Dimensions
Very nice late 80s early 90s recordings from the man behind Futuro Antico "In this record I have sought to integrate those element that together formed my musical identity, and which at times I have lived with some difficulty, as they derived from different, and conflicting cultures. That is the reason why some parts of the record have been written out note, and other parts were improvised. There is a continuous mix of languages, from electronic music and avant-garde to minimalism, jazz, Arabic …
Orchester 33 1/3
Recorded live at 'Music Unlimited' Festival in Wels (Austria) November 1996. Contains an additional movie about the orchestra directed by Peter Hormanseder (1998) on extra DVD. Plus previously unreleased bonustracks recorded 1998 (Graz) & 2001 (Vienna). Packaged in special bound old recordsleeves, with silver-grey screen prints on front and backside. The legendary Austrian ensemble lead by Christof Kurzmann and Christian Fennesz in the late 90s, is finally re-releasing their debut with bonus-tra…
Fluid To The Influence
LP version. Chris Abrahams returns with Fluid To The Influence. Building upon the foundation of his previous three editions for Room40, Abrahams charts out a divergent course through lilting piano flows, distended organ passages, thunderous electronic eruptions, and focused concrète explorations. Fluid To The Influence spans a huge spectrum of sound, each movement calling forward to the next in a flowing motion that demonstrates Abrahams's commitment to and interest in the album as an artistic f…
Incidental Music and Keyboard Miscellany
“Incidental Music and Keyboard Miscellany, though both consisting mostly of quite short musical items, have as a whole different origins and different shapes. Keyboard Miscellany is an ongoing collection, a place to deposit occasional pieces which seem to have no place else to go. The earliest is “Variation on Morton Feldman’s Piano Piece 1952” (1988). The piece came about when I was asked to contribute an analysis of a Feldman piece to a collection of essays on Feldman’s music. To do this I tri…
Le depassement de soi
'Linaia-Agon' (1972) for trombone, French horn & tuba. 2 performances, studio & live, with Benny Sluchin, Jens McManama, Jérémie Dufourt and Arnaud Boukhitine. 'Zythos' (1996) for trombone & 6 marimbas. Benny Sluchin, with red fish blue fish conducted by Steven Schick. First video & surround release. The documents on this DVD present a musical journey through a wide range of topics focused on Iannis Xenakis and his work Linaia Agon. Conceived by the great new music trombonist Benny Sluchin, it i…
Piano Sonatas & String Quartets 1
The first volume in a projected series combining Radulescu’s complete Piano Sonatas and String Quartets — there are six of each — on Mode performed by the superb JACK Quartet and Stephen Clarke (piano). In the 1970s, Horatiu Radulescu (1942 - 2008) began exploring and composing begun composing what he called “plasmatic music,” in which sound was conceived as an “endless ocean of vibrations,” as opposed to the traditional way in which music treats sound as a fabric of discrete scale steps. His mu…
Soweto Stomp
Malcolm Goldstein, violin & direction. The Ratchet Orchestra. Composer/performer Malcolm Goldstein (b.1936) has been active in the presentation of new music and dance since the early 1960s. He received an M.A. in music composition from Columbia University in 1960, having studied with Otto Luening. In the 1960s in New York City, he was a co-founder with James Tenney and Philip Corner of the Tone Roads Ensemble. His 'Soundings' improvisations have received international acclaim for having reinvent…
Wucherungen
Hans Koch: Bassclarinet, Soprano Sax. Thomas Peter: Amplified Objects, Live Electronics. Recorded March 2014 in Biel / Bienne, Switzerland. “Music by bass clarinet and soprano saxophone player Hans Koch has been reviewed before and I particularly enjoyed his solo release Erfolg (see Vital Weekly 964). For Thomas Peter it has been a long time ago since I reviewed Medir (Vital Weekly 682). That one was entirely made with digital means, but on the disc he recorded with Koch he plays 'amplified obje…
Cheval ouvert
'After sharing the bill with fellow musicians like Knut, Isis, Jesu, Lightning Bolt, Melt Banana, Zu, Asva, Todd, Shit & Shine, Marduk or Tony Conrad on the occasion of the 150+ concerts given over the last years, drummer Marc Fantini, bassist Derek Shirley, electronic musician & vocalist Gilles Aubry and electrified tenor sax maestro Antoine Chessex felt the need to come back to studio work. Results a powerful though dark and introspective piece of pure sonic radicalism. 'Cheval ouvert' immerse…
Gather & Release
Gather & Release is the result of years worth of composer Sarah Hennies' exploration of the vibraphone in synthesis with her experiences of identity, obsession, anxiety, tension, grief, and loss. Over the course of an hour, Hennies entangles highly focused percussion playing with field recordings, sine waves, signifiers from her personal & family history (including a 20+ year old recording of her grandfather reciting poetry), and bilateral stimulation, a tool for anxiety release and a major comp…
