Stratosphere Sound
Hironari Iwata began his solo project Toukaseibunshi (Transparent Molecules) in 1985. In the same year he formed a second unit called Haiginsha, and began collaborating with Merzbow and Agencement. Iwata also ran the independent label Angakok, releasing several albums on cassette and curating a compilation that featured some the most radical musicians of the period including H.N.A.S., Asmus Tietchens, P16.D4, DDAA, etc. But in 1988 he suddenly ceased all musical activities. He returned to public…
Lick My Pussy, Will Montgomery
The Ascension guitarist, solo live in the UK 1996. "About 20 or so minutes of guitar destruction. Ascension, Rudolph Grey/Blue Humans, earlyish Skullflower are touchstones. I don't wanna hype it too much, but it's fucking awesome" (nonotfunnotno blogspot)
Aouie - Bass Clarinet Solos
An amazing series of pieces for Bass clarinet as an exploration of polyphonic sound universe. Within interactions of spatial and instrument sound, she uses variety of sounds to produce coherent work, dealing with simultaneous representations of multidimensional acoustic events. This release is cooperation with Chmafu Nocords.
Cuts
After Riccardo Dillon Wanke's 2008 highly-lauded solo debut, Wanke continued his interests in digital & analog manipulation of sound & its application into musical compositions. His work with guitars & keyboards (piano & rhodes) has started from pure radical improvisation & has drawn to the investigation of drones sounds, static music. "I explored for years the use of repetitive structures within different perspectives. in many cases, these figures involved long developments. 'cuts' is the effor…
There Is A Universe
"Rare private press jazz/space rock album, on reissue wish lists for years.This masterpiece crawled up my spine like a kundalini snake and proceeded to take the top of my head off. Probe 10 are unquestionably linked to a very specifically American form of proto-prog-into-jazz-rock synthesis of the precise sort Elektra Records used to specialize in, from Tim Buckley's Starsailor to David Stoughton's Transformer. Toss in trumpet fanfare laden acid psych straight out of the C.A. Quintet songbook, t…
Spacegirls
Hästköttskandalen is happy to announce the release of their debut vinyl record “Spacegirls”, 40 minutes of live improvised music recorded in a disbanded morgue and released on Fylkingen Records on February 16, 2015. The release concert is co-organized with Titwrench Stockholm and takes place at Fylkingen (Torkel Knutssonsgatan 2, Stockholm) on February 16th at 20:00.Hästköttskandalen (HKS) is an audiovisual quartet comprised of Swedish and American composers and musicians (Ellen Arkbro, Marta Fo…
My Galloping Heart
"On the night between the 1st and 2nd of April 2001, after a period of increasing fatigue, feebleness and shortness of breath, I understood that the reason must be bad function of the heart. I felt dizzy and my heart was beating irregularly, fast and hard. I took a taxi to the hospital Emergency Room. I was in a hospital bed for one week and felt my body slowly lose all its reserve power, while the heart was beating two or three times faster than normal. Numerous medications were administered bu…
Ceremonies Of Memory I & II
Recorded in January of 1996 in a ravine in Seattle next to the house of Jim Woodring for a proposed and unrealized collaboration with this visual artist.
Johannes Nilsson
Cast: Johannes Nilsson, The victim, Sigrid Nilsson; his sister, Stephan Nilsson, his father, Vally Erlingsdottir, his stepmother, Jadis Stephansdotter, his sister. Recorded by Sigrid Nilsson in Luxemburg, July 1991, Cover design by Leif Elggren
Machanical Restraint
All pieces recorded live at the Plastikville Studio. Sound sources through the use of pure analogue devices and various kinds of metal apparata connected through electronics, unaffected in any way in the hope of rendering a kind of sonic inscription of the machines.
Here There
Tomas Lehn, analogue synthesizer. Raymond Strid, drums and percussion. Recorded by Tomas Lehn at Inkonst, Malmö 28-09, 2000. Produced by Fylkingen in 2003.
Irregular
Martin Klapper, amplified objects, toys, tapes. Martin Küchen, baritone saxophone. Recorded by Martin Küchen at Galleri Neon in Brösarp, 2001. Produced by Fylkingen in 2003.
My Last Works
Sten Hanson passed away on November 1st 2013. During the last year we discussed with him to make a record with four of his unreleased works from the last then years period. Sten had the title for this record: My Last Works.' Daniel Rozenhall & Leif Elggren, August 2014. My Last Works is a hommage to the work and life of Sten Hanson (1936-2013). Sten Hanson, the Swedish artist, who, working as a sound-poet, created pioneering work in the visual arts as well as performance art, is no more. Strong,…
Whitewashed With Lines (Common Objects)
A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices)
Frozen Orchestra (Amsterdam)
The Pitch is a Berlin-based quartet that explores the area between abstract melody and acoustic drone. Since 2009 they have been developing a musical language and a body of work ranging from quartet music to extended, large-scale ensemble pieces involving guest musicians and further conceptual elements. Improvisation is an important element in their music and it is used as a generative device within specific shapes, structures, and ideas for different pieces of music. Their piece Frozen Orchestr…
Sous La Chambre, Sans Le Savoir
Mysterious collaboration between Francisco Meirino and Roro Perrot in which electronic music weaves his sticky web on amplified sounds and voices yelling in a dreamlike distance.
Dissemines ici et la
Kasper T. Toeplitz, bass & electronics, Jac Berrocal, trumpet and voice, , drums and objects. Live concert in Evreux, France, June 2014. Free rock by three very different musicians. Nice gatefold cover designed by Mika Pusse and 180g black vinyl limited to 300 copies.
Hegemony of Delete
Hegemony of Delete is electronic music in dialogue with the real rhythms of work and leisure. As Co La, Matthew Papich courts the minor distractions and interruptions typically seen to dilute workflow or artistic process. With or without an audience—in the studio and in performance—his music subtly works the room, not unlike those comedians who semi-secretly draw their momentum from crowd “interruptions.”
The six songs of this 12” bear the marks of Co La’s working method, to which the title refe…
(untitled)
(untitled) is a devastating set of almost pure white light. The intense drone music on (untitled) represents a return to "sonic-ism" for the quartet of Jack Rose, Mike Gangloff, Patrick Best, and Mikel Dimmick. Like Pelt's 2003 effort Pearls from the River, (untitled) is an all-acoustic affair. On (untitled) the group concentrates on producing dense clouds of overtones from guitar, cello, tibetan bowls, gongs, sruti, and esraj. Track 1 is an overpowering straight line ala the Theatre of Etern…
Visitors
Visitors was the brain-child of French producer/composer/genius, and enfant terrible Jean-Pierre Massiera. In 1974, he recruited a group of nineteen musicians (most notably jazz violinist Didier Lockwood, who made an indelible mark on Magma's 1975 live album), to record his latest compositions. Massiera had been impressed by violin-fronted jazz-rock acts such as the Mahavishnu Orchestra and Jean-Luc Ponty. He decided that his new psychedelic nightmare should be a concept album on the theme of ex…