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‘Almost Something’ is the debut release of the long standing collaboration between artist/dj Laura Not and Andrew Hulme of O Yuki Conjugate. The two pieces cover a musical domesticism, developed around location recordings made in London and Berlin. The duo, known separately for their considered and attentive handling of collaged textures, rhythms and ambiences, offer up a sonic landscape where fugitive moments of creation meet the concrete sounds of everyday life. The unfamiliar is what sticks a…
Another collaboration of Romain Perrot with Bruce Russell related projects. Liner notes are from Bruce Russell, those recordings have never been released before, those are the last ones before drummer Peter Stapleton passed away....
Formed 29 years ago (1996) by Nate Young, Wolf Eyes is currently a duo generally characterized as "noise," though they have called themselves "psycho jazz" (among other things). Extremely prolific, they have literally hundreds of releases and are a towering presence in underground music. Saxophonist Anthony Braxton was an early member of the AACM (Association for the Advancement of Creative Musicians) and has won a MacArthur and been named an NEA Jazz Master, though his work is hardly confined t…
"I was almost seventeen when 'Scum' came out, lurching through my headphones sandwiched between John Peel’s warm gravy groans. It flipped me out. My punker brain, pretty much allergic to anything metal, made a series of damp connections that lodged the chaotic buzzing insect rumble in my mind forever. Thirty-odd years later this record still sounds urgent and furiously angry. It sounds more important than ever. I decided I wanted to do ‘something’ with Scum in late 2023. I listened to the record…
*Dubbed on reused ferro tapes* Music for fictive radio stations. Made as a sound installation that was part of a performance talk about fictive world scenarios. Mostly made with circuit bend radios and found music in a stack of unsorted cassettes.
*Dubbed on reused ferro tapes* Guitar music measured mostly by quietude not amplitude. Bold recording techniques - new amp. Everything recorded during a period of two nights.
New alias from Alexander Holm. A strangely private sounding document of humming voice, midi harp, feedback and ghostly field recordings. Truly unclassifiable music.
Strange and beautiful debut cassette from another great friend of the label. One hour of slowly dissolving Music box / tape Music. Ghostly melodies weaving in an out of each other until the tape runs out.
Intimate guitar recordings made at C Haxholms home in the countryside. This tape to me feels like a quite unique snapshot into the Artists daily life, But at the same time the music feels very composed and thoughtful. A very sweet and heartwarming tape
First tape from Alvilda Reiter Jakobsen. Side a is a collage of guitar recordings made by Alvilda and a few other musicians. Side b is a live rendition for six guitarists. A very lovely tape which reminds about the joy of playing music together with others and let the music happen without too much interrogation.
The debut album from Whitney Johnson & Lia Kohl has evolved over several years from their initial practice of free improvisation on viola and cello into (for the moment), this: a neophonic orchestral expression. At once stimulating and soothing, For Translucence is a living, breathing meditation in which layers of acoustic strings, synthesizers, field recordings, radio and sine waves illuminate each other as they twine and grow.
Michael Grigoni and Pan•American present their first collaboration. The album’s title, New World, Lonely Ride, gestures toward its meditative orientation. The duo offers a series of reflections on the zeitgeist of our present moment, the spirit of our age: the isolation and loneliness that continues to echo in the wake of the pandemic; the fractures that mar our political discourse; the uncertainty that has stamped itself on the future of democracy. The vast geography of America and the absence …
Big Hands is the alias of Andrea Ottomani, an Italian-born, London-based artist, whose productions have maintained an impeccable level of homogeneity over the last decade. His debut album, titled Thauma, was conceived in dreams over two consecutive nights as he traversed the storm-ridden Mediterranean Sea in late June 2024 and was later brought to life with the intent of preserving the sounds and structures as they were originally dreamt. Composed of ten tracks that seamlessly morph into one ano…
*200 copies limited edition* In February 2019, multi-instrumentalists Maurizio Abate and Luca Venitucci crossed musical paths as part of an artist residency at Standards in Milan. Over those few days, their respective instruments engaged in a dialogue, shaping sounds and structures within the space that housed them. While working on the post-production of the recorded material, Abate and Venitucci enlisted the valuable and decisive collaboration of fellow like-minded musicians Roberto Laneri and…
*100 copies limited edition*
Savvas Metaxas played guitar & effectsRecorded between January-February 2024
Mastered by Giuseppe IelasiDesign & Artwork by Yorgos Vourlidas
Brown particles vinyl. Here is an expanded edition of one of Nurse With Wound's most intense and unique albums, so much so that for long-time fans, it was a strange, chaotic lounge oddity upon its release. For the first time, all four audio sides are complete (originally, there were only three sides). To top it off, there is a stunning new cover by the great and talented Babs Santini, who is none other than Steven Stapleton using his artist pseudonym, continuing in the luxurious tradition of the…
During the late 1970s, after No Wave pioneer Lydia Lunch met saxophonist James Chance, she began setting her angry and disjointed poetry to anti-music, founding her ground-breaking band Teenage Jesus and The Jerks with Lunch’s shouted lyrics matched by her non-conventional use of electric guitar. The group’s self-titled debut EP is a fast and furious affair, produced by Robert Quine of the Voidoids/Lou Reed, with future Nick Cave drummer Jim Sclavunos on bass and Bradley Field on minimalist perc…
After the demise of Teenage Jesus and the Jerks, Lydia Lunch launched her solo career with Queen Of Siam, arguably her greatest LP. In true No Wave style, the album is a mishmash of irritants, but her palette is far broader here, lurching from slow dirges, excessive feminist exhortations, and raucous personal purges to a touch of disco and lounge music exoticism, as conjured by Voidoids/Lou Reed guitarist Robert Quine, Contortions bassist Jack Ruby, and John Cale’s drummer, Douglas Browne. Spiri…
The German band Schatterau returns to Hands in the Dark with their latest release, Übers Jahr ('Throughout the Year'), which follows their acclaimed debut album from 2024. This sophomore effort, as its title implies, delves into the cyclical nature of time and the duality of the transient and the eternal unfolding of events. The album comprises 17 vignettes that reflect on the seasons, capturing their unique light and sounds, the passage of time, and the interplay of movement and stillness, as w…