Thirty-Second Annual Report
Thirty years on from the original, Throbbing Gristle returned to the source material of The Second Annual Report - their catastrophic debut of November 1977, pressed in a run of 785 copies on their own Industrial Records with white labels, a "Nothing…
Changing Bodies
On changing bodies, Thomas Peter treats the world as a resonant instrument, folding field recordings, objects and synths into five patiently mutating pieces where motion, texture and silence feel as physical as touch.
Health & Safety
On Health & Safety, Johan Surrballe Wieth drags his post‑hardcore sensibility into a hushed, modern‑classical fever dream: 25 minutes of grief‑stricken keys, corroded drones and ghost‑violin traces that move like medicated insomnia.
Duori
Duori is an imaginary word. It combines the ideas “dentro” (inside) and “fuori (outside) invoking a place between.
Dream Of The Egg
"Dream of the Egg" is the debut solo album by Tomo Katsurada, known for his work with the Japanese psychedelic band Kikagaku Moyo. This project is a unique fusion of music and visual art, inspired by the Japanese 1920s children's book “Yume No Tamago…
/RAW:ReSpace/
RAW/ReSpace is the first-ever experimental noise-metal saxophone solo album, changing and re-defining how the saxophone can sound and what saxophone playing means. No saxophone player ever dared to explore these uncharted outer realms of woodwind exp…
Landlocked
On Landlocked, Mo'ong Pribadi and Sholto Dobie build a clattering, breathing machine‑folk from self‑made pipes, horns and percussive junk, where air compressors and human lungs mingle into an uncanny music of phasing clicks, drones and phantom tunes.
Attacco Morbido
On Attacco morbido, ATMO (Leila Hassan and Elia Buletti) let soft drum‑machine grids, quietly glowing keyboards and voice‑led fragments drift together, where programmed pulse and hand‑played percussion blur into intimate, half‑dreamt songs.
Taillis
On Taillis, Roxane Métayer and Charles Dubois cultivate a sparse, alive thicket of sound where violin, prepared drums and resonant objects trade roles, letting melody, pulse and texture quietly braid into fragile, shifting song‑forms.
Visitations and Revisitations
This release continues lines of work that seem to inevitably revolve around explorations and honourings of place, people, and memory. Two pieces stem from other lines of research which have been ongoing for some years. All the works combine elements …
Two Days In Dreamland
Tip! These stunning recordings combine the great strengths of Pauline Oliveros on her Roland V-Accordion, Issui Minegishi; Ichigenkin master and great-great granddaughter of the founder of the Seikyodo Ichigenkin tradition and Miya Masaoka on her 21 …
Triple Point
Tip! Triple Point, featuring Pauline Oliveros, Doug Van Nort and Jonas Braasch, was an improvising trio with a core instrumentation of soprano saxophone, greis/electronics, and V-accordion. The name refers to the point of equilibrium on a phase plot,…
Found & Found
“Found & Found” - the second album from Nitai Hershkovits and Daniel Dor grew out of pure curiosity. “There was more to say, more to explore,” says Dor. Expanding from the synth-only palette of 2024’s “The Garden Suite,” these tracks include guitar a…
Hands 1
These songs are the first five compositions made by Hands. It's a live recording from their first gig at Råhuset in Copenhagen on october 8th. The digital cover art is a still from the Tim Burton film Edward Scissorhands, with Johnny Depp playing the…
The Citizen
*2026 stock. 30 copies limited edition* Dry, mostly unprocessed recordings of feedback trials with electric guitar, amps, mics and speakers.
"When I was in 7th grade, my friends and I started spending our long lunch breaks walking to the nearest supe…
Spiderpeople
*2026 stock* Ad old men but not down-trodden paths when the areas are only popular & sought after by the still few. For many, there’s a Milky Way between pop & this music; for fewer, it’s like standing on either side of a hybrid ant. The guitar (the …
Drop / So (7")
Rare single released buy Dome Records in 1981 with two experimental minimal pop songs courtesy of Angel Conway and B.C. Gilbert (Wire, Dome, etc.).
Neu Klang: The Definitive History of Krautrock (Book)
In Neu Klang, journalist Christoph Dallach assembles an oral history of krautrock, letting Can, Neu!, Kraftwerk and their peers explain how post‑war Germany’s experiments in noise, rhythm and repetition became a blueprint for modern rock and beyond.
Pop-Eyes (LP)
1985 re-issue on Awesome Records with different cover of the first solo album of enchanting experimental pop after the Lemon Kittens, originally released in 1983.