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2011 release ** "Live recordings from Syntjuntan’s first two years. Music especially composed for textile accessories. The music is tangled with lace and long stitches, embroidered with electronic sounds, square waves and curled noise. Syntjuntan is an ensemble of female composers, musicians and instrument builders. Our purpose is to meet women’s curiosity about technology and electronics, to encourage them to build instruments by themselves and otherwise facilitating their own experimentation.…
2004 release ** "The second CD, "Musica Porosa" features Karlheinz Stockhausen's son, Markus Stockhausen, now one of the most famous European jazz trumpeters, along with the talented clarinetist Tara Bouman. The seven sections that give life to the composition "Porosity" seek a trait d'union between the serial music of Stockhausen senior and the chamber jazz of the Ecm brand, especially in the fifth and sixth sections."
2007 release ** "Quite unexpected. but surely long awaited comeback of this mysterious Swiss-based project. returning to the musical scene with the new album released after ten years of oblivion. This is another masterpiece of minimal analogue synth-sound alchemy. a journey through Batchas acoustic world allocated in the deep space between two acoustic radiators of stereosystem."
2005 release ** "Compiled by @c's Miguel Carvalhais, Essays on Radio: Can I Have 2 Minutes of Your Time? brings together 39 artists from the experimental electronica scene, paying tribute to or drawing inspiration from the oldest electronic media. Each piece is exactly 120 seconds, which creates a rather frantic pace; the listener soon loses track of whose contribution will play next and the music turns into a nearly uninterrupted continuum of juxtaposed sonic statements. The artists touch base…
2003 release ** "One of the first albums by mysterious extravagant darkwave project [2003], that sounds somewhere between melancholic psychosis and a child’s play - like a bizarre orchestra from an alien world, charming with multidimensional electronic magic, exotic ethereal vocals, positively hypnotizing layout, yet maintaining an esoteric charge that lurks deeper, delving into caballa and magic of numbers, hidden under macabre jolly mask, equally inspired by 80-ies flavored electronic avantga…
2025 stock The idea of Grains of Voices was born when Åke Parmerud was commissioned to write a work for the Swedish Radio. A journey around the world, recording the different inflections of the human voice then followed and the material was processed in the studio to make this electro-acoustic composition.
Grains of Voices is an electro-acoustic mix, a collage of voices from all over the world – singing, talking and shouting. The work was premiered in the Dag Hammarskjöld auditorium, in the UN…
2025 stock Inspired by the tiniest building stones of nature, Quarks, Rolf Enström composed the piece Directions. He composed five more electro-acoustic pieces all with titles from the world of the quarks; Spin, Charm, Strange, Up! and Down, all included on this CD
Rolf Enström has always nourished a keen interest for the natural sciences. After having read in Scientific American in 1979 about the theory of the smallest elements in nature, entities impossible to observe and possible to describe…
2010 release ** "Jazkamer’s “Failed State of Mind” CD offers up nine tracks each clocking in at exactly 3:20 a piece, recorded between 2008-2011, across three different countries (Norway, Agrentina, and Vietnam – all couldn’t be more different), and collaged together to a cohesive yet disjointed album of mellow, weird ambient noise.The album reaches from field recordings of birdsong to beautifully amorphous feedback compositions, to up-tempo live drums meandering around quietly in the background…
2008 release ** Limited to 76 copies. "Nice reissue of the long out-of-print and completely essential split cassette on Stop-Eject. Roughly fifteen minutes from each, a sinewy, ghoulish, plague-ridden mortification of industrial thud and graveyard horror. Recommended."
2005 release ** "Obsessive electronic music to tell the end of the world chronicle. A project of electronics with strong colors where the occult imprint lives..."
Riding an incredible high, Sound3 Co.’s groundbreaking “The Beginning of Japanese Electroacoustic” series returns with its 15th and most ambitious release to date: “Gaku-No-Michi Material”, an astounding 5CD set, presenting the French composer Jean-Claude Eloy’s legendary, monumental electroacoustic work - recorded in Japan between 1977 and 1978 - “Gaku-No-Michi” in a revelatory new way. Comprising 22 tracks, each representing an individual reel of the materials used by Eloy when performing the …
2002 release ** Limited edition of 555 hand-numbered copies. "In more than one case, Europe beyond the Iron Curtain has generated interesting groups, especially in the fields of industrial and esoteric music: just think of names like Laibach, Autopsia and ACTUS. Fellow countrymen of the latter, the Slovakian Simulacrum record their second work for our Amplexus, endowed with a distinctive character that, while remaining within the scope of a very dark ambient ritual, distinguishes them from the l…
2007 release ** "Concerto for organ, synthesizers, percussions and orchestra, op. 49. originally created in 1998. This work is initially an extensive composition in quasi-oratorial form, in final version abbreviated and restructuralised. The solo role of the organ not always dominant and its parts are often taken over by other instruments. The reworked second version (live and studio) of the project is markedly shorter, placing more emphasis on systematic approach to its theme, without essential…
"Siamo tutti in pericolo" is the third album by Golem Mecanique, the nom de plume of French multi-instrumentalist composer Karen Jebane, to be released on Ideologic Organ. Jebane works within the fringes of contemporary folk (aka La Novea community), microtonal and early modern spheres, as well as touching upon the ashes and fibres of back metal and the DNA of gothic music, literature, sorcery and most of all - poetry. Jebane's work with the "drone box" (a mechanised hurdy-gurdy) and zither as a…
*2025 stock* While she was waiting for her last album 'Pripyat' to be released, Catalan composer and producer Marina Herlop was restless. She was concerned about her (by then) uncertain music career, and felt emotionally unmoored. "Some days I used to sit on the balcony of my flat to catch some sun,” she explains, "I would close my eyes and start visualizing myself as a gardener, pulling out purple weeds from the soil, every bad memory or emotion I wanted to expulse being one of the plants." As …
Ikue Mori's album "Of Ghosts and Goblins" is a collection of instrumental miniatures inspired by Lafcadio Hearn's Japanese folk tales, featuring themes of ghosts, goblins, and the supernatural, with tracks like "Fragment," "A Passional Karma," and "Lafcadio's Garden". Lafcadio Hearn is an author who spent much of his life researching, documenting, and preserving the ancient folk tales of Japan. He published a series of books in the late 19th and early 20th century including In Ghostly Japan, Kwa…
'Sexy Tears' is a bold departure from Tristanne's (fka Tristan) critically acclaimed pop-jazz debut Wellif and lets you veer into uncharted territory, from the first tone, the bittersweet and haunting violin tones fade in on opener 'Steady Mouth'. In a split second, Tristanne lets you vanish in a dazzling matrix deep down a rabbit hole, a place where Piero Umiliani's 70s sleazy giallo era sensually resonates with Oneothrix Point Never goldwave frequencies. With a whisper of panting tension, her …
'The fun years', comprised of multi-instrumentalists Ben Recht and Isaac Sparks, have been making music together since the turn of the century, producing intriguing interrogations of ambient, drone, post-rock, and turntablism. Originally released in 2008 on the now-defunct Barge Recordings, 'baby it’s cold inside' is perhaps the high watermark of their discography. Equally concerned with microtonal nuance and harmonic intensity, it is both a product of its time and something well past it. The ch…
Julius Smack engages in a dialogue with a fictional AI assistant to create an album using the prompt, “Make an album that tells the story about the origins of Julius Smack.” Starlight emerges as the imagined response, envisioning a world where beauty and violence intertwine, and memories and dreams are excavated to craft stories.
In a near-future Earth, where artists are among the planet’s last inhabitants, a symbiotic relationship has formed between humans and AI—each relying on the other for n…