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Copies from copies of copies upon copies to copies through copies on copies of more copies. Daniel Lopatin was but a babe in the early '80s - the global time frame which stands central to his Oneohtrix Point Never project, where Russian TV advertisements, faded slow-jam hits, and forgotten futures all get misinterpreted, rewired, and misremembered through an android dream. Much of his past work revolved around the step sequencing and ambient swoosh that filtered through the kosmische aes…
7" vinyl was the quintessential format for popular music. Today, it is an undervalued and mostly promotional medium, used as a fetishistic signpost for a time of musical authenticity and a "healthy" popular culture. Two tracks from Biosphere originally recorded for Hågogaland Teater, Tromsø, Norway in 2006 and remastered in 2011. Part of the Touch Sevens series, cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
RESTOCKED, last copies around - The Wire's Releases of the Year!!!!!!James Ferraro paints a 21st century still life on his debut album for Hippos In Tanks. The record is called Far Side Virtual. Each song, a melodious reflection of the moment now, comes shrink-wrapped in HD fidelity as glossy as a 2012 Toyota Prius. Ferraro's muse is some enigmatic modern metropolis, where the streets are as slick as i-Pads, and where the symphonies ring with Macbook message alerts. Through the steam risi…
*300 copies limited release* Seventh in a on-going series of twelve electronic meditations on the zodiac of Decimus Magnus Ausonius (310-395) as played by Pat Murano of No Neck Blues Band, K Salvatore, Malkuth and Key of Shame.This one is for sure the creepiest and most disturbing chapter of the series so far, with swathes of electronics melting with the highest tones of misterious lullabies from somewhere far away, keeping the listeners ear firmly at ground level.
"In fact, the art of O'Rourke and Connors lies in letting one feel the immobility withi n movement, and in instilling movement right at the heart of immobility. It's almost superfluous to say that this music belongs to the realm of dreams, it's music for the mind, abstract and yet wholly present to itself and therefore totally concrete too. The two guitarists set off in search of sound. Their quest is wildly raging now and then, but only for a brief moment, most of the time it's contempla…
This is the first proper vinyl release for Tim Hecker's breakthrough 2006 album. At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. Full color gatefold sleeve.
La Catacomb, purloined from a great abyss of uncertainty, is finally among us. The fourth album proper from Steven R. Smith’s blisteringly psychedelic “power trio” guise, La Catacomb languished for a few years awaiting release from this label & that before landing at Soft Abuse HQ. La Catacomb is the perfect follow-up to Ulaan Khol’s Ceremony trilogy, offering more smoulder than flame, more rumination than provocation. Smith's meticulously-crafted heavy drones & dirges have rarely sound…
Root Strata present the first vinyl release of compelling and otherworldly electro-acoustic improvisation from the adventurous Golden retriever duo. Comprising Jonathan Sielaff's effected Bass Clarinet and Matt Carlson's analog modular synth and digital delay, the duo have thus far stood far out from the kosmische masses with their previous CDrs and cassettes including a beautiful eponymous debut on Root Strata and a stunner for NNA Tapes, but we'd have to say this is the some of the best…
Justin Meyers from Minneapolis offer a beautiful track of musique concrete and analog synth. Exploring the interaction between field recordings and simple sine waves, the result is a perfectly balanced suite, where the single elements lose their origins in favour of composition. Edition of 150
Electro-hypnotic levitation, dense and dark perspective that mutate into harsh electronic outbursts by Matteo Castro. A must for fan of Whitehouse and Come, T.G., Monte Cazazza, Metabolists, Conrad Schnitzler
Continuing the utilisation of recycled sound, Preslav Literary School fades out its opening German monologue to unveil a starry, shimmering reconstruction of a J.S Bach fuge. Chords overlap each other so that a dissonance lingers between them, with haunting organ tones vaguely tracing a melody while ultimately feeling lost in mystical freeform. The section during which a phased fifth-interval drone takes precedence is considerably less interesting than the flowing chord progressions before…
Over the past year-and-a-half, the duo of Dexter Brightman and Jair Espinoza have explored abstract electronics in increasingly new and interesting ways. Over the course of numerous tapes on labels such as Avant Archive, Neon Blossom, and others, the duo has combined the ideas of repetition and sound art and continually mutated them into something that is becoming increasingly difficult to pin down. With the recent “Tek No Muzik” 12” on Crazy Iris, mechanized acid was introduced in the mix. It i…
A high point in Konstruktivist's career, "Glennascaul" was originally released on Nigel Ayers' Sterile Label in 1985. Produced and mixed by Chris Carter of Throbbing Gristle, it marked a complete change in style for the band towards a beat-orientated rhythmic sound. "Glennascaul" is proto electro at its very best, with Glenn Wallis's unique vocal style on top. For this, the first ever edition on CD, we have remastered the or…
Monoton, founded in 1979 by hypermedia wizard Konrad Becker, was a project that underwent various transformations in its exploration of psycho-active sound programming and its social contextualizing. Monoton was largely performance and installation based with site specific events and multi-channel media in collaboration with various artists. Salvaged from Cassette Tapes of 1979 to 1987 this i…
Solo project by member of the Decimus 4 is a hypnotic journey into analog electronics, where Decimus (Pat Murano, No-Neck Blues Band) channels ritual drones and psychedelic abstraction, echoing the spirit of Coil and early Tangerine Dream.
James Rushford and Joe Talia are two of the most exciting musicians active in the Australian experimental scene, engaged in major collaborative projects with figures such as Jon Rose and Oren Ambarchi. On Paper Fault Line, they use strategies from contemporary composition, improvisation and electro-acoustics to create a sensuous and approachable, yet subtly disturbing, 30-minute suite. Eschewing the homogenized sound palette and dynamic conventions of post-GRM musique concrete, the record is str…
Felicia Atkinson is having a very productive 2011. She has released tapes and cd's under her own name and the moniker Je Suis Le Petit Chevalier. Currently based in Brussels, Félicia is a French musician, artist & writer who is making an increasing impact in experimental music circles as of late. Her music pieces and drawings are often improvised and inspired by her travels and her night visions. Fans of Grouper, Motion Sickness of Time Travel, and other forestdroners should definitely ch…
A warm, filled with rich tones, re-issue of one of the earliest tapes of Charlatan. After the Triangles Lp on his own Digitalis label this is Brad Rose’s second vinyl release under his new solo project moniker. Synthclouds and starchords on a carpet of white hiss. Brad Rose is one of the most active personas in the current adventurous contemporary music scene. As label honcho of Digitalis records / limited and online magazine Foxy Digitalis he’s constantly in search of exciting new gro…
*Limited to 300 copies. 2022 stock* This split lp sees the man/wife duo of Grant and Rachel Evans performing under their own solo projects. In the past two years they have released a bunch of awesome tapes and cd-rs on their label “Hooker Vision”. They also record and perform as droneduo Quiet Evenings. This record was created to celebrate the crystal anniversary of the couple. And indeed, on both sides Grant and Rachel create sounds which sound like the perfect marriage.
As a composer, John Wiese is an elusive one. Employing a very healthy range of conceptual framework throughout his oevure, he's unmistakably recognizable, but rarely easy to predict. No matter what the sound, we find it always sounds like Wiese. Seven Of Wands contains a romanticism only hinted at previously. Comprised of pieces from a range of eras and sequenced into a narrative arc, this very unique album has a quality of being beautiful, listenable, immersive, and transportive all at on…