![I [Sound Encounter Electric LIVE Recording]](https://cdn.soundohm.com/data/products/026/masami-tada-i-sound-encounter-electri.jpg.500.jpg)
I [Sound Encounter Electric LIVE Recording]
Japanese sound artist Masami Tada had participated in the workshop of Takehisa Kosugi at Bigakko in 1970's. His name is known as a main member of legendary improvisation group "East Bionic Symphonia" and "GAP" in mid '70s (both LPs released by ALM Records are extremely rare as you know). Nowadays Tada is mostly interested in photo installations and sound performance - he called 'sound encounter' - used many bamboo cylinder and some amplified objects. All CDs are released from SOH Gallary in Toky…
![MU [Sound Encounter]](https://cdn.soundohm.com/data/products/026/masami-tada-mu-sound-encounter.jpg.500.jpg)
MU [Sound Encounter]
Japanese sound artist Masami Tada had participated in the workshop of Takehisa Kosugi at Bigakko in 1970’s. His name is known as a main member of legendary improvisation group "East Bionic Symphonia" and "GAP" in mid '70s (both LPs released by ALM Records are extremely rare as you know). Nowadays Tada is mostly interested in photo installations and sound performance - he called 'sound encounter' - used many bamboo cylinder and some amplified objects. All CDs are released from SOH Gallary in Toky…
![Ne [Sound Encounter]](https://cdn.soundohm.com/data/products/026/masami-tada-ne-sound-encounter.jpg.500.jpg)
Ne [Sound Encounter]
Japanese sound artist Masami Tada had participated in the workshop of Takehisa Kosugi at Bigakko in 1970’s. His name is known as a main member of legendary improvisation group "East Bionic Symphonia" and "GAP" in mid '70s (both LPs released by ALM Records are extremely rare as you know). Nowadays Tada is mostly interested in photo installations and sound performance - he called 'sound encounter' - used many bamboo cylinder and some amplified objects. All CDs are released from SOH Gallary in Toky…
![Son [Sound Improvisation]](https://cdn.soundohm.com/data/products/026/masami-tada-son-sound-improvisation.jpg.500.jpg)
Son [Sound Improvisation]
Japanese sound artist Masami Tada had participated in the workshop of Takehisa Kosugi at Bigakko in 1970’s. His name is known as a main member of legendary improvisation group "East Bionic Symphonia" and "GAP" in mid '70s (both LPs released by ALM Records are extremely rare as you know). Nowadays Tada is mostly interested in photo installations and sound performance - he called 'sound encounter' - used many bamboo cylinder and some amplified objects. All CDs are released from SOH Gallary in Toky…
Abbiamo Tutti I Suoi Problemi
Picchio dal Pozzo is regarded as one of the most original, impressive and highly respected of all the experimental groups to have come out of Italy in the 1970s. They share their original label with Henry Cow's Concerts, and were early invitees to the canonical Recommended Sampler. Aldo De Scalzi, Andrea Beccari, Giorgio Karaghiosoff and Paulo Griguolo all met at infant school and began playing Teleman, Corelli, Bach and Mozart together in their school orchestra. In 1969, Aldo's brother, one of …
Volume Two
2016 restock. Soft Machine's legendary second album, originally released in 1969, bridging the gap between avant-rock, psych, jazz and stream-of-consciousness weirdo absurdism. "The Soft Machine plays music for the mind. In its strictest sense, it may impose some cerebral responsibility on the listener, because you can't really hum along or have the tune pass through head as you walk in the streets. But the ultimate good feeling that the Machine generates will always remain with you, and …
Orgelkonzert Berlin 2016
Recording of Hermann Nitsch's pipe organ concert, Berlin, January 22, 2016. "Hermann Nitsch is looked upon as the true successor the great masters of symphony: Beethoven, Bruckner and Mahler. He draws from Scriabin's, Schoenberg's and Webern's experience, however comes up with different conclusions than their (sanctioned) successors. That is to say: Nitsch disregards Webern's analysis of music. Unlike others he does not attempt to advance atonal music with methods that should be handed over to s…
Entities Inertias Faint Beings
"The music existed already, spores maybe or dormant clusters of digital files. Out of three periods of solitude the germination began. The first was in Queensland, on Tamborine Mountain (an aboriginal name), so silent at night that I listened to recorded music - Japanese Gagaku, Buddhist ritual from Bhutan, Korean Confucian music - as if drifting into cavernous black space. Stepping into sleep I saw a hypnagogic image - a transparent swimming pool suspended over the mouth of a volcano. I read St…
Phonography
"Phonography was Stevie's first LP release, and an out-of-the-blue masterpiece: terminally idiosyncratic but with all the compositional qualities of great pop. A gifted songwriter, R Stevie (son of Bob Moore, Elvis' bassist) grew up and was steeped in Nashville's countrypolitanism; but, as a recidivist rebel, he inevitably slipped into strange byways, following his own, unique path into celebrated obscurity - as this strange and compelling record attests. Hans Arp said, 'My paintings are like fi…
John Cage Meets Sun Ra: The Complete Concert
