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Back in stock! 'composition: reinhold friedl this cd should be played with random or shuttle function zeitkratzer will soon be the center of innovative music. This project promises to be endlessly fascinating, the Wire magazin wrote three years ago. Three years later, after a lot of different projects, inluding zeitkratzerÕs already legendary cooperation with Lou Reed, international critics agree: zeitkratzer is the best contemporary music ensemble in the world (entrevista Lissboa, dna Roma).…
Since almost forty years z'ev belongs to the absolute fore front of experimental music. Playing percussive music he gained a lot of attention, but in more recent years he returned to working with electronic tape manipulation. One aspect is working with other people, such as Francisco Lopez or Kasper Toeplitz. On 'Forwaard' he uses field recordings made by Frans de Waard (hence the title), which are 'recoded' by z'ev into a forty minute, densely layered pattern of musique concrete. Many of the wa…
Celebrating the 25th anniversary of the very first Zev studio album which originally came out on Backlash in 1981, Die Stadt is proud to announce the re-release of Production and Decay of Spacial Relations for the first time on CD. It features the original seven tracks from the vinyl plus six recodings entitled Reproduction and Decay of Spatial Relations made by Zev in May/June 2005. Back in the day, Zev used to bring boxes over from Holland when he would come back to New York City which he woul…
Hailed as a hero of underground film in the 1960's, director Masao Adachi presents the shocking new film 'Yuheisha (Terrorist)' after a hiatus of 35 years. The soundtrack was composed by Yoshihide otomo, who is known worldwide for transcending the boundaries of jazz, improv, and noise. As a producer and film composer, he has gained critical acclaim for the soundtracks of 'Heart, beating in the dark', 'Canaria', and 'Boku Wa Imoto Ni Koi Wo Suru'. Also appearing in the film and playing acoustic g…
Hailing from opposite ends of the experimental music spectrum Andy Moor and yannis kyriakides have been making music together for over 5 years. The fifteen tracks recorded here are a result of three improvisation sessions held in 2003. The album is an exciting blend of the visceral and the refined, the raw and the spontaneous that marks the opening chapter of a blossoming collaborative partnership.4 page digipak with a 36-page booklet of Andy Moor's photography.
Xavier Charles, clarinetist and electro-acoustical experimentalist (he uses variety of objects, which he throws into vibrating loud-speaker), played on the first edition of legendary Musica Genera Festival in 2002. Back then, he deeply impressed the polish audience with his charisma, therefore we were waiting for his firther performances with great anticipation, and now we are happy about this album. It's a recording of a live performance on board of MS Stubnitz ship, which was staying in Szczec…
Wrikken is a collaboration between Dutchmen Joris van Perlo and Ivo Bol. Both having played in several punk and new age-bands, both being bored with those genres, both discovering the possibilities of electronic composition and processing...The combination of electronics and their former acoustic instruments, or rather the electronic re-interpretation of those, is like a red line through their work. Although not recognisable as such, the sound of wrikken is based on sampling and distillating the…
This CD is a collection of the Wolf Eyes w/ John Wiese 7" and two CD-Rs originally released in very limited editions on American Tapes in 2003-04. Digitally re-mastered by Wiese this year, and finally available all together.
Disintegration Loop 1.1 consists of one static shot of lower Manhattan billowing smoke during the last hour of daylight on September 11th, 2001, set to the decaying pastoral tape loop Basinski had recorded in August, 2001. Shot from Basinski's roof in Williamsburg Brooklyn, this is an actual documentary of how he and his neighbors witnessed the end of that fateful day. It is a tragically beautiful cinema verite elegy dedicated to those who perished in the atrocities of September 11th, 2001
A terrific drone album here, on this first solo-release, Werner Durand presents six works all dealing with the buzzing phenomena. This phenomena is found in many musical cultures around the world as an integral part of the sound, eg. with chinese and korean flutes, ethiopian and basque string instruments and also the Indian tanpura. The results are stunning: dense drones with pulsing, buzzing, dizzying movements swarm with an intoxicating cadence. Recorded in multi-track, the sounds are sometime…
An attempt to convert Brussels' sonic reality into music. Mutated environmental sound materials gathered in Brussels, remixes of interviews with inhabitants and extracts of installations are flanked with atmospheric compositions made with sounds from other cities and countries.
The thought of producing a compilation where the tracks were all either inspired by or more directly influenced by the organ had been frequently aired over the years. The conversations were always animated and expansive. The organ works of Arvo Prt, those performed by Christopher Bowers-Broadbent, a pupil of Richard Rodney Bennett at the Royal Academy of Music in London, and others, have reached a wider non-classical audience. Eventually Benny Nilsen arranged to visit St. Mary's Church, Warwick …
One of the most essential collections of early electronic music ever compiled!! Raymond Scott's 'Manhattan Research Inc' boxset from 2000 is one of the finest reissues to have appeared in the last ten years. This new set from Basta is the unofficial follow up, easily their most perfectly realised project to date consisting of 4 cd's, seven booklets, posters, stickers, transcriptions and a time chart all contained within a high gloss stiff card box. It focuses on the early electronic music works …
These pieces were recorded between 1963 and 1973 at the NHK electronic music studio, Tokyo. Includes 12-page booklet with liner notes in Japanese. This version was withdrawn from sale due to objections from Takeisha Kosugi. His track was then replaced by one by Michael Ranta, and the album was re-released under a different catalog number.
1. “Divertimento” Keitaro Miho This is a live performance of live percussion instruments and electronically produced percussion instruments. Until then, …
The 3rd issue of early Japanese electronic music made by NHK (Nippon Housou Kyoukai : National Broadcasting association) electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. Contents : Makoto Moroi 'Shosange' (1967), Minao Shibata 'Display '70' (1969), Toshiro Mayuzumi 'Mandara with source of Voice and Electric sound' (1969), Joji Yuasa 'Voices Coming' (1969), Makoto Shinohara 'Broadcasting' (1973)
1. “Small Confession” Makoto Moroi The works ar…
Early Japanese electronic music made by NHK electronic music studio. Engineer Satou assisted many electronic works of avant-garde composers. The following works (except Yuji Takahashi) had released in 1967 and 1969 on LP (Victor VX-52, VX-99), and they are very rare now.' Contents : Yuji Takahashi "Phonogene" (1961), "Yori-Aki MatsudairaTrangent '64" (1964), Minao Shibata "Improvisation for the electronic sound" (1966), Joji Yuasa "IKON on the source of White Noise" (1965), Toshiro Mayuzumi "Cam…
Hiroshi Shiotani was an engineer of NHK (Nippon Housou Kyoukai: National Broadcasting association) electronic music studio, and then he cooperated with some avant-garde composers of Japan. This CD get Shiotani's works together, and released several years ago as a memorial of him when he died. It was repressed 500 copies by a private studio. All tracks are legendary early electronic works of Toshiro Matuzumi and Makoto Moroi. These works had originally released in '50s-'60s, but we have not been …
The concepts of isolation – in social, geographic and virtual settings have spawned various creative investigations over the centuries. Guided by the philosophical premise of social theorists such as Zygmunt Bauman, Room40 and the University Of Tasmania collaborated in the curation of a series of sound artworks, found sound pieces and musical interjections spurred on by the notion of ‘isolation’. The results of the contributions vary widely but all meditate on the states of being alone or in sit…