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2005. Harold Rubin (clarinet, poems, cover drawing), Jean Claude Jones (electro acoustic bass & live electronics). Recorded on May 2004 & July 2004 at Digi Hip Studios, Hod Hasharon, Israel. This album documents the musical - spiritual meeting between the two leaders of the Israeli improvised music scene. Harold Rubin started the movement on the late 1980's, after his legendary group Zaviot disbanded, leading a long series of ensembles active in the Tel-Aviv area, where he lives. Jean Claude Jon…
Harold Rubin, clarinet. Recorded: 2002. Released: 2002. 'If it wasn't for the fact that Harold Rubin (musician, painter and poet) lives and creates music in Israel, I'm pretty sure that he would have become one of the best-known icons of avant-garde jazz worldwide. Since I 'discovered' Harold 20 years ago, he never ceased to amaze me every time I hear him play live or hear any of his recorded music. His absolutely unique approach to his instrument Ð the clarinet Ð and to music in general is phen…
2005. 2nd volume of improvisational duos recorded by Jean Claude Jones with his friends in 2004 (with a few earlier pieces). As usual this music is highly intellectual, with very personal approach to inprovised free jazz. Friends include Ned Rothenberg (bass clarinet and alto sax), Victoria Hanna (vocals), Harold Rubin (clarinet, original text), Joseph Sprinzak (voice), Hagai Fresthman (drums), Daniel Hoffman (violin), Gan Lev (reeds, home made didg), Nori Jacoby (viola, flutes).
2004. Jean Claude Jones (electro acoustic bass and live electronics) is a central figure on the Israeli jazz scene since many years and a pivotal member of the avantgarde - free jazz movement in Israel. Former member of the Kedma trio, he played with litarally everybody on the scene during the years. This is his debut album as a leader and he performs a series of duets with usual friends like Josef Sprinzak (voice), Harold Rubin (clarinet, text), Yuval Mesner (cello), Gan Lev (alto sax, baryton)…
Israeli bassist and Improvised Music pioneer Jean Claude Jones revisits eleven musical pieces recorded live and in studio over a period of ten years, performing, what he calls recomposition of the pieces. In his own words: 'As opposed to mere editing, recomp involves the deconstruction, subtraction, rearrangement, and reconstruction of the material. It not only changes the sequencing, but it radically affects the feeling and the flow of the music. It also changes the texture of the weave, the vo…
Jean-Claude Jones (electro acoustic bass, live electronics). This solo bass album is a distillation of my language, the articulation of my voice on my instrument. It is free improvised music, focused on energy and the moment. This project incorporates electro-acoustic sounds and noises, groovy rhythmical games and sporadic forays into melody.
Denman Maroney (piano) & Mark Dresser (bass). Vision Festival NY - June 11, 2008. This is the third duo album by bassist Mark Dresser and pianist Denman Maroney, after Duologues and Time Changes. In contrast to some of the other material by the two players, this one is fully improvised in three long pieces. The first 30 minute track was recorded live at Vision Festival on June 10, 2008, the two other pieces date from a performance in Chicago in 2001. It's hard to call this jazz, since none of th…
The Annual 'White Night' Festival in Tel Aviv is Israel's only cultural event dedicated to Improvised Music and Free Jazz. It is a twelve-hour musical marathon promoting creative, improvised music and facilitating collaborations between Israeli Artists and artists from abroad. It also fosters the development of young musicians, exposing their work to the world. The 2006 event was the second year this beautiful event took place and hopefully the tradition will continue in the years to come. This …
Object Lessons is a musical collaboration between Justin Lieberman and C. Spencer Yeh. The record is a spoken rendition of select object descriptions from the Corrector's Custom Pre-Fab House that were reworked into an experimental music format utilizing electronics and an amplified violin. Object Lessons is a limited edition of 250.
