We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Continuing the utilisation of recycled sound, Preslav Literary School fades out its opening German monologue to unveil a starry, shimmering reconstruction of a J.S Bach fuge. Chords overlap each other so that a dissonance lingers between them, with haunting organ tones vaguely tracing a melody while ultimately feeling lost in mystical freeform. The section during which a phased fifth-interval drone takes precedence is considerably less interesting than the flowing chord progressions before…
Over the past year-and-a-half, the duo of Dexter Brightman and Jair Espinoza have explored abstract electronics in increasingly new and interesting ways. Over the course of numerous tapes on labels such as Avant Archive, Neon Blossom, and others, the duo has combined the ideas of repetition and sound art and continually mutated them into something that is becoming increasingly difficult to pin down. With the recent “Tek No Muzik” 12” on Crazy Iris, mechanized acid was introduced in the mix. It i…
A high point in Konstruktivist's career, "Glennascaul" was originally released on Nigel Ayers' Sterile Label in 1985. Produced and mixed by Chris Carter of Throbbing Gristle, it marked a complete change in style for the band towards a beat-orientated rhythmic sound. "Glennascaul" is proto electro at its very best, with Glenn Wallis's unique vocal style on top. For this, the first ever edition on CD, we have remastered the or…
Solo project by member of the Decimus 4 is a hypnotic journey into analog electronics, where Decimus (Pat Murano, No-Neck Blues Band) channels ritual drones and psychedelic abstraction, echoing the spirit of Coil and early Tangerine Dream.
James Rushford and Joe Talia are two of the most exciting musicians active in the Australian experimental scene, engaged in major collaborative projects with figures such as Jon Rose and Oren Ambarchi. On Paper Fault Line, they use strategies from contemporary composition, improvisation and electro-acoustics to create a sensuous and approachable, yet subtly disturbing, 30-minute suite. Eschewing the homogenized sound palette and dynamic conventions of post-GRM musique concrete, the record is str…
300 copies. Félicia Atkinson is having a very productive 2011. The French musician, artist, and writer has released tapes and CDs under her own name and the moniker Je Suis Le Petit Chevalier, establishing herself as an increasingly important voice within experimental music circles. Currently based in Brussels, Atkinson represents a new generation of artists who seamlessly blend musical composition with visual art and literary expression, creating works that transcend traditional categorical bou…
A warm, filled-with-rich-tones reissue of one of the earliest tapes of Charlatan, the synthesizer project of Brad Rose, one of the most active and influential figures in contemporary experimental music. Following his acclaimed Triangles LP on his own Digitalis label, Equinox represents Rose's second vinyl release under his Charlatan moniker, offering a mesmerizing journey through synthclouds and starchords layered over a carpet of pristine white hiss. Originally released on cassette via House of…
*Limited to 300 copies * This split LP presents a unique and deeply personal musical collaboration between husband and wife duo Grant Evans and Rachel Evans, performing under their respective solo monikers Nova Scotian Arms and Motion Sickness Of Time Travel. Created to commemorate their crystal anniversary, Crystal Anniversary stands as both an intimate celebration of matrimonial harmony and a compelling document of two of the American underground's most distinctive voices.
