Experimental / All styles

Tokyo tap dancer and metal percussionist Reona on a wooden platform with bells, bowls, chains, signboards and a loudspeaker; produced by Randall Dunn, with Atsuo of Boris on one track.

Oren Ambarchi alone with the guitar: two sides, two single takes with almost no effects, recorded to tape at Studio Dede in Tokyo and produced by Randall Dunn.

William Basinski's first new album in six years: a single 40-minute piece for solo piano and subtle electronics, inspired by a past-life regression practice and by Morton Feldman.

Experimental electronic music made entirely from processed recordings of Brazilian stingless bees, by the artist and researcher João Machado, whose bee recordings are held by the British Library.

Faith Coloccia's unadorned voice over Tashi Dorji's glacial, howling guitar, with piano, organ and tubular bells: songs about land, property and loss, recorded between Anacortes and Asheville.

Vanishing Twin's new album pieces together daily recording sessions swapped between rural France and London: a playful collage of postmodern songcraft where the trio trade instruments and roles.

Clawhammer banjo meets synthesizers, loops and pedal steel: Allison de Groot and Nashville's Rich Ruth turn a planned solo record into a shared album of cosmic, tender instrumental music.

New Zealand sound artist Rachel Shearer listens to the Earth through Māori and Western practice: field recordings, electronics and voice on her first full album, a deluxe 45 RPM gatefold from Thin Wrist.

This is based on the soundtrack of an audio video installation and basically has been constructed from field recordings of various locations around the city of Cologne. The theme is an exploration of space and acoustics with sounds of background noise mixed with new electronic sounds. It's fairly sparse and minimal and at various points I can hear the sound of my typing drowning out the record. There are certainly some interesting sounds though once things get going, particularly on side …

2007 release ** "A completely remixed/reworked version of the first Mimir album which was originally recorded between 1989/'90 and released in 1991: Edward Ka-spel, Andreas Martin, Silverman and Christoph Heemann concentrate on a variety of analog synths and Krautrock guitars: '...immediately after he caught sight of the lights marking the town, he pressed the ejection button and felt himself flung upward with a greater violence than he had expected. For a moment he was enveloped in darkness; th…

Sun Araw released Rock Sutra, via Sun Ark, his Drag City sub-label. Cameron Stallones' latest LP consists of four long tracks. "The music is offered in a spirit of generosity and adventure," he says, "It doesn't stay put, and it keeps zooming in to reveal more and more. This is so you can zoom in and experience 'feeling-without-articulating' for yourself, which is better than reading about it here." Rock Sutra is the first album Stallones recorded live-to-MIDI with his band, which consists of Jo…

**CD edition** With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pet…

"Orton Socket is mainly comprised of main-man and mouthpiece Rob Mazurek, known for blowing horns (as well as eardrums and minds etcetera) on a variety of efforts by Stereolab, Isotope 217, his own Chicago Underground Duo, and some other folks you probably have’nt heard of. Plus Rob's done a series of records under his own name. See, he's been a spotlight kid for years now. But for 99 Explosions, Rob has reemerged incognito, armed with synthesizer and powerbook, wearing the shimmering cloak of O…

Huge Tip! In the Merry Month of May is the final studio recording of the late, great Tony Conrad, and the first duo release with Jennifer Walshe, one of Conrad’s most important collaborators in the final decade of his life. Befitting these two absurdly gifted hell-raisers, this is a wild, improvisatory flaying of song, with Walshe’s clarion voice at the heart of the enterprise. The sheer sonic force of opener “In the Merry Month of May” recalls the ecstatic charge of Conrad’s Slapping Pythagoras…

The first duo performance between David Grubbs and Manuel Mota, the mysterious Portguese guitar legend; a real-time, documentary feel in which athematic, non-repeating musical gestures are rendered with an extreme sensitivity to microscopic soundworlds brought about by fingertips, strings, and tube amplifiers."Smoky seance of barely there strums and possible psychokinesis, ideal for fans of Loren Connors..." Boomkat

Dust & Mirrors’ is the second full-length album by the trio of Andrea Belfi (drums, percussion, electronics), David Grubbs (electric guitar, piano, voice), and Stefano Pilia (electric guitar). It follows 2010’s ‘Onrushing Cloud’ LP and finds the trio confidently taking stabs in a number of opposed directions. It dramatically widens the terrain in which the group operates. Between albums, the three musicians worked together on David Grubbs’s 2013 album ‘The Plain Where The Palace Stood’, and took…

David's debut on vinyl as a solo guitar improviser. Unhurried probing through spare themes for electric guitar and nylon-string acoustic. "Strange to say, but Borough of Broken Umbrellas is David Grubbs's first record of solo guitar improvisations, a profoundly unhurried probing (sometimes worrying, like a tongue and a tooth) of a handful of gorgeously spare themes. It divides its sides between two long (c. 12') tracks for electric guitar and nylon-string guitar. Comparisons are unnecessary…

