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Simon Scott produced one of the best records of 2009 with Navigare, an album whose shoegaze dronemusic was dotted with radioluminescent dream-pop numbers. It was hardly a surprise to us when we learned that he was the drummer of Slowdive way back when. Since then, Scott has produced a single for Immune and a collaboration with Jasper TX, both equally fantastic. For his second proper record, Scott makes a slight detour; but one that is well suited to everything else that's been released by…
Artificial Memory Trace is the long standing musical project of Slavek Kwi, who was born in Czechoslovakia, lived for 14 years in Belgium, and since 2000 has been based in Ireland. Slavek has been making music for more than 20 years under the label Artificial Memory Trace. His works are precise combinations of restructured (mostly) environmental sounds, where the notions of perception, sensation, cognition, and ultimately reality are questioned, notably through the use of musique concrète techni…
Running the gamut of improv, concrète, industrial tape music, and cut-up sounds. Featuring appearances by MITCHELL BROWN (GASP), AARON HEMPHILL (LIARS), PETER KOLOVOS (OPEN CITY), RICK POTTS (LAFMS, SOLID EYE, AIRWAY), and source material by SMEGMA and the HATERS. Partially collects material from the Beat (777 Was 666), Grisp, and DDT (Chondritic Sound) cassettes. For those that say things like, "I don't really listen to CDs"—you're totally lame.
After leaving Subterranean Records, Z' ev moved on to the fabulous German label Dossier for his next two albums. "Schönste Muziek" and "Bust This!" were released in 1986/1988 and bring you the classical Z'ev percussion sound. Rarely has he been more innovative and more experimental in his work, a great variety of sounds is being created out of all kinds of percussion instruments. On this CD re-issue, both these albums have been carefully remastered. Possibly a perfect starting point if you want …
Z'EV has been exploring and breaking ground in the audio and textual fields since the mid 1970s. Although best-known for his metal-based percussive performances, uns, his electronics and vocal-based whirlwind, was one of the most innovative (and individual) audio experiments of the early 1980s. uns's combination of sound poetics and voice treatments with dense sonic landscapes resulted in challenging, unique, and rewarding audio. A historical testament to the challenge uns presented appea…
SEC_: Revox tape recorder, computer samples, no-input feedbacks manipulated on tape. Mario Gabola: feedback and acoustic sax, minitape, self-made electroacoustic chain of feed-drums and piezo-speaker feedback. Aspec(t) are SEC_ and Mario Gabola from Naples, Italy. Their music shares the timbrical research and the execution control typical of some radical impro music (Pateras-Baxter-Brown, John Butcher, Jim Denley, Bruce Russell), but meets the visceral intensity and the obscure poetic of …
Another master piece from Michel Chion reissued by Nuun in this serie directed by Lionel Marchetti. 'Concrète series by Lionel Marchetti. A concrete melodrama consisting of a prologue and nine tableaux adapted from Flaubert. With Pierre Schaeffer (as St Anthony), Michèle Bokanowski (Ennoïa, the Narrator), Art Leroi-Bibbs (the Preacher), Korinna Rahls-Frisius (the Queen of Sheba), Michel Chion (the Announcer). Jointly commissioned by the French Ministry of Culture, the INA.GRM and radio Fra…
You either loved or hated Autre Ne Veut's electrifying 2010 album for Olde English Spelling Bee, and we loved it - as we made abundantly clear at the time. Since its release, ANV has been reasonably quiet, most recently seen turning up on Mordant Music's Variables II 12"; but he's been putting his time to good use it seems, crafting this killer four-track EP for Hippos In Tanks. 'Sweetheart' finds our man warbling and whining in that unmistakable multi-tracked falsetto of his, against a r…
**restocked** Egisto Macchi (1928-1992) has long existed in the shadow of his friend and famous collaborator Ennio Morricone. Founding member of the astounding ‘Il Gruppo Di Improvvisazione Nuova Consonanza ' Macchi was a busy film (LSD Inferno, Bandidos, The Assassination Of Trotsky) and TV (E.S.P, many commercials with Mario Bava) composer in late 1960s and 1970s Italy and France. Macchi also cut a number of highly desirable library LPs for the Gemelli, Sermi and other Italian labels in …
After our acclaimed reissues of the previous three LPs by Richard Pinhas' project Heldon, here is their fourth LP originally issued on Disjuncta/Urus in 1976. Agneta Nilsson is an interesting step in Heldon's development: it gives a twist to their classic sound, which was mainly built around Pinhas' Fripp-esque guitar work and ambient synth experiments to begin to explore a more rhythmic territory. Drums and bass take more presence here, offering a 'rockier' feel, but somehow retaining th…
