Experimental / All styles

2026 stock Forgetting You Is Like Breathing Water, the self-titled debut from the duo of trumpeter Will Evans and guitarist, synthesist, producer and multi-instrumentalist Theo Trump, arrives like a vault revelation. It feels like a decades-old yet newly unearthed masterwork of gorgeous ambient improvisation, the sort of thing scholars live to research and shepherd into deluxe reissue. The patient, crystalline chords that swell and resonate like a series of confessions; the textured brass murmur…

Tip! “Logrende tunger” documents the first meeting between accordionist Kalle Moberg and saxophonist Kei Matsumaru — both extraordinary instrumentalists who pay great attention to the purely sonic qualities of their instruments, but also share a profoundly complimentary understanding of harmony and form. The duo was introduced by mutual friend and colleague Jim O’Rourke, whose inner ear suggested that the two might create something special together. And indeed, the recording O’Rourke made of the…

The work of Jorge Eduardo Eielson (Lima 1924 - Milán 2006) in the fields of visual and sound poetry has been conspicuously absent from the international anthologies pertaining to these disciplines. One of the reasons of this absence may be the limited circulation of this side of his broad and complex output as a poet and visual artist. In the past few years, though, this aspect of his work has become better known, and can now be seen, in its own right, as a valuable contribution to the developme…

The first album under the Mnemonists name, released in 1980 in 500 copies on the Colorado collective's own Dys label: 22 'Fragments' of improvisation between modern classical, noise, industrial and free jazz, by the circle that became Biota. Reissued on CD by Klanggalerie.

Temporary special price. The 1991 Mute/Grey Area CD of the second Throbbing Gristle album (1978), one of the fundaments of Industrial music, with two bonus tracks.

Tip! Objetos Musicais is a collection of 13 sound pieces created by artists from South America and Switzerland, who work in an intermediate zone among the craft of luthiers, visual arts and experimental music. Their works evoke the visionary ideas of Walter Smetak, a Swiss composer who lived in Salvador, Bahia (Brazil). Smetak was a pioneer of musical experimentation in that country and developed, in the 60s and 70s, a musical poetics that was captured in two seminal albums, Smetak (1974) and In…

Black Truffle is pleased to announce Down On Darkened Meetings, the first solo release on the label from the quietly prolific Giuseppe Ielasi. Recorded at Ielasi’s studio in Monza outside of Milan over two days in February 2022, the seven pieces presented here continue the renewed exploration of the guitar that marks much of his solo work over the last few years. Emerging in the late 1990s as an improviser working primarily with prepared acoustic and electric guitars, the instrument became less …

Errands is the first duo recording from Marja Ahti, Swedish-Finnish sound artist and electroacoustic composer, and John McCowen, a native of Southern Illinois, now residing in Iceland, whose work centres on a radical exploration of clarinet multiphonics. Working without the aid of electronics, McCowen has spent years finessing performance techniques that allow him to layer beating patterns and split tones that belie their source in a monophonic instrument. Ahti, in contrast, has built up a stunn…

Each composition on Padesip, the debut project from Brussels-based electronic artist Gijs Milius, splices together disparate ways of seeing and hearing. Though most of the songs are between 2 and 3 minutes long, they feel rich, embodied, and surprising, full of left turns and tiny moments of tension that you want to comb through the composition to hear again. Listening to these curious and tactile compositions feels a bit like using a viewfinder toy to flip between images of lakes, canyons, and …

*200 copies limited edition* For more than three decades, Germany’s drone ambient pioneers Troum have explored the liminal zones between sound and sensation, shaping immersive sonic environments that dissolve boundaries between ritual, memory, and matter. Emerging from the industrial-ambient underground of the 1990s, Troum have remained devoted to a singular artistic intent: to create transformative listening experiences, dense with atmosphere and charged with inner movement, where sound becomes…

*200 copies limited edition* Rootless is Andy Guthrie’s fourth album for Students of Decay, following 2022’s Gyropedie. Created in part during a 2024 residency at the Headlands Center for the Arts, it finds the San Francisco-based multi-instrumentalist expanding the hermetic electroacoustic language of their earlier work into something even more open-ended and oneiric. Field recordings mingle with French horn, piano, electronics and, increasingly, the human voice, forming environments whose fami…

Guitar solos by Shin'ichi Isohata and six duets with Otomo Yoshihide, electric and acoustic, 24 tracks recorded in Osaka in early 2013. Jigen Production.

