Ensemble A
Ensemble A is a turbulent meeting of three fiercely individual improvisers - Ignaz Schick harnesses live electronics and turntables, Anaïs Tuerlinckx dismembers and reinvents the piano, and Joachim Zoepf twists reeds into guttural shapes. The result is a volatile sound collage, sometimes blunt-force, sometimes eerily restrained.
Oneiric
Oneiric evokes drifting memories and waking dreams - an album created by Jane in Ether where recorders, piano, and violin/voice entwine in gauzy, tactile improvisations. Their music moves in soft spirals, trading clarity for a haze of overlapping tones and near-silence, aching toward something just out of reach.
Howl
Howl by Daisy Rickman offers a luminous journey through Cornish and English folk, steeped in mythic sun worship, nocturnal dreamscapes, and meditative storytelling. Recorded and performed entirely by Rickman herself, this second album channels solitary creativity and multi-instrumental textures into ten radiant pieces where sun, memory, and spirit intertwine in slow-burning, ornamental songforms.
Xmas In March
2025 Stock. 300 copies. Jac Berrocal and David Fenech have been recording together for over a decade, a partnership that has produced albums with Ghédalia Tazartès (RIP) and Vincent Epplay, and led to performances alongside Felix Kubin, Jean-Hervé Peron, Jean Noel Cognard, and Thierry Müller (Illitch). Their work together occupies a distinct zone in French experimental music—playful without being frivolous, structured without being rigid, drawing equally from free jazz, musique concrète, and the…
Lightworks
2025 Stock. 300 copies. The Rock in Opposition movement that coalesced in late-1970s Europe - Henry Cow, Magma, Univers Zero, and the other founding members - established a template for how progressive rock could operate outside industry expectations. But RIO was never meant to be a museum piece. The tradition survives through mutation, through artists who understand its principles without replicating its surface.
Stop Motion Orchestra, based in Austin, Texas, represents one such mutation. Light…
Where to From
Where to From marks the much-anticipated solo return of Hildur Guðnadóttir, a composer-collaborator equally versed in spectral pop, avant-garde, and soundtrack work. Reaching beyond her acclaimed film and TV scores, Guðnadóttir crafts nine intimately reflective pieces for strings and choir—drawn from years of voice memos and melodic fragments—where minimalist restraint meets moments of luminous warmth. The album’s texture hovers between Scandinavian melancholy, sacred choral atmosphere, and a me…
Whistle and I'll Come To You
Whistle and I’ll Come To You by Death and Vanilla is an evanescent, cinematic dream-pop companion to the cult 1968 BBC ghost story film. Through shimmering synths, vibraphone, and spectral loops, the Malmö trio crafts an atmospheric journey where hauntology, vintage electronics, and melancholy motif intertwine, conjuring equal parts nostalgia and spectral unease.
Selected Works 1985-2005
Selected Works 1985-2005 by Gabrielle Roth & The Mirrors assembles eleven transformative pieces from two decades of percussive ambient innovation. This 2025 repress captures their hypnotic blend of ceremonial rhythm, improvisation and deeply spiritual overtones, threading together global traditions and ecstatic energy to create immersive soundscapes meant for both movement and contemplation.
Death in the Urban Jungle
Death in the Urban Jungle by Lance Austin Olsen is an expansive electroacoustic tapestry, weaving copper plate, shruti box, tape fragments, and wordless voice into a narrative of decay and emergence. Resonances and silences shape a listening experience as tactile as it is elusive.
Liminal Spaces
Liminal Spaces, by Ed Jones and Emil Karlsen, sketches a quiet but complex dialogue between saxophone and percussion. Their communication is fluid, as fleeting motifs and rhythmic fragments surface and dissolve, inviting the listener into the shifting boundaries of spontaneous improvisation.
Moon
Moon sees Simon Rose and Nicola Hein map a shifting terrain between breath and electricity. Baritone saxophone and microtonal guitar unfurl in subtle layers, crafting a microcosm where fragility and abrasion lie side by side, always moving, always searching.
