Jazz & Improvisation / All styles

Edition of 300. A really great setting for drummer Gerry Hemmingway – an album that has him improvising live with trombonist Samuel Blaser – a fantastic musician who's one of the freshest trombone talents we've heard in years! In previous comments, we've liked Blaser to a modern day heir to the genius of 60s trombonists like Roswell Rudd and Grachan Moncur – and those words definitely hold true here, as Blaser delivers a wondrous balance between new sounds and tuneful moments, fresh ideas …

Nobuyasu Furuya, tenor saxophone, flute, clarinet. Rodrigo Pinheiro, piano. Eduardo Lála, trombone. Hernâni Faustino, contrabass. Gabriel Ferrandini, drums, percussions. Recorded and mixed on 14 and 22 November, 2010 at Namusche Lisbon by Joaquim Monte. All tracks were composed and conducted by Nobuyasu Furuya.

**500 copies, strictly no repress** Smalltown Supersound are going hard on the free jazz this year - so much so that they've set up new sub-label Actions For Free Jazz to accommodate the load. This was the slogan for Smalltown Superjazzz and was borrowed at the time from Don Cherry and Krystzof Penderecki’s The New Eternal Rhythm Orchestra track Actions For Free Jazz Orchestra from the 1971 album Actions. The inspiration for the label is BYG Actuel, Incus, Freedom and ESP-Disk. AFJ's latest fora…

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'Pharoah Sanders' "Shukuru" is noteworthy as being the album that reunited Sanders with vocalist Leon Thomas, who sang on some of Sanders' most endearing and powerful compositions-- among them the legendary "The Creator Has a Masterplan". Thomas only joins the band on two tracks-- "Mas in Brooklyn (Highlife)" and "Sun Song". The former gets a full calypso reading complete with steel drum sounds and chanted vocals traded between Sanders and Thomas. It's a lot of fun, but by and large, throwaway. …

'As a musician, I've been curious for many years of how collective musical practices can provide a sense of weightlessness, as well as how a focused interplay can blur the lines between musicians and sound sources and create reconfigurations of the relations between the two. I have also tried to explore these observations in depth in some of my composed music: during 2015-2017 I experimented with ways to surprise and destabilise myself in the solo format within the compositional framework of pol…

The first ever reissue of Juju’s powerful 1973 album for Strata-East, ‘A Message From Mozambique’.  The roots of Juju started in San Francisco after Plunky had met his musical mentor, Zulu musician Ndikho Xaba, helping to form his band Ndikho and The Natives. Three members of The Natives (Plunky, bassist Ken Shabala and vibes / flute player Lon Moshe) then joined Marvin X’s theatrical production The Resurrection Of The Dead, joining local musicians Al-Hammel Rasul (keyboards), Babatunde Lea (per…

The Wrocław band Ślina returns with their third studio album, this time recorded with Mikołaj Trzaska. This is not the album of Trzaska + Ślina or Ślina + Trzaska. This is Ślina Trzaska (a kind of wordplay in polish, means: The saliva cracks). A kind of full, new band that was created in the outstanding Sudeten studio Monochrom and is sometimes continued live. Free improvisations and Krautrock motility are still the hallmark of Ślina, but the organic, radical sound of Mikołaj Trzaska's saxophone…

BPJ producer Matt Parker's debut concept recording, finally receiving an official release. Created using the techniques of legendary jazz producer Teo Macero, and inspired by a love of Sci-Fi and progressive jazz and rock. Featuring guest appearances from Stone Foundation members Rob Newton and Anthony Gaylard.

Incinerating sound together since 2014, Nava Dunkelman and gabby fluke-mogul combine their expansive palettes with finesse, creating a fierce dialect of their own. Violin and percussion combust viscerally through spirit and song. Forged in flame, Dunkelman and fluke-mogul honor ritual and celebrate their rich sonic hues in their duo release, Likht.

Sand is a Fields composition for 20 instrumentalists, three singers, and conductor. It combines three areas in which he has often worked: modularity, manipulation of text, and integration of composition and improvisation.Like Fields’ previous modular works, Sand is constructed of units whose interrelationships vary from weak to strong. In performance a conductor spontaneously selects, combines, sequences, and layers modules. Sand also includes improvisational elements within structures and “orga…

This adventurous set catches lightning in a bottle. They hit the ground running and never let up. Susan Alcorn's pedal steel soloing is phenomenal while Ryan Sawyer drives the trio forward as Patrick Holmes' clarinet keeps pace with both of them. A breathless set of high energy free improvisation at its best.

Sakina Abdou has expressed herself in many contexts, in musical fields both broad and eclectic. With this solo album, she invites herself within, focus and anchors herself for the first time in her own language, where she summons the many influences which have nurtured her. Through «homemade» recording, naked, raw, without effects or tricks, we meet her on her own, at home. Grab a chair or settle on the floor next to her, on the edge of the bell, almost touching, and find yourself captured in a …

The music on Mutable is a totally acoustic sonic exploration. It is an investigation that has led to the development of certain extended techniques in order to discover the ultimate limits of the sound of the saxophone and to try to create new sounds on the instrument.

