Jazz /
Deeper In Black
Deeper in Black was inspired by the 1969 Blue Note recording of American trumpeter Blue Mitchell entitled Collision in Black and took its name from Pillay’s cover of the album’s Peggy Grayson composition. Pillay’s album featured another two compositions from Collision in Black by way of the Monk Higgins track “Keep Your Soul,” with distinct arrangements straddling Side A and Side B, and Vee Pea’s “Jo Ju Ja” closing out the set. Although the source material was over a decade old when Pillay recor…
Thrust Too
Thrust barely made a blip in the marketplace; it was mostly available around the Akron area. But Niles was undeterred. He returned the following year with the just-as-good Thrust Too, which is a touch more muscular, more precise — partly due to being recorded in a slightly upgraded studio meant for jingles. What Thrust Too loses in atmosphere, it makes up for in deep grooves, like on “Hang Ten,” “Parrott City,” and “Machelle.” McNeal — the namesake of the latter — appears on the final track, “Su…
Thrust
At the makeshift Man-Ray Studios in Akron, Ohio, where barrels of soap were rolled away to make room for recording, guitarist Wilbur Niles and his then-girlfriend, Machelle McNeal, recorded "Ja Ja." Niles, a history major, titled it after King Jaja, who rose from slavery to become a wildly successful broker of palm oil in the 19th century. The humid tranquil track would lead off the pair's first and only album together, 1979's Thrust. It begins with an elliptical little electric-piano hook by Mc…
Plum And Cherry
Following the April 2022 reissue of the album Shrimp Boats, We Are Busy Bodies presents companion titles Plum and Cherry and Deeper in Black to round out a Lionel Pillay and Basil Mannenberg Coetzee “trilogy” as part of the label’s As-Shams South African jazz archive series. The connection between these three albums is tight as the 1987 release Shrimp Boats compiled unreleased recordings from both the 1979 session for Plum and Cherry and the 1980 session for Deeper in Black. These two rare recor…
Requiem for Jazz
Composer, clarinetist, singer and educator Angel Bat Dawid announces the release of a new work, Requiem For Jazz. A 12-movement suite composed, arranged, and inspired in part by dialogue from Edward O. Bland’s 1959 film The Cry of Jazz, the album is a wide-ranging treatise on the African American story from one of its most astute narrators.
Itself an incisive critique of racial politics in the USA, The Cry of Jazz draws formal comparisons between the structure of jazz music and the African Ameri…
Ask The Sun
"Hamid Drake and Michael Zerang drum up a storm, to put things succinctly. This album of percussion duets features intricately interlaced drums, bells, shakers, and chimes. Rolling patterns, melodicism, and moods pervade this fine album. Forget your nightmares of the endless drum solos perpetuated by bloated classic rock dinosaurs; try to put aside more current preconceptions of deadhead drum circle revivalists and world beat wannabes. These two musicians are serious but not full of themselves a…
Mouth Eating Trees And Related Activities
*2023 stock* "Swedish multi-reed artist Mats Gustafsson was just beginning to come into his own at the time of this recording. The oddly titled Mouth Eating Trees and Related Activities catches him at the cusp when his prodigious technical abilities were starting to be subsumed into an impressive musical presence. It doesn't hurt that his companions for this freely improvised session are stalwarts like Barry Guy and Paul Lovens, who provide accompaniment that's creatively telepathic. While Gusta…
One To (Two)...............
