We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Electronic /

Harmony In Ultraviolet
This is the first proper vinyl release for Tim Hecker's breakthrough 2006 album. At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. Full color gatefold sleeve.
Lest We Forget - Work In Progress 1979-1988
This is the limited friends edition of 50 copies in red box with silver printing incl. LP-size Booklet and a 7inch. Both LP's and 7" are clear vinyl. 1 copy available only. "Lest We Forget" is a collection compiled from the earliest recordings by Nocturnal Emissions, a group founded by Nigel Ayers, his brother Daniel Ayers and Caroline K in 1980. It comprises of material previously only available on cassettes as well as tracks recorded under their earlier name, The Pump. The Nocturnal Emissi…
Off Light
His first solo album, Off Light finds Scott Goodwin (known for his work as part of trio Bonus), exploring the microtones associated with overlapping sine wave oscillations. 'Off Light' and its accompanying piece 'Arc' both focus on the very subtle interplay and morphing interactions of these fundamental waveforms, taking on a level of meditative discipline that's sure to require a good deal of patience and concentration both on the part of Goodwin and the listener. Minimal as it may be there's u…
Keep An Eye Out
Table of the Elements continues to celebrate its 15th anniversary with the tenth installment in its Guitar Series Vols. 3 & 4. It’s a 12xLP romp of deviant fretnoise by some of experimental music’s most prominent players, including Christian Fennesz, Thurston Moore, and Sunn O)))’s Stephen O’Malley. Sunn O))) founder Stephen O’Malley summons a mesmerizing drone, absorbing the listener into an aural tar pit of deep, inexorable oblivion. He wears a cloak of post-metal allegiances with behemoths li…
Proud Princess Of A Brand New City
After several hugely impressive concerts, where the visuals from Kurt D\\'Haeseleer are almost as important as the music, Guillaume Graux or Tuk comes up with a first cd. \\'Proud Princess of a Brand New City\\' contains mostly finished versions of the tracks he used the first three years at his live performances. The main sources on the cd are guitars, most of them so heavily treated that you barely hear it\\'s a guitar. Even if it\\'s only a beat, it might be guitar. You never know on this rec…
S*CKMYP
S*CKMYP drops the spectator in a world continuously bombarded with digital fragmentation bombs. People wander through a kaleidoscopic labyrinth of trembling bodies and mutating buildings until they are swallowed by a yawning void. Lost pixels nestle like parasites under the skin and drag them through an everyday world that looks strange beyond recognition. THe film is a feverish dream, the loot of a nightly raid on suburban districts and new housing estates. A collection of the stolen dreams, fe…
Mechanica
Shifts is Frans De Waard. Famous for his ground-breaking releases on his own Korm Plastics/Bake/Microwave labels (all available as CDRs) and his work for Staalplaat (which he didn't found, contrary to popular belief) and from a thousand other projects as Goem, Beequeen and Kapotte Muziek. Shifts produces another angle of De Waard's minimal music. The guitar is the source of Shifts. After a string of 7"s, 10"s and 2 CDs, we are proud to say that Mechanica is one of his best. The album is a contin…
Adlib
He lives in Rostock, Germany and studies informatics. Petters combines perfectly the software computer culture with intensity. His music reflects so much emotion through electronic wires -- you start wondering why more electronica people don\\\'t succeed in the same way. Everything is done with a detailed precision which makes it difficult to relegate this to the background. Even if its \\\'ambient\\\', it still turns your brain around and hits you. Adlib is another moniker from the young Kristi…
Flick
Second one in the guitarimproseries (first one was Shifts). This Finish guy is pretty young but has a distinctive feel towards his guitarplay. Excerpts from his talents could be found on the Killa 7\\"s but here he is operating alone on his selfbuild guitar and other \\"soundlabs\\". It\\'s dark and quiet with lots of floating, hissing and inspired contructions. Every now and then a melody pops up which brings together the harmony between impro and a \\"listenable\\" experience. As for guitarpla…
9 Solitaires
Dag Are Haugan is certainly for most people not the most common name. Being half of the legendary Norvegian outfit Alog made him one of the most original musicians of the last decade. At the start of our label we did carry his debut on Myke Droner stating it as “classic". A couple of years further we received this wonderfull demo. You can call it guitar-glitch if you want... The result comes close to a beatless Gas, a more guitar-driven Novisad, etc... Pressed on vinyl-only, with artwork from Ru…
Girls Beware!
