Open
"Following on from their two track LP release, Mindset (2011), Open sees legendary artists-in-resonance The Necks return to the territory they are best known for, a single piece running for over an hour. The piece emanates a calm, immersive stillness throughout. Already The Wire has said that Open "(displays The Necks') astute handling of pacing and momentum, finely honed collective sense of timing, (and) their shared ability to balance at length a group equilibrium". Here the band returns…
Keeping a record of it
Keeping a record of It is the follow-up to Lonnie Holley's debut album, Just Before Music. It features recordings made in 2006, 2010 and 2011. Guest performers include Cole Alexander from the Black Lips, Bradford Cox from Deerhunter, and visual artist Lillian Blades.
'Last year, at 62, after decades of singing while he worked, Holley released his jarring debut album, Just Before Music, a marriage of improvised keys and the rambling, hollow bellow of his voice, as well as the first original rec…
Vague
The duo appearing on "VAGUE" is Scillia Lorage and Kiko.C.Esseiva. The encounter between them gave birth to this project in springtime 2008 in which their intentions lie in experimental free improvisation. On this recording, Kiko C. Esseiva played live tape manipulations and Scillia Lorage weaves, with her voice, sounds that are manipulated live on her sampler. With spontaneity, they attempt to build soundscapes and sounds character; sometimes by walking on eggs, some other times trying to save …
Hic omnia Ur-Aizib
2013 release ** "This is the second release from Maurizio Bianchi for Red Light sound. It begins explores the world of tubolar percussion while track two takes a completely different turn using modular synth treatments with Pharmakustik."
The End Of An Ear
New remastered edition of the classic debut solo album by Robert Wyatt, released in 1970. Esoteric Recordings are pleased to announce a newly remastered edition of the legendary debut solo album by Robert Wyatt. Recorded in August 1970 whilst Wyatt was still a member of SOFT MACHINE, his first solo outing was a blend of Jazz and Experimental music that he had pioneered on his composition ‘Moon in June’ on Soft Machine’s "Third” album. The sessions for "The end of an ear” saw Robert Wyatt joined …
Abisso
Close your eyes. You may think Satan is singing. Open them: you’ll see a small masked woman, with dreadlocks down the her ankles, and without vocal effects. Close your eyes again: you’ll think of a heavy metal double kick drum set. Open them again: a gigantic, wrestling masked man is torturino a floor tom, a snare and a cymbal, standing up, no kick. Two people, half gear, enough to bring Hell.This is OvO. What they do is not easy to file. Not noise, not metal, not doom, not punk, not rock and ro…
G.P.O. versus G.P-O: A chronicle of mail art on trial
G.P.O. versus G.P-O: A chronicle of mail art on trial is a publication of Genesis P-Orridge’s collection of materials surrounding Great Britain’s General Post Office’s case against him for disseminating pornographic material through the mail in 1975. These postcards incorporated confrontational images with images of the Queen. When the Post Office made their case against P-Orridge, it became an opportunity to turn the case into another performance. G.P.O. versus G.P-O collects ephemera, legal do…
Transit of Venus
Sedimental deviates from its carefully fostered experimental music identity to release the debut of this Austin based indie trio. Given the quality of the songs, the simplicity and clarity of the musicianship, and the pedigree of the musicians themselves it was a rather easy and natural decision, not to mention indulging our own personal, highly eclectic tastes in the process. With its hypnotic drumming, driving bass, boy/girl dream-pop vocals, and chiming arpeggiated guitars building to swirlin…
The Weird Weeds
"The album's arc from patience to brightness is as natural as an orbiting planet, but Weird Weeds do that one better at the end, stuffing a miniature solar system into one seven-minute track. True to form, this closing piece builds intensity not through change but momentum, starting with a four-note guitar figure and slowly adding accents and atmosphere...What matters most about The Weird Weeds is how it furthers this band's stature as the kind that others should be compared to." - Pitchfork
"We…
Rembrandt Pussyhorse
Everything seems to start almost normally on Pussyhorse with "Creep in the Cellar," even with the rather gone violin line -- Haynes is intelligible, the piano part is quiet serene. Then again, Haynes is talking about the creep in question doing things like taking off his skin, so clearly all is still at least somewhat tweaked in Surferland. The rest of the album makes that pretty clear; if not quite as strong as Psychic...Powerless, Pussyhorse is still a strong slice of homegrown art/psychedelia…
Shibari
Guitar and voice, recorded during the same sessions as Fear Of Music / Berlin, With Love. The stamina-defying screamer of Japanese noise and longtime vocalist for HIJOKAIDAN joins wrecker of civilization and one-third of THE DUSTRBREEDERS for two sides of very pleasant unpleasantness. Screen-printed cover. Red 7'- 45rpm, guitar and voice, limited to 200 copies with a screenprinted sleeve.