A lovely vinyl reissue on Etude Records of a long obscure Climax Golden Twins gem. Originally issued in 1995, on cassette, Eerie Fragrance or Eyeless Fabrication or Exclude Frank or Eat Fuck or etc (forever) was Climax Golden Twins second official issue after a self-released double seven inch gatefold record. Cassettes-the cockroach of the industry-were a necessity at the poorer end of the music spectrum prior to CDRs and file sharing... the good old days... EF was a collage of noise, found soun…
Ap'strophe is the duo of Ferran Fages (acoustic guitar) and Dimitra Lazaridou Chatzigoga (zither). Recorded by Christian Pallejà at Maik Maier studios in Barcelona, december 2008. Mixed and mastered by Ferran Conangla. With their music they investigate the perception of the distinctive timbre of the guitar and the zither alongside the differences and similarities of their string instruments.
Rhodri Davies (harps), Michel Doneda (soprano saxophone), Louisa Martin (laptop), Phil Minton (voice) & Lee Patterson (amplified objects & processes). Four extraordinary improvisations by musicians spanning three countries and three generations, performed in January 2009 in the freezing cold fourteenth century stone church in the small village of Midhopestones near Sheffield, England. A dark, brooding, swirling music from a quintet who gelled together into a remarkably tight and unified ensemble…
Improvisations and realisations of indeterminate scores by John Cage and Michael Pisaro. Performed by Tom Chant (saxes & bass clarinet), Angharad Davies (violin),Benedict Drew (electronics) & John Edwards (bass). A quartet of leading improvisers play a combination of improvisations and indeterminate scores. The disc contains the first recorded performances of three of the American composer Michael Pisaro's ÔHarmony Series' pieces, a brilliant interpretation of John Cage's late work ÔFour 6', an…
Tomoko Sauvage: water, porcelain bowls, hydrophones, condenser mics, metal wire and wood spoons. Sauvage, a Paris-based Japanese musician, uses water-filled porcelain bowls for her electro-acoustic performances and compositions. The use of hydrophones (underwater microphones) allows her to capture the subtle sound of water waves and drops resonating in porcelain bowls. The serene, contemplative aquatic soundscape is woven from these fragile materials. Her first solo album, Ombrophilia will be r…
First released of Malass aka Vincent Malassis. Project from experimentation and improvisation based on the research for organic textures and maximum musical expression. The purpose of this approach is to create a balance between noise, dissonance and melody. Thought as a filmic trip that allows emotion thanks to a sound design inspired from american minimalism and french concrete music. Ambient music mixed analogically in order to get a landscape of feedback, reverb and echoes which acts on both…
Richard Youngs is a prolific British musician (located in Glasgow) with an extremely diverse output. Dusted Magazine once wrote he is defying strict genre classifications since the early nineties, swapping labels, styles, partners, motifs, and recording techniques as the desire has struck him. So his new album for Dekorder might not be a surprise to anyone following his career. Still, a self-proclaimed all-electronic 'ecstatic House record' comes somewhat unexpected. With a line of distinctive s…
Thembi Soddell's second solo release continues her exploration of dynamics, abstracting various sound sources, from field recordings to instrument textures, into sonic interpretations of her dreams.
Limited to 200 copies. Using fragments, distortions, samples and destructions of Dennis Cooper reading his story ÔUgly Man', Safe have made a powerful aural version of that story's charting of disintegration. From squalls of noise to perverse rhythms, Cooper's words grow and decline into countless shapes, often getting lost in the morass of what can be done to a voice, a body, in sound, only to re-emerge in some new hybrid form. Safe have added a greater sense of definition and drive to their so…
Incorporating wildly coloured orchestrations and unusual performance actions, set against intense monochromes of noises and whispers, Vellus is a collection of chamber works that obsessively deals with the privacy of ritual, memory and the self. Diverse takes on instrumental concrète by this young Australian composer. 'Lucas Stumbles' (2007) for percussion (Eugene Ughettti, Greg Sully, Mathias Schack-Arnott, Anna Webb) and electronics (James Rushford). 'Respite in the Woodland' (2007) with Aviva…