*Dense drones embedded with stuttering, spitted fragments of poetry. very abstract and oblique but engaging.* "The third collaboration from poet Howe and musician Grubbs. A soundworld that germinates wildly from this most multiple and heterogenous of Howe's poems. Real-performance of the fragment-strewn text is subject to Grubbs' further deformations, scattering and layerings."Frolic Architecture is the third collaboration from poet Susan Howe and musician David Grubbs. It follows Souls of the …

Impro-Micro-Acoustique is a meeting across generations and genre. Composer Luc Ferrari, one of the progenitors of musique concrete and a pioneer of electroacoustic music, has previously written scores for improvising musicians. (One of these, 'Tautologos 3' -- in an explosive 1970 performance by Konstantin Simonovitch's ensemble -- appears on an earlier Blue Chopsticks release.) But prior to Impro-Micro-Acoustique, Ferrari himself had never played the role of an improviser. Several years ago, Fe…

What might appear to be the most unlikely collaboration of 2024 proves also to be one of the most invigorating listens of the year! Shackleton & Six Organs of Admittance are in full aural/metaphysical alignment in their mutual effort to become Jinxed by Being. On first listen, it becomes immediately clear that this fusion of Shackleton's bass-heavy cosmic dread and Six Organs' ritual folksong makes total sense. Longtime listeners know that both Shackleton and Six Organs of Admittance have been u…

Tip! Early acoustic guitar improv performances from the Bhutanese expat, who’d come to Asheville, NC to study in 2000 and discovered worlds of anarcho-punk and avant garde such as he’d only dreamed. Having made recordings of his newly-located improvisational conception, he intuited a desire to go deeper in his explorations of the recorded sound of the guitar, melding and colliding traditional music with his feeling for the range of textures within.

Master of myriad styles, Sir Rick Bishop takes in baroque, flamenco, surf, and harder to place fusions of phantasmagoric sound design, Gaelic folk and Indian Raga, and more lysergic expression in this bounty of a new album. Five years after Tangier Sessions, Sir Richard Bishop, we presume, is back from his travels around the world. With Oneiric Formulary, he’s dug deeper into his bag of extra-musical gestures from the eternal and unknowable, along with a few sounds we might recognize, all transm…

New Hexadic music from outside our native understanding of ti me and space! Features underground masters of sound Moon Duo, Richard Youngs, Meg Baird & Charlie Saufley, Tashi Dorji, Jenks Miller, Phil Legard, and Stephen O'Malley, Tim Wyskida & Marc Urselli.

"The tone of the guitar and Sir Richard's gentle, loving touch with it hold forth from the first moment of Tangier Sessions, sitting clear and true in the home-recorded night air above the city. The album sequence is the precise order of the songs as they were conceived and recorded. Rick's all over the neck in the early going while sorting through the dynamics of the instrument -- in fact, guitarophiles, the first couple of songs feature Sir Richard Bishop playing without a plectrum for the fir…

Drag City drops the sixth and latest David Grubbs pop album, The Plain Where the Palace Stood, which finds David once again twining together the diverse strands of his vast interests. Working with Andrea Belfi (drums, electronics) and Stefano Pilia (guitar) - plus Attila Faravelli on electronics - creates a sympathetic groupthink that David expects more and greater from in the years to come. The welcome return of his distinctive overdriven guitar tone is a highlight of the record. And C. S…

Cosmic, heavy amplified rock drops and ripples, auras radiate and expand into cloud forms, through which lightning bolts. Tides rise, the moons wax upon a place somewhere between Link Wray, Hex-era Earth and early Tangerine Dream. The echoes return, leaving a trail that blows and drifts, creating a separate piece. Ensemble Pearl are Atsuo, William Herzog, Michio Kurihara and Stephen O'Malley. Their debut album also features the elemental forces of Eyvind Kang and Timba Harris. These playe…

Stop right there, hands in the air! If you want to know what Magik Markers think is good for you, you'll Surrender to the Fantasy. For this long-desired alpus, they've been working in threes and stuff. Triangles. The hermetic trifecta of knowledge, Christ and the two thieves, Alvin and the Chipmunks, and the original tagline of the Markers' symbol: '3 down, no to go.' Meaning, these three get it and literally no one else needs to, 'cept the record-buying public, tra la la, ha ha ha ha. STTF (nev…

Ben Chasny has spent many years at this point perfecting his very personal vision of the American landscape. With his early LPs he managed to grab a groundswell of support for his distinctly lo-fi recordings, and since hitting the Drag City label with the breathtaking 'School of Flower' he has managed to extend his vision to countless others. 'Asleep on the Floodplain' continues his exploration, and while it doesn't change up the formula too much (apart from the odd analogue synth blurt here and…

