Reverse Acceleration of Dragons
On Reverse Acceleration of Dragons, Radx (X.Y.R. & Vlad Dobrovolski) drift through retro‑synth mirages and sci‑fi haze, blending Cascone‑esque electronica and “living machine” dragons into a soft‑focus, humid strand of 12th Isle ambient.
Oeil Céleste
Limited to 200 numbered copies. Including a postal card by Astatine. This record is the result of a collaboration between Astatine aka Stéphane Récrosio, head of the Orgasm label since 1994 (Orgasm RIP in 2016, but Stéphane start a new label : Fissile) and Ogrob aka Sébastien Borgo, member of Micro_pénis and L’Autopsie A Révélé Que La Mort Etait Due A L’Autopsie. 6 compositions, created in 2014, mixing Astatine’s noise experimentations in Paris and Ogrob’s field recordings and short waves in Tas…
Live Non-Plus Ultra
On Live Non-Plus Ultra, Strain of Laws—the duo of Aaron Hemphill and John Wiese—drag voice and electronics through a pressure system of sub‑bass, hiss and mumbled fragments, documenting their 2025 LA set as a single, slowly suffocating industrial hallucination.
Third Night Sparks
On Third Night Sparks, Akio Jeimus, Risa Takeda and T. Mikawa bottle a one‑off Bar Isshee trio into a crackling nocturne of electronics and synths, where noise iconoclasm and poised, in‑the‑moment listening fuse into a single live current.
They Came Like Swallows - Seven Requiems for the Children of Gaza
On They Came Like Swallows – Seven Requiems for the Children of Gaza, Bonner Kramer and Thurston Moore channel decades of noise, songcraft and studio sorcery into seven slow‑burning laments, where volcanic drones, grief‑stricken melody and a haunted Joy Division cover fuse into a stark act of sonic mourning and resistance.
The Struggle Of Making Time Habitable
*50 copies limited edition* fft_Materialism is a new series curated by Riforma. The projects and subjects involved are invited to reflect on their use of the Fourier Transform algorithms. Can a mathematical formula be considered a living being? What are the relationships between non-human and human entities? Is it possible to expand human narratives understanding the intra-actions within the digital realm? These and other questions are part of an investigation which dresses the shapes of experim…
Angel By Milo
Artist and multi-instrumentalist Flaer embraces the search for quiet miracles on first full-length LP Translations.
Becoming Forest
*125 copies limited edition* After 8 years since their last release, Becoming Forest is the fifth full-length record by Amuleto. It comes from an encounter between the group’s core duo, Francesco Dillon and Riccardo Wanke, and multi-instrumentalist performer and composer Stefano Pilia (Mike Watt, Rokia Traoré, 3/4HadBeenElminated, Massimo Volume, Afterhours, Zaire). This meeting — developed from long-term parallel collaborations and converging musical paths — produced a set of tracks that combin…
Den falmede dag
A new year, some fresh Kashual Plastik. Absolute organic. The campfire is burning, FM radio in the air, with not so frequent frequencies. Gently waiting for the flood that brings no water. An accordion weeps, an organ cries, sweet acoustic guitar chords, a dancing piano, a shy voice, singing intimate stories. Sacred white noise in the off. Bits of found sounds in the accounts. Reverbs reversing. All in happiness, so full of melancholy. Dream music for open-eyed musers. Right from the Scandinavia…
Chronicles from the Arab Cold War
Between innocence and anger, a record of witness. Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018). In the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument)…
Radis
Black Truffle is pleased to present Radis, the first recording by the Oslo-based trio of Andrea Giordano (voice and organetto), Kalle Moberg (accordion) and Jo David Meyer Lysne (guitar and snare drum). Now based in Norway, Giordano is a native of Cuneo, in the Piedmont region in the north-west of Italy and her exploration of the Piedmontese language provides the starting point and conceptual anchor of the trio improvisations heard on Radis, which make use of the words of 20th century Piedmontes…
Flavio
*300 copies limited edition* Mexico City trio Mengers have been threatening to detonate for years. Across their first two albums—Golly’s simulated-chaos ruminations and i/O’s desolate drift—they turned existential dread into a combustible punk language: jagged guitars, convulsing rhythms, lyrics like condensed panic attacks. With Flavio, their third studio album and most adventurous yet, they finally make good on that threat. It’s a record that doesn’t just expand their sound—it completely reima…
Live At Henie Onstad Art Centre 1971
*2026 repress* Recorded on February 28, 1971, at the Henie Onstad Art Centre in Høvikodden, Norway, this remarkable document captures Soft Machine at the height of their creative powers—performing two continuous sets that blur the boundaries between composition and improvisation.
On this evening, the British avant-garde ensemble unleashed an unbroken flow of sound—dynamic, exploratory, and charged with the band’s signature blend of jazz, rock, and experimental electronics. All instruments—exce…
Trees, Chants And Hollers
This enchanting album weaves together the intricate fingerstyle guitar mastery of Paul LaBrecque with the soulful, ethereal vocals of Valerie Webb, creating a sonic tapestry rooted in folk, acoustic, and world music traditions. Recorded in the lush Vermont woods, the title track "Trees" evokes the whispering rustle of leaves and ancient forest spirits through LaBrecque's cascading arpeggios and Webb's haunting chants.
Tracks like "Hollers" channel raw Appalachian calls into rhythmic, percussive …
Race At Neon Club
Featuring 8 tracks of dazzling electronic soundscapes, 'Race at Neon Club' sees Brice Dreessen fulfill the promise of his early work to deliver a beautiful, if at times unsettling, album that ranges from blissful interstellar ambience through to disorientating experimental noise and industrial rhythms.
Pollution
Following on from 2014’s ‘Terrestre’ 12”, Lawrence Le Doux returns to Belgium’s Vlek label with the ‘Pollution’ EP, 4 tracks of playful, hauntologically minded Electronica and Techno. Kicking off with the mesmerising loops of ‘Floor’, Le Doux works his machines to create an analogue gyre that ensnares the unguarded listener and neatly segues into ‘Liquide’ where a sublime mist of gentle hiss settles over his unworldly, almost naive, sounding synths and metronomic beat. On the B-side the EP’s tit…
Swirl
On Swirl, Here capture the moment Czech guitar music fell headlong for shoegaze: a 1993 fever‑dream of FX‑smeared riffs and bruised melodicism, now finally given the widescreen vinyl and deep‑dive context it always implied.
Die Dritte Ebene
On Die Dritte Ebene, Emilio Gordoa and Sven‑Åke Johansson let vibraphone, drums and accordion run in seemingly parallel lines until a mysterious “third layer” appears - a ghost‑music of overtones, pulse and texture that neither player could summon alone.
Notes from the Air
On Notes from the Air, Ciro Vitiello turns the seagull into a trembling patron saint of dizziness and desire, drifting between orchestral swells, shoegaze haze and post‑rock afterimages in songs that hover on the edge of meaning and never quite touch down.
Live at Issue Project Room
On Live at ISSUE Project Room, Loren Connors and Alessandra Novaga turn the guitar into a nearly weightless medium, tracing an improvised, slow‑burn dialogue of tremors, silences and ghost‑melodies that feels less like a concert than a séance for two.