We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
'Ezramo: voice, piano, prepared zither, bells. For this project Ezramo recorded the sounds of larvae (sarchophaga carnaria) during their transformation into flies. Through rough sub-real field-recordings, she explores, interprets and lyrically re-invents the concept of metamorphosis. Gatefold sleeve, offset printing on paper. Limited to 300 copies, handnumbered.
"After producing their frozen trilogy of intoxicated dronemuzik for the Agency, these Scandinavian gentlemen have ventured into more absurdist territories through fictionalized soundtracks for imagined Mondo films and science fiction serials. It is in this context that BJ Nilsen & Stilluppsteypa present the apparitional Big Shadow Montana, an album of slow-motion delirium manifested in occluded smears, nocturnal gasps, and arcane tones from a variety of analogue synthesizers. Amidst the n…
Special vinyl set collecting the first two incredible solo albums from Bruce Gilbert - not to be missed* In 1979, after completing their third and final group masterpiece, 154, Wire dissolved, leaving Bruce Gilbert and fellow traveller Graham Lewis free to explore their interests in minimalist electronics across a series of solo and collaborative projects. Originally released on Mute in 1984, 'This Way' was Gilbert's first solo album and was primarily made up of work commissioned by choreographe…
For this release Mathieu Ruhlmann uses a lot of sound sources and per track he lists them. We see listed a coffee grinder, ukelin, e-bow, moss, denture cleaner, bubble wrap, dried plant, cactus, speaker and gate (and that's just the opening track!)... The gain is very much alive here, so there is occasionally some feedback leaking through here. That adds a strange component to the highly acoustic music. Ruhlmann plays his stuff with great care. His music is open, spacious, but also intimate. The…
A joyful product of mutual understanding between these two outstanding composers, described by Manuel Zurria in the booklet with the following words: "Philip Corner gave me the key to enter a secret and wonderful room, full of fabulous things and made me discover a part of me I did not know." Much more than a journey through sound, this work is a reflection on our modern world and the role played by music and soundscapes. It's a journey through traditional instruments and modern technique…
'Neurochemie' is one of the most intriguing albums we've found on France's excellent Rotorelief label. It counts as part of ongoing research by Siegmar Fricke, a long-standing fixture of the European tape music scene who has collaborated with the likes of Maurizio Bianchi and Giancarlo Toniutti since 1985 (Siegmar Fricke started in 1981 making musique-concrete-experiments with magnetophones and shortwave-radio signals, recorded on various cassettes, followed by intense activities in th…
Uncompromising sound artist Ivan Pavlov, aka CoH, releases his latest body of work in a special edition for France's Rotorelief label, housed in a stunning and unique pop-out digicase CD design. While relating to the release of Takahashi Miike's 'Zebraman 2' - a low budget Japanese superhero farce - 'Z-Rated' also doubles as a compilation of rare and previously unreleased early material dating from 1992 right up to 2009. If you've followed CoH's records over those years, you might know to …
On their Thrill Jockey debut Eternal Tapestry have delivered an album not unlike their epic live shows. Beyond the 4th Door contains long stretches of melodic guitar improvisations, dark brooding songs that slowly build and expand to allow in layers of light. The album was recorded in their home studio and was created by recording more that two hours of material, mostly live, and hand picking what you hold in your hands. There is a free and open nature to their structure creating for the listene…
Pseudocode was a Belgian electronic improvised music band, active from 1980 to 1982, featuring Xavier S (Thrills), Guy-Marc Hinant (Sub Rosa co-founder) and Alain Neffe (Insane Music, Bene Geserit). While Xavier S contributed most of the lyrics and vocals, it was Guy-Marc Hinant who often played the core melody on his Pianet electric piano. Neffe's contributions are particularly noteworthy throughout, as he weaves together the bulk of the sonic cloth through overdubbing and mixing. None of …
Sub Rosa presents an LP-only collaborative release between New York visual artist, photographer, and film artist Peter Downsbrough and Xavier Garcia-Bardon and Benjamin Franklin, two members of Buffle -- a Brussels-based improv collective. The work of visual artist, photographer and film artist Peter Downsbrough has had a major impact on the perception of art. In the early-'60s, Downsbrough interrupted his studies in architecture at the University of Cincinnati and Cooper Union in New York i…