**1000 copies** Otoroku is extremely proud to present the first vinyl reissue of one of the most legendary free jazz records ever produced. Originally released in 1978 on Ogun recordings, Louis Moholo Octet’s Spirits Rejoice! is a high achievement in the movement of the era as it soars beyond oppression with a raucous and spiritually uplifting surge of movement and melody. Featuring Harry Miller, Johnny Dyani, Keith Tippett, Evan Parker, Nick Evans, Radu Malfatti and Kenny Wheeler, this is forme…

Assagai's second and final album. This Afro-funk band from Zimbabwe was based in London in the very early 70s, and released their second album in 1972. Seems that members of UK prog band Jade Warrior helped out in the recording of this as well. Assagai is as fresh and alive as it was when it was recorded in 1971, hypnotic in its rhythm and tantalising in its mix of punctured brass and provocative vocals. Their ruthless brand of handsome rhythm offers copious potent vibes, but simultaneously empl…

Assagai's debut for Philips' progressive subsidiary Vertigo was realized in 1971 to quiet applause. Critics soon became favorable as Afro-rock gained a foothold as the "next big thing" and it wasn't long before they would make their (only) appearance on Top of the Pops. Their journey in London's predominantly progressive underground music scene was brief, but also established a further chapter in the annals of Afro-rock alongside Black Velvet, Osibisa, Thor's Anvil, Uhuru and The Cosmi.

Paal Nilssen-Love Circus emerged as a direct result of the travel restrictions caused by the corona pandemic. The Oslo World Music Festival asked Nilssen-Love to put together a new band of musicians based in Norway. He came up with players from different camps, experienced in various styles: ethnic, classical, contemporary, jazz, free jazz, noise, pop etc. The seven unique voices were gathered around common musical ideas and ways of thinking and a shared understanding of musical freedom. Each mu…

New Map is based on open-form “cells” of concrete ideas, notes and directions that the musicians had to respond to. The 22-minute title piece swings - sometimes, literally - back and forth between subtle percussive games, mysterious and sensual orchestral-chamber dynamics, anchored by harpist Krüger, accordionist Kalle Moberg and trumpeter Köster, and raw, noisy and abstract improvisations led by sax players Lea, Klaus Ellerhusen Holm, Kristoffer Berre Alberts and Finnish electronics player Tomm…

On Clusterfuck, Nilssen-Love used graphic notations. The 24-minute title piece pushes the Large Unit to urgent and ecstatic blowouts but this powerful sonic adventure is often punctuated by playful, or subtle and reflexive, improvised solos. Eventually, the Large Unit exhausts its whole energy in the explosive coda before letting Moberg and Keränen end this piece. Nilsson-Love, second drummer Andreas Wildhagen and percussionist Celio de Carvalho navigate “Bubbles” to even more intense and energe…

"At first glance this new CD on PNL looks like familiar territory - a trio recording with two known collaborators of Nilssen-Love: Accordionist Kalle Moberg have become a steady and important voice of the Large Unit sound over the last ten years, and Frode Gjerstad truly needs no introduction - him and Nilssen-Love have played together for 30+ years. And while this trio is a new constellation, a combination that is good news in itself, "Time Sound Shape" offers another, bigger surprise: this is …

Over the years the fantastic, genre-defying Norwegian label Rune Grammofon has published a few books mostly celebrating its own snazzy design aesthetic and rich history, but a gorgeous new volume by art historian Johannes Rød focuses more on the music and artifacts that have influenced label owner Rune Kristofferson, who penned one of the forwards for Free Jazz and Improvisation on Vinyl 1965-1985 (there’s a second one by notorious “discaholic” and reedist Mats Gustaffson). Rød delivers an impor…

Evil in Oslo represents the Hedwig Mollestad Trio at a critical juncture in their musical development. It was released on the same day as their studio offering Black Stabat Mater. Though both are comprised of Mollestad compositions, they couldn't be more different. Black Stabat Mater is tighter, its musical terrain is more easily discerned as jazz-rock. Evil in Oslo is a different beast. Recorded in two clubs, its tracks feature jams from Mollestad's first three albums in four medleys. It's a si…

Rune Grammofon mainstay Hedvig Mollestad joins forces with legendary 12-piece Trondheim Jazz Orchestra on her latest prog-jazz-metal opus.

