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Six years in the making, the visual/sonic art group Biota have finally completed their Sixth CD for ReR. Unique in their history and method, Biota painstakingly construct complex, organic structures that mix extensive studio processing and musique concréte techniques with a highly eclectic orchestra of acoustic and electronic resources – from kit drums, through mediaeval winds, strings and barrel organs to early experimental electronic instruments. Their works are always performance driven and i…
Recorded in Australia, Brasil, Italy, Japan, Turkey and America on his 2015/16 world tour, these excellent recordings offer an astonishing range of styles and sounds – all somehow emanating from Angeli’s fingers and feet – and his highly modified, prepared, extended and amplified giant Sardinian guitar which – like Angeli himself – is routinely able do several very different things at once. You have to keep reminding yourself as you listen that this is just one person with one instrument, workin…
*Very Limited Edition, High quality U.S. Import cassette tape* edition of this impeccable album from 1988. Printed artwork includes archival photos & drawings from Woo’s archives as well as liner notes by Clive Ives (one half of the band). This is the first cassette reissue (the original album's format) of this title. Includes the bonus track, 'It's Love (Vocal).'
A cosmic testament to the healing power of love, utilizing vocoded clarinets, pastoral guitars, homespun folk lullabies, and lilting…
“Upopo Sanke“ means “Let's sing a song" in the Ainu language. Umeko Ando (1932-2004) was one of the best-known artists of the Ainu, an indigenous, long-suppressed community in northern Japan. She sings their traditional songs together with Oki Kano on the Tonkori harp, who also recorded the album. The two are supported by members of the female vocal group Marewrew as well as Ainu percussionists, a string player and a male singer who provides rhythmic shouts and also throat singing. The call-and-…
Umeko Ando (1932-2004) was a folk singer from Japan. She was a representative of the Ainu culture on the Hokkaido Island in the north of Japan. “Ihunke” is her first album which was recorded with the Ainu musician and dub producer Oki Kano in 2000. It was released on CD in Japan only and is finally available on vinyl (2LP + linernotes, DL included). “Ihunke” is following last year’s single “Iuta Upopo” [Pingipung 58, incl. M.RUX Remix] which had been received with overwhelming enthusiasm and was…
Wewantsounds is delighted to reissue Farid el Atrache's cult album 'Nagham Fi Hayati' another cornerstone of Arabic Music released in 1974 and the soundtrack of the eponymous film starring El Atrache and Mervat Amin. Nicknamed the King of Oud, El Atrache is one of the giants of Egyptian music with Oum Kalthoum, Abdel Halim Hafez and Warda. Composed of four tracks showcasing El Atrache's versatility, the album which contains the monster groove 'Hebina Hebina' happens to be one of Brian Eno's favo…
More in tune now with the rhythm of the sun and moon, Xylouris White speak to each other across great distances with the intuition and fellowship that can only be found over years in each other’s company. With fewer distractions, appreciative of the freedom to play with new sounds and spaces, they carve The Forest In Me from unbelievably thin air.
Several decades young on the trap kit, Matt Espy makes his solo bow with an album of solo drums, in dialogic flight with birdsong. Restaging a seminal moment from his seismic early days in music (and inner life), Matt references places he’s been between then and now with hallucinatory evocation. Hawksworth is a new organic space where percussive meditations on a life in music create NEW life in music, a comment on the nurture of nature itself.
It is a long time since Zimbabwe gave us some of the giants of African music but, in the mighty Mokoomba, there is finally a convincing successor … Lead singer Mathias Muzaza naturally grabs the attention with his stunning, piercing vocals [...] the band’s magic quality is the perfect gelling of guitar, bass, keyboard and African drums ... [and] impressive arrangements. - The Independent
Hamza El Din (July 10, 1929 – May 22, 2006) was an Egyptian composer, oud player, tar player, and vocalist. Performing on the oud (the Arabian short-necked lute) and the tar (the ancient single-skinned frame drum of the upper Nile), along with his gentle voice and original compositions, Hamza combines the subtleties of Arabic music with the indigenous music of his native Nubia. He has single-handedly forged a new music, essentially a Nubian/ Arabic fusion, but one in line with both traditions an…
Hamza El Din's second album is similar in tone to his debut, featuring original compositions based on Nubian folk traditions, masterful oud playing, and soothing vocals. Serene and haunting, this was among the first world music recordings to make an international impact.
Pandit Uday Bhawalkar is an Indian Hindustani vocalist. He is an exponent of the dhrupad genre. Uday Bhawalkar is a standard bearer for Dhrupad, and a strong force in its growing recognition and popularity. Uday believes that when immersed in the note and raga, the self disappears and music takes on its own existence; the principle of ‘darshan’. These values are helping him on the path of devotion to Dhrupad. Dhrupad is one of the oldest forms of North Indian classical music and Uday maintains i…
Ohio-born Rick Deitrick took up the guitar at 16 and decided to approach his playing as if he was the only guy on an island and the instrument had just washed ashore one day. According to Rick, "I completely divorced my playing from any formal music knowledge, but it was very important to me to use original tuning. During those years, the ‘60s/70's, there was a lot of acoustic guitar playing, often using open tuning as a base. I wanted to create whole tones without de-tuning and keep access to t…
Amish Records is pleased to finally announce an expanded and remastered edition of P.G. Six’s 2001 debut album, 'Parlor Tricks and Porch Favorites', to be released as a gatefold double LP and digitally on Feb 24, 2023. Fully remastered by Giuseppe Ielasi, artist Meredyth Sparks reimagines the beautiful Chris Krol cover art in an evocative gatefold design.
Sandy Bull’s unorthodox approach to guitar was as unique as his personal circumstances. Son of jazz harpist Daphne Hellman and brother to the sitarist Daisy Paradis, Bull became part of the bourgeoning Greenwich Village folk circuit. A move to San Francisco in 1963 found him sharing an apartment with Nubian oud master, Hamza El Din, which had a profound effect on his playing, spurring early world music experiments. The previously unreleased Live In San Francisco features bluesy electric ‘Memphis…
This set of Al Brown dub mixes by Paolo ‘DubFiles’ Baldini was a project that Pressure Sounds had been itching to tackle for some time. They finally got around to starting on the mixes during the lockdown period, when everyone had a little more time and headspace!! Thirteen tracks on the CD and eight tracks on the single vinyl LP. Al Brown is a fine Jamaican singer who came closest to troubling the UK charts with his Al Green cover version ‘Here I Am Baby.’ In the early 1980’s he recorded a beau…
*300 copies limited edition* Blue Lake is the musical moniker of American born, Copenhagen based multidisciplinary artist and musician Jason Dungan, who signs to the Tonal Union imprint for the release of his new longform album ‘Sun Arcs’. It follows 2022’s release ‘Stikling’, earning a nomination for ‘Album of the Year’ at the Danish Music Awards plus warm praise from The Hum blog and musicians and DJs alike including Jack Rollo (Time is Away/NTS) and Carla dal Forno. A self taught player, Dung…
"Back in 2011 when I was tentatively looking for a second release for my fledging record label Clay Pipe Music, I stumbled upon a mysterious MySpace page by a group called ‘Tyneham House’, the page was decorated with artwork by Rena Gardiner (who was unknown to me at that time) and the music was an otherworldly mix of field recordings, Mellotron and acoustic guitar. It turned out that Tyneham was promised to Glen Johnson’s Second Language label, so I offered to do the artwork, and in January 201…