Jazz /
The Incandescent Gramophone
The Los Angeles Free Music Society (LAFMS), Poo-Bah Records, and The Pasadena Arts & Culture Commission brings you an homage and exploration of the 78RPM vinyl medium in true 78 phonic quality. The proposal was to make a mysterious object out its tim…
Whirl of Nothingness
Saxophonist Paul Flaherty is New England's purveyor of the ecstatic jazz pulse. Even before his 1978 debut, Flaherty remained unshakable in the pursuit of soul healing and demon dashing through freedom music. Whirl of Nothingness, Flaherty's second s…
The New York Composers Orchestra: First Program in Standard Time
Acoustic jazz recording featuring Holcomb's eleven-minute title-track, Lenny Pickett's ten-minute Dance Music for Composer Orchestra, Elliott Sharp's eight-minute Skew and Horvitz's nine-minute Paper Money and an eleven-minute composition by Anthony …
the geometry of sentiment
John Butcher is up there with the Parkers, the Rothenbergs, the Zorns and the Harths, yet his style is inimitable; he has arrived at the top at last, and dominates in a world of bent overtones and multiple subdivisions of a single note. THE GEOMETRY …
Phonometak Series #2
The first chapter of this vinyl series opened with Zu duelling with Iceburn, the follow up is a face to face that puts Mats Gustafsson in front of Paolo Angeli. Talking about the swedish saxophonist (here he plays also alto fluteophone) what should I…
Phonometak Series #1
PhonoMetak Series is a collaboration with PhonoMetak Labs, the discographic division of the music store SoundMetak di Xabier Iriondo. This series is strictly in 10" vinyls, as the early century 78 rpm.
s/t
A very nice production coming from Italy, that can be defined as a perfect meeting point for the experimental and explorative tensions of different musicians, whose background range from classical music to contemporary, from jazz to the extreme bound…
Over shadows
Rhodri Davies solo recording for harp and ebows. Recorded January 2004 at the Old School, Bracon Ash, Norfolk. Digipack. "Over shadows" - title courtesy Redell Olsen's "Secure portable space" book - is a single track, 36 minutes long, for harp and…
Solo in Berlin 1975
Recorded a year after his acclaimed masterpiece, The gentle harm of the bourgeoisie, these three festival sets are at least as good. They find Rutherford at his most original and inventive, making wild music by enhancing his trombone with his voic…
machine gun
rare original copy of this landmark record. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the sessi…
1980-89 - first decade
Awesome 3 x LP box (plus a 7" and a t-shirt): Two Lp’s of the box with Diez Años double cassette ( a collection of unreleased tracks of the eighties with some tracks of compilations.) The third Vinyl will include: AVANCE RAPIDO (from La Zona Compila…
No Sound Is Innocent
Written by one of the founding members of AMM, the book is divided into three sections: AMM and the practice of self-invention; Meta-musical narratives; and Essays. The book is a bringing together of connected and unconnected writings on a wide range…
jazzin the black forest
fantastico documentario sulla storia della label discografica MPS > A brief history of a pioneering jazz label MPS (for Musik- Produktion Schwarzwald) is known as the German „Blue Note“. The label was established by producer and music enthusiast Hans…
Evidences Vol.1 - Final Industrial Music 1980
Limited edition of 600 numbered copies. The 5-Lp-Box contains all officially unreleased material on Vinyl.The tracks are re-mastered and digitally transferred from the following tapes: Mectpyo/Blut 1 & Mectpyo Blut 2 (1979/80) Atomique/Murder (1980) …
Bits, bots and signs
Ever since Otomo got into his minimal misuse of stereo equipment phase, a collaboration with Swiss toaster torturers Voice Crack was on the cards. Although Otomo's refraction of high end sinewaves around cranial interiors may not seem like an ideal p…
Alle Neune : Rheinländer Partie
Martin Küchen: prepared and non prepared alto saxophone. David Stackens: guitar, low-budget electronics. Recorded at Fylkingen, Stockholm by Andreas Berthling, 16th of May 2004. Mastered by Andreas Berthling, David Stackens and Martin Küchen.
Tre pezzi per percussione
Wolfgang Schliemann's Tre Pezzi per Percussione (Three Pieces for Percussion) is subtitled "Spesso Usate in Maniera non Convenzionale": often used in not conventional ways. Most of the time, Schliemann's approach is closer to sound art than, say, jaz…
UNDECIDED
Compilation containing six lengthy solo tracks by some of the most fascinating improvising musicians currently active in Japan. The CD documents a series of lecture-concerts, exploring the meanings, methods and implications of free music, which took …
Mottomo Otomo – Unlimited XIII
The legendary Unlimited Festival in Wels, Austria in 1999 was curated by Otomo Yoshihide (Ground Zero). We are happy to release this sampler that captures the great musicians, bands and projects: Otomo Yoshihide solo, Radian, Incapacitants, Kaffe Mat…