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Live summer recording by Fuji (Warre Fungus, Simon Beeckaert and Bart Sloow) and Suzuki Junzo (Miminokoto) jamming into multi-layered, - coloured and –faceted pure crystals of the milky way’s throbbing eye. 70 copies.
Blossoming transcendent Massachusetts-flowers sparking Velvet Underground-rays of light, reflecting in the scrying mirror of one’s inner being. Bridge Of Flowers. Like drinking wine under the grace of god. 70 copies.
Latest from Miminokoto, the trio of Suzuki Junzo (20 Guilders), Koji Shimura (Acid Mothers Temple) and Nishimura Takuya (Che-Shizu/Maher Shalal Hash Baz), catching the space-blues live in Tokyo. Re-imagining classic psychedelia and garage rock. Edition of 100 copies. Miminokoto are guitarist and vocalist Suzuki Junzo, drummer and Acid Mother Koji Shimura and bassist Nishimura Takuya. Their gig at the Penguin House, Koenji, Tokyo in 2016 was released simultaneously in 2017 on Suzuki Junzo’…
The Vinyl Coda project returns to God Records for the second chapter of the Philip Jeck masterwork, originally released in the late 90s and now freshly re-mastered for this LP re-release. Philip Jeck revolutionised the world of experimental music with his pioneering turntable collage work, with his hazy and intuitive narrative of sounds that never quite head in the direction you expect. In these sets, Jeck uses a number of turntables and prepared records to create strange soundscapes in which cr…
Second Editions present a new work by composer/organist/musicologist Eva-Maria Houben. Breath For Organ is many things. A composition as contemplation. A study on listening, on deliberation. An approach to modesty. At times, it even feels like an ode to the whole history of organ music. But most importantly, at its core, it is an appreciation for an instrument as an organism. In this case, the (now displaced) pipe organ of the late St. Franziskus church in Krefeld, Germany. It is Houben's most c…
Although credited to Houben, as all of its compositions are hers, she does not play on Voice with Harp which is performed by the duo of harpist Christine Kazarian and soprano Tatiana Kuzina. Recorded in April and August 2017, the album opens with the 2009 solo harp piece "Aeolian Harp" on which Kazarian gives a fine performance that highlights its sheer beauty. In an inspired piece of programming, the album features both "Adagio" and "Songs for the Island" from Voice with Piano, allowing for…
Recorded in March 2016, Voice with Piano is true to its title. It features Eva Marie Houben as performer and composer, performing three of her compositions, playing piano alongside soprano Irene Kurka. The disc opens with the three-part "Adagio" with text by the Belgian Felix Timmermans (1886-1947), sung in the original Flemish. So, non-Flemish speakers will not get the literal meaning of the words but, thanks to Kurka's expressive singing, their drama and emotion is all too clear. The pi…
Samuel Ekkehardt Dunscombe (bass clarinet), Rebecca Lane (bass flute), Eva-Maria Houben (organ, piano). "Observing Objects is in stark contrast to Voice with Piano in several ways and it helps expand the picture of Houben and her music. Once again, she is featured both as performer and composer, this time playing in the company of Samuel Dunscombe on bass clarinet and Rebecca Lane on bass flute, on recordings dating from May 2017. Ingeniously, the album consists of two versions of the title pie…
text adapted from gregory chaitin's 1994 book the limits of mathematics muirgen éléonore gourgues (reading) judith hamann (violoncello) with samples contributed by: omás Cabado, Raven Chacon, Yiannis Christofides, Alan Courtis, John Eagle, Carmina Escobar, Bryan Eubanks, Jacqueline George, Tom Johnson, David Kant, Aj Kluth, Ulrich Krieger, Juan Sebastián Lach Lau, Ingrid Lee, John Lely, Todd Lerew, Heather Lockie, Scott Mclaughlin, Ezequiel Menalled, Ian Mikyska, Pablo Riera, Dean Rosenthal, Kar…
Originally self-released in 1984, A Beard Of Bees has been out of print for almost 25 years. Among This Kind Of Punishment's myriad recordings, A Beard Of Bees best outlines the collective vision of the Jefferies brothers. Their classic second album feels more meticulous than its predecessor, proffering a grey, near-Mancunian influence that serves as both touchstone and springboard for the proceedings. The unique maneuvering on "Trepidation" is a marvel: guitar sweetness shifting toward melancho…
