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1995 release. Two legendary composer/performers, David Rosenboom and Anthony Braxton, join forces on Two Lines to unite composition with improvisation, "new music" with "new jazz". Starting from David Rosenboom's notated score for Two Lines and his musical computer program, these musicians have achieved, to paraphrase Rosenboom, created a composition that is immediately heard. Duets with interactive HMSL software. Includes Rosenboom's Two Lines, plus compositions in collaboration with Braxton: L…
Here it is: the extended, two-sided edition of Grafts, aka the greatest. A sublime and quietly hypnotic work belied by steadfast conceptual rigour, Grafts (the A-side) is deployed in three parts of cascading yet plaintive multi-instrumental gestures, expanding on the processing and self-temperament techniques explored on Coverdale’s 2014’s A 480 into a more encompassing palette. Uncompromisingly distinct while redolent of modal minimalism, 70s new age, and folk music, Grafts effectively blurs di…
Ancient Indonesian tradition meets doom rock in profoundly Ur ways on Stephen O’Malley and Senyawa’s collaborative commission for choreographer Gisèle Vienne. Following a decade of creative bonds forged between theatre director and choreographer Gisèle Vienne and doom sayer Stephen O’Malley that spans multiple soundtracks (solo and with Peter Rehberg in KTL) and visual artworks, the pair travelled to Indonesia on a commission to explore the country’s rich culture in 2018. They immersed in a magi…
"Three names, three cultures, three continents, three different concepts of time and timing -- this is the essence of this trio. This is what we have to bring together." -- Peter Brötzmann, Wuppertal, April 1st, 2019With these words, Peter Brötzmann, one of the great figures in the development of a unique European approach to free improvisation since the '60s, announced his return to the AngelicA festival in 2019. A trio featuring Hamid Drake -- one of the best living drummers and guembri player…
Internationally renowned musician and composer Roscoe Mitchell since Sound, his debut on Delmark in 1966, has defined a unique language based on a creative approach toward jazz and its relationship with contemporary music. Splatter, drawn from two concerts at the AngelicA Festival in Bologna in 2017, presents the most recent developments of this research. Here are two pieces from his cycle "Conversations for large orchestra". A project based on the transcription and orchestration of some pure co…
Anthony Braxton, composer, multi-instrumentalist, and a true giant of creative music, in 50 years of career had never played in a duo with a harp; and that's exactly what happened at the AngelicA Festival in 2018. Expressing himself through a wide range of mediums, from solos to large orchestras to multimedia projects, and drawing inspiration from a wide range of influences, from John Coltrane to Karlheinz Stockhausen, Anthony Braxton has created a unique music system which celebrates the concep…
**Grey Marble Vinyl, Edition of 100** "No Tracks in the Snow" is a collection of tracks from the early days of Drekka’s history; the third offering for Dais Records and an appendix between the second and third parts of the 'Tarwestraat' trilogy of LPs for the label. For over twenty years, Mkl Anderson has curated a vast archive of recorded material for his cinematic ritual ambient industrial project, Drekka. He works with memory not only as a subject but also as a healing process, continually de…
"Unbeknownst to the Participants at Hand" is Drekka’s second offering in a trilogy of full-length releases on Dais Records. Continuing his work with memory not only as a subject but also as a process, Michael Anderson has culled many of the sounds on this record from the past. But this is not a record of rehashed material or remixes. Rather, Drekka's music is made through continually delving into an archive, digging up and repurposing old recordings, live performances, and forgotten snippets of …
**Edition of 200 copies, black and silver screen-printed sleeve, housed in a heavy duty library style plastic sleeve with re-sealable strap flap** Timber Rattle's most cohesive and essential release, 'Phantoms of Place' is an exploration of physical space, place and tradition, and an interpretation of life and death in the arcane wild. Timber rattle is a kind of "pyche-pastoral" hymnal which seems to be as informed by noise shows in west coast basements or the revolutionary spirit of poet Jean G…
**Edition of 300** Ambient tone loop collage by Mike Adams (Crossroads of America, Burnt Toast Vinyl, Sounds Familyre, Joyful Noise)... special one-time LP that can be played forwards and backwards. Original source tapes