Invocation of the aural slave gods
Exciting new studio album featuring Annie Stubbs (LUSTMORD, SPK) on vocals + percussion and Swiss Aktionist Joke Lanz (SCHIMPFLUCH-GRUPPE) on noise toys, with conversions of Cabaret Voltaire's Nag Nag Nag and Roxy Music's In Every Dream Home A Heartache.
Broken. Distant. Fragrant.
A few years ago, Tu m' and Steve Roden began a correspondence. This led to the idea of a collaborative project. This led to bedroom audio experiments in American and Italy. This led to CDRs being sent through the mail to cross over the ocean. Tu m' used Steve Roden's audio as the working material for several works. Steve Roden used Tu m's audio as the working material for several works. This project contains a bit of both. Limited to 500 copies. Broken Distant Fragrant is a collaboration that wa…
3 pianos
Three grand pianists on three grand pianos. The presence of three good pianos at Gateway Studio allows one to hear three of the best improvising pianists working together. Most of the music is three-way improvisation, but there are also three short duos, and three pieces with restricting rules. 66 minutes.
The Suncrows Fall and Tree
Italian guitarist Stefano Pilia is best known as a member of concrete rock outfit 3/4HadBeenEliminated. He has also been releasing solo recordings over the past few years. 2005's Healing Memories and Other Scattering Times saw Pilia interrogating his basic musical language, framing various playerly tactics, shuttling between guitar drones, melancholy melodies and post-Durutti Column pointillism. For The Suncrows fall and tree, he shifts his focus to composition with two untitled tracks. Pilia re…
Synaesthetic videos from Austria
A DVD release celebrating the extraordinary young video and electronic music scene in Austria. These are radical avant-garde works that emerge logically from modern electronic music. The images sometimes tie in with the earliest pure abstract avant-garde films, but reveal themselves in everything to be exponents of contemporary digital technology.
33 1/3
2024 stock 33 1/3 is Smegma''s tribute to their 20th century avant-garde and out-jazz influences. The title is one part reference to the happy revival of passionate vinyl listening in the 21st century and one part celebration of their long hard slog of 33 1/3 years of being one of the most free thinking and original American underground groups. Their focus, ideas and determination has brought them through more than three decades and to this day they remain unparalleled, original and highly influ…
Nattering naybobs of negativity
The second in the series of Harbinger Sound's efforts to present the Smegma back catalog. This album originally came out in the UK only back in 1987 and is backed by the studio side from the 1988 cassette release, Morass. Twenty-one tracks in total. Dedicated to Tom (Pig Champion) Roberts. Limited to #1000 copies. CD features an eight-page booklet with photos and a pre-1988 Smegma discography
Helle
Recorded at Rare Book Room , Brooklyn , May 2005 except "Les île" recorded at Daz Basment, June 2005. The original cover was refused by the factory (which, apart for few copies, destroyed the cds) and became page 2 of the new version digipak booklet (see images).
Free pulse
Sinistri, formerly known as Starfuckers, is an experimental music unit based in Italy. Starting from an original, raw, minimal and high power approach to the rock language, they soon developed a personal direction exploring the space between proto-punk, black roots and contemporary classical music. Sinistri is a trio who uses electric, electronic and acoustic instruments, operating under the principles of intuitive music, exploiting asyncrony and non-metrical rhythms. Sinistri's music comes out …
Mort aux vaches : meltdown of control
This is a true orchestra, and conducted by a duo: the omnipresent zbigniew karkowski and dutch electronics master edwin van der heide. the material used in this mort aux vaches release was recorded during 3 live performances (tokyo, japan, berlin, germany, and london- as part of john peel's meltdown 98 festival). the following artists took part in this project (in each performance the orchestra set-up was slightly different) masami akita - merzbow (tokyo,berlin,london), reiko a- merzbow (tokyo,b…
s/t
Sanhedolin are a ludicrously amped-up and heavy new power trio, featuring Keiji Haino, Tatsuya Yoshida (Ruins) and Mitsuru Nasuno (Ruins). Haino brings aggressive anguish and all-consuming black fire, Yoshida and Nasuno supply a sack-full of convulsive time-shifting and complex kinetic acceleration. Haino and Yoshida have been working together on and off for the past three or four years in a number of duo and trio contexts, including a tour of China and Taiwan. They have built up the kind of ins…
The expanding sea
Georgia natives San Agustin (David Daniell, guitar; Andrew Burnes, guitar; Bryan Fielden, drums) have performed with a multitude of notables from the improvised community, including Ken Vandermark, Thurston Moore, Loren MazzaCane and others, but this boxed set is the first truly representative document of their live presence. Haunting moments of introspection are enveloped in clouds of bluesy guitar notes, then swept away by great electric gales; drones rumble and shimmer in the aftermath. The E…
Moooohieee!
