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Not Not Fun label-mate Xander Harris has released “Urban Gothic,” the most overtly Carpenter-influenced modern electronic album to date. While Harris cites a laundry list of influences, new and old, it is Carpenter’s distinctly chilly synth-based sound that is most evident here. Although just as Umberto and Ensemble Economique mixed an array of genres ranging from African tribal music to disco into their reimagining of the horror soundtrack, Harris also draws inspiration from 80s synth pop and d…
This is pure cosmic and immersive nektar!!!!!! "Categories cannot contain Shinji Masuko. He's the founder of DMBQ - one of Japan's greatest modern psychedelic bands, a respected music and comic reviewer, an astonishing guitarist and a master guitar builder. He's also been a member of the Boredoms since 2004, having designed and built their notorious seven neck guitar (the Sevena) while acting as the band's principle guitarist.The idea for this record, Masuko's first solo work, was born during pr…
Way out in the North West American wilderness, Evan Caminiti (Barn Owl) and Lisa McGee regroup for another exceptional, ethereal session as Higuma. 'Pacific Fog Dreams' is also their 2nd release for Root Strata, following their earliest collaborative release in '08 with 'Haze Valley', and 2010s 'Den Of The Spirits' LP for Digitalis, one of the finest of its ilk in recent years. Their sound is incredibly precious and achieves the rarest of tangible sensations with glooming, ghostly drones and bil…
Golden times for the krautrock lovers and kosmische musik worshippers. Jonas Reinhardt is a San Francisco unit revolving around Germanic electronic synthesis and forging new beautiful soundscapes from the material pioneered by the Teutonic masters. The hermetic kosmische lexicon (in ashra tempel/Cluster vein I'd say) of San Francisco-based synth synthesist/composer has been simmering and swelling at a steady clip the past few years (2010's Powers Of Audition was a highlight), but the added talen…
Tracks: Side A - civil / headless / lo v / wiped out / closest Side B - break bone / end flux / without one / civilizationRecorded live 2009-Present, various locations, Los Angeles, CA.Tearist: Yasmine Kittles, William StrangelandCover Photograph: Olivia Crawford Sound/Visual Design, Production: Peter Kolovos, William Stangeland Vinyl Mastering: Pete Lyman at Infrasonic SoundLimited edition high quality vinyl in full color & hand-letterpressed heavy tip-on jacket.
VHF is releasing a bunch of solo guitar dudes over the next few weeks. Here's one of 'em! It's an album from New York's Alexander Turnquist called Hallway of Mirrors. It says that above so it's kinda pointless me saying that. Having said that the New York thing was a new bit of info so it's not all filler! I've not heard this chap before but I was rather taken with him on first listen. It's not a million miles away from the likes of James Blackshaw.... ie extreme 12 string fingerpluckery which i…
After 2 full-lengths mining vintage horror scores and Italo/Goblin-isms for inspiration, Kansas City riddler and composition whiz Umberto slow-pans his focus out of the graveyards and black widow cobwebs into the celluloid-stained artificial streets of Beverly Hills police beats and pop culture ghost-busting. Freeze! is an inscrutable but impressively legit reinvention of Jan Hammer-style 80’s soundtrack cheese: soaring keyboard lines, fast-tappin’ piano, locked-in bass grooves, goofy canned dru…
With their recent split with Naked on the Vague acting as a dip into pop's waters; Wet Hair's follow up, In Vogue Spirit is practically a jump into the pool. The band's most accessible batch of tunes to date boil with Krautrock rhythms, buzzing synths, and a new focus on vocals that has previously been mostly absent in the band's back catalog. It's not all motion and melody here though, the band still retains their experimental spirit, giving the record plenty of teeth to sink into any of …
Wet Hair heads Shawn Reed and Ryan Garbes have been jamming sideways strains of long-lensed electricity music for years now, but their trajectories as visual artists arc back even farther. So after a small infinity of J-cards and zines and LP sleeves designs, it’s a real pleasure to finally be able to present a preferential suite of some of their finest (and, till now, unseen) compositions in a glossy, full-color, pro-printed 22-panel art volume, bookended by a brand new black vinyl 33 RPM singl…
