Vortex Veering Back To Venus
**250 copies** The aural pleasure created by this somewhat mysterious trio of London musicians continues to accrue. After two fine self-released records (one a 7", the other a 12"), and the superb Drip Water Hollow Out Stone on the great Ever/Never label, Feeding Tube is honored to present the Mosquitoes' latest assault on the temples of beauty.The music on Vortex is of a piece with earlier recordings. By this, I mean there is a wonderfully 'out' approach to basic rock instrumentation and vocals…
The Map Is Not the Territory
Max Eastley: arc (electro-acoustic monochord)Fergus Kelly: invented instruments, found metals, electronicsMark Wastell: tam tam, metal percussion, piano frameRecorded at Studio 3, Stoke Newington, London on 8th March 2017 by Rupert Clervaux. Edited, mixed and mastered by Fergus Kelly. Produced by Mark Wastell.
s/t
**250 copies** Two personalities. Two different instruments. Christine Wodrascka, pianist and improviser, and Jean-Yves Evrard, guitarist and improviser, have produced a unique musical matter, both homogeneous and complex at the same time, showcasing a form of freedom hidden between the musical notes. The two musicians, free from the typical conventions in both their content and the shape of their work, become receptors and then transmitters of the vibrations surrounding every space. In unison, …
Live at Liberty Lunch, Austin, TX. November 26, 1988
Touring in support of theIR classic LP, Daydream Nation, Thurston, Kim, and the gang rolled into Austin's legendary Liberty Lunch club for what would turn out to be one of the most highly regarded live dates in the group's history. With a track list that drew heavily on their latest LP, Live at Liberty Lunch captures the touring Sonic Youth at their noisiest and gnarliest, proving once and for all that they were the best and most important indie-rock group of the 80s (and beyond).
Live In München: 17 November 1969
Classic line-up of early Amon Düül in a spacey live performance during the heyday of Psychedelic Underground. The band was comprised of: Renate Knaup-Kroaetenschwanz (vocals), Chris Karrer (guitar), Johannes Weinzierl (bass), Peter Leopold (drums) and Falk U. Rogner (organ).
Live in Lyon January 1976
Amazing french performance recorded live in Lyon on the 17th of January 1976. The classic line-up comprising of Holger Czukay (bass), Michael Karoli (guitar), Jaki Liebezeit (drums) and Irmin Schmidt (keyboards), is here strengthened by malaysian vocalist Thaiga Raj Raja Ratnam, who played a mere four dates with the band between January and March 1976, all of which were recorded, and did considerable studio work with them. A series of highlights from their repertoire stretched with improvising t…
Last Ticket Home
Peter Jefferies, a living legend of New Zealand underground music, from his seminal bands Nocturnal Projections and This Kind Of Punishment, to his collaborative efforts in bands such as Plagal Grind and Two Foot Flame, is perhaps best known for his solo work on masterpieces such as The Last Great Challenge in a Dull World (1990) and Electricity (1994), as well as numerous other albums of his singular songcraft. Grapefruit is releasing Jefferies’ latest, Last Ticket Home, which leaves the statio…
Live at Rotunda
**200 copies** Already sold-out at the label, numbered edition in silkscreened covers by Alan Sherry. Personnel: Susan Alcorn - pedal steel; Chris Corsano - drums; Bill Nace - guitar. Recorded September 5. 2018 live at Rotunda Philadelphia, PA.
Afternoon-Dusk
**300 copies** "Ned Collette's last album, the 2LP set Old Chestnut, was hailed as a masterpiece by almost everyone who heard it. Part of this was due to the darkly delicate lyrics and vocals of Ned himself (akin to the work of Graeme Jefferies, ca. This Kind of Punishment), but much was also due to the elegant lyricism of the music, which had a fantastic prog / folk heft as impossible to peg as it was to ignore. With this new LP, Collette (an Australian ex-pat, now based in Berlin) goes all-ins…
Dirty Songs Play Dirty Songs
Directed and produced by David Toop, Dirty Songs Play Dirty Songs reacts against our poisonous present, inspired anti-nostalgically by similarly reactive records and live performances from the 20th century: Soft Machine and Pink Floyd 1967-68, The MC5’s Kick Out the Jams, The Stooges, Sun Ra’s Cosmic Tones For Mental Therapy and The Heat Is On by The Isley Brothers. Dirty Songs Play Dirty Songs is the musical offshoot of a project conceived by artist Maxime Rossi, originating in (among other thi…
Michael O'Shea
Michael O’Shea’s sole, breathtaking album ranks among our favourite of all time - yet hardly anyone seems to have heard of it. Produced by Wire’s Bruce Gilbert and Graham Lewis at the Dome studio in 1982, it’s an utterly singular work of magick meshing myriad, worldly modes into music that rarely fails to reduce us to tears. It’s one of those albums that basically sounds like nothing else - the only record we can draw some parallels is Dariush Dolat-Shahi’s life changing 'Electronic Music, Tar a…
Fragments
***80 copies*** Music by Spyros Emmanouilidis, singing Bowl and psaltery on side B played by Vasilis Liolios. Recorded by Spyros Emmanouilidis, mastered by Giuseppe Ielasi. Design and artwork by Yorgos Vourlidas (Opora).
