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One of the pioneers of laptop electronics, Ikue Mori has been breaking new ground on the musical frontier for three decades. From her early days in the landmark no wave band DNA, to her years as a regular in the downtown improvisation community and more recently as one of the epicenters of the international laptop electronic scene, Ikue has become an underground hero -- yet her work is still sorely underappreciated. This newest solo CD features Ikue's idiosyncratic take on contemporary dance rhy…
Black to Comm's Marc Richter is an artist that perpetually seems to be on the verge of releasing an absolute masterwork, always creeping closer and closer but never quite nailing it. Alphabet 1968 does not quite buck that trend completely, but it is an oft-brilliant and unforgettable album nonetheless. Richter's impressive artistic evolution is showing no sign of slowing.
... probably don’t need to explain this one in too much detail ; it’s a kevin drumm tape (of scattered, alternatingly minimal & harsh guitar pieces recalling his earliest recorded/released work) ; the second “pressing” after the first (of something like 40 copies) disappeared within the opening of the “merch tables” at the no fun fest this past may ...that we got even this scant handful of copies is due mostly to the largesse of alku’s anna & roc ; i wouldn’t dawdle too long if you’re interested…
An exhibition companion compilation to SFMOMA's 2003 listening room program 33 RPM: 10 Hours of Sound From France, curated by Laurent Dailleau. 33 RPM's Compact Disc companion features compositions from Kasper Toeplitz, Kristoff K. Roll, Jean-Claude Risset, Lionel Marchetti, Christophe Havel, Laurent Dailleau, Mathieu Chamagne, pizMO, Jean-Philippe Gross, and Mimetic. Comes with a 24 page booklet and original program details.
Formed in 1977 in the San Francisco Bay Area, The League of Automatic Music Composers (John Bischoff, Jim Horton, Tim Perkis, Paul DeMarinis, Rich Gold, David Behrman) is considered to be the world’s first computer network band/collective. 'ARCHIVE 1978-1981' features over 12 hours of previously unreleased archival tapes, documents, interviews and video from these electronic music mavericks. Compiled and edited by Jon Leidecker and presented in a lush limited edition wooden USB flash drive. 968.…
Burkhard Stangl and Kai Fagaschinski both are masters at fluidly combining melodicism and abstraction. Musik-Ein Porträt in Sehnsucht showcases their work as a duo, carefully composed pieces intertwined with judiciously placed field recordings and meticulously sequenced to create a record that is more than the sum of its parts. Stangl and Fagaschinski first met in the summer of 2002, when Christof Kurzmann suggested Kai should join the ensemble performing Stangl's opera Venusmond in Berlin. They…
Keith Rowe's concluding set, with longtime partner Toshimaru Nakamura, at the AMPLIFY 2008: Light festival, recorded on September 21, 2008 by Taku Unami. AMPLIFY 2008: Light was an intense and deeply immersive experience for all who were lucky enough to be present, and quite a bit of that was attributable to Rowe's four sets, which are now available for all to hear.
The first CD compilation of Basic Channel releases from 1995 became one of the quintessential electronic music compilations of all time. Now, in a total surprise move, a companion CD, Basic Channel 2, has been released -- featuring full-length versions of six of the label's landmark club tracks released on vinyl between 1993 and 1995. From today's perspective, you can see and hear much of the later Rhythm & Sound style, with its echo-heavy atmospheric density, already laid out to perfection here…
Amazing release: Creating an after-the-fact transition between early electric jazz and contemporary electronic washes, Dru is made up of David Maranha (organ), Manuel Mota (electric guitar) and Riccardo Dillon Wanke (electric piano). Initial impressions are something like a slowed-down, percussionless (and trumptetless!) version of Bitches Brew. The keyboards create slow-changing washes of texture while Mota's clean-and-warm-sounding guitar interjects chords and thoughtful melodic fragments. Eac…
Rhythm Kingz made its first appearance in 1982 playing a couple of gigs in student parties. After hibernation of about 25 years the name was dug out again for naming a line-up which concentrates on blues-based improvization. All the songs on this CD are recorded in impro sessions in 2008: The principle has been that nothing is agreed about songs in advance but the songs have evolved from a tiny idea or a riff played by somebody, and all the other players have followed. Also the lyrics have beed …
A state of mind between sleep and consciousness, where the past gently glides over the future, weaving it's self into the unknown. An unfamiliar place, surrounded by things you recognized and things you do not. Birds in flight, sprinklers, quiet humming of machines, echoing voices blended with strains of haunted melodies that remind you there is a vast world outside your door in a state of constant change.