"Out of the mysterious mind of Andrea Centazzo came Elektriktus. Originally released on the PDU label in 1976, the LP Electronic Mind Waves offers a collection of eight synth-fueled songs that sound very close to what kraut/cosmische heads were doing at the time, think of Conrad Schnitzler, Deuter or Cosmic Jokers, and also other European experimentalists like Richard Pinhas' Heldon, Spacecraft, Didier Bocquet, Seesselberg, F.G. Experimental Laboratory, Roberto Cacciapaglia or Hydrus. Along…
On Tragedy & Geometry, Steve Hauschildt, one-third of Cleveland’s neo-kosmische revivalists Emeralds, crafts an hour’s worth of instrumental synthesizer vignettes. His pieces tend to evoke thoughts of bygone eras of technological pop culture — many of these tracks could be placed seamlessly into Blade Runner, or into some lost Playstation-era (you know, when Final Fantasy VII was cutting edge) videogame. Hauschildt doesn’t craft wholly formed songs so much as he works with detached, technologica…
At long last, and/OAR presents the second of a series of limited edition collections illustrating the various approaches to environmental sound art. These collections allow for longer format works to be presented within a multi-artist presentation. Also returning for the first time in five years is the custom card stock insert packaging housed inside clear vinyl sleeves. Yperiau, by French sound artist Eric Cordier, is a sonic exploration of the lower regions of the Maison de Radio France in Par…
amateur doubles is the brand new solo lp by graham lambkin - a two-part improvisation recorded in a honda civic. dangerous, tedious, pointless and timeless, amateur doubles is a perfect snapshot of life on the open road. expertly mastered by jason lescalleet, amateur doubles arrives in a high gloss full color gatefold, on clear vinyl, in an edition of 500
The works included in 'hiSS [Synesthesia Sampler] vol.1' have been produced using only analogue devices and processing tools - such as no input mixers, analogue synthesizers and custom-built or hacked/reconfigured instruments. Without the use of computers or digital devices, the 4 pieces recall an era from the 1950s-70s, when most of the electronic music makers around the world had limited resources and quite primitive equipment.
Touch presents a 7" from Mike Harding as part of the Touch Sevens series. Recorded in West Wittering in Balham using DPA 4060s onto a Nagra Ares P-ll digital recorder. Cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
Copies from copies of copies upon copies to copies through copies on copies of more copies. Daniel Lopatin was but a babe in the early '80s - the global time frame which stands central to his Oneohtrix Point Never project, where Russian TV advertisements, faded slow-jam hits, and forgotten futures all get misinterpreted, rewired, and misremembered through an android dream. Much of his past work revolved around the step sequencing and ambient swoosh that filtered through the kosmische aes…
7" vinyl was the quintessential format for popular music. Today, it is an undervalued and mostly promotional medium, used as a fetishistic signpost for a time of musical authenticity and a "healthy" popular culture. Two tracks from Biosphere originally recorded for Hågogaland Teater, Tromsø, Norway in 2006 and remastered in 2011. Part of the Touch Sevens series, cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
RESTOCKED, last copies around - The Wire's Releases of the Year!!!!!!James Ferraro paints a 21st century still life on his debut album for Hippos In Tanks. The record is called Far Side Virtual. Each song, a melodious reflection of the moment now, comes shrink-wrapped in HD fidelity as glossy as a 2012 Toyota Prius. Ferraro's muse is some enigmatic modern metropolis, where the streets are as slick as i-Pads, and where the symphonies ring with Macbook message alerts. Through the steam risi…
*300 copies limited release* Seventh in a on-going series of twelve electronic meditations on the zodiac of Decimus Magnus Ausonius (310-395) as played by Pat Murano of No Neck Blues Band, K Salvatore, Malkuth and Key of Shame.This one is for sure the creepiest and most disturbing chapter of the series so far, with swathes of electronics melting with the highest tones of misterious lullabies from somewhere far away, keeping the listeners ear firmly at ground level.