Computer Tapeworm
**60 copies** Gianluca Favaron join forces with Lunus to present a new exciting project based on vintage technology. All noise, except from vocals, originate from Commodore C64 and Commodore Vic20 computers programming tape cassettes. No synths were harmed in the making of these audio recordings.
Hochono House
Hochono House is a re-imagining of Haruomi Hosono’s 1973 solo debut album Hosono House. Recorded 45 years after The Band-like sessions that produced the rootsy Japanese Americana classic, Hochono House is an entirely solo affair, with Hosono himself handling all the recording, engineering, programming, arrangements, instruments, and singing. It’s a perfect distillation of the various styles Hosono has cultivated over his 50 year career, from his folky beginnings through his techno-pop era, to pu…
$oviet France / Norsch
**300 copies** The second in the Zoviet France reissue series compiles a pair of their early 12”s. Less murky and more stripped-down, rhythm driven than their debut, Garista (1982), the tracks on both $oviet France (1982) and Norsch (1983) are more easily identifiable as products of the post-punk / post-industrial era, yet they still sound as though from a parallel musical universe or overlapping timeline. We’d attribute this perceived difference to the rest of UK tape culture and post-industria…
Garista
**300 copies** Vinyl-On-Demand kick off a keenly anticipated Zoviet France reissue scheme with Garista, the sui generis Geordie unit’s 1982 debut slab of cranky, atavistic expression. Industrial-not-industrial, ambient-not-ambient, and so on, Garista gave the first glimpse of Zoviet France’s sprawling, organically freeform soundworld on a self-released tape in 1982. Like cracking open Hellraiser’s puzzlebox, all the variegated, phantasmagoric hallmarks of their sound began to emerge from their d…
River Without Banks
CD Edition. Enchanting, gorgeous works for solo piano, strings, organ and Eastern percussion by preeminent composer Leo Svirsky. Seeming to unravel and weave simultaneously in mid-air, ‘River Without Banks’ is a significant new opus that taps into a rich vein somewhere between Charlemagne Palestine’s sustained ecstasies, the phasing pulses of Steve Reich, and the beatific glory of Alice Coltrane... ““How to begin? No beginning... never ending reverberation,” Antoine Beuger writes in the accompa…
In the past only geniuses were capable of staging...
CD Edition. Full title: In the past only geniuses were capable of staging the perfect crime (also known as a revolution) Today anybody can accomplish their aims with the push of the button. For its 50th release, Black Truffle presents the ninth album from one of the label's core ensembles, the power trio of Keiji Haino, Jim O'Rourke, and Oren Ambarchi. Drawn from a November 2015 performance at Tokyo's now-defunct SuperDeluxe, the record's opening piece drops us immediately into the maelstrom, ab…
Trust in Rock
2CD Edition. Trust in Rock documents the last evening of an epic concert series held at Berkeley’s University Art Museum in November 1976, featuring an all-star ensemble of the Bay Area’s most unclassifiable musicians performing works by “Blue” Gene Tyranny and Peter Gordon. Tyranny’s cycle “No Job, No Warm, No Nothing” contains songs “concerned with influence, trust, self-reliance, and having to re-do what is true for you;” three songs by Gordon, with lyrics by Kathy Acker, are complimented by …
Picatrix
Greetje Bijma, Mary Oliver and Nora Mulder form a seemingly impossible ensemble, whose concerts are marvelous adventures. We can hear the clean, lightly classical sounds, coming from the grand piano, grating against the viola’s screeching eruptions and wonderful jazz ballads segueing into dark throat singing. Piano strings growl, the viola snarls and vocals are vibrating in the highest or the lowest register; all of this with an added sense of drama.This highly original trio, which made its debu…