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Hiski Salomaa began his life in 1891 in Kangasniemi in the Southern Savonia region of Finland, emigrating to the USA after the death of his mother in 1909 - travelling via Hanko, to Hull, Liverpool, Ellis Island, Manhattan, and finally to a Finnish American community in the South Range of Michigan.
After taking to writing and performing songs as a young boy, Salomaa saw a demand amongst the growing Finnish immigrant set for music performed in their own language, and indeed in the Finnglish diale…
**Limited 1st Edition mini lLP paprsleeve in 500 only copies** In Hindustani classical music, jugalbandi denotes a duet performance whereby the soloists are entwined in the exploration of a raga (Indian musical mode). Sheer improvisation, interplay, playful challenge and the mutual nourishment of each other’s musical imagination make this form of presentation extremely dynamic and inspiring for the performers and audiences alike. Providing the fundamental yet responsive rhythmic framework, are u…
* Small repress available* We are celebrating our tenth release by bringing the label full circle, right back where we started from. We're excited to announce that we've once again worked with the Gania family of Essaouira to bring you another reissue of the music of the undisputed King of Gnawa music, the late Maalem Mahmoud Gania. It feels like the perfect time to release this spiritual music, specifically played to heal and to cure us of our ills, as the world is in the grip of a viral pandem…
* Newly remastered, limited edition pressing * Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…
* Newly remastered, limited edition pressing * Brij Bhushan Kabra was one of the Indian musicians who heard the steel guitar’s siren call, but his vision went beyond adapting Hawaiian sounds to popular music. Instead, he saw the instrument’s potential for playing ragas. To pursue this dream, Kabra began studying with Ali Akbar Khan, whose fretless sarod offered a sonic example for Kabra to emulate with his lap-slide guitar. Kabra’s instrument was a Gibson Super 400, modified with a drone string…
* Newly remastered, limited edition pressing * In the 1920s, Tau Moe (pronounced mo-ay), a Hawaiian musician, arrived in India and introduced Hawaiian music to the Sub Continent. After settling in Calcutta in the early 1940’s, Moe and his family performed, taught and introduced Hawaiian music by building and selling guitars to the local musicians. Indian filmmakers and composers quickly fell under the spell of these instruments and sounds and made them suitable for playing ragas— the melodic p…
* 2023 stock * LP version. "Davy Graham is recognized as an early influential figure on the 1960s British folk scene, where he inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Paul Simon, John Martyn and indeed Jimmy Page. Not one to be categorised Graham could be seen as a true world music artist covering the genres of folk, blues and jazz. He also popularized DADGAD tuning, later widely adopted by many acoustic guitarists. Midnight Man was Davy's 2nd s…
LP version. "Davy Graham is recognized as an early influential figure on the 1960s British folk scene, where he inspired many famous practitioners of the fingerstyle acoustic guitar such as Bert Jansch, Paul Simon, John Martyn and indeed Jimmy Page. Not one to be categorised Graham could be seen as a true world music artist covering the genres of folk, blues and jazz. He also popularized DADGAD tuning, later widely adopted by many acoustic guitarists. Released in 1969 Davy noted that the fourtee…
Guitar improviser Tashi Dorji takes acoustic in hand, recording in a rare studio setting with extra focus and balance. In a set of songs that travel through our bleak modern lifescape, his ability to access an exceptionally wide range of moods and sounds help to express the confusion, rage, helplessness and resolve as an outsider in America today.
* 2021 Stock * Drag City presents Songs of Love and Horror by Will Oldham. Songwriter Oldham, guitar and voice operating in quiet tension and ultimate accord, revisits songs that made him (that he made) and others in new versions that quiver like fresh young things in the air of today.
ESP Disk presents the third solo album 'No Love Is Sorrow' by Buck Curran (of the duo Arborea). Buck Curran - vocals, acoustic and electric guitars, Ebow, piano. Adele Pappalardo - additional vocals. Dipak Kumar Chakraborty - Tabla on Blue Raga. Mastered by Harris Newman at Grey Market Mastering, Montreal. Album cover photo and layout - Sarp Tuncer.
** 2021 Stock ** Post-Materialization Music presents From India To Siberia. Traditional songs from Siberia and India. Split tape made from old shellac records found at Russian flea markets. Limited edition cassette with riso printed j-card.
Limited edition pressing of 500 copies. Originally released by John Fahey's Takoma label in 1967. The Falconer's Arm pair of LPs is widely considered Basho's best work; monumental pieces of folk guitar invention from the pioneer, with guitar lines in unusual tunings influenced by both blues and Indian music. Fully remastered with excellent sound.
Drawing his name from a Japanese poet, his musical style from eastern raga sounds and his sartorial style from American Indians, Robbie Basho was eclec…
Recorded in London's Queen Elizabeth Hall on July 10, 1968 this impressive 2-hour live concert presents the Washingtonian prodigy folk singer at his best. Tim Buckley was only 21 years old when he had this incredible chance to show the world his talent which would carry him through a short but prolific career -- 9 albums released between 1966 and his death in 1975. Accompanied by Lee Underwood, David Friedman and Pentangle's bass player Danny Thompson, Buckley caressed his 12 string acoustic gui…
**Housed in top-lifting boxes with gold foil, poster and booklet** Robbie Basho (1940-1986) is widely regarded as one of the progenitors of what’s commonly known today as American Primitive guitar. Growing up in Maryland alongside neo-traditional guitar explorers John Fahey and Max Ochs, Basho’s path would take a decidedly different turn, bringing Hindi, Indian, Japanese and Native American musical traditions into his work. His albums for Takoma and Vanguard have left an indelible trail of influ…
**81 newly-remastered recordings on four CDs with a full-color, 144-page, cork-cover book in a cigar-style box. ** The Harry Smith B-Sides box set contains the flip side of every 78-rpm record that Harry Smith included on the Anthology of American Folk Music. In 1952, Folkways Records published the legendary six-LP series entitled the Anthology of American Folk Music, compiled by eccentric record collector, filmmaker, artist, and anthropologist Harry Smith. Many historians cite Smith's reissue, …
Welsh musician Gwenifer Raymond’s 2018 debut album, You Never Were Much of a Dancer, introduced a new voice on acoustic guitar, receiving 5 stars in The Guardian, big spreads in Mojo and Uncut, and airplay on multiple BBC programmes. This led to months of touring on the European festival circuit.
Her second album, Strange Lights Over Garth Mountain, finds Raymond ranging into unexplored experimental territory, drawing from her Welsh roots.
A selection of 8 songs covering the period from 1979 to 1989 by one of Rai’s softest voices. Wah-Wah driven, mid-tempo guitar based early Rai from the city where Rai’s ‘harder’ form was conceived. Sad romantic songs about lost loves and other sorrowful tales.
The English singer and guitarist Bridget St John was introduced to the London folk scene by guitarist John Martyn, her rich and unusually deep voice making John Peel one of her greatest champions, and when Peel formed the Dandelion label in 1969 with former Elektra record plugger Clive Selwood, the original intention was to issue St John’s music. Following debut album Ask Me No Questions and follow-up Songs For The Gentle Man, 1972’s Thank You For had Martyn’s stunning guitar on “Fly High” and a…
Sold out at source, few copies availble. Robbie Basho (1940-1986) is widely regarded as one of the progenitors of what’s commonly known today as American Primitive guitar. Growing up in Maryland alongside neo-traditional guitar explorers John Fahey and Max Ochs, Basho’s path would take a decidedly different turn, bringing Hindi, Indian, Japanese and Native American musical traditions into his work. His albums for Takoma and Vanguard have left an indelible trail of influence across generations of…