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Milestone!! Rainer Riehn (1941–2015) was a German musicologist, conductor and composer of avant-garde music. He is best known for being the long-time partner and collaborator of Heinz-Klaus Metzger with whom he published the journal "Musik-Konzepte" between 1977 and 2003, devoted to the musical avant-garde of all eras. Together, they also founded the Ensemble Musica Negativa in 1969, committed to radical music by John Cage, Morton Feldman, Dieter Schnebel, a.o., for which Riehn served as the con…
Limited numbered edition of 700 copies celebrating Esplendor Geométrico's 2015 35th anniversary. The band formed in Madrid in 1980 and went on to become an international cult act and one of the most influential pioneers of industrial music. This set contains four LPs packaged inside a special deluxe box and individually screenprinted using a metallic copper ink. The four covers, when put together, make up a main image. The box set also includes a poster. The LPs feature a selection of tra…
Geometrik presents the first vinyl edition of Esplendor Geométrico's Nador, originally released by Dirk Ivens' Daft Records on CD in 1995. Fans of Esplendor Geométrico have been waiting eagerly for this reissue of Nador, a collection of alternate takes and otherwise unreleased tracks recorded in 1988 and '89, one of the duo's best creative periods. Includes tracks recorded in the Sheikh Aljama (GR 2116CD/GR 2131LP) and Arispejal Astisaró (GR 2117CD/GR 2132LP) period, an especially interesting…
180-gram LP with bonus 7". Eduardo Polonio has been one of the key figures of Spanish music since the late 1960s, especially as a pioneer in the field of electroacoustic music. He was a member, with Luis de Pablo and Horacio Vaggione, of Grupo Alea Electrónica Libre (1970-1972), the first Spanish group to play electronic music live, and he has been one of the main figures of Barcelona's Laboratorio Phonos studio since 1976. He was also a founding member and president, between 1988 and 1994, of S…
In the early '60s, Robert Craft's Columbia recordings of Varèse's works were important contributions to the catalog and hailed for giving this music greater exposure. The album includes Poème Electronique composed and recorded onto magnetic tape to be played from 400 loudspeakers, complimenting the parabolic and hyperbolic curves of Le Corbusier's pavillion at the Brussels World's Fair in 1958
Arriving like the mysterious fully formed monoliths in Stanley Kubrick's 2001: A Space Odyssey is the new album from Warsaw, Poland based artist Aleksandra Grünholz aka WE WILL FAIL. Despite the fact this isn't her debut (that was 2014's "Verstorung" also for Monotype Rec.), this new double barreled shotgun of an album entitled "Hand That Heals / Hand That Bites" rings with the boldest sense of arrival you could possibly imagine. With a unique sound that is neither electronic, noise nor experime…
French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma for Comme Un Seul Narcisse, their first collaborative effort. Recorded between NYC and the Alps, Comme Un Seul Narcisse is an epistolary conversation of postmodern times between Cantu-Ledesma and Atkinson, who -- strangely enough -- met just once in person, in San Francisco in 2009. But the record is also a detour. Though it follows Cantu-Ledesma's haunting A Year With 13 Moons (Mexican Summer, 201…
The Ligurian duo St.Ride, composed of Edo Grandi and Maurizio Gusmerini, is one of the most ambiguous and lest framed bands of Italian experimental music. Their first works came out for some labels but the rest has all been self-released on cd-r for Niente, diy label that the two members use for their side projects. The only thing that counts is their music, an out-and-out studio made of unexpected events. From the acid, electronic strokes of Primitivo to the successful mix between On-U Sound ta…
Nommos is an electronic work based in speculative fiction. It was inspired by a 1970s New York exhibition devoted to the art of the Dogon people of Mali. The Dogon are renowned for their cosmogony and for their sculptures evoking their religious beliefs, received from extraterrestrial visitors, known as the Nommos, a group of amphibian humanoids who came to them from the region of the double star Sirius. This very unusual work was written in 1979 by the American-born record producer, composer an…
The material at hand is the second release in a series of sonic sculptures, these “Quellgeister”, that Stefan Fraunberger has been developing within his extensive travels through Transylvania. Fraunberger seeks out 300 year old organs in abandoned churches and refurbishes them, freeing them of their long-gone service to the institution. The region plays host to a number of small villages which lost the majority of their German population to migration after the fall of communism. In an area curre…
Owl Rave's debut is dark, melancholic and driven by honest simplicity. Owl Rave use David Lynch's „Twin Peaks“ as their main reference. The album's sonic setting, especially the sound scapes, are heavily influenced by the duality between a seemingly perfect world and deep abysses. They are set in and around the sinister places of Twin Peaks: dreams, visions, brothels and run-down bars. Straight melodies, layered atmospheres and simple beats are enveloped by shapeless drones. Horror jazz and hero…
A four-movement work probing the reciprocal interference of sound and space. The source material is reduced to elementary sonic primitives - sine waves, white noise - then physically degraded through tape manipulation to generate pulses, beats and emergent waveforms. From this collision between idealised digital signal and the analogue artefacts of magnetic media, van den Broek builds a heightened spatial perception where pure tone and altered source act on the listening field simultaneously.
