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"Clic" is released in 1974 and it is truly of those art-popping creations Battiato ever managed to do - there are full analogies naming it a best ever album, there are voices that appreciate its corrosive attitude under quite exhaustive portraits, everything being or not of a heads-up, since "Clic" needs to affirm a great response from the person who listens to it. All the fractured comparisons can become unremarkable, even if most of the previous solid works has lead to this entire full interes…
Original, still shrink wrap copy of Organized Sound by Tod Dockstader Luna Park/Traveling Music/Apocalypse, 1966 Owl Records. This is one of the best and most creative records of electronic/concrete music ever! Dockstader made this music at night, staying at his day job’s studio (where he did the sound effects for Mister Magoo and Gerald McBoing Boing), becoming expert at manipulating their tape recorders and rewiring oscillators to make powerful, pulsating electronic drones and effects. Absolut…
Synthesist and electroacoustic composer born in 1933. Ivan Patachich was the musical director of Budapest film studios. He died in 1993. These recordings made in the Electronic Music Studio of the Hungarian Radio and in the Institute of Sonology, State University Utrecht. Very rare. Only one copy available.
Music from the Dartmouth International Electronic Music Competitions 1969 and 1970, by Peter Glushanok, Jose Vicente Asuar, Richard Allan Robinson, Jean-Claude Risset, Raymond Moore and Peter Klausmeyer. Only one copy available.
Third volume of the great contemporary electroacoustic compilations published by Turnabout: Electronic Music III. It contains electronic music by Berio/Druckman/Mimaroglu. Only one copy available.
Throughout the 1970s, legendary American composer Terry Riley toured regularly in Europe, performing solo organ concerts. In October 1978, Riley's personal technician Chester Wood built a stereo digital delay out of an ancient computer he had procured from Don Buchla, and the subsequent tour was the maiden voyage to try it out. Riley's specially modified two-manual Yamaha YC-45D portable combo organ had a Just Intonation setting and allowed him to feed stereo signals to the digital delay. The Ya…
Sonata for computer, Andromeda & L'aube des flammes composed 1984 and recorded at Electronmusikstudion (EMS) in Stockholm, Sweden. Harmonics II composed 1983 ; Parta con moto composed 1984 recorded at Elektronisches Studio in der Technische Universität (Berlin, Germany). Only one copy available.
Long out of print, this CD is an awesome example of early 70's early 80's musique concrete - Pentes composed 1974 and realized at INA-GRM studios in Paris, France. Tides composed 1984 and Vortex composed 1982 realized at the electroacoustic studio in the University of East-Anglia, Norwich, England. The fairytale quality is bound to seep up like methane through the marshes, as so often in works by Jacques Lejeune or François Bayle – and the procedure functions in Smalley’s piece! Nature becomes …
ollowing his highly successful debut stabil (r-n073), Kangding Ray releases his second full length record on raster-noton, entitled Automne fold. With Automne fold, David Letellier has evolved from the quiet, pristine flow of his debut record to sounds that are raw, dark and organic on this second release. pulsating rhythms become lost in within walls of saturated strings, words are spoken over bowed acoustic guitars, and analog synths collide with urban field recordings. Vocals are a central th…
Death of a typographer is meant to be a snap shot. The release was recorded in a winter week in Berlin. Only the pre-released single plastic star was created in sunny athens. The album contains the original session version of plastic star. The music of death of a typographer carries the special sound of raster-noton - but it is different: the tracks act as focal points, as elegy of an latently flowing stream, a stream that still moves on even when the music has long faded away. The tracks do not…
After finishing the transall cycle and introducing the series of xerrox, Alva Noto makes a move back to his more rhythmic approach in unitxt. It could be seen as a kind of continuation to the transspray ep from 2004. A preview of unitxt concept was already released as a remix track for the björk cd-s release innocence produced by Björk-Timbaland, from her latest album volta (2007). Unitxt was recorded during raster-noton japan tours 2006 and 2007. it was reviewed and edited in berlin early 2008.…
Debut collaboration of New York artists and long-time duo partners Alan Licht and Aki Onda, whose combined history connects artists straddling the pop and experimental worlds, including Fennesz, Loren Connors, Takemura Nobukazu, Lee Ranaldo, and Toriko Nujiko. In the past decade their montage-inspired solo work - Licht's permutational guitar and tape pieces on Rabbi Sky and A New York Minute, Onda's field recording recontextualizations on Bon Voyage! and Ancient & Modern - has co-existed with th…
Described as a "strange mechanical ballet for Androids" - " Con Brio " reveals one more time that Conrad Schnitzler, usually described as a " mad-berliner" is first a poet, a sculptor, & a painter...who expresses himself through musical pieces.
Trigger Trilogy consists of three discs each selected from hundreds of hours of Schnitzler's private recordings. Each represents a one of the few unique approaches that Schnitzler takes to recording, each uniquely identified and defined by Schnitzler. Within each of these recordings one can hear how Schnitzler influenced a generation of artists not only in Germany but the world around and how he's brought those sounds into the modern day. It's also apparent in these recordings that Schnitzler is…
Mirror is the pairing of Christoph Heemann and Andrew Chalk, an accomplished sound and visual artist whose catalogue has seen rapid expansion in recent years. Recorded in 1998, Ringstones presents two long drone pieces of immense beauty and dimension. The liner notes (words by "Sarban" from 1951) speak of a great silence suddenly encountered by a traveller who finds himself alone on the moor. These words find their perfect compliment in these…
Newly re-mastered CD version makes available (again) one of Heemann and Chalk's most peculiar, early aural odysseys. For their fifth project, Nightwalkers, Mirror teamed-up with Andreas Martin (Mimir member and multi-instrumentalist extraordinaire) for a set of pieces that could well be their most adventurous and bizarre still yet. The result is an incredibly mysterious series of turbulent and richly spacious explorations that is curiously active, but at the same moment appears suspended in time…
Back in stock: Irreverent, psychosexual and always fascinating, Ferrari's work manifests itself in texts, instrumental textures, electroacoustic compositions, reportings, films, theatre, etc. It is an honor for Tzadik to release two of his most important works from the 1970s, recorded under the supervision of the composer himself. 'Place des Abbesses,' the first electro acoustic portrait work realized at his home studio in Paris, 1977, is an evocative portrait of a small square between The Sacre…
The first album in a trilogy of new material, Sanctus represents the new architecture of the Organum sound. Recorded utilizing an implicit graphic score, the album is comprised of four discrete parts, each a variant of the others. These are not parts as in a movement or continuation of the composition, but rather four distinct audio canvases that represent a continuum of the elements at large. Composed in the spirit of the early Organum material, David Jackman has resurrected the droned-based, p…
The 2nd LP by In Camera (a collaborative project by Christoph Heemann and Timo Van Luijk) in CD version. Open Air features very dynamic live material recorded outdoors, under the moon, in March, 2004. Live improvisation integrating a stream of acoustic elements with continuous modulation. An edition of 400 copies.
Maariv is a collection of electroacoustic solo works composed and produced by San Diego-based musician, Preston Swirnoff. This collection was recorded at his studio, The Habitat, in 2004-2005. Swirnoff also collaborates with Ilya Monosov in primal rock unit The Shining Path and as Monosov Swirnoff, as well as producing heavy analog dub music as Habitat Sound System. Taking 20th century minimalism, ritual drone music, and early electronic and tape experiments as launching points, Swirnoff uses a …