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Aidan Baker is a musician and writer from Toronto, Canada. Classically trained in flute, he is self-taught on guitar, drums, and various other instruments. Baker has released numerous CDs on independent labels from around the world and is also the author of three books of poetry. As a solo artist, Baker explores the deconstructive sonic possibilities of the electric guitar as a primary sound source, creating music that ranges from experimental/ambient to post-rock to contemporary classical. In a…
You already know about Arthur Russell from disco classics like "Is It All Over My Face" and "Go Bang" (maybe you even watched the recent documentary), but do you know about all the early/mid-80's work he did on his own Sleeping Bag label? This awesome compilation collects the gems you might've slept-on or never came across. Whether its early hip-hop boogie (Sounds Of JHS 126 Brooklyn's "Chill Pill(1)"), left field electro beats (Bonzo Goes To Washington's "5 Minutes(2)"), or underground disco ba…
Any keen follower of vintage minimalist drone will already be familiar with the meticulous tonal landscapes of Eleh from the series of limited LPs issued from the Important camp over the past year or two. True to the form of that series this new split release is already sold out at source, coming housed in the same luxurious sleeve design and pressing quality that helped shift all those units previously. Authenticity is the key to Eleh's success, and it's a sound that calls upon a heavy dose of …
Another jammed-elevator mismatch between two of Providence, RI's hottest pedal jackers and circuit board melters. Kites has a record on Load already and this side of the split evokes a crunchy square toned melodic flair with organic almost organ-fueled Disneyland melodies. These are the rockers. Prurient is another Providence-based sound artist doing low toned rumble jammed up against cassette culture screech. Live shows are a blur of power and volume. Yes the cream of the noise crop. This recor…
Brooklyn noise herald and Hospital Productions label-head, Dominick Fernow presents his first release for the Editions Mego label. Fernow has been an active instigator in the power electronics and noise genre for well over a decade, with 100+ releases issued so far, usually limited and covering all known formats. Known in particular for his harrowing live performances where he uses his voice, amps, microphones, coins, tools, suitcases etc., to create a brain-bashing journey through mangled, nega…
Mueller always delivers the goods, in the sense that he hurls each clipped plotline into an unmistakable, impassable “end;” however his endings are never the epiphanies his stories require. Instead they offer only the further mystification of an already lost cast of characters, managing to transform a clever variety of hum-drum pursuits and circumstances into windows to another hellish dimension.
The Zeitkratzer label releases a limited 3CD box documenting international avant-garde soloists ensemble Zeitkratzer, and their collaborations with groundbreaking electronic musicians spanning nearly a decade. This set collects all three previously-released Electronics recordings (ZKR 004CD/ZKR 005CD/ZKR 006CD), made in Germany, Spain, France, Italy and Austria with non-academic electronic musician Carsten Nicolai (aka Alva Noto), electro-acoustic composer Terre Thaemlitz, and legendary Japanese…
Gorgeous one-off private-press released in 1981 by one-time Tangerine Dream / Kluster associate Conrad Schnitzler, which was given only to friends and family. Tracks 6-11 are pretty odd, even for Schnitzler, with its pitched up vocals & arbitrary lo-fi synth drippings; but the real prize are tracks 1-5 featuring his teenage son Gregor on electric bass and completely fried vocals (in English no less) as run through Conrad's massive modular synth rig.Limited to 500 pieces. Unplayed archival copy
Richard Pinhas is internationally recognized as one of France's major experimental musicians: the "father" of French electronic music. He was the founder of Heldon, a band whose violent fusion of electronics and guitar in the '70s rivaled the German electronic school. As a guitar player he has been compared to Robert Fripp. Cited as an influence by many electronic musicians, Richard Pinhas has helped to define the Spacemusic genre. Since founding the seminal spacerock band Heldon in 1974, Pinhas…