A dead voice gathers on this Musical Saw and Hawaiian Guitar Soli Recorded in Early 1920s. Innovator of the octo-chorda (an open-alternate-tuned eight-string steel guitar), banjo, singing saw, inflated rubber balloon, and various other 'household instruments', Floridian samuel Pasco moore (1887-1959) was a darling both in NYC and on the vaudeville circuit during his 1920s heyday. While novelty acts suffered the pitfalls of most soft-soapers, moore's sound is of startling, heavenly haunted southe…
Undistilled
Sakada is: Mattin (computer feedback), Rosy Parlane (computers and radio) and Eddie Prevost (percussion). "Undistilled was recorded at live performances in London and Rotterdam in 2002. Components are a restricted range of percussion (Eddie Prevost), electronic sounds confected earlier for intuitive, tweaked release (Rosy Parlane), and nervous hyper-attention to every noise present, allowing spontaneous digital transfiguration of some (Mattin). The product is a formidably dense mesh of textures …
Good Morning / Good Night
Well, 'Holy Good Night!' seems an appropriate reaction when faced with a substantial double-disc offering from the 'holy triumvirate' of Japanese reduced improvisation and minimal electronics, ie Otomo Yoshihide, Sachiko Matsubara and Toshimaru Nakamura. In August 2003, they quietly entered a studio in Tokyo and laid down the basis for this music in only two days. The following month saw a final mixdown issue from their hands. Amazingly, the roof did not fall in on the musical world as a result.…
Filament 2
Recorded at GOK Sound, Tokyo, July 1998. Mixed at GOK Sound, Tokyo, March 1999. Mastered at Transonic Studio, Tokyo, March 1999.
Djungelmusik med sang
This is a CD of field recordings by the Japanese artist Toshiya Tsunoda. Microphones were placed inside small objects (e.g. bottles and drain hoses) located outdoors - either in an urban or rural sound environment. The work of Toshiya Tsunoda is concerned with the relation between sound space and cognition space, and often investigates stationary waves formed by fixed conditions in closed systems. He has previously released CDs on the WrK (Japan) and Selektion (Germany) labels. He also works wit…
Jessamine
This is New Zealand-based (and former Thela member) Rosy Parlane's second full-length release on touch. With Jessamine, Rosy develops these themes, and continues to incorporate new musical elements from unconventional as well as orchestral instrumentation. To him, everything is an instrument: from household objects to nature sounds. But it is the human element which gives his work such a distinctive sound. Ranging from ambient to noise, he gives full rein to textures of living; to start, languid…
Blown bone
Previously only available on a very rare 1979 Japanese LP, these two jazz sessions feature Rudd as a fine composer/arranger and organiser of unlikely-looking line-ups, as well as an exceptional trombonist. The CD opens with Rudd, ENRICO RAVA (trumpet), STEVE LACY (soprano sax), WILBUR LITTLE (bass) and PAUL MOTIAN (drums) all showing themselves to be in good form. Then SHEILA JORDAN (voice) joins them for some timely environmental protest. The other session (from the previous day) has KENNY DAVE…