2011 release. Key Of Shame is the most extreme entity to come from two cult collectives of the New York underground, No Neck Blues Band and Sightings. PLANAM proudly presents their first recordings, four threnodies for Judas Iscariot as performed by Mark Morgan (Sightings) and Pat Murano (NNCK, Decimus). Jesus answered and said "You will become the thirteenth, and you will be cursed by the other generations -- and you will come to rule over them. In the last days they will curse your ascent..…
"Superb cosmic and minimal synth/coldwave German underground masterpiece recorded in the early 1980s and released exclusively here on super-loud high quality 12" vinyl on Soul Jazz by popular demand! This is extremely limited (500 copies only) and contains three exclusive tracks of cosmic heaven by the cult German electronic group E.M.A.K. -- none of which appear on Soul Jazz Records' recent E.M.A.K. album. E.M.A.K. were a main feature on Deutsche Elektronische Muzik, Soul Jazz Records' j…
When the David Byrne / Brian Eno collaboration My Life in the Bush of Ghosts was first released in 1981, Rolling Stone called it “an undeniably awesome feat of tape editing and rhythmic ingenuity.” It was widely considered a watershed record for future genres from world music to electronica, and almost 25 years later, the influence of My Life in the Bush of Ghosts is evident in music ranging from The Bomb Squad’s productions for Public Enemy to Moby, Kruder and Dorfmeister, and Goldie. Nonesuch …
Deluxe first vinyl edition of this iconic modern masterpiece, limited to 800 copies, pressed on 140g vinyl and packaged with six monochrome lacquered sheets housed in silk-screened PVC sleeve with original artwork by Tina Frank and Florian Hecker** Originally released n 2003, Hecker's 3rd album release, 'Sun Pandämonium' received the Award of Distinction Digital Music at the Prix Ars Electronica festival the same year. Mastered for vinyl by Rashad Becker at Berlin's D&M, it now forms part…
RESTOCK: Natalie Weyes Blood (originally Weyes Bluhd) has existed in the grime-ghost fringe-music catacombs since at least 2006, though originally it was in more of a crouched/hieroglyphic FX pedals style, culminating in a European tour with Axolotl. After two seasons of hibernation and a relocation to Baltimore, she materialized her 'Blood In Bluhd Out' transformation and began writing/playing the darkly haunted narcotic drifter ballads that make up The Outside Room, her first official f…
Composed and recorded in Berlin from 2008 to 2010 the music consists of four electroacoustic pieces based largely on analogue synthesizer material and one long-form swarm-like composition for multiple overdubbed saxophones. Additional sounds range from metal foil floating on ultrasonic sound-beams to mechanical clickers recorded in the abandoned radar domes at Teufelsberg. The raw materials have been extensively processed and re-constructed using analogue tape and digital methods. The fiv…
"Incomparable new full-length from Daryl Groetsch's Pulse Emitter project, and hands down album of the year, already. I want to say this is the culmination and apogee of composed synthesizer music in the new millennium, but I guarantee Daryl's got plenty more tricks up his sleeve. The profound development of Daryl's music is more and more apparent with each release, from the crackly, hollow modular nightmares of his early sides to the heartbreakingly beautiful tonal architecture of Spir…
The epitome of a cult artist (and a favorite of Julian Cope), the enigmatic Magical Power Mako (aka Makoto Kurita) has been sporadically releasing albums in his native Japan since 1974. This lavish numbered, limited edition 5CD set collects jams taped by him between 1972 and 1975, and comes complete with a full 12-page booklet. Encompassing psychedelic folk, Krautrock, electronica and fuzz guitar, the music's effect is frequently astounding, and absolutely essential for all fans of Japrock…
We are very pleased to announce two new recordings by Keiji Haino, focusing on hurdy-gurdy and wave drum. Continuing in the vein of our previous release with Haino (the 66 minute drone So, Black is Myself ) this double CD remains very dark and very ambient for the most part. Each disc features one long piece using one of the two different instruments and each is individually titled. The main title as well as the individual track titles perhaps give the best insight into the mind of this enigmati…