If you were going to envision the ultimate avant-garde meeting-of-the-minds jam session, who would you pick? Even the most hopeful fan of strange and innovative music couldn't have seen this one coming: on one afternoon in 1986, at Coney Island's dilapidated freak show, space-age avant-jazz genius Sun Ra met avant-garde "serious music" composer John Cage in an unforgettable performance. You couldn't imagine two figures more opposite. Cage was known for his unusual approach to composition, using …
Duo Recital (art edition)
*special edition* In 1961, soon after Toshi Ichiyanagi returned from the USA, two concerts were performed at the Soget su Art Center; "Toshi Ichiyanagi Concert" [1], at which some member of 'Group Ongaku' joined, a s well as "Toshi Ichiyanagi and Kenji Kobayashi Duo Recital", which recording is used for this album. It was a major opportunity for its audience to experience the works of Toshi Ichiyanagi and the avant-garde philosophy directly in front of their eyes. Six months later, John Cage mad…
Gestrupp
Limpe Fuchs is a legend in the experimental music scene. In the late '60s, this percussionist drummed on self-made instruments, together with her then-husband Paul Fuchs, in the Anima ensemble. During that time, Limpe and Paul Fuchs collaborated with the Austrian pianist Friedrich Gulda as well as jazz luminaries like Albert Mangelsdorff, and continually attracted the interest of their audiences in new constellations. Limpe Fuchs on Gestrüpp, which was produced and recorded between 2012 and 2014…
Bone Wings
Never before published poems, drawings and collages by Gregg Sharits, brother of Paul the celebrated filmmaker. Gregg was an original member of the Bardo Matrix crew when it was still a psychedelic lightshow operating from Boulder, Colorado together with John Chick, Dana Young and Craig Love. Introduction and additional photo’s by Craig Love. Edition of 50 copies.
Peacemaker Assembly
LP version. Steve Noble: drums and percussion. Stephen O'Malley: guitars and amplifiers. Stephen O'Malley (cult-guitarist of SUNN O))), KTL) teams up with one of the leading UK drummers of the avant-garde scene, Steve Noble, to build hypnotic sound-sculptures and drones.
Whilst others still plough stylistically dead fields, these two are forging something vital and coolly life-affirming in Peacemaker Assembly, with Noble’s dextrous, diffused percussions picking out a pointillist cosmos of unq…
The 3 Generations Trio
The 3 Generations Trio' features the high priest of minimalism himself, Terry Riley, on synthesizer, piano, vocals and harmonizer, Gyan Riley on electric and acoustic guitars and Tracy Silverman on acoustic and electric violins. This work is a fascinating sonic trip (often driven by Riley's unique vocal ragas) through Asian and African traditions as well as western classical and jazz, reworked through modern aesthetics.
Rabid
'Rabid' consists of six tracks mixed by Phillip B. Klingler, aka PBK, between 2004-06 using Wolf Eyes source material, this is the Wolf Eyes lineup of 2000-05: Nate Young, John Olson and Aaron Dilloway. Klingler: 'I was given the audio sources (via cdr) by John Olson at the Ear Candy Festival in Dearborn, Michigan, in 2004. None of the compositions on the album were completed using a computer, they were all recorded live in my home studio or at gigs and radio shows directly to digital. Three of …
Mambo Nassau
After 1979’s Press Color – reissued by Light In The Attic – Lizzy Mercier Descloux went tropical. Mambo Nassau, released in 1981 on ZE Records, saw the vagabond Parisian poet, artist and musician decamp from New York to the Bahamas with her manager Michel Esteban.
The effect on her music was not as expected. Press Color had been an album of dissonant, distorted disco influenced by the New York no wave scene, but Chris Blackwell’s Compass Point Studios provided a hermetically sealed environment i…
Suspense
By the time bohemian singer/poet/artist Lizzy Mercier Descloux recorded her fifth album, 1988’s Suspense, she’d enjoyed a recording career that was as far from the clichés of music lore as is possible, flitting between genres, continents and collaborators, enjoying great success and equally great failure and even stealing the final breaths of master trumpeter Chet Baker for 1986’s One For The Soul. When she came to make Suspense – reissued here as the final album in our series – she was, for the…
Tongues
Since the early 2000s, the work of Jon Mueller has examined various translations between ideas and rhythm. His records about spiritualist movements and impermanence consciousness were maximalist displays of bombastic trance signifying life-affirming energy, while his earlier focus on vibrating drumheads revealed the sonically electrical qualities of acoustic instruments; an unexpected current within dormant material.
Similarly, his new solo effort, Tongues, is an invigorating and ecstatic …
Palace
ne of the most amazing things about the group B/B/S/ is that even though it does sound like the logical sum of its parts, listening to their output is like devoting yourself to an emotional haze of interaction. All based on improvisations recorded within two sessions at Golden Retriever Studios in Berlin, the ten new tracks, spanning almost 80 minutes total, are so fluid and natural that they abandon separating the musicians' individual contribution for a soundscape that is overwhelming i…