Guatemalan cellist and singer Mabe Fratti meets guitarist Bill Orcutt: songs built from Orcutt's solo guitar sketches, cello and voice, recorded between Mexico City and San Francisco. CD edition on Unheard of Hope.

Split release on Minotauro: Thomas Hand Chaste's Insetti, where progressive rock atmospheres meet dark minimal ambient and dirty industrial sounds, paired with Felis Catus's Cartesius. Seventeen tracks in all.

Bogotá based Tropical futurists Rizomagic unveil their interplanetary mission to combine futurist technology with cosmic patterns, traditional rhythms and the woozy manipulations of pitched-down Cumbia Rebajada. Rizomagic are Edgar Marún and Diego Manrique, who met in 2020 while studying double bass and composition (respectively) at university in their hometown of Bogota. After finding a shared musical taste, they started producing music together during the first lockdown, swiftly producing and …

Liz Harris, aka Grouper, collects two scores for short films about water by Tanja Engelberts and Takashi Makino: two long pieces of Mellotron, tape loops, Wurlitzer and field recordings. On Kranky.

The Return of Sai Yoshiko! At first glance, the partnership between Jojo Hiroshige and Yoshiko Sai seems implausible. After all, what could the King of Noise and the mystical folk singer have in common? Released in 2001, and marking the first musical work from Sai in over two decades, Crimson Voyage is dark swirling ambience, a spirited improvisation between a master of dark noise, and one of Japan’s most underrated singers. Sai’s voice, still as exhilarating as it was during Mangekyo, bursts fo…

There's a moment, early in Two Lonely Space Pilots, when time seems to stop. Not pause - stop. The saxophone sustains a note that hovers somewhere between breath and pure tone, while scattered percussion marks territory in the emptiness like footprints on an unexplored planet. This isn't background music. This is Hekura - a Barcelona-based duo who've spent years learning how to make silence speak and stillness move. Ernest Pipó and Edu Pons met during their jazz studies at Taller de Músics in Ba…

I started to think about the verb 'superimpose' and the implications this verb has in moments of intense work in dialogue with another and how ideas overlap. I also think about that moment when you feel you don't know anything and you are soft like jello and any fork can go through you. And ideas change and grow on that soft spot where there's a question mark. Feeling like you don't know makes you softFeeling like you don't know makes you confusedMaybe feeling like you don't know will transform …

Brian Pyle and Merrick McKinlay's Humboldt County duo returns to Discrepant with seven ritual pieces of voices, violins, flutes, synths, drums, bells and field recordings: end-time visions for the unquiet spirit.

The Swiss trio's new double LP turns from brutal, linear minimalism to slowness and immersion: four long pieces of guitar, bass and drums recorded almost entirely live, with a drum machine for the first time. On Cuneiform.

Blck vinyl. Current 93's first and last album, Nature Unveiled dragged together my obsessions, as I had decided to make a pop album that dealt with my primary fascinations: Christian apocalyptic and eschatological Christian texts. In my speed-ridden soul and mind, I thought I was reinventing The Ronettes, and that the two long sides of Nature Unveiled were A- and B-sides of a wall of soundhogs HIT! But the reality is that I was sharing a squat in Vauxhall with little annie anxiety, and hanging o…

Black vinyl. Reeling in the weeks -- which felt like years -- after my first Current 93 album, I had started on the difficult second C93 album, Dogs Blood Rising. Having been asked to appear on both Top Of The Pops and The Old Grey Whistle Test 93 times in the same week after the release of Nature Unveiled, I realized that God was telling me that I had hit on a winning formula of Christian eschatology and Apocalyptic Christian texts over a Soundscape as cool as flies, but that I was missing the …

One of the wildest albums that British reedman Lol Coxhill ever played on – and that's really saying a lot, as he's played on a heck of a lot of wild albums! The set's done with a Japanese group, and it's got an insane mix of improvised jazz and post-punk energy – Lol's work on soprano sax mixing with guitar, drums, and percussion – often used in different combinations from track to track – sometimes very free, sometimes with more of a song structure, and vocals from singer Eiichi Tsutaki in Jap…

The producer of Sunn O))) and co-composer of the Mandy score makes his own 'science fiction music' from a Philip K. Dick lecture, with Jim Jarmusch, Cyro Baptista and Charmaine Lee.

