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Four years have passed since the release of Jon Collin's majestic Bridge Variations on Discreet Music, arguably one of the most defining and well-received releases on the label. Works is the first LP under the Early Music artist name - first the title of a 2015 solo LP, then a name for a label before being used for a couple of recent cassette releases - and was recorded in Stockholm over a nine-month period last year. The main instrumentation is again the keyed fiddle - a traditional Swedish fol…
*100 copies limited edition* Written, recorded, mixed, and produced entirely by Bessel, Illusion of an Inland Ocean expands the worlds of Visitation (2023) and Mirror at Night (2025) into his most expansive and mysterious work to date. His recent work has received international recognition from publications including SPIN, The Big Takeover, Various Small Flames, Post-Punk, Mystic Sons, Obscure Sound, Destroy//Exist, and others, establishing him as a distinctive voice at the intersection of ambie…
A dream come true for A Colourful Storm to be releasing an early gem by Tenniscoats, a duo whose DIY spirit, boundless creativity and lust for life and collaboration has left an indelible mark. From self-releasing albums and tapes on their own Majikick imprint to meeting kindred spirits The Pastels, Bill Wells and Jad Fair in between outings for Morr Music, Chapter and Häpna, to name but a few, Tenniscoats have embodied an understated determination and optimism for over two decades.
"A foghorn m…
Aaron Dilloway returns to Dais Records with 'No Skill Comedy Mind Reading', his first full-length album since 2017, a collection of characteristically jarring, absurdist material. Marked by his signature distortions and contortions — feedback-shrouded found sounds, field recordings, and vocal improvisations — 'No Skill' collects nearly a decade of select solo work and feels distinctly in the present, a scattered product of volatility, both harsh and humorous. Few contemporary experimental artist…
Been a fan of Brian Ruryk since the early 90's when Pete Larson convinced me to buy his Out Guitar Explosion 7" on the classic Stomach Ache label. Fan for life! So honored to release this new cassette of garbage throwing tape cut-up guitar spasticity. Twenty things happen before you blink...brains blast out of ears... fly back into nostrils... next thing ya know yer using guitar strings as dental floss. Thats a warning!
To wander means to relinquish the idea of a destination—moving through sound without immediately seeking a form, allowing chance encounters, shifts, and resonances to suggest the path. It is from this gesture that "In Vago Spirito" emerges, the new album by Italian vocalist, composer and sound artist Ludovica Manzo. The record marks a new chapter in Ludovica Manzo’s ongoing exploration into the dialogue between free improvisation and composition—a path previously charted through her work with th…
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used for forgetting, rather than remembering. Instead of embracing histories’ complexities and inconsistencies, this version of nostalgia seeks only singular recollection. This contemporary phenomenon of nostalgia has become a methodology at best, and a we…
Rare original edition on Flower of a crazy 1975 album with the soundtrack for a theatre work mixing electronic experimentation, psychedelic rock and church music.
1974 album on the Christian PCC label with chants for catechism and baptism for voices accompnied by organ or Arp synthesizer by the very eclectic and experimental composer.
Amazing and trippy 1974 experimental album on the Christian PCC label with superb narrative musique concrète including wacky songs and grooves by the very eclectic and experimental composer. One of the weirdest Italian albums ever made and absolutely essential.
1977 album on the Christian PCC label with religious songs accompanied by organs, synthesizer and drums by the very eclectic and experimental composer.
On Untitled (Solo for the Building of a Museum), Tony Conrad stages an unseen encounter between amplified violin and his self-built Long String Instrument. Recorded in 2002 behind a concealing sheet, the performance turns drone, friction and physical resonance into an act of radical listening - music whose hidden actions remain inseparable from its vast, exposed sound.
Ritual music for the accumulation of male sexual energy Throughout history man has made and used music for two distinct and separate purposes. In recent years, particularly since the advent of sound recording, the most popular use of music has been for entertainment - the temporary amusement and distraction of as large a number as possible. As a consequence, many people tend to overlook its more fundamental and ancient use as a tool for affecting man's body and spirit. The many varieties of reli…
*200 copies limited release* Tip! The early collaboration between Maso Yamazaki (aka Masonna) and Rudolf Eb.er (aka Runzelstirn & Gurgelstøck) was based on the exchange of tape recordings and ideas by mail; they were guided more by a shared sensibility regarding extreme music and art than by a similar musical style. The first result of this cooperation was released in 1995 on Eb.er’s own Swiss label, Schimpfluch, as a cassette titled “Clitoris Projectile Pump Action”. In 1998, they performed as …
Which is the more productive situation for improvisation: the shock of the first time encounter, unhindered by history or habit, or the long-term association and the evolution of more complex interactions? It's an unresolved, perhaps even undecidable, question. This recording brings together four improvisers together in a multi-layered situation which combines multiple permutations of the untried and the familiar. The four had never all played together before but the quartet contains various his…
'Murdúchann’: Where layered vocal transformations summon siren songs and sonic phantoms from within the source. The word ‘Murdúchann’ comes from a Middle Irish word evoking a siren-like being—a sea singer or mermaid. It derives from ‘muir’ (sea) and ‘dúchann’ (chant, song). The singing melodies said to hold sway over seamen were characteristic of the sirens of classical mythology—likely imported into Irish literature via Homer’s Odyssey.
"Over the past decade I have been working with a vast sour…
*300 copies limited edition* Berlin-based percussionist and vocalist Teresa Riemann presents Can I stare at you publicly?, a new collection of solo works for percussion and voice. The pieces are meticulously composed, while their origins lie in improvisation, and improvisation remains part of the way Riemann performs them. The compositions stay open, allowing her to interpret them differently each time and keeping the music in a state of movement rather than fixing it into a final form.
On “The …
*300 copies limited edition* Senderkennungen marks the first ever collaboration between Hamburg veterans of sound art Asmus Tietchens and Felix Kubin, whose friendship began in the early 1990ies. The double album collects 25 original „Senderkennungen“ and their artistic deformation and further processing. Long wave, mid wave, short wave and ultra short wave – long since disappeared radio waves in forgotten ethers, where lost souls linger on a quest for a music that so far did not exist and essen…