The Hum
Anne La Berge, flutes and voice. Joe Williamson, double bass and voice. Flutist-composer Anne La Berge, an American living in Amsterdam, and bassist Joe Williamson, a Canadian based in Stockholm, have formed a new duo. Both artists are known for their eccentric approach to text, either in song writing, or music compositions. With two intriguing text/music pieces that sound like odd radio plays, they introduce the listener to the ambiguities of their unrestricted fantasy. A pleasurable, sometimes…
Lunch music
Lunch Music by composer Yannis Kyriakides is a set of pieces for voices, percussion and live electronics, inspired by the 1959 book Naked Lunch by William S. Burroughs. On this recording the virtuosity of percussionists Slagwerk Den Haag (recently heard on the recording of Michael Gordon's Timber) and contemporary vocal specialists of Silbersee are embedded in a rich sonic environment of electronics, modulated voices, grinding pulses and hallucinatory noises.The concept of the music revolves aro…
Kore
180-gram LP version in gatefold sleeve. Includes download code. Edition of 300. Reinhold Friedl and his zeitkratzer ensemble perform Friedl's Kore, an homage to Greek-French composer Iannis Xenakis. A natural advancement of Friedl's composition Xenakis [A]Live!, released in 2007 by Asphodel, Kore was conceived for nine amplified instruments, demonstrating zeitkratzer's well-established tradition of instrumental amplification (e.g. its early collaborations with Zbigniew Karkowski and Merzbow an…
Stockhausen - Aus den Sieben Tagen
180-gram LP version in gatefold sleeve. Includes download code. Edition of 500. The third collaboration between Keiji Haino, one of the most prolific artists of the Japanese experimental/noise scene, and the critically acclaimed zeitkratzer ensemble, comprising stunning interpretations of Stockhausen compositions. When Keiji Haino heard zeitkratzer rehearsing for their Stockhausen performance at the Ruhrtriennale festival, he spontaneously decided to join the group for that part of the program…
Aithein
**restocked** Oren Ambarchi, Stefano Pilia, and Massimo Pupillo (Zu) team up for an instrumental trip bridging post-rock, drone, and improvisation. Limited 180-gram LP in silk-screened sleeve with artwork by Sara D'Uva. Includes download code. Since the late '90s Oren Ambarchi has been exploring new ground as composer and multi-instrumentalist (mainly focusing on guitar), fusing a wide range of influences and inspiration from improvisation, contemporary music, modern electronics, and rock…
Gianni Sassi uno di noi
Published on the occasion of the exhibition at Mudima Foundation (once Multhipla) this book is the very first extensive retrospective overview of Gianni Sassi’s work, design career and role that he played in the development of alternative cultural action and promotion in Italy. Gianni Sassi truly was a larger-than-life figure whose contributions were wildly varied. In the Sixties, inspired by the artist Marcel Duchamp, Sassi participated in the loose interdisciplinary network of Fluxus. Durin…
Search Ensembles
Search Ensembles is a new evocative project of and/OAR founder / operator Dale Lloyd presenting “sonic archeology”, unearthing forgotten and previously unreleased recordings from project participants’ archives, plus new recordings to create a conceptually cohesive album. The name “Search Ensembles” is a play on the term “search parties” which means: “groups of people conducting an organized search for someone or something lost or hidden.” This first offering comes across as a collection of inexp…
One Hour As Trees In Finland
The second release in the new sub-series called “One Hour As...” based on Ben Green’s radio program of the same name on Resonance FM, which aired between 2002 and 2004. Recorded in 2007, this release presents exterior and interior sonic perspectives of trees being blown by wind in Alajarvi, Finland. Not only a meditation upon a very important part of the terrestrial ecosystem, but a normally hidden insight into the realm of living intelligent trees.Includes an essay written by Stefan Militzer wh…
Andrei Tarkovsky - Another Kind Of Language
With Michael Northam, Jon Tulchin, Yannick Dauby, Dale Lloyd, John Hudak, Kiyoshi Mizutani, Ronnie Sundin, Ven Voisey, Magali Babin, duul_drv, Josh Russell, Phillip Pietruschka, Sawako, Logoplasm, Andrew Chalk, Loren Chasse, John Grzinich, Radio Cegeste, Asher, BJ Nilsen, Kassel Jaeger. At last, a triple CD re-issue of one of the most requested out-of-print releases in the label back catalog. Twenty one sound artists created work inspired by one of Tarkovsky’s seven feature length films. The fir…
For Leos's Piano
Alvin Curran, piano (originally owned by Janacek), electronics. Gordon Monahan, digital performer software, native instruments akoustik pianosoftware.“Janacek Revisited, Recomposed, and Retuned.In June 2013, on the occasion of the Exposition of New Music festival, Gordon Monahan created a sound installation on the grounds of the famous Villa Tugendhat in Brno, using the music of Henry Cowell and Leos Janacek. The choice of these composers was not accidental; Cowell highly credited Janacek’s musi…