Pickled Dawn
No stranger to the Berkshire Mountains, Omeed Goodarzi comes at it in full on send it mode, with this yester-Moro-mobile of an album? Loaded to the hilt with hard hitting session folk, Omeed's latest offering is a roiling boiling psychedelic Partch-pop Beatleboro-Freel-Volk masterpiece from the second anyone's flip flop even threatens to drive a rhythm into the rug. Upon arrival to the studio, Chris Weisman, Mia Friedman, Max Goldstein, Nick Bisceglia and Ruth Garbus were presented with the chor…
What Do You See Everyday?
Another fantastic slab by Virginia-based guitarist Jordan Perry, whose style fuses disparate threads from the American Primitive and avant-garde songbooks into a unique alloy. For this album Primitivism has largely been eclipsed by avant urges. Still, there is one track, 'Days Have Gone By Volume' where Jordan is joined by guitarist Ned Oldham for a piece evoking Fahey in more than its title. But that is the exception. Most of What Do You See Every Day? is filled with abstractions for acoustic g…
All Summer Long is Gone
Finally, a vinyl edition of this amazing instrumental pandemic album recorded by a somewhat unlikely duo. There was a cassette version released a while back as a stop gap, but here now is the REAL THING! PG Six (aka Pat Gubler) is based in the New England and is known for his mastery of many stringed objects. He has appeared on six earlier Feeding Tube LPs, the most recent of which is the great PG Six Live at the Tavern (FTR 556LP). Louise Bock (aka Taralie Peterson) is a multi-instrumentalist l…
Le Pont Suspendu
Le Pont Suspendu is a four-part album by David Sani and Pierre Gerard, released by Ftarri in October 2025. Crafted from individual studio sessions in Siena and Liège, it unfolds as a restrained, minimalist exploration of sound, silence, and the liminal space between discrete gestures and environmental resonance.
Uchidome
Uchidome by Seijiro Murayama is a three-part solo percussion album released by Hitorri in October 2025. Recorded in France earlier that year, it represents Murayama’s fifth solo project on the label, extending his lifelong inquiry into rhythm, resonance, and silence through an ascetic focus on timbre, texture, and spatial tension.
To(r)ri Infranta
To(r)ri Infranta by Mitsuhisa Sakaguchi and Yoshiki Ichihara is a radical two-track improvisational work. Combining live electronic manipulation, extended percussion, and fractured sonic spaces, it evokes the eerie tactility of improvised performance while maintaining the meditative spaciousness typical of the Tokyo experimental scene.
SSI Solo 2024
SSI Solo 2024 by Junji Hirose distills five extended explorations of sound and silence recorded in Tokyo, merging mechanical invention and corporeal intensity. Created with his distinctive Self-made Sound Instrument (SSI) and including a striking “No-Instrument” piece, it pushes the limits of sonic improvisation and acoustic perception.
Hyper Vigilance
SGG is thrilled and honored to announce the impending release of the new studio album by Ramleh, a band whose longstanding, uncompromising artistic trajectory is rivaled by none. Birthed from the early 80s UK post-punk and industrial ecosphere and finding footing in the embryonic power electronics scene before incorporating rock instrumentation to further explore the landscape of what would come to be described as “bleak psychedelia”, Ramleh continue to challenge and reward even the most adventu…
FJL
Felicity J Lord is a band, a word which usually means a group of musicians (which is also true) but here means a group of misfits, internet lurkers, poets, polka-dotted ballerinas, CEOs, time travellers, and forever-kids. Felicity J Lord is a company, a family, a video game, a never-ending play in two acts. You are in Act I, welcome.
October Flowers for Joe McPhee
October Flowers for Joe McPhee is a luminous solo work by Ken Vandermark, recorded in tribute to his longtime friend and mentor. Released by Corbett vs. Dempsey in March 2025, the album unfolds as a suite for reeds—melding lyricism, memory, and improvisation into a deeply human meditation on influence and kinship. Each piece, named after flowers, resonates as both homage and renewal.
