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*2026 stock* "Emerging from the vibrant atmosphere of a Parisian summer during the 2024 Olympics, this eclectic ensemble came together spontaneously after a serendipitous home jam session on August 15. Featuring the diverse talents of Liza Parshina, Nikita Chepurnoy, Alisa Gvozdeva, and Anton Glebov, their debut album is a captivating blend of free jazz, folk traditions, and dub influences. With an array of instruments from various cultures, their sound is both intricate and improvisational, ref…
*150 copies limited edition* Circle Bros emerged during the late‑nineties wave of lo‑fi and dronerock, when Morc Records founder Wim Lecluyse first began shaping hazy, guitar‑driven soundscapes. Over the many years that followed, the project gradually started using a richer soundpallete, and shifted toward semi‑improvised, restrained songs that draw as much from minimal‑leaning songwriters as from artists who fearlessly approach the folk traditions. What has never changed is the core approach — …
'Weather Eye' marks the first recorded collaboration between Italian guitarist Francesca Naibo and American cellist Theresa Wong. This collection of improvisations reveals a dialogue of care as the duo uncovers delicate and unexpected sonorities of the electric guitar, cello and two voices. Francesca Naibo is an Italian guitarist who moves fluently across all the different conjugations of the guitar, from the classic, the electric, to the fretless and the pedal steel. Involved in the research fo…
"Historically, ensembles combining taishōgoto and bagpipes (at least inside the milieu of “jazz”) have been on the tame side. The Winkler Twins, Dagnabbit, CUZ and other such units pandered to the bowtie set so exclusively that many people have all but dismissed the instruments as hopelessly moldy or even (in the words of critic Milo Fine) “tools of fascism and complacency.” That said, it is my pleasure to announce that the duo of William “Bill” Nace and Dave “David” Watson has made a mighty eff…
*30 copies limited edition* Our compostions for prepared violins and objects, Including glass, tile surfaces, metal, plastic, cork, knitting needles, springs, etc.1. Bell peppers , bedsprings and brontosaurus2. Angle poise porpoise protestations.3. Phosphorous , figs and airvents.4. Vicious viper vituperation suiteSide b recorded may, june 2025 by Adrian Northover.Produced and mastered at Oxo studios by Adrian NorthoverAll music and text by Adam Bohman
*30 copies limited edition* Objects, violin, optigan, loops, location recordings, electronics, fails videos, thrift store cassettes. recorded, edited, and mixed at No Spray 205, San Francisco. Thanks to Chris Cooper, Lala Lu, Jon Lee.
*30 copies limited edition* Ross: synths, tapes, field recordings, effectsYpsmael: field recordings, feedback, broken amp, effects.Cover image by Ross Scott-BuccleuchMastered by Grant Richardson
*2026 stock. 50 copies limited edition* Thailand based Field Recording & Experimental recording artist Tossapol contributes 2 beautifully assembled side long compositions for un poco fría editions. Beautifully rich with dialog - captivating in-situ field recordings situate the listener in a highly detailed urban dialog through an expansive yet condensed exploratory narrative.
Here - with a similarly parallel fashion, Tossapol thoroughly conducts the tone and timber of strings and wood; using sto…
*2026 stock. 50 copies limited edition* Drumless kick pedal & crank plug nc contact mic through pignose amp. tracked live & direct to tascam dr-03 linear pcm handheld recorder summer 2024. linear-edited & assembled to cassette 4-track in the early winter months of 2024 - yakima, wa usa. mastered by Grant Richardson @ Hex Audio labs
*2026 stock. 50 copies limited edition* RMSS is a Finnish noise project that draws inspiration from the heavier side of mental heath issues. The Relapsi compositions navigate a raw and visceral soundworld - through the dimly lit, bleak & icy corridors of the furthest depths and darkest recesses of the mind ...
- originally self-released in 2023 by Finland based noise composer - RMSS. Little known about this enigmatic Finnish artist - other than the fact that those highly sought after self releas…
*2026 stock. 50 copies limited edition* Nothing in the everyday dies because everything is dead already: the repetitive buried under its own repetition, hidden beneath the surface. Is carrying chaos within oneself sufficient to give birth to a star?
*2026 stock. 50 copies limited edition* Effectively over a decade long trajectory…originally released in 2013 as a digital-only edition… Now a newly reworked edition - Mastered by Grant Richardson at Hex Audio Labs
from Paul, circa 2019 “….Three noisey unreleased tracks from 2013. Digital Only fundraiser EP to help finance future releases. Feral Parts 1 & 2 were directly recorded to tape and transfered from tape to digital. These tracks were originally intended for a fanzine, but in the end I be…
Double Beat Sequencer Vol.2 continues Merzbow’s deep dive into a particularly vicious corner of his archive: mid‑2010s sessions built around a relentless “double beat” framework, then buried under signature torrents of noise. Where Vol.1 sketched the template - rigid sequencer patterns hammered into shape and then abused - this instalment feels even more single‑minded. A handful of cycling pulses become the spine for entire pieces, driven by a strict, mechanical insistence that Masami Akita trea…
Double Beat Sequencer Vol.1 finds Merzbow threading a hard, skeletal pulse through the heart of his noise, treating rhythm less as a scaffold for genre than as another engine of excess. Across these tracks, fixed and cycling beats - the “double” sequences of the title - form blunt, looping structures that Masami Akita subjects to his typical barrage of distortion, feedback, metallic scree and feral electronics. The result is not noise suddenly tamed, but rhythm subjected to the same merciless tr…
On Geometry of Murder: Extra Capsular Extraction Inversions, Earth x Black Noi$e stretch the 1991 debut into an even slower, more vaporised continuum, where Carlson’s primordial drones are rerouted through modern electronics into a smeared, time‑dilated echo of the original.
On Repetitive Music vol. 1, Misha Panfilov strips things back to synth and piano, threading slow‑turning patterns and hushed harmonies through Tallinn and its outskirts like illuminated loops traced in winter air.
"There's an irony inherent in the term 'postpunk.' Many of the groups that define the genre (think Pere Ubu or Cabaret Voltaire) existed for several years before punk. But these outfits had little hope of finding an audience until punk stirred up an appetite for the extreme, while also spawning a new breed of independent labels that could support challenging music. " This Heat are a prime example. Formed in early 1976 by drummer Charles Hayward, guitarist Charles Bullen and 'non-musician' Garet…
Ste Cy, the latest studio offering from the trio of Jac Berrocal, Vincent Epplay, and Timo van Luijk, ripens like a forbidden fruit—born of an improvised instrumental session captured in the secluded hush of Kulta Saha by Timo van Luijk.These raw recordings were later reshaped into 12 songs by Vincent Epplay at Studio Villejuif in Paris. And over it all drifts the poetry of Jac Berrocal - sensual and incendiary, seeping into the music like spice into flesh.
LP includes recto/verso insert with ly…