Panisperna
MIE unveils, after long gestation, Panisperna, the first long player by Jantar, an outer-borough ensemble historically known for their creeping strain of easy-listening, most often heard in empty lots and abandoned diners. Chad Laird and Tianna Kennedy have grown an experimental cover crop since 2009, gently cultivating a soil rich in ambient leaf rot and organic art-world chemical compounds. With the addition of Kirsten Nordine, Jantar began to run it through with speculative roots and melodic …
Music For Small Ensemble & Computer
"Music for Small Ensemble & Computer is a collection of what I call the “DIY shitty classical” pieces me and Linda have been working on for a couple years. Using an inherited piano, freeware, and the basement floorcore spirit of discovery to trespass into a typically more rarefied style. And thankfully a few actually-trained friends lent their skills to the mess. To me, it’s the sound of the two of us struggling to find peace and stability for ourselves, family, and small community in an often c…
Gallarais
Delayed to June. After releasing the "minor epic" (the Wire) of Music for Church Cleaners a few years ago we're extremely extremely excited to be able to bring to you Áine O'Dwyer's new record 'Gallarais' on MIE Music. And thi sis David Toop, on hearing Áine O’Dwyer’s Gallarais and the subsequent conversations between November 2016 and January 2017..."Twenty-six letters were sent, not far to travel, from Proust, hypersensitive writer to his upstairs neighbour, Marie Williams – ‘I was rather t…
The Harbinger Sound Sampler
The Harbinger Sound Sampler features a selection of new, unreleased or very scarce tracks pulled from the label's diverse roster of artists. Among this two album set you will find exclusives from the Sleaford Mods, Consumer Electronics, Steve Ignorant's Slice Of Life amongst others. Legends such as The Urinals and Chaos UK mix with newer upstarts such as The Lowest Form, Pisse, Massicot, and Karies. The album runs through the reach of Harbinger Sound's catalog taking in abstract noise, post punk…
Moon On The Water
Every record collector knows that discovery is endless. The history of recorded sound is loaded with gems, but they’re increasingly hard to find. While everyone has their holy grails, the rarest of the rare are the completely unknown - the coveted gold - masterpieces waiting in the shadows, which that no one has found. The ensemble Moon On The Water’s self titled debut is one such case - a work of brilliance, which until now has largely remained hidden from view. Issued in 1985, complete with a …
Cerebral Sounds Of Brain Records 1972-1979
Founded in 1972, German label Brain now commands a status and reputation among listeners and collectors all over the world that would have been unimaginable at the time. Today, it is regarded as one of the most important label outlets for German rock music of the 1970s, a genre generally referred to as krautrock, although the term hardly does justice to the range of styles covered by these groups and their records. In any case, it was coined by the English media and only became popular as…
Sir Robert Williams
Originally Oba Loba is a project of Norberto Lobo and João Lobo in order to satisfy their desire to compose music for a band. Their debut album, Oba Loba, released in 2015 and critically acclaimed, has been described as a canalising music (Clive Bell in The Wire). Comparisons with Tom Zé or Jim O'Rourke were made to try to qualify a music hard to categorize. Recorded in May 2015, Sir Robert Williams is the second album of the sextet. While most of the songs are composed by Norberto and João L…
Napoli Centrale (1975)
Digitally remastered for the first time at 192 khz and 24 bit. Napoli Centrale were formed in Naples in 1974 on the initiative of James Senese (sax, vocals) and Franco Del Prete (drums) after their experience in another band called the Showmen 2. They joined forces with American keyboardist Mark Harris and British bassist Tony Walmsley and in 1975 released an eponymous debut album blending in an original way Mediterranean roots and jazz rock. James Senese’s father was an American soldier who had…
Songs We Taught the Lord Volume Two
"This album reissues the final recording (thus far) of the Milstein/Moore duo. It was originally released in 1997 by Chris Corsano's Hot Cars Warp Records label. Chris had a choice of this tape -- recorded December 4, 1996 at the Middle East in Cambridge MA -- or the one from the previous night at the Iron Horse in Northampton (FTR 288LP). He chose this one, and the first volume was scheduled to appear on the Ecstatic Yod label. Why it never happened, who knows? Not me! The set was recorde…
Songs We Taught the Lord Volume One
"As I recall, the idea seemed pretty reasonable at the time. It was late 1996. I'd met Fahey a couple of years earlier, and partly as an outgrowth of that meeting he had decided he wanted to meet and play with 'noise musicians.' This resulted in a lot of music that made his olden fans weep, but who was I to argue with The Great Koonaklaster? Anyway, it was late '96 and Fahey wanted to play some gigs on the east coast. He also wanted Thurston to be on the bill with him, and so Mr. Moore asked…
Security Besides Love
Security Besides Love is the first vinyl album from Philadelphian artist Gabi Losoncy, who was one-half of the now-defunct Kye related Good Area. This album is an account of the artist’s life. The first side voyeuristically and objectively documents Gabi’s external experiences and habitats; in this instance, a conversation heard while riding public transportation. The second side of this record turns back in on the artist herself with an associative monologue, in which an understanding of her ow…
¡Ahora!
