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Electronic /

Cyclo
on the occasion of new forms series of concerts in 1999 ryoji ikeda and carsten nicolai did their first joint performance at galerie für zeitgenössische kunst in leipzig/ germany - the project cyclo. was founded. between 1999 and 2001 files were exchanged, material was collected and tracks were made. cyclo sets up a priority on digital quality of the tracks. selective use of automated processes like the overlapping of loops and their falsification through wrong calculation or incorrect condensa…
0°C
As the title may suggest, 0°C is a sonic exploration at a very bottom of human perception - the fragile line between life and death, dark and light, noise and silence. The authentic being is never to be achieved with complete and definitive perception of the universe - the limited human is just negligible drop somewhere between infinity and nonentity. There is no fulcrum for pretentious awareness and peace for one's arrogant mind - obscurity, uncertainty and hesitation are the only true man's sa…
+/-
This is the third edition of this timeless classic, originally released in 1996. Ryoji Ikeda is Japan's top avant-garde minimalist electronic composer, in the tradition of Alvin Lucier/The Hafler Trio/Bruce Gilbert/CM von Hausswolff/Panasonic, etc. +/- has a particular sonority whose quality is determined by one's listening point in relation to the loudspeakers. Furthermore, the listener can experience a particular difference between speaker playback and headphone listening. The sound signals c…
Dataplex
Raster-noton's flagship Signal - Olaf Bender, Frank Bretschneider and Carsten Nicolai - is something like the reference group of one of the pivotal labels of new minimal electronic music. Although only having released one cd so far, their sessions and concerts have been very influential until today. Some of those tracks of the past years now result in a compilation that joins the work of the three masterminds of Raster-noton, but not like a simple aggregation of egos, much rather like a conversa…
1000 fragments
1000 fragments is Ryoji Ikeda's first solo album. As early as 1995 Ikeda started with this influential release his consistent work on digital sound design, having an inspiring impact on the the founders of Raster-noton label. 1000 fragments was originally released in february 1995 on Ikeda's own label Cci recordings. Raster-noton is proud to make this important piece of electronic music available again. Here's an early review from www.full-albums.net: 'The works on this disc of japanese computer…
Objekt 2
Volume 2 of the music of RUNE LINDBLAD (1923-1991). This cd consists of the remainder of the long out of print Radium double lp. These works cover the years 1962-1988. Lindblad, a Swede began composing music in 1953. Ignored by the musical establishment in Stockholm, Rune went his own merry way, composing over 200 works of electronic music. Limited in the early years to often primitive equipment, he carved out his own musical niche. The sounds were often raw, occasionally scary.
Death of the moon
This disc is a reissue of lps on Pogus and Radium. Rune Lindblad (1923-1991) was an early pioneer in electronic and concrète music. Lindblad did not see these genres as mutually exclusive. Important and wonderful works by a composer who represented no institutionalized school of thought. At a concert in 1957, the critics called his music "pure torture."
Amore
Roxanne Turcotte’s 35-minute electroacoustic tale of love in a cinema, made in 1986-88 and 1992, with ringing telephones, French folk songs, a nod to Wes Montgomery and texts by Élise Turcotte; 2nd prize at the International New Music Composer’s Competition.
Iris
2004 release ** "Rosy Parlane lives in New Zealand; he began playing music with the avant-garde rock trio Thela. Thela released two cds, 'Eponymous' and 'Argentina' on the label Ecstatic Peace! He subsequently began working with abstract electronic based music, both as a solo artist and as Parmentier with fellow Thela collaborator, Dion Workman. His full and intricate soundscapes are comprised of of sample-loops, pianos, guitars, and field recordings manipulated via digital means. Parlane has re…
Directions / Tjidtjag och Tjidtjaggaise / Slutförbannelser
Three electro-acoustic works by Rolf Enström: Directions (1979), the Prix Italia winning radio piece Tjidtjag & Tjidtjaggaise, a shaman’s journey drawn from Sami culture, and Slutförbannelser after poems by Elsa Grave.
s/t
'Eva ou les yeux fermés' (1975), 'Chansons de Gestes' (1977), 'Lullaby' (1979), 'L'ouïe Lumière' (1994), 'Chaste Fleur' (1993).
Substation
Apart from being recognised as two of Australia's leading improvising musical forces, Clayton Thomas and Robin Fox are also acknowledged for their unrelenting experiments and divergent acoustic approaches in relation to their instrument of choice. Over the past 3 years, Robin Fox has developed some of the most powerful live processing tools in Australia through his research with MAXMSP. Clayton Thomas on the other hand has expanded his performance styles, moving between blistering free jazz expl…
Figures
Reissue of Robert Normandeau’s album of four acousmatic and mixed works from 1995 to 1999, including the Golden Nica winner Le renard et la rose, built from voices of a Little Prince radio play, and Figures de rhétorique with pianist Jacques Drouin.
Tangram
Five multitrack works by Robert Normandeau from 1990 to 1993, his “cinema for the ear” period, built from a child's voice, four teenagers, Mozart's chamber music and the elements, each recorded as a live diffusion over eight loudspeakers at The Banff Centre.
Lieux Inouïs
Robert Normandeau's early acousmatic works from 1984 to 1989, his “cinema for the ear”: the many meanings of the word jeu, a requiem made only of requiem fragments, and music first written for Georges Dyens' holosculptures.
Puzzles
Five 16-channel works by Robert Normandeau from 2001 to 2003, concert pieces reworked from his theatre music for Brigitte Haentjens, including StrinGDberg for hurdy-gurdy and cello and the Fribourg prizewinner Chorus. 2017 reissue of the 2005 album.
Clair de Terre
Three acousmatic works by Robert Normandeau from 1999 to 2001: Malina, made only from Claire Marchand’s shakuhachi, Erinyes, frozen onomatopoeias of actors from a staging of Electra, and the 36-minute Clair de terre, which translates the grammar of cinema into sound.
The Oak of the Golden Dreams
Important reissue of two historic minimalist albums, originally released on LP via the Advance label and out of print for decades now. Mastered from original tapes according to the composers original specifications. Packaged with informative liner notes by Kyle Gann, including an overview discography for seminal works within the field of minimalism. This timely CD reissue combines two LPs from the Advance label-Richard Maxfield’s Electronic Music and Harold Budd’s The Oak of the Golden Dreams-bo…
Kapotte muziek by
The thirteenth installment in this series is the first full- length CD split by Richard Chartier and Boca Raton. Their approaches to sound are similar, so it is a good idea to combine them on a split release. Boca Raton is an ongoing musical project started by Martijn Tellinga (1974, Amsterdam, Netherlands) in 1999. It hovers at the edges of synthesized and concrete-acoustic soundworlds. The abstraction, or rather reflection, of concrete sources through electronic synthesis and manipulation crea…
Incidence
This release is an expression of long-lasting artistic ties between both labels. In the greyness, heavy waves begin to glide into the one-hour work. They swell and flood a vacuum. Richard Chartier intensifies this maelstrom in long and graceful moves. In a majestic and subtle manner, he creates a subsonic vastness, capturing the listener, disconnecting him from the irrelevant reality. The end mirrors the beginning -- revealing the idea of an endless space in an endless composition. Finally, Inci…