JanuarY 2004. Two years after the highly acclaimed album “Rose-garden", the portables come up with their second full length. “Girls Beware!" starts where their previous album ended. De Portables developed a cult reputation during the years, mainly because of their many intense and always different performances. Against all recent trends, standards and expectations they do their thing; they play because they like playing. The quartet twists themselves during 11 songs a way between pop, post-rock …
Shallow Water Blackout
On Tuk's second full length, the compositions sound heavier. The reason for this is the way this album was recorded. Songs were created and evolved mainly on stage instead of in his home studio. Playing regularly live added new elements to the music and giving it new angles in the meantime. De basic structure of most of the songs is based on seventies classic rocks songs, after which they were heavily manipulated, destroyed and built up again by herr Tuk. This is sonic wizardry in an extravaganz…
~Treibgut
The inimitable Raster Noton label picks up it's Unun series with five tracks of utterly sick digital spasms and oblique hi-end processing from Grischa Lichtenberger following on from the devastating NHK 12" last year. Via various methods and processes Lichtenberger manipulates field recordings and musique concrete sampled from the world around him such as a sliding tabletop, the noise of a radiator or the humming of a broken device before transforming them into sound-giving instruments. The resu…
Kristallisationen
** Edition limited to 300 copies, also including a series of inserts with the diagrams and schedules of the 4 compositions presented on this LP. ** Klaus Roeder is guitar virtuoso an electronic music artist who studied with Kelemen and joined Kraftwerk for their famous "Autobahn" LP. He often works with very small sound particles, whose sound comes from different sources like tearing paper, the voice, a musical instrument, synthesizer or computer sounds. Sound structures are built by joining tog…
InharmoniCity
With Inharmonicity, we've tried to realize an urban symphony, through those sounds normally hidden from our perception and revealed through unusual transducers.In the track Girl Running, a dialogue is established between the sounds synthesized with Xenakis' UPIC and the sound outputs of invisible electronic objects. By carrying these magnetic fields into the audible range, the sounds have been suspended, intimately researched, orchestrated, in order to cross the physical borders of aural percept…
Shapes
Behind graphicalSound is Matteo Milani, whom we recently heard for the first time in Vital Weekly 644 as one half of the U.S.O. Project. Milani started at the end of the 80s, splicing tape at radio stations. These days its all about the computer, ‘blending synthetic and organic sound material, sharing the Pierre Schaeffer ‘audio vision’ of musique concrete’. The four pieces on this release are nice, but hardly musique concrete, unless of course the sounds have been altered to such an extent that…
Ode
Brand new solo release for guitarist Nicola Ratti with his languid, disarming sound of small and gentle gestures and loping rhythms, often repeated and subtly shifting in an impressionistic vision founded on traditional elements. Merging guitar, piano and double bass with percussion, environmental sounds and occasional voice, Nicola constructs songs that by turns float, swell and envelop in magnetic fashion. A piercing tenderness remains at the core of his work, though on Ode there is a more exp…
Dialogue Ordinaire Avec La Machine
Few copies back in stock, long out of print. After the publication of Danses organiques, Elica is pleased to present two previously unreleased compositions by Luc Ferrari from the early 80's: the stereo magnetic tape piece Dialogue ordinaire avec la machine coupled with Sexolidad, a composition for fifteen instruments. Both pieces share with the Danses a deep sense of sexual curiosity, a penetrating matter for the composer's musical explorations. This album is yet another fine testament to the F…
Aroma Club Paradox
RESTOCKED, last copies...Awesome Asmus Tietchens LP housed in a beautiful cover and blue vinyl limited edition "Every now and then Asmus Tietchens leaves his serious self behind, like an outta body experience, and enters the Aroma Club. Somewhere in the 80s he released four synth based LPs on Sky (and subsequently recorded on CD by Die Stadt), and then in the last years of the old millennium he returned to playing this kind of music on cheesy keyboards as Hematic Sunsets, producing by now, inclu…
Hans Werner Henze / Peter Maxwell Davies / Toru Takemitsu
From the liner notes: The idea of music being visible can hardly be more convincingly perceived than in the playing of this musician. To begin with, sound, for Yamash'ta, is not an abstraction, but a mental and physical necessity. He is unable to execute musical textures per se: music to him means words, messages, calls, and self-affirmation, as though he were saying: Listen! I am still alive! Still alive!Aggression and defence are in his work. He knows everything about silence; that is why he u…