"When witch-gods collide, it might sound something like this. Six Organs of Admittance...Richard Bishop...Chris Corsano. Riders of the apocalypse, it's them vs. us. After absorbing their über-holy dynamo, you'll be prepared to join up with these wraiths, making it all of us against...well, whomever's fool enough to stand in our way. To evil! Rangda's been building up behind the scenes for some time now. As label mates and members of an exclusive mutual admiration society, Sir Rick …

A beautiful acoustic-based record featuring careful, melancholy arrangements in the tradition set by his famous previous record - but with a few unpredictable musical touches. Seconds weaves black threads of lyrical reflection into its sleeve in the short-lived Higgins tradition. His was never a hippie-dippy perspective - back in the day, his songs featured a thoughtful, but worldweary, occasionally even paranoid perspective. Accompanied by his fellow travelers (including a couple Red Hash playe…

Classic proto-punk from 1970s Detroit. Raw with little polish, the record showcases the organic power relationships within the trio of brothers. The Hackneys were first influenced by soul & funk music but it all changed when they saw Iggy and the Stooges. Inspired by The Who, Alice Cooper & Led Zeppelin; the brothers finally see their first full length release, remastered & ready for the world to hear.

“Ridges and creases / high on the middle forehead / The right temple near the eyebrow / A small ridge under the right eye / The right side of the tip of the nose / The opening of the right nostril / The middle lower lip / The inner ear of the right ear.” Can you tell who it is yet? It’s George W. Bush, of course, or at least part of his head, as seen (or rather heard) in the second of five “American portraits” in words and music by legendary experimental rock outfit the Red Krayola, in collabora…

; printed innersleeve with lyrics. Before Balf Quarry landed on my desk, I figured the dirtiest thing in Connecticut was Chris Dodd's browser history. Not so. Among other things — like guitar tones that buzz around like contact-high June bugs, Elisa Ambrogio's slack vocals wavering between coy calls and willfully distant snarls, and a production value so low and dense you feel you're listening to them from the dining room above their rehearsal space — Hartford natives the Magik Markers are one o…

Blow UP record of the month "A step into the void' is how David Grubbs describes An Optimist Notes The Dusk, his first solo album since 2004's A Guess At The Riddle. Much the same way that each of Gastr del Sol's albums sought to avoid precedent and to model a world in which nothing should be taken for granted, An Optimist Notes The Dusk steps into the void. Nothing necessitates -- it's all built from the ground up, and at each step of the way it could have been built differently. David Grubbs' …

Oh, the difference an "o" makes. While Fingerpainting spoke of creation, Fingerpointing jabs you in the eye. These are Jim O'Rourke's alternate mixes, made from the same "paint" as the original release, but the colors are a different shade. 2008 release. "Free form freak out is dead! Long live free form freak out! Sounds are building blocks, say The Red Krayola, again and, now, again. '60s The Red Krayola began recording because posterity asked for it. Today, they proffer their latest sensat…

Face-shredding, spine-melting - these are all just clichés next to the jams found within this humble packaging. Jim O'Rourke, Darin Gray and Chris Corsano may not even exist anymore, judging from the cataclysms to be heard here.

With the entirely new music statement, Sighs Trapped by Liars, The Red Krayola renew their association with conceptual artists, Art & Language. Beginning in 1973, their collaboration includes the video projects 'Nine Gross and Conspicuous Errors,' and 'Struggle in New York,' as well as the much-acclaimed and decried music releases, Corrected Slogans, Kangaroo?, and Black Snakes. Thirty years has mellowed the various parties not at all. The faint-hearted might want to swallow something calming be…

Three albums into his solo adventure, David has clearly learned how to make records work as records, filling them start to finish with entertainment, moments, insight. Rickets & Scurvy is a very complete, start-to-finish kind of beast. The songs kick ass, rocking harder than David's songs have in ages. The process goes further as a result. Rickets & Scurvy's best moments are presented with disarming directness, an ability to plunge to great depth, with abandon.

David Grubbs' first pop proper solo LP. There's a proud equilibrium to The Thicket. The arrangements are consistent (and consistently colorful) throughout the record. When you first hear a banjo or a trumpet or a Tony Conrad, you can bet your bottom dollar that you'll hear it again. Thus, the record is purged of exoticisms. The Thicket is many things, and elusive is not among them. It's a straight-40-to-the-head album of pop sonic lucidity.

Released 1999 from Mayo Thompson & crew, this recording feat. unreleased songs from the distant days of 1966. The 90s RED KRAYOLA group then shuffles these ancient pre-Parable Red Crayola songs w/ the sounds of neo-freakouts, live on the world's stage - free, familiar & ugly, for new generations to come. Feat. both the latter day Krayola & the original Red Crayola, from 30 yrs back, bringing it all full circle & thus allowing another circle to be formed as soon as possible.