*2023 stock* These 18 short duets between cellist/trombonist Gunter Christmann and Swedish new music provocateur and saxophonist Mats Gustaffson eschew all melodic pretension, leading to some very difficult, though rewarding listening. Christmann performs mostly on his stringed warrior, where scratches and little sounds lead the way. Somehow, when matched with the saxophonist's highly developed sense of rhythm and sporadic flurry, the results lure the listener into a den of revolutionary fervor.…
Signs
*2023 stock* "A masterful statement from the Peter Brotzmann Tentet – a large group, but one that's capable of a rich array of sounds and sentiments – maybe given best exposure here in this key recording from the prime years of the ensemble! Ten players can be a huge number, especially when improvising so much – but these guys all have ears that are beautifully tuned to each other, and which really seems to not only bring out the best in each member, but also push the whole group together with a…
The Dried Rat-Dog
*2023 stock* The Dried Rat-Dog is a free jazz energy wallop from the duo of multireedist Peter Brotzmann and percussionist Hamid Drake. It kicks off with the title track, a cavorting of saxophone and drums that tears off, speeding over the hills and through the woods with fierce intensity. Both musicians are in excellent form and incorporate all sorts of techniques from their vast respective vocabularies. The energy inverts for the next piece, "It's an Angel on the Door," as Brotzmann holds note…
Be Music, Night
*2023 stock* "Peter Brotzmann's Chicago Tentet combines some of the finest avant improvisers out of Chicago and Europe. For a such a logistically and musically complex multi-member outfit they've had a rather long and significant life. And they still flourish today, as witnessed by their recent European tour. We turn the clock back to 2004, and a Tentet gig recorded at Wall to Wall in Chicago. It was auspicious and fortuitious that the mikes were in place, the “tapes" running that day, because t…
The "Wels" Concert
*2023 stock* This live recording from a 1996 Austrian music festival is a powerful interaction of three musicians from different countries, each of whom have extraordinary improvisational abilities and deep, grounded technique. A somewhat unusual instrumentation is heard from this free jazz trio: German saxophonist Peter Brotzmann also performs on e-flat clarinet and tarogato (a Hungarian single-reed woodwind), American percussionist Hamid Drake plays a drum kit, a frame drum, and tablas, and Mo…
Stone/Water
Featuring Ken Vandermark & Mats Gustafsson. Recorded live at Victoriaville in May of 1999. Fantastic live material from a very unique group – the instantly-legendary meeting of reedman Peter Brotzmann with the leading lights of the Chicago avant jazz scene in the 90s – brought together into a tremendous tentet that's maybe even better than the sum of its parts! The group features Brotzmann on tenor and clarinet, Ken Vandermark on tenor and bass clarinet, Jeb Bishop on trombone, Fred Lomberg-Holm…
Live Under The Sky, Tokyo, 1982
The short-lived 'Super Star Quintet', which formed specially to play at the Live Under The Sky festival in Tokyo in July and August 1982, was accurately named. After all, those involved - tenor saxophonist Joe Handerson, pianist Kenny Barron, bassist Ron Carter, drummer Tony Williams and trumpeter Freddy Hubbard - were all living legends at the time. Famously, the quintet's expressive, exuberant performances - think fizzing grooves, almost telepathic communication, extended improvisations and bl…
Tesserae
Drummer Tilo Weber joins forces with bassist Petter Eldh (Koma Saxo) and Elias Stemeseder, who plays harpsichord and keys here on Weber's We Jazz debut, "Tesserae". The three musicians plus guests present a unique jazz trio sound for all times, without boundaries. Weber, based in Berlin, came to the attention of We Jazz Records with his his highly inspired drum work on Otis Sandsjö's Y-OTIS, and has since then also been awarded with the prestigious Deutscher Jazz Preis for the arrangement of the…
Since Time Is Gravity
"The next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer & multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums &-counting flagship ensemble. Joining the core NIS of Abrams (guimbri & bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) & Jason Stein (bass clarinet) are Hamid Drake (percussion), Josh Berman & Ben Lama…
Blasé
Florida-born saxophonist, composer, poet, actor and playwright Archie Shepp was one of the most articulate exponents of politicized black culture in the late ‘60s, a time of enormous upheaval and radical thought. Relocating to Paris he made a number of highly influential albums, such as Blasé, that broached the essential themes of freedom and racial equality, and tapped into the bedrock of African-American music. Gospel and blues were a major part of the work, which also had a strong avant-garde…
Sonic Fiction
*2023 stock* After a duo album and two trio albums by Shipp and Walerian, all for ESP-Disk', we get a quartet album from them that continues their strategy of working with different musicians each time out. Bisio and Dickey are long-time collaborators with Shipp, but the addition of Walerian's Zen style changes the dynamics of their interactions. Walerian and Dickey, masters of restraint, were a match waiting to be made, and their instant rapport is one of the attractions of this album.
Kind Of Shadow
Four magnificent improvisers from different countries. Among them, legendary and iconic double bass master Barry Guy, one of the greatest jazz / improvised music drummers Ramon Lopez, Japanese living in Ireland classically trained piano master Izumi Kimura and polish trumpet and cornet wizard from Poland Artur Majewski. All of them, after Ad Libitum Festival 2021, after the initiative of FSRecords’ executive producer, Maciej Karlowski, went to the studio and recorded some improvised music that n…
Molten Gold
Four absolute masters in their respective instrumental fields! Ivo Perelman on tenor saxophone, the great trombonist and jazz legend Ray Anderson, the well-known Joe Morris this time with double bass in his hands, and the long-time companion of Henry Threadgill's musical journeys, drummer Reggie Nicholson! The quartet's latest studio recording was made in mid-November last year at Brooklyn's excellent ParkWest Studio recording studio by the invaluable Jim Clouse.