LIGHT
4 new tracks from the 3 audio artists (Hazard, Fennesz, Biosphere) who make up the forthcoming Touch Tour [UK, May 2001]. All are exclusive tracks recorded specifically for this CD, released for the tour. Taking the everyday world as source material and inspiration, the three international collaborations between electronic sound artists and visual artists present a vivid introduction to the work of Touch, the ground-breaking audio-visual label, in its twentieth year. Hazard's compositions evoke …
Incidental Amplifications
For most of us, our every waking moment (and even those where we are unconscious) is surrounded by sound. From the obnoxiously pitched alarm tone that raises us from slumber to the muted sounds of night-time traffic that merge with natural nocturnal transmissions; there is always sound. As a society we have increasingly sought to augment and indeed control the environments around us. All manner of tools have been utilised in this ongoing war against the unfamiliar, the unexpected and the "undesi…
IMEB OPUS 30 1970-1983 / Vol 2 1984-1999
colossal 6-disc set of obscure early concrète music: a lovely anthology celebrating the 30 years anniversary of Institut international de musique électroacoustique de Bourges (IMEB), formerly Groupe de musique électroacoustique de Bourges (GMEB). Realized between 1970-83 and 1984-1999
From A To Z
From A to Z offers ten enticing selections of compelling, engaging electroacoustic music. It's a specially priced compilation that's an excellent introduction to the Starkland label. The diverse music ranges from Tod Dockstader's powerful musique concrète to the digitally sampled bovine vocalizing in Phillip Bimstein's udderly charming portrait of a Utah farmer. The CD opens with three excerpts from Starkland's two Dockstader "organized sound" CDs, widely praised in over 25 highly positive revie…
ELECTRO-ACOUSTIC MUSIC FROM SWEDEN
Electroacoustic musics from Sweden. Bengt Hambraeus, Jan W. Morthenson, Sten Hanson, Ake Hodell, Sven-Erik Bck, Lars-Gunnar Bodin, Rune Lindblad, Tamás Ungvary, Bengt Emil Johnson, Akos Rózmann, Pr Lindgren, Rolf Enström, Ake Parmerud, Anders Blomqvist, Tommy Zwedberg.
CULTURES ÉLECTRONIQUES 18
Bourges 2005 , Concours international de Musiques et d'Art sonore Electroacoustique
CULTURES ÉLECTRONIQUES 17
30e Concours International de musique et d'Art Sonore Electroacoustiques, Bourges 2003. With Maurio Mary 'Signes émergents', Laurent Soulié 'Ecorde de lune' for tape and instruments (TM+), Ambrose Field 'One hell of a place to lose a cow', Gerald Eckert 'Offen - fin des terres' for tape and instruments (Aventure). Free with this audio CD, a CDrom around the festival Synthèse 2003.
Compromize
Ten years ago the Wahrnehmungen label from Mainz, Germany, founded by the group PD was renamed Selektion (and PD changed to P16.D4). In 1984 artists joined Selektion to form a new kind of artistic project for music (S.B.O.T.H.I., SLP) as well as for visual arts. In this very recording, almost all members have, in various combinations, made their approach to an organization of sound. It is the state of things of Selektion's audio productions. Selektion are: M. Caspers, G. Lörcher, H. Maus, J. Pen…
COLOGNE - WDR Acousmatrix 6
Sixth volume in the Acousmatrix series. "Incredible sampling of lesser-known, but more than equally-important recordings of Herbert Eimert, Robert Beyer, Karel Goeyvaerts, Paul Gredinger, Gottfried Michael Koenig, Henri Pousseur, Bengt Hambraeus, Franco Evangelisti, Gyorgy Ligeti, Gieselher Klebe, Herbert Brun." All recordings from 1952-58
Archives Grm
For the 30th birthday of INA, the GRM has decided to present in this CD box some of his archives. INA - GRM (Institut National de l'Audiovisuel - Groupe de Recherches Musicales) in Paris, France, is the pioneering organisation of electroacoustics, acousmatics and musique concrète, with a history going back many decades, as active today as ever, recording and releasing a long string of historically important, but also new and innovative, electracoustic works, while also engaging in research into …
An Anthology Of Noise & Electronic Music Vol 4
Sub Rosa presents the fourth volume of the highly-acclaimed and successful Anthology of Noise & Electronic Music series. This installment promises to be the pivoting axis in the seven volume set, with 75% rare tracks and music never before heard. In the previous three anthologies, Sub Rosa outlined the historical sites at the advent of concrete and electronic music: Pierre Schaeffer's workshop studio (Vol. 1), the Princeton Electronic Music Center in Columbia, New York (Vol. 2), and the WDR…
An Anthology Of Noise & Electronic Music vol. 2
