Inter-Dimensional Music
CD reissue of the 1978 debut LP by the original new age music legend, Iasos. Fifteen tracks (including 3 bonus tracks) of original analog bliss. It is NOT the typical sounds of the average new age music found throughout the '80s, it is a trippy, exotic psych sound having roots in '60s West Coast experimental music. A cornerstone of new age music by real new agers. "l find lasos' inter-dimensional music needing new words to describe it. I feel as though I were entering a new world -- a new and ve…
Boundary Layer
A new recording by the band that pioneered laptop ensembles over twenty years ago coupled with an historic overview of their recordings, unreleased tracks and video clips of the band in performance. Functioning in the West Coast tradition of composer as instrument builder -- redefining music from the ground up -- The Hub makes music using electronic and digital systems of their own devising. A natural extension of the late 1970s ensemble the League of Automatic Music Composers, the group has per…
Perpetuum Mobile
estocked, reduced price: Perpetuum Mobile is the result of a uniquely schizophrenic 'open source' compositional process: the UK's finest collage composers (collage-posers?) Ergo Phizmiz and People Like Us (aka Vicki Bennett) uploaded files to a shared server, downloaded and processed each other's work, and flung the resulting fragments back at each other. The result is an interpenetrating audio-collage so intricate that neither party can recall who did what to whom. So far, so avant-garde; but w…
Abfleischung
2th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Abfleischung is based on material recorded by Tietchens as early as 1967—1970. These recyclings made in 1989 became the 20 short tracks on this album which was originally released in edition of 500 copies on Hamster Records in 1989. The CD includes two previously unreleased tracks and comes in a jewel case with full color artwork and poster booklet also feat. the original front and back cover. First editio…
Art Of Field Recording Volume II
Subtitled: Fifty Years of Traditional American Music Documented by Art Rosenbaum. This is volume 2 of Dust-to-Digital's robust and highly-acclaimed Art of Field Recording series, assembled by esteemed archivist Art Rosenbaum. This impressive 4CD set includes ballads, blues, spirituals, work songs and slave songs, religious singing and other traditional folk music from Georgia, Arkansas, Texas, Florida and elsewhere. Housed in a 10"x10"x10" color cardboard box containing a 96-page perfect-bound b…
When Loud Weather Buffeted Naoshima
A beautiful composition from David that was commissioned as an installation piece by the Naoshima Fukutake Art Museum Foundation on the island of Naoshima, Japan as part of the NAOSHIMA STANDARD 2 exhibition which ran from Oct 2006 to April 2007.
Recordings 1969-1988
Faitiche is ten years old. October 2008 saw the release of Ursula Bogner - Recordings 1969-1988, for which the label was created. While working as a pharmacist, Ursula Bogner experimented with electronic music, undiscovered, for over three decades. When Jan Jelinek first heard Bogner's work in 2008, he was enthusiastic. The resulting album, compiled by Jelinek from Bogner's extensive oeuvre, is being reissued in a remastered version to mark the label's tenth anniversary. This new version also in…
Dream Theory in Malaya: Fourth World Volume Two
RESTOCKED Seminal 1981 recordings; Mati Klarwein cover. Personnel includes: Jon Hassell (trumpet, pottery drums); Michael Brook (bass); Walter DeMaria (drums); Brian Eno (drums, bowl gongs, bells); Miguel Frasconi (bowl gongs); Daniel Lanois (mix). Volume One of Jon Hassell and Brian Eno's 'Fourth World' report remains a classic recording of electronic, mutant gamelan and exotic indigenous musics that truly bridges many worlds. Dream Theory In Malaya picks up right where its predecessor left off…
Springfield
Seven track mid-length CD, all tracks previously unreleased. Includes a new DFA remix. Before Homer (Simpson) there was Arthur Russell and his vision of a utilitarian and common social oasis. There appears to be in every state of the union a Springfield -- be it county, city or street. Arthur imagined that his music could be universally accepted in each and every one of them. Springfield is one of the last compositions Arthur Russell wrote in his all too short lifetime. Arthur recorded over four…
Sound-field for rattle harp
restocked, REDUCED PRICE - Comes in an LP-style sleeve with a 16-page booklet. A single, hour-long work. Recorded on January 18, 2001 in Udine, the Red Room [Sound-source: Rattle-harp (drift metal, string, wire, bells, bone, wood)]. Treated & composed on February 9-12, 2002 in Udine, the Black Room. All photos have been taken at Caneo natural reserve, Fossalon di Grado, Isonzo River Mouth, Friuli-Venezia Giulia, Italy, 0 m. asl. The very occasional faint crackles are digital faults from the orig…
Pieces From The Cloudland Ballroom