In the fertile terrain of New Zealand's 1980s post-punk scene, few figures loom as large as the Jefferies brothers. Graeme Jefferies and Peter Jefferies – the primary forces behind This Kind of Punishment – wrote some of the best music to come out on Flying Nun, Xpressway or elsewhere. A dizzying mix of pastoral ballads and DIY experimentation, TKP's songwriting was at once classic and acutely raw. On their self-titled debut, the Jefferies brothers and Chris Matthews eschew the punk-informed mod…
Cassette only – limited edition of 150 copies – Mamiffer write: “The majority the sounds on this tape were culled from cassettes we used in live performances and recordings. Many were field recordings from various sources, found tapes from thrift stores, some were samples/textures we made as backgrounds/backing tracks for specific live songs. A few pieces were also in finished Mamiffer studio recordings but ended up being somewhat buried in the final mixes – they were and are elements we felt st…
Guitarist Tetuzi Akiyama is an influential improviser who performs inside and outside Japan and has numerous CD releases on Japanese and overseas labels. The five tracks on this CD are improvisational performances by the trio of Akiyama and Swedish musicians Magnus Granberg and Henrik Olsson, studio-recorded when Akiyama visited Stockholm in November 2013. Magnus Granberg is active as a composer through projects such as his own ensemble, Skogen, and as an improviser using mainly the clari…
Creta is the new project by Massimo Pupillo (Zu, Laniakea), electronic artist Luciano Lamanna, and string instrument virtuoso Roberto Zanisi. As a trio they explore an adventurous sonic territory between Coil in their ambient moments, dark bass pulses, and bucolic-Mediterranean string sounds. Creta is a new trio of artists coming from very different backgrounds: Roberto Zanisi is a finger picking guitar player and a virtuoso on strings of all kinds, including "exotic" instruments like the Tu…
Mick Harris (Scorn, Quoit, Painkiller) returns after several years of hiatus with ten tracks of blasting landmine bass and interlocking shrapnel rhythms. Derek Szeto on the album: "... For someone with decades of releases over various solo projects, collaborations and pseudonyms, whether it's doing blast beats in the original Napalm Death to crushing techno brutality as Monrella, or savage drum & bass as Quoit. Then of course there's the mighty Scorn and his numerous collaborations with fellow l…
The Ceramic Hobs are the band in the corner of the old man\'s pub round the back of the venue getting drunk before they either: a.) slay your senses with a mind boggling set of punk inspired psychedelia or, b.) fall over screaming and fighting. They make The Fall look as stable as U2 and the Butthole Surfers as mainstream as R.E.M. The band is from Blackpool and they\'ve been going since 1985. This double-LP retrospective of the North of England\'s most unique, overlooked, and long-lasting …
In a stunning effort, Pica Disk takes a deep dive into the depths of the New Zealand underground with a much needed repress of the towering 5CD box set, “Enclosures 2011-2016”, dedicated to the incredible output of Omit. Described as one of the greatest outsider artists currently working in the field of experimental electronic music, this immersive collection gathers 30 strikingly abstract gestures; sprawling ambient pieces; the broodingly musical, flirting with the melodic and rhythmic; and com…
"By the late '80s most of the burgeoning minimal underground had been forgotten, especially one amazing character, Arnold Dreyblatt. Dreyblatt only had one record, Nodal Excitation (on the mostly post-AACM jazz label India Navigation), before he packed and moved to Berlin, where he concentrated on his other activities, making only two more records over the next 10 years. But for those who caught the action, Arnold was the man. He was more rock that any of the others combined, and he was also the…
At last, the re-mastered vinyl reissue of one of the biggest cult albums in the history of Crammed Discs. This record is constantly being (re)discovered by generations of fans, musicians and DJs, who hail it as an unsurpassed Afro/electronic milestone. The album was recorded in 1983 and results from a studio encounter between experimental electronic music composers CY1, Congolese musician/vocalist Bony Bikaye, and French composer Hector Zazou, with involvement by sound engineer Gilles Mar…