provided by MklAnderson (Drekka, Dais Records), Jared Cheek (Flannelgraph), Tyler Damon (Thee Open Sex, Tashi Dorji, Darin Gray), JohnDawson (Thee Open Sex, Magnetic South), Greg Dixon (Quixod), Phil Elverum (Mount Eerie, Microphones, K Records), & Rachel Yoder (Madera Wind Quin…
**Art Vinyl edition limited to 250 copies** Appearing prominently on many of Drekka's releases, including both recent Drekka Lps for Dais Records, Belgian singer, Annelies Monseré has long been a collaborator, muse, and source material for Drekka’s sonic explorations and dream-cinema soundscapes. Primarily the work of Mkl Anderson, Drekka's sound owes debts to the poetic soundscapes of Cindytalk or Coil, to the Artemiev soundtracks for the films of Tarkovsky, and to the gravity of early industri…
Emblematic of the anxiety that the group manages to build, sound on sound, with meticulous cruelty, is the first album, More Violence And Geography (Complacency, 1988 - Die Stadt, 2002), contemporary to the cassette Fifteen (Complacency, 1988). Since 1983 Illusion Of Safety has been the ongoing project of Daniel Burke, working alone and with various collaborators. They have released over 20 CDs on labels such as Complacency, Die Stadt, Experimedia, Odd Size, Silent, Soleilmoon, Staalplaat, Tesco…
**Edition of 50 copies in original recycled, silk screened sleeve, signed and numbered.** A suite of spellbinding ambient folk meditations from Timo Van Luijk, the boss of Belgium's exquisite Metaphon label. A regular collaborator with the likes of Andrew Chalk, Raymond Dijkstra, and Christoph Heeman, among others, Timo operates at the core of Belgium's current avant-garde and experimental circles. Produced and released under his Af Ursin alias on the La Scrie Dorée label set up for such purpose…
**Edition of 400** La Scie Dorée presents a new album by In Camera. In Camera is composed of Christoph Heemann and Timo van Luijk , both experienced and quite active in the contemporary experimental music world. In Camera was formed in 2003 out of a twenty year dialogue between the duo who have recorded two albums together. On these dates, Heemann plays the Moog and manipulates prerecorded sounds live to generate lush electronic drone-scapes while van Luijk symbiotically adds to the visual sound…
**Edition of 350 copies on transparent vinyl** La Scie Dorée presents a new album by Mirror (Christoph Heemann and Andrew Chalk) recorded at the Loft, Cologne. Christoph Heemann, with co-founder Achim P. Li Khan, was active in the celebrated group Hirsche Nicht Aufs Sofa in the 80's. In the mid-90's, Christoph concentrated on his solo career while collaborating with artists such as Jim O'Rourke and Edward Ka-Spel (Legendary Pink Dots) in the Mimir project. He also worked with Masami Akita (Merzb…
**Edition of 200** Tokyo-based sound artist and improviser Makoto Oshiro carries out live performances and installations in which he creates sound using self-made devices and remodeled pre-existing objects. Beijing-based musician/poet Yan Jun, one of the leading Chinese artists on the experimental/improvised music scene, creates music and produces installations freely utilizing electronics, field recordings and voice.
This album was studio-recorded on February 22, 2017, when Oshiro was visiting …
**Limited edition of 300** KRAMP is the solo project of Stijn Wybouw, a young artist involved in many visual and musical projects that often overlap and which share an unflinchingly honest approach as well as penchant for crimson hues. As KRAMP, Wybouw assumes a red-faced identity to unleash raw machinations that take on ceremonial underpinnings through coarse compositions, murky drones, and warped vocalizations, all churned through the marshy fuzz of various tape recorders.After a slew of self-…
**Edition of 200** Zombies lurk throughout the post-industrial abstractions and radiantly murky collages of Nigths and Profecy - an 80 minute split release from Fossil Aerosol Mining Project and 400 Lonely Things.
Fossil Aerosol has a long history with zombies. Or perhaps more specifically, with the contexts that fostered zombies during the 1970s and 1980s. Of particular interest was the imagined, and then realized, ruins of contemporary society - often populated with artificial corpses. One of …
Vas Deferens Organization on the left Brad Laner on the right. Brad Laner, better known as Electric Company. You may have heard either or neither or both. But at the same time? That can only be found here. Right from First Plane Not To Plummet Seaward my ears are treated to a more electronic based sound than what I heard on Vas Deferens Organization's Sweat Your Cheeses, But Not in my Salad album. When the percussion bursts on to this first track then by all means let every metaphor burst from i…