The Duke of Wellington
The Duke of Wellington is a vivid portrait of Derek Bailey and John Stevens in spontaneous conversation, recorded live at a London pub in 1989. The set captures their dynamic synergy; jagged guitar and agile percussion interlock and diverge in an unrepeatable display of free improvisational skill.
Within (2) / Appearance (2)
Within (2) / Appearance (2) by Michael Pisaro-Liu presents a contemplative exploration of duration and silence, foregrounding gradual transformation. These extended works for guitar and double bass, created with Michael Francis Duch, reward patient listening and engage with resonance and subtlety over spectacle.
There Is A Sound
2025 stock »There Is A Sound« is a compilation of blissed-out psych-folk songs by Andersens, a Japanese independent pop group who were led by Tsuby, aka Kiyokazu Onozaki, and were active throughout the 00s. A lovely set of intimate revelations, with some widescreen, bold pop moments, dreamy guitars meeting brass, electronics and sitar, it’s really the first time listeners outside of Japan have had the chance to take in the full spread of Andersens and their gentle pop songs. Released on the heel…
Killer Brilliance
2025 stock “There's so much complexity in life and human emotion that I have a hard time feeling convinced a song is always either happy, sad, melancholic, angry or scared. I look at these emotions like elements that are constantly colliding with each other, so it's my duty as a songwriter to reflect that. I want to fall in and out of the cracks of genres, finding the nerves not yet hit. It's usually in the disturbing part of the spectrum…”
So says Joe Haege, who’s earned a reputation for unset…
Porch Music
Porch Music is a double album uniting Mitchell Brown (Gasp), Paul McCarthy, Joe Potts (Airway), Alex Stevens, and John Wiese (Sissy Spacek) from the Los Angeles Free Music Society, documenting the group's studio session at McCarthy’s studio and their inaugural live set from The Box gallery. Crafted from melting cinematic sounds, this release captures the ensemble's exploratory spirit with artwork by Ace Farren Ford.
Porch Music
Porch Music documents No Hope Orchestra, an ambitious large ensemble led by Paul McCarthy and featuring core members of the Los Angeles Free Music Society. Recorded live at The Box gallery concert in Los Angeles, the project harnesses a vivid assembly of improvisers—Mitchell Brown, Elaine Carey, Dennis Duck, Ace Farren Ford, Juan Gomez, Mike Gonzalez, Joseph Hammer, Keith Lubow, Nathaniel Mellors, Joe Potts, Rick Potts, Trevor Rounseville, Alex Stevens, Molly Tierney, and John Wiese. This releas…
Ex-Org
Ex-Org is the fourth album from Extended Organ, featuring Paul McCarthy, Fredrik Nilsen, Joe Potts, Tom Recchion, and Alex Stevens. Recorded in January 2018, the album documents two sessions: one as-performed and another “decomposed” by John Wiese. Here, Extended Organ conjures an unpredictable sonic environment - Joe Potts’s Chopped Optigan, McCarthy’s improvisational guitar and vocals, and a dense fabric of homemade and vintage instruments combine to create a powerful blend of immersive ambien…
Untitled
Tip! Tip! Tip! Florence-based composer Marco Baldini has quietly emerged as one of the most compelling voices in contemporary composition, and this cassette compilation for The Trilogy Tapes offers the perfect entry point into his world. Known for his stunning releases on Another Timbre – the chamber works of Maniera performed by Apartment House and the historically-engaged Vesperi – Baldini here curates a personal sonic journey that reveals his wide-ranging influences and aesthetic sensibilitie…
Le Grand Couturier
Le Grand Couturier debuts with a self-titled album that threads together imaginary exotica and daring contemporary experimentation. The trio crafts a distinctive palette of analog warmth, improvisational spirit, and whimsical elegance, resulting in a record that both intrigues and soothes with its lush arrangements and unpredictable textures.