New Music
Limited edition of 50 copies on purple vinyl. A meeting of two uncompromising sound artists, Carlos Giffoni and Joachim Nordwall, New Music fuses pulsating electronic rhythms, immersive drones, and abstract textures into a vivid, physical listening experience. Emerging from the outer edges of techno, noise, and electro-acoustic composition, both artists channel their distinct sonic vocabularies into a shared space of tension and transformation. Giffoni's deep synth drones collide with Nordwall's…
Split
Dutch 80s cassette pioneer meets Blood Incantation's cosmic ambient side. Enno Velthuys recordings paired with Riedl's archival drift. Meditative, intimate, timeless.
Club Moral
Club Moral emerged on January 1st, 1981, in Antwerp, Belgium, as both a collective and a challenge. Founded by artists Anne-Mie Van Kerckhoven (AMVK) and Danny Devos (DDV), it operated as an industrial band, a performance platform, and a venue that became a magnet for Europe's most uncompromising voices. Between 1981 and 1987, the Antwerp space hosted exhibitions, happenings and live shows featuring Produktion, Boyd Rice, John Duncan, Coupe de Grace and others—turning the city into a crucial out…
Opera
The experimental landmark Opera by FNTC returns in a remastered CD edition, nearly forty years after its original cassette release on Staalplaat in 1987. A striking document of Europe's late 80s cassette underground, Opera captures the collective at their most adventurous - merging spontaneous composition, sound collage and performance art into a single immersive experience. As a member of the Fluxus movement, Willem de Ridder brought his conceptual sensibility to the project, pushing the bounda…
Live At Teater Tribunalen
Huge Tip! ** Edition of 300.** The long overdue first proper jazz album on Discreet Music! After years of releasing experimental electronics, drone, and avant-garde sound art, the Swedish label finally documents what's been happening in their own backyard: ferocious, life-elevating free jazz performed by three of Sweden's leading improvisers. Niklas Persson Trio - saxophonist Niklas Persson, double bassist Patric Thorman, and drummer Raymond Strid - started ten years ago on Thorman's initiative.…
For a Moment the Sky Knew My Name
For a Moment the Sky Knew My Name is the forthcoming solo album by Peter Knight, released through Lawrence English’s Room40 label. Written and recorded partly outdoors on Krowathunkooloong land in southeastern Australia—a landscape tied to Knight’s childhood—the album merges field recordings, trumpet, and live electronic processing to construct an evocative meditation on environment, memory, and belonging. Across four expansive compositions, the trumpeter’s tones intertwine with insects, wind, a…
Uranian Void
Uranian Void by Jessika Kenney is a radiant synthesis of voice, mystic poetry, and Javanese gamelan textures. Recorded in Los Angeles and produced by Kou Records, the album entwines Persian and Indonesian texts in a transcendent meditation on annihilation, devotion, and rebirth, revealing Kenney’s voice as both ritual conduit and cosmic instrument.
Tulpa
Tulpa by Charmaine Lee transforms voice, electronics, and feedback into a vivid organism of noise, song, and silence. Produced by Randall Dunn and released on her label Kou Records, the album bends improvised vocal gestures into sculptural form—an intimate encounter between body and circuitry that questions where identity begins and resonance ends.
Riparian
Riparian by Eyvind Kang is a two-part, 37-minute suite for viola and ensemble that meditates on the meeting point of water and land. Produced by Randall Dunn for Kou Records, the album explores blurred musical boundaries and organic flow, using Kang’s signature blend of experimental chamber forms and subtle, textural improvisation to evoke riparian landscapes.
Ratsnake
Ratsnake by Chloe Kim is a daring solo percussion suite that channels years of improvisational research into a visceral, highly personal language. Produced by Randall Dunn after Kim’s formative New York sojourn, the album fuses jazz-rooted control with exploratory vulnerability, establishing Kim as a bold new voice in solo drumset music.