A collection of fascinating and obscure "nocturnal sessions” alternated with more "classic" electronic parts based on sequencers and synthesizers, more abstract and minimal sonic sketches, involving and tense deep drones musical mixtures, distorted and dilated electric guitars, deformed human voices, more static and fluctuating typical ambient movements, cold inserts of pulsating and "techno oriented" sounds, suggestive atmospheres built on bizarre loops, flat organ backgrounds and low guitar no…
A single, long, deeply moving, slow and expanded drone-track, built on everchanging sonic masses, low frequencies, strong electric/electronic sounds, field recordings, feedbacks, buzzes, hisses, rough distortions, sunken organ chords, subdued inserts of strings orchestral parts. Alternation of progressive crescendos, ambiental stasis, sudden, dramatic and catching dynamic shocks... An involving and extraordinary "trip" across an obscure sonic path, convincingly assembled in collaborative form by…
Thick and spectral dark ambient, soaked with soft and flowing pads stratifications, wrapped in deep and penetrating low frequencies spires, enlightened by delicate and touching melodic inserts, profaned by echoes of reverberating metallic noises, clanging chains, circular mechanical movements, waves of indecipherable whispers, distant and suffering human voices... A great debut CD for Antikatechon, a project that showcases Davide Del Col's eclectic personality, already the unique mind of the Orn…
Extended sonic fluxes of synthetic nature mixed with delicate acoustic and electric guitars chords and riffs, crowd noises, indefinite and fading melodic "spots" of unknown origin, feedbacks, echoes, pulsations, vibrations, cracklings, rustling waves in continuous movement... But also sudden pauses, unpredictable and improbable inserts of folk blues radio transmissions, crystal clear water sounds, static, wrapping and dramatic electronic weaves, metallic tickings... An extraordinary range of sou…
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…
Stunning ghostly new work from Timo Van Luijk, a collaborator with Andrew Chalk and member of In Camera with Christoph Heemann. Aika was originally issued in 2008 with different cover art and this upgraded edition should hopefully bring attention to one of the major European devotional drone recordings of the decade. Indeed, Aika explodes simple notions of ‘drone' with a more musical and instrument-based palette that crosses high Gothic form with a beautifully blurred sense of spatial dynamics -…
New LP for this really great French trio with elecric bass, drums and hurdy-gurdy. 22 minutes on one side going always in the same direction with the same idea. Will of course satisfy all lovers of Tony Conrad or Henry Flynt's works. Recorded in 2006. Handmade covers. Limited to 500
Mindblowing totally acoustic drone record, musicians are Jacques Puech (cabrette), Yann Gourdon (hurdy-gurdy) and Basile Bremaud (violin). This totally acoustic set is a variation around two bourrées in triple time, both themes are taken out of the tradionnal Mont d'Auvergne repertoire. Hand made, spray painted cover
Mostly unheard tape-recorded, Eastern-influenced drone material from MacLise, Tony Conrad and Jack Smith, as a sonic companion to the recent exhibition dedicated to MacLise "Dreamweapon: The Art and Life of Angus MacLise (1938-1979)". Totally stoned out stuff! In a silkscreened sleeve. Second LP Edition of 500.
Inspired by the work of James Tenney, György Ligeti, Charlemagne Palestine, and Conlon Nancarrow, Seth Horvitz’s Eight Studies for Automatic Piano makes use of simple, computer-aided compositional processes to test the limits of human perception and machine precision. It relies on a bare minimum of technical means to explore notions of temporal distortion, iterative process, and elegant complexity. Presented in an immersive concert setting without the presence of a human performer, Eight Studies…
In 2010, sound artist Richard Chartier was awarded a Smithsonian Institution Artist Research Fellowship to explore the National Museum of American History’s collection of 19th Century acoustic apparatus for scientific demonstration. Chartier focused on the works of the German physicist Rudolf Koenig, including the Grand Tonometer (c. 1870-1875). This beautiful and precise set of 692 tuning forks expresses the frequency range 520 v.s (vibration simple)(260 hz) to 8192 v.s. (4096 hz). The p…