Baby Ghost
»Baby Ghost« is the debut album by double bassist and vocalist Jordan Sand. Released through Hallow Ground, it blurs the lines between different genres and modes of expressions, improvisation and composition and showcases the unique playing style the composer has developed. Sand blends her voice with the bowed harmonics and subharmonics of her double bass. At once conceptually rigorous and musically open-ended, Sand’s wordless meditations on death and what comes after are both visceral and explo…
Figures
*50 copies limited edition* Paul Sakai identifies as a cultural nomad, existing between cultural and physical spaces. Born in the United States, they are a yonsei Japanese American raised as part of the international community in Southeast Asia as a Third Culture Kid. Their work is an act of grounding – a practice of connecting their present body to place, people, and cultural histories. Their project, Roy Kiyo, is an extension of this practice. Works under this project are broadly catalogued as…
See Seven States
Poem by Alea Coble (February 2026) - Written for Andrew Weathers, Chattonooga Recording Project. Listen to my story and everything will come out true. - Bessie Smith.
Three Movements from “Some Kind of Seasoning”
We are proud to release Three Movements from “Some Kind of Seasoning” by the eminent Warren Burt: composer (and performer, writer, instrument builder, educator) of genius. Burt was born in 1949 in the USA, and moved to Australia in 1975. Throughout his long and inspired career, his expansive aesthetic has eagerly embraced microtonality, improvisation and technology, fusing these elements in often humorous and/or irreverent compositions based on live interaction with intelligent or semi-intellige…
Free Jazz Dell’Inferno (No Self, No Swing, No Jazz)
Úgjü is a sound reflexes. A guttural protosonic babble or screech. The first phase of language acquisition among humans. Úgju, is a powerfull “Name" from something like a deity in that secret universal spoken language in the first months of life by all the newborns of the world; a protolanguage that transfers all the ancestral codes together with our DNA ... like a biologic operating system installation. So “Úgjü” is the beginning, and “Sectas” (in the sense of all religions) that destroyed…
If I'm Not A Woman Why Do I Ache Like One
If I'm Not A Woman Why Do I Ache Like One is performed using a Roland FP-30 digital piano and a pedal board. The title relates to my experience of being on the receiving end of misogyny as a gender fluid, transmasc person. I always feel a level of gender dysphoria whenever I am perceived as a woman, but when that perception is paired with misogyny it adds a whole other layer of anger and ache. Being told I am less than because someone perceives me as female not only makes me feel dysphoric, it a…
Azoth : Music For The Pyramis Harp
The trio Bolt Of Void reveals signals that arrive across warped space-time. Their alchemical soundings glide through ancient forms, pulling the listener in and out of a lucid state of being. It is in this arc of descending and ascending motion that spirit is congealed from the fog of nothingness. Through a hypnogogic portal the ear is met with something intimately close and delicate, and also evading perception along a distant horizon, heard but unconfined. Sound in its ability to be perceived a…
Nothing's Gonna Hurt You
Quietly intense and deeply atmospheric, Nothing’s Gonna Hurt You unfolds through fragile textures and a persistent sense of tension. Torstensen’s music occupies the space between intimacy and distance, creating an immersive listening experience that feels both carefully composed and instinctive.
Burning Song
Kali Malone's first solo album since All Life Long, recorded over two nights on the Bach Organ of Leipzig's Thomaskirche with Lucy Railton and Stephen O'Malley. Seven pieces that abandon canon form for a slower, more intuitive unfolding of chords, steps and bridging tones.
