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1978 re-issue on Tapioca of one of the masterpieces originally on Pôle Records (Besombes/Rizet, Henri Roger, Pataphonie, Mahogany Brain, Verto... all on the NWW list), a beautiful otherworldly album of cosmic electronic folk and pulsing synthesizer soundscapes from 1975.
On Strange City, Merzbow drags Sun Ra’s archival fire through a bank of howling electronics, turning rare Saturnian jazz fragments into towering, cosmic noise storms where horn blasts, rhythms and feedback fuse into a single, irradiated signal.
Very rare original edition on Celluloid of the third album from 1984 by of the most original and unclassifiable musicians of French experimental music, an unsettling masterpiece of musique concrète, sound poetry and experimental folk. NWW list.
1998 EP on Syntactic released in an edition of 100 numbered copies in silk-screened black PVC sleeve with edited versions of tracks from the CD re-issue of the 1980 LP.
Rare 2015 one-sided LP on Holidays Records with a single long 1996 piece by of the most original and unclassifiable musicians of French experimental music, released in an edition of 200 hand-numbered and personalised copies not-for-sale.
Do you remember when albums used to be fourteen tracks long, with clear song structures and a sense of narrative development? No? Neither do we. And that is exactly why Artetetra is thrilled to welcome Orange Car Crash in their roster with their new album Fake Man. Shaped by years of circulation across psych, jazz, punk, and experimental scenes, featuring collaborations with projects like Lay Llamas, Mamuthones and Snüff, Andrea Davì’s Orange Car Crash operates less as a solo project and more as…
Invited in September 2011 by sound engineer Philippe Teissier du Cros, double bassist Bruno Chevillon spent two days improvising alone in the Lutheran Protestant Church of Bon Secours in Paris. The building is as much a protagonist as the player — its acoustics shaping every bow stroke, every silence.
Twelve tracks traverse extremes: commanding attacks that send sonorities boomeranging through the nave, hushed melodic arcs, raucous physical confrontations with the instrument's body, and the exis…
A solo improvisation and composition by Lionel Garcin (on soprano saxophone) inspired by listening to natural environments and built on exploring the harmonic possibilities of the instrument.
On Elyria Sound, Michael A. Muller reduces his language to one guitar, one room, one storm‑lit reel of tape, turning newly invented tunings into a hushed cycle of lullabies and laments that hold both the comfort of home and the certainty of its passing.
On Voice, Sofia Jernberg compresses a lifetime of radical vocal exploration into a stark solo document, treating the larynx as full‑spectrum instrument - from split tones and pitchless friction to fragile lyric shards that hang in charged silence.
On Io Pur Respiro, pianist Elias Stemeseder and bassist Thomas Morgan sculpt a live duo language where Gesualdo, 1930s standards and original pieces blur into a quietly radiant continuum, guided by an unerring sense of melody, space and equilibrium.
And I sing again. This time I won’t whisper, because this time it’s for you. I hear about you on the radio, and I’ve seen the pictures of the boss and his henchmen— Hatred and determination in their eyes. Their actions leave no doubt: to them, you are garbage. The history that came before echoes faintly. And here, routine carries on. On the radio, a broadcast of your silence. 'A Broadcast of Your Silence' came about almost by accident, after several failed attempts to write for solo do…
The protagonists of this album embrace the complexity, diversity, and innovative power of a musical tradition that, in this case, seeks dialogue with other languages, opening itself up to innovative music. On one side, we find the prepared Sardinian guitar, an alien instrument that has fascinated music critics from Europe and overseas; on the other, the guttural singing of the Tenore Murales, an expression of one of the most ancient polyvocalities in the Mediterranean, with similarities to Tuva …
With Dans-sons as we are, Audrey Lauro, Christian Pruvost and Peter Orins deliver an album shaped by subtle shifts, restrained tensions and slow transformations of sound matter. A music of listening as much as gesture, where each intervention seems to open a new space rather than occupy the previous one. Brought together through a shared practice of free improvisation, the three musicians develop a collective language that is both dense and constantly in motion. The trio never seeks spectacular …
*300 copies limited edition* More than twenty years of friendship haunt Vrhältnis, the new album by Antoine Chessex and Dave Phillips, out now on Coherent States and Krim Kram. Its source material reaches back twenty years, originating from live performances during a 2005 joint tour in Lausanne and Basel and a studio session recorded the same year at the Dynamo/Popkredit Studio in Zürich. Both sessions were then filed away, the recordings disappearing into the archive, untouched for nearly two d…
*70 copies limited edition* 'Baladas' was recorded in three days of live improvised sessions, in spring 2025. The selected takes materialize the transitory act of playing music, in a cassette. A trace on time, like a snail slime trail.
*75 copies limited edition* This release celebrates a wonderful night in Edinburgh in April 2024. However (as per usual) the Arttu Partinen set was not recorded so it has been replaced with another recent live recording. This one is from the Skanu Mezs festival in Riga. The whole thing is tied together with the graphic vision of young Oran Paton, from the original poster.
On side A, Artsy Records head honcho Arttu Partinen attempts to confound both your expectations & his own as he argues his ca…
Tip! *Dubbed on new ferro tapes* Fen Hollen takes a deep plunge into idiosyncratic samplelooping and poorly done reamping techniques. Small fragments of songs merging with chaotic instrumentals and weird microcassette malfunctions.
*Dubbed on new ferro tapes* A compilation of cassette-recordings made at a summer party, a childhood home and a sundrenched apartment. Musical generosities from a couple of good friends.
Originally released in 1977, Moondog In Europe was visionary composer Moondog’s first release after moving from NYC to Germany. Regarded as reflecting the historicity of his new environment, the album is more structured and formal than most of his previous releases; however, his layered song-cycles are just as circular and experimental, and still backed by a fair amount of tribal percussion.
“Viking I” opens the album with Moondog’s solo celesta playing and retains the quirk and charm of his pre…