Poetic Infomercial Experimentalism is a musical piece, consisting of two parts, that arose after Tapage (Tijs Ham) and Espoir (Roald van Dillewijn) found that no one else had ever tried to write it before. Since they both had a strong feeling that the world would be better if this music is available for everyone, they agreed to come together in monthly sessions to start their creative work. In each session, they tried a different approach to making music which resulted in a lot of improvisation …
Recorded in Athens in July 2014, the second album by 300 Basses extends the trio's move from free improvisation toward fixed composition. The investigation here turns on minimal but precisely framed actions: the beating patterns generated by long tones at slightly detuned pitches, the unstable timbre that emerges when reed sustains are layered with bowed cymbal, the slow permutation of a reduced interval set. A sound world built from infinitesimal elements, dense in vibration and microvariation.
Frans de Waard's first full CD under the Modelbau alias, a project built around a deliberate constraint: cassettes, small synthesizers, guitar effects, microphone and amplifier, with little or no computer involvement. Four Squared Wheel was captured in an extended studio session around a Philicordia organ routed through guitar effects and amplifier, signals mixed on the fly into a near hour-long single piece. Live electronic drone with the unmistakable grain of analogue circuitry.
2016 restock Riccardo Sinigaglia truly is a key figure in the late 70s mid 80s experimental scene from Italy, and this small selection of concrete, electronic and experimental instrumental works is just amazing. The albumis drawn from the late 70s to mid 1980s, mainly rescued from two early pieces: Scorrevole 1, mostly recorded outside with a portable tape deck and a Sennheiser stereo microphone MKE 2002 and then the sounds are elaborated with the concrete music traditional techniques. The secon…
The third album by Ned Milligan and the first to reach an audience beyond family and friends, Continental Burns is the result of getting reacquainted with the act of making music and diving into the experience of creating short films. Composed primarily over the summer of 2014, Continental Burns was created with two sides in mind. The first five tracks share a certain kinship; the sixth complements what came before while departing from it at the same time. A lot of this music came out of Ned's l…
Opening a sonic space that leads into delicate subconscious spheres, Ivan Pavlov aka CoH has created his most sophisticated work to date. MUSIC VOL. is a piece of gentle acoustic excitement. Evolving around concepts of silence and sound, each track reveals to the listener a different emotional chamber. The work generates a profound intimacy derived from the fact that "VOL." is meant literally; Pavlov places variations of volume and soft progressions of sound at the fore, inviting comparisons…
Listening to Fursaxa’s music is like strolling around at night in a dark forest under a full moon’s gaze and getting lost in crystallized spider webs spun by Rumpelstiltskin. Boiling down Hildegard von Bingen, Nabakov and Nico in heavenly spiked acid folk layered with organ drones, percussion and chanting. 300 copies.The best way I can think of to describe Fursaxa's music would be, psychedlic acid-freak-folk and the project is led - and vocalised by - Tara Burke. Cheap casio keyboards, acoustic …