The story continues with volume 2, featuring slow explorations of the past and the present. Given the present system of production, there are reasons, some of them identifiable, why only a few names emerge in each period. There may also be a preference for concentrating information rather than letting it pile up in disordered fashion. Over the past 40 years, the same ten electronic music composers get mentioned again and again (including in music dictionaries and histories). Yet behind the…
An Anthology Of Noise & Electronic Music - Vol 1
Subtitled: First A-Chronology 1921-2001. At last, the Sub Rosa label re-issues the highly-acclaimed Anthology Of Noise & Electronic Music collection. Containing early and contemporary classics as well as pieces that had never been heard before. Volume 1 begins in the 1920s with the Russolo brothers, and examines each decade in turn -- Varèse, Cage, Schaeffer, Xenakis, the great pioneers crafting the first traces of a music that was markedly revolutionary: electronic music, created from no…
Osso Exotico + Z\'EV
RESTOCKED Since 1989, the Portugal avant garde ensemble osso Exótico have created a stunning body of work. Current members are André Maranha, David Maranha and Patricia Machás, but besides the recordings, very little historical information can be found about the group. Rather, the music speaks for itself. Percussionist Z'EV, who has spent the better part of 40 years finding ways to coax sound out of material, and then creating a mystic cacaphony out of it, also uses sound as communication. Toget…
Acousmatrix The History Of Electronic Music
**Last Copies** this beautiful boxed set consists of all 7 titles of the acousmatrix series with extra liner notes by konrad boehmer and a nice full color picture box. five single cd's and two double cd's. Mindblowing, historical works by some of the most important electronic music composers: Gottfried Michael Koenig, Luc Ferrari, Henri Pousseur, Konrad Boehmer, Berio/Maderna, Francis Dhomont. Plus a compilation of material from the Cologne/WDR studio. This were released separately in the past, …
20 JAHRE INVENTIONEN VI
Electroacoustical music from the Inventionen Festivals 2005 and 2006. Composers/tracklist: Edgar Barroso 'ODD'; Mario Verandi 'Comme un jeu des images'; Paul Wilson 'Through the Rain'; Ricardo Climent 'Wallwoodpeckers'; Vladimir Djambazov 'The Secret Life of a Snare Drum'; Ludger Brümmer 'Glasharfe.'
Most composers work with field recordings or acoustc object phenomena and process these sounds with digital software means. The brilliant piece from E. Barroso uses only the "noise"-components of in…
Musiques électroniques en France 1974-1984
With Lard Free, Gilbert Artman, Heldon, Richard Pinhas, Camizole, Verto, Video-Aventures, Pascal Comelade, David Cunningham, Victor Nubla. This compilation aims at showing the pionneers of electronic music who are little known or completely anonymous for the majority of public. In the early 70’s and thanks to the commercialization of the first financially accessible syntheisizers, appeared, and it is often not really acknowledged, some adventurous French musicians who decided to adopt this intru…
Dawn
It was recorded at the legendary Total Music Meeting of Free Music Production in November 2000. Dawn is a composition played off the cuff of nearly 42 minutes. All the highs and lows of a longer composition are on this recording: searching and finding, restrained groping and violent erupting.... The decisive factor, however, is that this music is played by people who have nothing or very little to do with this attitude, by Gert-Jan Prins (see his solo record Prins Live, GROB210), by the saxophon…
Walls of sound II
'Music in Fifths' (1969) from Phillip Glass. 'Pendulum Music'(1968) from Steve Reich. 'Dorian Reeds' (1964) from Terry Riley. '1 + 1' (1968) from Phillip Glass. 'Reed Phase' (1967) from Steve Reich. 'Walls of Sound' is about what I call: 'static music' - music that isn't semantic, gestured, or narrative, that doesn't move or change atmospherically, and isn't dramatic or has a development in the traditional European sense. If it changes it does it very slowly. The emphasis lies on the 'aural scul…
Birds + Machines
Co-founder of Pogus with Al Margolis, Gen Ken Montgomery is often unfairly disregarded when assessing the history of radical music in the last half-century. This collection – another clarification of a unendingly probing creativity – examines works from the decade in which the American composer’s terminology was first met by yours truly, at that time seriously hooked in the unearthing of entrancing materials of post-industrial derivation. But don’t let this piece of news mislead you: Montgomery’…