luvt
Lmited to 150 units Annie Bloch’s luvt is a quiet reorientation of the organ: away from its monumental image and ritualised spaces, towards the delicate mechanics of touch, air and friction. Across seven compositions marking her debut on OOH-sounds, the Cologne based organist and composer turns to the chest organ, a small and mobile counterpart to its larger relative, traditionally used to accompany Baroque music. On luvt, Bloch limits herself to just three stops of wooden pipes, using the instr…
The Sentence
*2026 stock* Zach Cooper weaves recordings with the Vermont Contemporary Music Ensemble, high school demos, solo compositions and eraserhead-less tape experiments into the shining fabric of The Sentence. A debut album brimming with many talents and tales, The Sentence is atemporal, a divining of Cooper’s personal history to map his musical travels through formative years in New York state, his studies and collaborations within the University of Vermont’s music theory and composition department, …
Music To Make Your Body Suffer
*2026 stock* Polish drummer and composer Tomek Chołoniewski presents Music To Make Your Body Suffer, a visceral and uncompromising album that treats percussion not simply as rhythm, but as a force capable of transforming the entire body. Raw, intense, and deeply physical, the record explores the boundaries between composition and improvisation, control and release, structure and collapse. In Chołoniewski’s hands, the drum kit becomes a laboratory of sound: an instrument of impact, resistance, re…
Magnetic Traces : A Survey Of French And Australian Sound Art
2009 release ** A broad survey of 14 recent pieces curated by Eric la Casa and Philip Samartzis for Project Space in Melbourne. High definition, highly processed sounds, mostly of environmental origin but made highly abstract and hyperreal. A useful snapshot. Featuring: Thomas Tilly, Tarab, Marc Baron , Anthea Caddy & Thembi Soddell, Jean-Luc Guionnet, Lizzie Pogson, Cédric Peyronnet, Philip Samartzis, Loïc Blairon, Camilla Hannan, Eric La Casa, Geoff Robinson.
Arsenije Jovanović
1994 release ** Serbian composer born 1932 in Belgrade, Serbia, now living in Croatia, Arsenije Jovanović has been active as a theatre director and stage director for Belgrade and ex-Yougoslavia theaters since the 1970s. He additionaly composes music for theater, film and radio. His works for radio earned him many international prizes. Spanning his entire carreer as a sound composer, this CD offers nonetheless an impressive style and quality consistency. He creates his music from organic sounds …
Hidden Hour
On Hidden Hour, marine eyes preserves eighteen moments of dawn, dusk and chosen solitude in a full hour of luminous ambient drift. Cynthia Bernard’s guitars, lap steel, soft synths and field recordings turn nearby forests, coastlines and mountains into slow-moving emotional maps - music for stepping outside routine and hearing time soften.
Stiltje
An album consisting of four magically shimmering instrumental works. Moreover, both the album and its sleeve are more or less transparent—in other words, the especially perceptive music lover can truly see the light through the sound.
AO is still a well-kept secret from Gothenburg: a new name from the Swedish underground, yet with long tentacles reaching back through the ages. AO creates an intelligently playful and playful music, with many dizzying points of entry, winding rooms, and smiling ex…
Electric Weasel Ensemble
Tip! Shifting continuously between minimalistic patterns, intricate soundscapes, and evolving textures of overlapping electronic sonorities, The Electric Weasel Ensemble presents a missing link in the history of electronic music. It is a series of previously unreleased live recordings from a little-known but trailblazingensemble of improvisers—equipped with a unique embrace of invented instruments and distinctly 1970s avant-garde sensibilities. This historic music is available on both double LP …
Swerve Of Shore
Composed, Performed, Recorded By Mark E Kaylor. Instrumentation includes : analog drum machine, drums/percussion, piano, vibraphone, c tenor sax, c & Bb soprano sax, trombone, tuba, tenor guitar, electric guitar, analog oscillator, bass clarinet, tenor recorder
Arid Parallel
*2026 stock* "When two desert ecosystems collide, the arid terrain blossoms with thriving biological and geological diversity, generating the feeling of existing in two superimposed universes at once. It is deeply appropriate that Cecyl Ruehlen and Derek Monypeny–living, respectively, in the Sonoran and Mojave deserts–would meet at High Desert Soundings festival in Wonder Valley, CA, not far from where those vast southwestern deserts converge. This fated introduction, along with the duo’s shared…
Beside
2026 stock "A vibraphone, a snare drum, a knitting needle, a cymbal, and a marimba compose five flickering points: stars at the threshold between perceptibility and deep space. The constellation they form shimmers dully, its design clearly painterly, but out of grasp. I stand on the outskirts of a large city, trying to keep them all in view. But, I just can’t make out anything. So instead, I fix myself to a singular point of the five. My eyes strain and tremor as I gaze at one star amongst trill…