Crucial reissues of the first two Anthony Moore solo albums from 1971/72. Originally issued by German Polydor (part of the same program that gave us the first Faust recordings), these were briefly reissued on CD by Japanese Polydor in 1995, but were instantly deleted. So now they are commonly available for the first time, the only negative being that Blueprint's packaging is quite generic & uninspired, with no credits and only tiny new liner notes from Mr. Moore which detail the compositional in…
Criss X Cross
this legendary album was recorded in 1979 and has been the stuff of legend ever since, so it is great to finally hear it in all it’s glory. A crucial, early concert that was beautifully recorded live in the Sorbonne Cathedral of Paris in 1979 and remains one of the most brilliant examples of Gibson's unique and hypnotic solo performances. I must say there is an element to this music which sounds beautifully theatrical, like the most wonderful, mysterious piece of theatre you could ever wish to s…
The Black And White Album
Zebra is manned by Roel Meelkop and Frans de Waard, two people with whom I have already a friendship that originates from the early 80s. Structurally the music is much more complex than the 2.5 minute ditties that top the charts. The compositions last more than 5 minutes and together they form one mix. A mega mix, one would say in terms of the 80s and 90s. So, Zebra usues many parts and aspects of that era but certainly does not imitate it. More still, it reminds a bit of the symphonic rock of t…
Loop End
Limited edition of 150 copies. Martin Luiten and Frans de Waard are both from Nijmegen and both part of the same musical 'scene' - if there is such a thing. They played together in 2003 when their bands Girlfriends and Beequeen played a collaborative concert, and the two met on the sunday afternoon improvisation concerts. Yet its not been until this year that they decided to work together, Martin on guitar and electronics and Frans picking the sound up with his laptop. Extremely fruitful session…
Electronics
Presenting a second volume of collaborative works between European avant garde ensemble Zeitkratzer and modern electronic composers. Terre Thaemlitz developed the present pieces for and with Zeitkratzer. The starting points were Thaemlitz' releases Means From An End and Couture Cosmetique, which show him as an electroacoustic composer with an amazing sensibility for sound and harsh cutting techniques. This is especially evident on "Sloppy 42nds," and moreover, Thaemlitz' filtering techniques are…
SOUND 1
As the title well underlines, "Sound 1" electronic sonority is a starting point in Charlemagne Palestine researches for the Golden Sonority. Previously unpublished, this radical and foundamental work has now been released on LP record in collaboration with the New Media Dept of Centre Pompidou (National Museum of Modern Art) in Paris for the first "Ouvres sonores" event, December 15th, 2008. Charlemagne Palesitne started to dream of an expressive continuous evermoving everchanging sound form; an…
Pandamoniahbleeummm!!!!
Volume 2, "Pandamoniahbleeummm!!!!" marks the encounter with Charlemagne Palestine, pionneer of strumming music and piano maximalism, in the St. Eustache Church in Paris, known for its world famous church organ. The following battle, in form of a long incantatory improvisation, Charlemagne Palestine playing the church organ and GOL doing the electronics, bass, guitar, and the flutes part, combines many attributes of a pagan ritual.GOL was formed in 1988 in Paris by Jean-Marcel Busson, Frédéric R…
Red Mecca
It's a taught, dense, horrific slab lacking a lull. Dashes of Richard H. Kirk's synthesizer are welded to Chris Watson's tape effects for singed lashes of white noise, best heard on the lurching 'Sly Doubt' and the jolting 'Spread the Virus.' Throughout, Mallinder's sinister jibber jabbering punctuates the high-pitched menace. The record contains all the characteristics that have made the Sheffield group such an influential entity when it comes to electronic music.
Un Peu De Neige Salie
Guenter's assiduous compositions favor extremely subtle variances in electro-acoustic crackle, subsonic rumble, and subliminal frequencies exploring the limits of the audible spectrum through invisible digital edits. The title of his landmark debut album, released in 1994 and reissued through Table of the Elements in 1996, translates as "a little dirty snow," an apt description for Guenter's naturally impressionistic minimalism. UN PEU DE NEIGE SALIE opens with "Untitled I/92," a degenerating ma…
in C
Features three Terry Riley pieces: "In C", "In DO(M)", "In Moscow". "In April 2000 the American composer and performer on the keyboard Terry Riley performed in Moscow: one evening at Moscow Conservatory's Rachmaninoff Hall, which was the closing evening of the SKIF #4 (the Sergey Kuryokhin International Festival), and in two days at a large-scale concert at the Cultural Center 'DOM', which was the opening concert of the 13th 'Alternativa' festival of contemporary music. At the opening concert of…