At the top of my personal holy grail list for a number of years has been this unobtainable side of Agitprop Musique Concrète by the Composer Ivan Pequeño, composed from 1973-1975 at Paris' Studio de Musique Expérimentale du Centre Americain & at Belgrade's Studio de Musique Electronique du Treci Program-Radio & issued on Aldo Pagani's mythic Eleven label - home of Franco Leprino's "Integrati… Disintegrati", amongst other gems. The A-Side's "¡Ahora!" ("Now!") weaves the Composer's interstitial, c…
Avalanche, Nightmare Music, Suite for Two Pianos and Tape, Compu
Great to see this particular title of purely electronic pieces by Lejaren Hiller in the series; we last heard from him via the piece "Vocalise" on Creel Pone #039, "Electronic Music, Experimental Studios In Prague, Bratislava, Munich ..." but this particular collection, specifically including the otherwise unavailable early tape-music piece "Nightmare Music" (1961), gets into an area of his work that veers straight into the same text-and-electronic-sound miasma as such C.P. classics as Anestis …
CANTS DEL TROBADORS: «La Doucer D'Un Son Nouvel»
The Ventadoorn label was set up in 1970 & released over 100 LPs & EP's over the following decade, all centering in on some facet of Lenga d'Oc / "Old" French language & culture. Some of you may be familiar with the 1980 Henry Fourès / Luc Ferrari "Folclòre Imaginari" set - later reissued on Adda as "Ce Qu'a Vu Le Cers" - as one of the label's final releases, but a year prior they issued this absolute masterpiece of a record, merging Occitan folk forms & instrumentation with extended drone-psych…
Collections I, Electronic Music With and Without Instruments
Second title in this 199-x series - itself dedicated to working through titles that had been languishing in limbo in the Creel Pone "nominations" sector for some time while specific "Golden Circle" Cabal members feud bitterly over their possible inclusion - offering the only LP by Scott A. Wyatt, following the fantastic "in Celebration of the 25th Anniversary of the Experimental Music Studios" set. Released at the tail-end of the 1970s on the Academic "University Brass Recordings Series" (UBRES)…
Viaje
In 1976 the fairly square “Movieplay S.A.” imprint (via their slightly hipper “Serie Gong”) quietly issued this monster of a live-electronic / psych-freakout opus (oddly, alongside canonic titles by Inti-Illimani, Victor Jara, et.al ... all considerably more “Inside”) by the then-unknown composers Eduardo Polonio & Horacio Vaggione, recording under the name It. Predating the latter’s canonic Cramps-label debut “La Maquina Del Cantar” by a couple of years, this is miles away from the controlled g…
Genesis Interruptions +
Creel Pone reproduction of Randall McClellan's 1975 Opus One LP "Genesis Interruptions," including, as a bonus, his pieces from the Opus One split with Joel Chadabe & one from a later CRI compilation, collecting all of his Early Electronic Music issued formally in the "Classic Era." After a semi-recent Sun Ark 4CS box of his later, more New-Age-leaning productions, it's interesting to hear his "Academic," yet largely drone-centric music made when he was the director of the Electronic Music Studi…
Jacques Bekaert (LP)
Continuing in the Igloo appreciation thread, here is a replication of IGL 008; Jacques Bekaert's 1981 eponymous LP - following 1979's "Summer Music" for Lovely - containing three tape pieces composed between 1969 & 1978, featuring contributions by a who's who of 60s & 70s Avant Garde & Fluxus figures - Takehisa Kosugi, Shigeko Kubota, David Behrman, David Rosenboom, Maggi Payne, George Lewis, "Blue" Gene Tyranny, Ryo Koike, amongst many others. The extended "Late Lunch" - at 28 minutes barely fi…
Silances
Continuing in the Creel Pone "6" Igloo program, here's a picture-perfect reproduction of one of the more obscure & bewitching entrants into the label's early discography, Henry Krutzen's 1981 "Silances" LP; IGL 006. Nestled somewhere between Ghédalia Tazartès' mutant Sound Poetry, Anton Bruhin's acoustic / Alphorn drones & the more "Private" sensibilities of Badouin Oosterlynck, Paul A.R. Timmermans, or latter-day channelers like Raymond Dijkstra, the largely quiet, humble multi-track constructs…
Lisa Says
This LP captures the transcontinental collaboration between artists Mattin and Richard Francis with sounds recorded in Stockholm, Berlin and Auckland, NZ. The mixdown portrays the current state of affairs in improvised noise noise: filtered gritty sound blocks flow and float with no seeming direction when sudden breaks puncture the structure and create something like a melody. Well, almost. The music is accompanied by a text insert that documents a skype conversation between the two artists dis…