirling dark masses of sound with heavily effected guitar and Moog, sometimes underpinned by the steady pulse of an analog drum machine. Flip it and Altair Temple deal out some gently pulsing mid-end synth drone that’s most r…
Afro Noise I (Volume 2)
Volume 2. A bludgeoning mix of machine and vaudou / Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Songs featured in VBS's films 'Vice Guide To Liberia' and 'Mandingo'. Since 2007's Whitehouse album Racket, and after his original 'Afro Noise' mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen 4 long years of meticulously obsessiv…
Guts
Deluxe 2LP version. More voraciously bestial soundwork coming from Daniel Menche -- this time, his chosen theme is the piano, in which he attacks, investigates and dissects with the precision of an autopsy surgeon, adding a whole new meaning to the concept of prepared piano, or should we say, unprepared piano, for an all-out assault. Guts lays out quite possibly some of the finest slabs of Menchian sonic mayhem to date. Slightly different track sequence over CD and vinyl formats due to ti…
Afro Noise I (Volume 1)
A bludgeoning mix of machine and vaudou / Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Songs featured in VBS's films 'Vice Guide To Liberia' and 'Mandingo'. Since 2007's Whitehouse album Racket, and after his original 'Afro Noise' mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen 4 long years of meticulously obsessive studio w…
The Revenant Diary
"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …
The Flesh Creeping Gonzoid & Other Imaginary Creatures
A 6CD set that comes in a box adorned with lurid glossy artwork, complete with individual wallets and full colour booklet. The Flesh Creeping Gonzoid is a collection of studio outtakes, remixes, deleted obscurities and compilation appearances recorded between 1999 and 2010. Limited to 500 copies
Rupture
This CD is the first collaboration of Steven Stapleton's Nurse With Wound and composer/sculptor Graham Bowers. It is, without doubt, one of the best things we have ever released. It's an extremely unnerving, but also hauntingly moving listening experience.The work is an attempt to create a musical illustration of the "goings-on" in the brain during the last hour and three minutes of a life after suffering a major stroke. It is multi-layered and is primarily concerned with the internal chaos caus…
The Dunrobin Session
The recording of The Dunrobin Session took place during a residency at Carleton University in Ottawa, Canada, during which Pauline Oliveros presented a series of concerts and workshops in collaboration with percussionist Jesse Stewart, who teaches music composition at Carleton. Oliveros and Stewart are composers, performers, educators, and writers, and each has pursued creative exploration of new instrumental resources while developing expertise on a traditional instrument (accordion and drum).R…
Electronic Works 3
Until Spring was first conceived in 1975 on the Buchla synthesizer using only analog techniques. “It was about 10 years from Silver Apples to Until Spring,” Subotnick explains, “and I’d evolved a whole concept and a technique, but I had gone as far as I could go with it. I could do everything I wanted to do, but I couldn’t do it in real time.” As computers and software developed in the coming decades, Morton Subotnick created a software-based instrument that he felt could allow him to compl…
Mandara Trilogy
few copies available for this long time deleted CD, early 80s works for Voice and Electronics. "Mandalas are sacred pictures that can lead viewers to a state of "Satori" through intense and concentrated viewing of them. It semed to be that "listening" was as cognitively viable as "seeing". Bloody human heads and skulls on the loins, copulating, and stomping on horrendous devils ... looking at those extraordinary and ferocious gods with their outraged faces twisted with anger, through the silence…
Music in Twelve Parts
A milestone! Music in Twelve Parts, written by Philip Glass between 1971 and 1974, is a deliberate, encyclopedic compendium of some techniques of repetition the composer had been evolving since the mid 1960s. It holds an important place in Glass's repertory - not only from a historical vantage point (as the longest and most ambitious concert piece for the Philip Glass Ensemble) but from a purely aesthetic standard as well, because Music in Twelve Parts is both a massive theoretical exercis…
Spiriti
*Last copies, sold out at source* Mindblowing set: This 280-copy limited edition triple-LP box, the sequel to last year's intriguing Roto Vildblomma, will, I suspect, appear in many reviewers' best-of lists. Mohammad Nikos Veliotis, Coti K and Ilios“ seem to have been born to produce ominous sonorities together, and this set definitely places them in favorable position to dominate Subsonic Valley while keeping a residence in Dark Melody County. There may be three discs, each with its own title, …
Razine
“Razine by Erikm and Michel Doneda At the very beginning of the year 1900, Velimir Khlebnikov is listening to the new century on the banks of the Caspian Sea. In the gyrations of the Dervishes he conceives his Futurian equations. He creates the coming models of "modern" art. He is the first to write poems from mathematical series and in the form of the palindrome. Fourty years later this will become the system behind twelve-tone serialism. Velimir spreads his writings in different points in spac…
Live In Melbourne
Live in Melbourne represents something exceptionally unique in the on-going musical relationship that exists between Mark Wastell and Rhodri Davies. Not only is it their first — after nearly 20 years of playing together — published duo recording, it also captures the first and subsequently only time that the pair performed together using table-top apparatus and low-fi electronics. In previous (at the point of recording in 2005) and subsequent duo performances Rhodri has always used his ha…
Aleph
*2022 stock.* In his liner notes to Aleph, Terry Riley explains that the work was created as "an improvised meditation on the various meanings of this supreme emanation from the Hebrew alphabet." It was made using a Korg Triton Studio 88 synth with his own sound design, and employing a just intonation scale used by Lou Harrison on his last work, "Nek Chand for Just Intonation National Steel Guitar," which was performed by Riley's son Gyan on the album Serenado. Riley has been using the scale for…
Visible Breath
Eyvind Kang tremendous efforts on Sunn O)))'s Monoliths & Dimensions album helped elevate the group's presence to a new level creatively and aesthetically. We were fortunate and perhaps even destined to have this crossing. During this period Kang also premiered the pair of pieces presented on side A of this album, 'Visible Breath' and 'Monodology.' I was fortunate to witness an ensemble concert of these compositions titled 'Grass' in Seattle which featured many of the same amazing musicia…
Electronic Noise Improvisation 1999
After spending the first half of the 1970s globetrotting with Asia's premiere avant-garde band--Takehisa Kosugi's Taj Mahal Travellers (where Seiji Nagai played trumpet and keyboards)--Nagai continued to study and play music, particularly Indian music (drones) and electronic/computer generated music. In 1999 he finally released Electronic Noise Improvisation, with the help of Koichi Watanabe, Koji Kawai and Minoru Yonemoto. Here, as in the days of TMT, Nagai concentrates on creating dense …
Strings
A sublime constellation of sound miniatures divided into 3 long tracks (at once random and simultaneous) of delicate field recordings and found objects transformed and woven into intricate electronic tapestries, a slowly building "ambient" work with a unique sense of melancholy. Stefano Pilia's Strings is a diary composition began in 2004, a series of subtle epiphanies followed by a somewhat enigmatic resolve or 'answers', richly spacious explorations that appears suspended in time, with distan…
Superdisque
Superdisque is the first album from the French trio formed by David Fenech (electric guitar) with Jac Berrocal (trumpet) and Ghédalia Tazartès (vocals). Somewhere beyond the borders of rock, jazz, punk and sound poetry -- the vocals seem to come from another planet, with lyrics in an improvised language. The winds are blown from Tibetan human bones and conch seashells. Guitars sound like rubber and steel. Expect the unexpected. Special guest Zap Pascal (accordion) appears on one track. Dav…