Winnowed from the polymath, alchemist, “the man who could walk through in-between positionsâ€Â, arch Black Duke of Maknovischina, peripatetic flux ingester haji gutterpup Ustad’s Almanac, his scribblings and tapes spanning 31 yrs, “Non-Euclidean Elucidation Of Shamanic Ecstacies†was hastily transcribed and assembled sixty nadis travel west of Sahiwal by an assemblage of Vamachara hounds and the Abdals of Rum wearing black mantles and animal hides over their shoulders with…
After numerous CDs, CDRs, cassettes and LPs, Brothers of the Occult Sisterhood have established themselves as one of the many lights in modern improvised outsider music. Their latest offering, ‘Grass Openings’ sees them continue down this winding path of intoxicated trance derangement. Drawing heavily from psychedelic, jazz and weirdo traditions to create a unique form of mutant sound.
"with the antithetical self" consists of improvisational pieces completed between winter 2008 and spring 2009. i would sit quietly in an empty room daily and calibrate myself to all noises surrounding. from there a single tone would be introduced, which i would listen to for fifteen or twenty minutes before joining in. on some days, listening was enough. at other times, i would hear a song within the tone and mimic it, bringing it out into existence and layer it from there with additional instr…
the follow-up to eyes like saucers' _still living in the desert..._ and the aan/e.l.s. collaboration, _kristallivirta_. oddly evocative of early folkways and nonesuch "field recordings,"_parmalee..._ explores the potentialities of autistic, automatic-composition through the employment of relatively primitive acoustic instrumentation and primitive electronics (homemade oscillators, fuzz, and casiotone). the resulting product is a unique foray into structurally defiant, yet intrinsically organic e…
Last coy, slight wear due to storage. The 7th part of Evol’s Punani series contains two pieces for solo computer edited from live recordings at: Superdeluxe, Tokyo (12.01.08), Fylkingen, Stockholm (26.02.08), CAPC, Bordeaux (24.05.08), and SND Studios, Sheffield (03.12.08).The word “xerrameca” is Catalan for “babble”. Key words: simulated speech synthesis, fractals, algorithmic composition, noise.Contains 2 locked grooves.EVOL is a computer music project by Roc Jiménez de Cisneros (Barcelona, 19…
First edition of 300 copies. 'Punani Rubberist is a new composition for computer, bass clarinet and gas horn. The CD includes remixes by Kazumoto Endo, eRikm, and Joe Gilmore, and an additional unreleased solo computer composition (Excelsior Punani) from 2003. He plucked a hair from his body, chewed it up, spat it out, made the magic with his fist, said the words of the spell, and shouted 'Change!'. It turned into hundreds and thousands of little monkeys, who rushed wildly about grabbing weapons…
In its constant pursue of the lost treasures of the Italian avant-garde music, Die Schachtel in collaboration with the University of Padua has recovered from the ashes one of the lost and truly shining diamond of the early electronic/digital scene of the 60s and 70s. After more than two years of painstaking research and audio restoration, Die Schachtel is proud to present a new release dedicated to Teresa Rampazzi, a seminal yet very little known female Italian composer/musician, Founder of …
This is Phill Niblock's fourth release on the Touch label. Phill
Niblock is a New York-based minimalist composer and multi-media musician
and director of Experimental Intermedia, a foundation born in the
flames of 1968's barricade-hopping. He has been a maverick presence on
the fringes of the avant garde ever since. In the history books Niblock
is the forgotten Minimalist. His influence has had more impact on
younger composers such as Susan Stenger, Lois V Vierk, David First, and Glenn Bra…