Line the clouds
Multi-faceted composer and performer Ashley Paul releases her new lp 'line the clouds', on brooklyn's rel records. a hyper-intuitive record, where off-kilter instrumentation meets beautifully crafted melodies to convey the very essence of 'musicality', 'Line the clouds' contains 44.18 minutes of sonic paradoxes and dichotomies. Stirring up a zephyr of twelve blissfully cacophonous sounds - singular moments of an indivisible whole the focus is on guitar, voice and saxophone, but Ashley also em…
Neum
Neum is a book of drawings, prints and diagrams by eli keszler made in conjunction with the presentation of the neum installation at the south london gallery Ð a large scale piece, occupying a 150 wide by 50 foot tall space made up of 16 overlapped and splayed piano wire, activated by a mechanical system which is featured as part of the group show 'at the moment of being heard'. the book consists of over 65 drawings, sketches and diagrams of various sizes dimensions and medias as well as 3 silk …
Days Of Plasma, Nights Of Drink
Nicely presented collaboration work from gonzo rock writer Byron Coley and Belgium art savant Dennis Tyfus: Byron contributes a buncha long-form autobiographical poems about living on the west coast as a kid, selling plasma to live, sleeping in trees, stomping on cop cars and drinking rum at punk shows while Tyfus presents a buncha glossy reproductions of visions of low-life hell and general bum-dom. Pretty great. 20 pages, edition of 200 copies, on matt and glossy paper stock (Volcanic Tongue)"…
Lipstick
This valley-chameleon changed colours more than David Bowie dyed his hair, which takes a lot of skin, brains and guts in an area that should have been called Noisehampton, a hay fevered pit surrounded by mountains that stare at champions such as Body/Head, Fat Worm Of Error, Thurston Moore, Breaking World, Joshua Burkett and so on, all playing in premier leak! Krefting was a member of the glammed Velvet rock band The Believers, of the much loved drone band Son Of Earth with Aaron Rosenblum…
El Nacimiento Del Huevo
Bernd Lohaus (1940 in Düsseldorf; + 5. November 2010 in Antwerpen) was a German artist (living in Antwerp/Belgium) mainly known for his sculptures, usually made of heavy found wood which he minimally changed (by carving in one word poems for example). He was a student of Joseph Beuys and together with Hugo Heyrman, Panamarenko and Wout Vercammen one of the first "Happeners" during the 1960's in Belgium, organising street performances in the centre of Antwerp. They published "Happening new…
Footnote(s)
Originally published as a cdr in 2005, limited to hardly any copies on Feater one's Nest, in the period Joshua Burkett visited Europe for the first time, it was about time these beautiful recordings saw some day light again on wax! I've met various people on other planets that i could compare to friends closer to home, Bill Nace calls himself a "fat Vaast Colson", Vladimier looks like Phillip Quehenberger, Tarp's Conrad Capistran's laughter sounds simular to W Ravenveers grinning and so on…
The love robots
Jim O'Rourke, guitar. Paal Nilssen-Love : drums. Lasse Marhaug, electronics. Recorded at Gok Sound Tokyo by Yoshiaki Kondo February 2011. Mixed by James Plotkin. Coproduced by Pica et PNL. Gatefold cover. 500 copies. Housing, parasites and hammering textures.
Explosion Course
Otomo Yoshihide, guitar. Paal Nilssen-Love, drums. Lasse Marhaug, turntable and electronics. Recorded at Gok Sound Tokyo by Yoshiaki Kondo, 2011. Mixed by James Plotkin. Coproduced by Pica et PNL. Gatefold cover. 500 copies. Intense energy, progressive and sustained
Mare descendrii
A Sige Records repress of Mamiffer's second full length Mare Decendrii. Artwork is different from the original pressing. Edition of 600. Credits : Recorded from September 2009 to September 2010 at: Studio Litho, Aleph Studio, and London Bridge in Washington State. Produced by Randall Dunn. Co-produced by Mamiffer. Engineered by Randall Dunn. Assistant engineers: Mell Dettmer and Shawn Simmons. Mixed at London Bridge Studio by Randall Dunn. Mixing assistant: Mell Dettmer. Mastered by Mell Dettme…