Tokyo tap dancer and metal percussionist Reona on a wooden platform with bells, bowls, chains, signboards and a loudspeaker; produced by Randall Dunn, with Atsuo of Boris on one track.

Oren Ambarchi alone with the guitar: two sides, two single takes with almost no effects, recorded to tape at Studio Dede in Tokyo and produced by Randall Dunn.

William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.

Experimental electronic music made entirely from processed recordings of Brazilian stingless bees, by the artist and researcher João Machado, whose bee recordings are held by the British Library.

Faith Coloccia's unadorned voice over Tashi Dorji's glacial, howling guitar, with piano, organ and tubular bells: songs about land, property and loss, recorded between Anacortes and Asheville.

Vanishing Twin's new album pieces together daily recording sessions swapped between rural France and London: a playful collage of postmodern songcraft where the trio trade instruments and roles.

Clawhammer banjo meets synthesizers, loops and pedal steel: Allison de Groot and Nashville's Rich Ruth turn a planned solo record into a shared album of cosmic, tender instrumental music.

New Zealand sound artist Rachel Shearer listens to the Earth through Māori and Western practice: field recordings, electronics and voice on her first full album, a deluxe 45 RPM gatefold from Thin Wrist.

This is based on the soundtrack of an audio video installation and basically has been constructed from field recordings of various locations around the city of Cologne. The theme is an exploration of space and acoustics with sounds of background noise mixed with new electronic sounds. It's fairly sparse and minimal and at various points I can hear the sound of my typing drowning out the record. There are certainly some interesting sounds though once things get going, particularly on side …

2007 release ** "A completely remixed/reworked version of the first Mimir album which was originally recorded between 1989/'90 and released in 1991: Edward Ka-spel, Andreas Martin, Silverman and Christoph Heemann concentrate on a variety of analog synths and Krautrock guitars: '...immediately after he caught sight of the lights marking the town, he pressed the ejection button and felt himself flung upward with a greater violence than he had expected. For a moment he was enveloped in darkness; th…

Sun Araw released Rock Sutra, via Sun Ark, his Drag City sub-label. Cameron Stallones' latest LP consists of four long tracks. "The music is offered in a spirit of generosity and adventure," he says, "It doesn't stay put, and it keeps zooming in to reveal more and more. This is so you can zoom in and experience 'feeling-without-articulating' for yourself, which is better than reading about it here." Rock Sutra is the first album Stallones recorded live-to-MIDI with his band, which consists of Jo…

**CD edition** With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pet…

"Orton Socket is mainly comprised of main-man and mouthpiece Rob Mazurek, known for blowing horns (as well as eardrums and minds etcetera) on a variety of efforts by Stereolab, Isotope 217, his own Chicago Underground Duo, and some other folks you probably have’nt heard of. Plus Rob's done a series of records under his own name. See, he's been a spotlight kid for years now. But for 99 Explosions, Rob has reemerged incognito, armed with synthesizer and powerbook, wearing the shimmering cloak of O…

Huge Tip! In the Merry Month of May is the final studio recording of the late, great Tony Conrad, and the first duo release with Jennifer Walshe, one of Conrad’s most important collaborators in the final decade of his life. Befitting these two absurdly gifted hell-raisers, this is a wild, improvisatory flaying of song, with Walshe’s clarion voice at the heart of the enterprise. The sheer sonic force of opener “In the Merry Month of May” recalls the ecstatic charge of Conrad’s Slapping Pythagoras…

The first duo performance between David Grubbs and Manuel Mota, the mysterious Portguese guitar legend; a real-time, documentary feel in which athematic, non-repeating musical gestures are rendered with an extreme sensitivity to microscopic soundworlds brought about by fingertips, strings, and tube amplifiers."Smoky seance of barely there strums and possible psychokinesis, ideal for fans of Loren Connors..." Boomkat