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'The 'elision' in the traditional music is a coercive and systematic dispositive necessary to assimilate two syllabic notes in one only. The 'elisionem', in the avant-gardist branch, is a sound absorbent course used amalgamate various sonorous elements into one. The main purpose is to generate an eclectic and axiomatic damping of the electroacoustic particles in order to proportion the achromatic fulfilment of modern concretism. And the final effect is phonographically disarming... psycho-acoust…
Subtitled "[An] Exasperating Sonata in Three Dissections for Enharmonic Pianoforte, Industrial Oscillations and Digital Emissions." Packaged in a hard cardboard sleeve, with disc envelope and inserts. Released in a limited edition of 100 hand-numbered copies.
3 long old school dark ambient industrial tracks from the italian cult project in the way of his old releases from the 80s. Subtitled "Based On Genesis Chapter 19, Verses 15-23". Released in a DVD case, in a limited editon of 500 copies.
Subtitled: Necrotic rhapsody for concrete segmentations and electronic tissues, originated and spread during the decay of the 2005. Released in an edition of 100 hand-numbered copies.
Based on the Holy book of Leviticus, chapter 15, verses 19-33. NIDDAH: Plasmatic symphony for electronic particles, erythrocyte frequencies and menarchal viola. EMMHNA: Hemolytic decomposition for neurologic piano, coagulant clangs and leucocyte sonances. The NIDDAH blood represents the life and the life is God's property, and He saves our lives through the EMMHNA blood. This globular realization dedicated to all the ransomed mankind.
The bran new album by MAURZIO BIACHI is the first in a series on SILENTES. M.I. NHEEM ALYSM is a decompositive triad for reverbarating piano and osmosized keyboards, idealized and carried out between the autumn 2003 and the spring 2004. Dedicatated to all the people they proclaim the liberation of the modest minimalistic sound. A true manifesto. M.I. NHEEM ALYSM is the first cd in SILENTES MINIMAL EDITION serie... Silentes Minimal Editions Packaged in a folding cardboard sleeve with insert.
Eight moving tracks decomposed at the upright piano industrious six thousand and twenty-eight A. M. year. Electronically treated by Sandro Kaiser in Hannover (Germany), May 2005. Dedicated to all the meditative people who is living in the environmental paradise. Released in a limited edition of 500 copies.
The terminal concept of Cycles is matured after the sharp Fragments and the Glacial Mosaics of MB's recent artistic reproduction, at the end of a triennial project, aiming to exacerbate the routine of prefab sound, the common and forgone sound created to be exclusively consumed by an amorphous and servile mass, sunken in a sullen entertainment. The approach here is totally new and the fragment is isolated and constantly repeated in order to build an aural minimal architecture. As MB states: 'Our…
Frammenti, i.e. fragments, is the new direction in Maurizio Bianchi's music. An acoustic-bionic composition for electromagnetic waves and cyclic sonorities. Left now are all the indeterminate atmospheres gently fluctuating, in order to reach a more formal and structured work. Still dealing with the fragments of our memories made of joy and tribulations, sensations and awareness, aspirations and disappointments, with the carnal and the spiritual assistance. This new composition, quite as literall…
Ees'T records is happy to announce a further step into the Maurizio Bianchi new production, a new compact disc which completes the Trilogy starting with the previous Colori and First Day-Last Day. This time the author concentrates on Time, or the inevitable. A sound counterpointistic journey beginning with the creation of the first human being, in autumn 4026 B.C.E. and passing through the two big planetary cataclysms. Then the individual experience of MB himself is investigated, a sort of elect…
Conceived in the same direction of the previous CD titled Colori, this new work found its bases in the revaluation of the events the started the Creation, when an intelligent and complex act of sublime love started our physical universe off, transposing them in form of 8 electronic compositions elaborated in a 2 year work. A darker atmosphere marks the background sounds giving to the whole program a more obscure and less 'easy' impression while the more melodic traces fluctuate without direction…
Double LP version: An Imaginary Country continues from the trajectory of his last album, the critically acclaimed Harmony in Ultraviolet, while also showing a few new tricks. Tim has incorporated more pulses into this work and also works with a sound palette including overdriven mellotron strings and synthesizer. At times this album is less overtly aggressive than previous works, but the notion that this is pastoral work would be dead wrong as there are plenty of the agitated crescendos that he …
As with the preceding album Rêve Sans Conséquance Spéciale, if you come to grip[ with this wild experimental minimalistic music , you will find yourself riveted to your seat by the sheer power and violent intensity of the music developped by Richard Pinhas (the sole leader of this project). It really depends on how your mind (and mood) is set to understand what is developped here but Can is not far away and Fripp/Eno collaborations are also in the sonic neighborhood. Pinhas 's guitar is deeply i…
Four artistic projects concerning historic sound devices from Steve Roden & Martin Riches, Thilges and Frank Bretschneider in a DVD of sound and video performance captured at Tesla in Berlin, 2006
Mostly hypnotic electronic motifs & rhythms combined to Pinhas’ Robert Fripp guitar imitation. This is not a classic but an important contribution in French electronic rock explorations. Consequently this is in the direct line of “Electronic Guerilla” but much more achieved with a few original attempts. “Allez Teia” is certainly the most recommended effort for those who enjoy Richard Pinhas’ guitar style. Most of compositions feature nice extended, repetitive & moving musical pictures. Not so fa…
Heldon's 5th album, recorded in 1976. Featuring Auger (drums), Gauthier (Mini Moog, Moog bass), Didier Batard (bass), plus Janick Top on one track, this is a crushingly dense synthesis of loud sounds. Magma-styled intensity meeting the "apex of the punk electronic sound" -- a masterpiece.
Volume 3 in the ongoing Japanese Avant-Garde Cassette Reissue Series. The '80s and early '90s saw a great deal of fascinating and exciting material released on cassette in the Tokyo underground. While some of the more noise-oriented stuff enjoyed a modicum of international distribution, the avant-garde material generally did not. This series, whose first release was Iro / Tamafuri (PSFD-180), aims to rescue the best of this material from historical oblivion. Schitosoma Japonica (AKA Nihon Jukets…
This finds the duo continuing to pursue the head-scratching assortment and range of outer sound in a somewhat more contemporary style. LAmmERGEIR makes use of all sorts of exotic instruments, but like Metallic Sonatas, many of the pieces have undergone electronic transformation, adding an extra layer of unsettling aural alchemedia to the tunes. Some of the sounds show the influence of Simon's laptop work over the last couple of years. Laptops aside, the layers of microscopic detail on LAmmERGEIE…
Brand new reissue of an impossible-to-find early Canadian electronic 4LP box by composer Phillip Werren. Only 100 copies were ever pressed of his early electronic work. It was recorded at Simon Fraser University (Vancouver), McGill University (Montreal) & Radio Warzawa (Poland). It was recorded between 1967 and 1971. The LP has heavy elements of tape collage, Modular Synthesis, voice, and experimental thought. Some of the pieces were conceived by psychedelic and occult influences. Much of the re…
Last copies available: there are a lot of good times happening in SoCal these days and the Stunned Records/Magic Lantern crew is responsible for a whole hell of a lot of it. Well, Super Minerals are an important cog in that machine and this duo's intentions are blaring loud and clear on their first proper CD, Multitudes. This duo of Phil French and William Giachhi may rip it up when they're moonlighting in Magic Lantern, but here they are burning it all down slow. This is an album full of zoned-…