The Evans couple rep…
As a composer, John Wiese is an elusive one. Employing a very healthy range of conceptual framework throughout his oevure, he's unmistakably recognizable, but rarely easy to predict. No matter what the sound, we find it always sounds like Wiese. Seven Of Wands contains a romanticism only hinted at previously. Comprised of pieces from a range of eras and sequenced into a narrative arc, this very unique album has a quality of being beautiful, listenable, immersive, and transportive all at on…
Daphne Oram, founder of the BBC Radiophonic Workshop, died in 2003 leaving a colossal archive of reel-to-reel tapes and documents behind. This important collection of material eventually made its way to Goldsmiths College, London, who have been administering it on behalf of the Daphne Oram Trust for the last few years. The collection holds over 400 tapes made by Oram during her lifetime, and 211 of those have been archived and catalogued by the college so far. "The Daphne Oram Tapes: Volu…
“In psychic defense” is the last work of Clay Ruby as Burial Hex. With this record Burial Hex faces a new chapter in his music where noise, post-punk, a wise use of the rythm, experimental wave and dark melodies match together in a perfect balance. The record is elaborated as a protection spell in psychic self-defense, and the lyrics are from an old hymn to the Archangel Michael, always been seen as a leader and protector of the faithful. This one sided also confirms the collaboration betw…
Here at Spectrum Spools, one of the many missions is to make sure great, under-documented, and limited offerings get a chance to see a wider release. No UFO's debut cassette,Soft Coast (2010, Nice Up Int'l), is surely no exception. It was said about the Swell Maps A Trip to Marineville that the album had been obviously crafted by true music lovers who were record collectors. It seems that Konrad Jandavs' debut as No UFO's was calculated and carefully pieced together to spawn a whole new u…
DOME : B.C. Gilbert & G. Lewis. Floating-point re-master by Russell Haswell, August 2011. Cut at Dubplates & Mastering by Rashad Becker, August 2011. New artwork and layout: Dave Coppenhall. Editions Mego are proud to release the complete recorded works of DOME in a deluxe vinyl box set that that also includes newly designed artwork by David Coppenhall, reproductions of the original Atelier Koninck posters that accompanied Dome 1 and Dome 2, insert with sleeve notes by Howard Jacques and …
Oxtirn 'live' documents a performance in new york city, by the new trio of geoff mullen, ashley paul and eli keszler. following a score by keszler, the group performs on an array of instruments, using three guitars, drums, voice, auto-motorized harps, tenor harp, bass harp, microphones, clarinet, alto saxophone, crotales, drums and cymbals. the music drifts in a unique way between a wide variety of sounds, from incredible density of clattering metal textures and string attacks, wall of so…
Steinbrüchel’s Narrow is an album of reduction and transformation. Like much of Steinbrüchel’s recorded work, the genesis of Narrow stems from a singular idea concerned with the notion of ‘static development’. Working with a limited palette of source material Narrow’s elegance is in its varying perspectives on related sonic materials. The title track is the nexus here - a somewhat more organic sound palette than heard previously in Steinbrüchel’s work - Narrow is a subharmonic oceanic-like compo…
The Oansome Orbit is the latest work from Australia’s electronic godfather Pimmon (known to friends as Paul Gough). Over the past decade and a half, Pimmon has carved out a unique space for himself amidst through producing a series of masterfully executed excursions into abstract electronic sound. With this new edition, he strikes out at some of his most harmonic territory to date, merging washes of rich tone against irregular grids of texture. The results are wholly individual and utte…
Edition of 150 copies. Compostion by Ferran Fages (acoustic guitar, contact mics and speakers). The nature of this recording is a distorted image that came to my mind during the composition of the piece.I worked on Llavi vell during 3 months from july to september 2010. The sound is the result of bowing the strings of the guitar in different fret positions, with a bow made of a long metapiece. The fret positions were related to the different divisions of the lenght of the strings: half, third, …
The debut release from Polish composer Adrian Aniol, It All Falls Apart, is a slow, fog-enshrouded journey upriver into the mouth of madness. Slow, frigid waves of sound seep in from the misty distance. White noise clashes with subsonic percussive crashes piling on the unease and tension that builds to an appropriately lunatic conclusion. The B-side features a remix of the entire piece by Steven Hess (Locrian, Ural Umbo). No computers were used on the remix. The piece was literally done …
From the opening pulse through the flourish of its conclusion, Urania is an auditory capsulization of outer space. Like the magazine it draws its title from, strains of evil, surrealism, and technological grandeur exist in an oxygenless environment. Urania is the sound of various futures, from modular analog synth textures to bizarre, unidentifiable soundtracks created with alien technology. From idyllic utopian societies to scorched, apocalyptic lands, Architeuthis Rex examine the myster…
With an eldritch terror that could just as easily be from another dimension as the darkest ocean comes the latest release from Ural Umbo, Delusion of Hope. Feedback and melody barely escape from the murky crevices, tinged with a sense of grinding tension. Sharp, acidic percussion slices through the blackness with violent urgency, while electronic blasts and organic drones entwine and ensnare. Some dim instinctive memory vaguely resurrects a shadowy scene wherein black drums roar madly, and monst…