Richard Pinhas has been at the forefront of new rock music in France since the early 1970s, when he founded the band Heldon. Heldon was one of the first bands to meld rock music and electronics, releasing a number of 'classic' albums during the 1970s. He has long been recognized as a pivotal figure in the development of electronic rock music. His stature in France is roughly analogous to that of Tangerine Dream in Germany: the father figure of an entire musical movement. Iceland was Richard's th…
Recorded between 1983 and 1991, DWW contains some of the finest material devised by the former Heldon leader since that band's "demise." All that is Pinhas is here in its glory: guitars soldered with "Terminator" steel, coruscating electronics, and sequencers that tear electrons from their molecular womb. This is a music that uses King Crimson circa 1974 as its template and couches its aural metaphors in a tapestry of post-Philip K. Dick mind blasts and William Gibson-fused cyberpunk. In fact, D…
Back in 1975 when "Suoni di frontiera" ("Borderline Sounds") was released, Claudio Rocchi was already a well known figure in the Italian pop scene. In the late 60's Rocchi had burst onto the scene as a member of Milanese psych-prog legends Stormy Six. He performed on their "Le Idee di Oggi Per la Musica di Domani" LP in 1969 and soon after, the acid folk of "Viaggio", Rocchi's solo debut, was released in 1970. That same year Rocchi hosted an influential radio show on the Italian national broadca…
Since the very first notes, this music appears to be about memory, decay and subversion. It is a deep investigation on the ability of sounds to freely attract or reject each other, in accordance with their own nature and disposition, and still maintain their meaning. Combining dense, multilayered sheets of synthetic sounds, treated bass, electronic percussion, the six tracks reveal their non-architectural principle as the music develops through warm textural details, reverberations, underlying m…
Obscure early tape, very thought to find nowadays: this tape is rich with texture and dynamics that make for a stunning listen, its details are intricate resonation and transformations of the sound sculptures in the environment
This is the double LP version, featuring a full colour gatefold cover, full colour inner sleeves and 180 Gr. heavy vinyl ! "More than ever, fringe culture methods and cutting edge acoustic science mate for the generations of endless layers and bursts of sonic pleasure: voices and drones clans across plans and peaks, fishing for universal tremors and sensorial catastrophes... iconic translations of lost symbols flow like pathogenic lava into temporal sequence and weather forecasts become performa…
Nate Young airs two of his alter egos on this great split LP: Demons, featuring Steve Kenney (oh you know, Steve Kenney - he's in those well-known beat combos The Pterodactyls and Isis & Werewolves.... No?) and Hatred, which combines Young once again with Kenney, but this time with the added presence of Spence Bryant. The Hatred side sounds like the motor on your turntable is continually breaking down, as if some perpetual Technics power-down effect was causing all manner of primitive pitch-slid…
Beautiful new collaboration between John Wiese and Lasse Marhaug. Two tracks of harsh and heavy noise for 10 minutes of music, recorded in Oslo in January 2008. Limited edition one-time pressing of 200 copies. Highly recommended.
Recorded earlier in 2007 in Michigan 'The Empty Quarter' is the latest chapter in the ever growing (and ever changing) Hair Police story. This is a band I am well and truly smitten with, after hearing their truly seminal 'Constantly Terrified' album I was a convert and went looking for anything and everything the band had put their name to (which is a lot, trust me) and they rarely disappoint. Each limited slab of wax has positioned them somewhere a little different and the bar is raised again j…
Awesome release: recorded in a hotel room after we totaled out tour vehicle and became stranded in the worst snowstorm in Ohio history†Beatty, Connelly, Tremaine. Artwork: hand cutted black cardboard, Xeroxed recycled paper, raw paper inner sleeve. The B side is screenprinted by Serimal. Limited edition in 500 copies. A 1-sided album of piercing vocals, walls of guitars, precise heavy electronics and thundering drums. A fusion of metal, noise rock, free jazz, industrial, and harsh electron…
'Accident de chasse', 'I'm... I come... I was...', 'Schiluuk', 'Stable', 'Electrocoagulation tapes', 'Les victimes sont dangereuses', 'Moll', 'Lost in karrack', 'Early tracks', 'Live with or without audience', 'In death we trust!' (extract), 'Program T.4' (extract), 'Drug' (revised), 'The prehistoric tapes'. The best way to enter into the world of brume aka Christian Renou, French composer of musique concrete.