*2023 stock* "Trond has been compared with guitar calibers such as Bill Frisell and Ry Cooder among a number of reviewers. "Bedehus & Hawaii" locates Trond Kallevåg at the right height on the heels of Ry Cooder and Bill Frisell. " - Jazzaroundmag. On "Fengselsfugl" (prisonbird in english) Trond takes the listener into musical landscape inspired by his job as music teacher in Oslo Prison. Isolation, hope, darkness and the ballads inside the prisons in the 18th century are some key words that desc…

White double LP version. Their first two albums, Exit and Enter, were presented with sizable and ambitious line-ups of 28 musicians. Ritual saw it reduced to 21 and with Arrival it's been trimmed down to a "mere" 14, with the core trio of Fire! (Mats Gustafsson, Johan Berthling, and Andreas Werliin) and the two singers Mariam Wallentin and Sofia Jernberg being the only constant members since the beginning. Apart from this reduction, the main line-up difference is the introduction of a string qua…

Legendary composer/producer David Axelrod's album, Heavy Axe, is a jazz-rock opus that encapsulated the sound of the mid-70s.With help from iconic players Johnny "Guitar" Watson, Cannonball Adderley and George Duke, the album moves between lush funk sounds, full round low end, and majestic orchestral flourishes that made Axelrod's sonic realm a goldmine for sample-hungry hip-hop beatmakers from the '90s to today.180-gram LP remastered from the original tapes and packaged in a tip-on jacket.

In between being one of the most recorded studio drummers of all time (the Purdie Shuffle graced everything from Aretha Franklin to Steely Dan), Bernard Purdie squeezed in a few sessions of his own.Purdie Good! was recorded early in 1971 by legendary engineer and audio obsessive Rudy Van Gelder at his bespoke studio, and it masterfully balances three Purdie-penned originals with three covers of hits-du-jour, utmost among them a blazing romp through James Brown’s Cold Sweat.This 180-gram reissue …

This discounted bundle includes both double LPs released so far in the "Hyperituals: Black Saint / Soul Note" series:Various Artists "Hyperituals Vol. 1 - Soul Note" (2LP)Various Artists "Hyperituals Vol. 2 - Black Saint" (2LP)"Hyperituals Vol. 1 - Soul Note" (2LP)After enjoying roughly half a century at the center of popular culture - despite its continued, towering cultural importance - by the 1970s jazz had fallen onto hard times. Its audiences drifted away, heeding the call of less demanding…

Creative musicians from Korea are a rare breed. According to the liner notes, when the Kang Tae-HwanSaxist Trio came to Japan to play at Tokyo Meeting in 1985, they were a shock to those who knew about the Japanese Free/Jazz scene & history. The Kang Tae-Hwan Trio consisted of Mr. Hwan on alto sax, Choi Sun-Bae on trumpet and Kim Dae-Hwan on drums & percussion. The members of Mr. Hwan’s Trio began collaborating with established Japanese musicians like Masahiko Satoh, Motoharu Yoshizawa a…

After establishing his name during the Eighties as an electric bassist in alternative rock bands, Hernani Faustino turned to avant-jazz and free improvised music and chose the double bass as his self-taught instrument. Two decades later of multiple interactions with Portuguese and international musicians, he’s now considered one of the most intense and solid bassists in the Portuguese scene. Vasco Trilla is Catalan citizen of the world. He performs and records on eve…

After performing at a night dedicated to Ed Blackwell and Don Cherry, vibraphone legend Karl Berger invited trumpeter Knuffke to Woodstock to teach and perform with him, from which this lovely album of duets was born, 2 CDs of original compositions of free and lyrical playing. "Karl and I met when we shared the bill for an "Arts for Art" night of music dedicated to Ed Blackwell. Karl was a longtime associate of Ed's. There were two duets featured that night. Karl played duo with the gre…

On their fifth album, Swedish vibraphonist Mattias Stahl joins the Portuguese RED Trio as a guest. He's the latest in a sequence which includes alliances with saxophonist John Butcher and trumpeter Nate Wooley on disc, and reedman Ken Vandermark in performance. The product, North And The Red Stream, comprises three collective improvisations recorded at the VDU Jazz Festival in the Lithuanian city of Kaunas in 2013. Each arises from an impromptu give and take, negotiated on the fly, as the pri…

The Convergence Quartet with Taylor Ho Bynum (cornet), Alexander Hawkins (piano), Dominic Lash (bass) and Harris Eisenstadt (drums) performing live at the Vortex Jazz Club in November, 2011 as part of the London Jazz Festival.

The distinctive rolling grooves, growling basslines and blasting horns of Snakehips Etcetera combined to present Nucleus's most energetic record. First released on Vertigo in 1975, original copies of Snakehips Etcetera are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

A never before issued recording of Horace Tapscott leading his legendary Pan-Afrikan Peoples Arkestra, 'Live at I.U.C.C. 11/26/78' documents the entirety of a nearly two-hour performance that rises as one of the most beautiful, striking, and historically important releases of the year. The first in a series of eleven volumes planned by the label for 2023, this 2CD set is limited to 250 copies only and is already sold-out at source. A joyous explosion of sound, seeded by social, political, and co…

** Much-needed 2023 Repress **By the late '70s, Alice Coltrane had largely gravitated away from jazz, incorporating Hindu chants and hymns into her music to reflect a newfound sense of creative omnipotence. However, in April 1978, she would return to her roots, performing at University of California, Los Angeles to make her first and only live album. Transfiguration, featuring drummer Roy Haynes and bassist Reggie Workman, showcases Alice's many compositional talents and fierce improvisatory abi…

**2023 Much-needed Repress** Transcendence was not only Alice Coltrane's last studio album for Warner Bros., it would also be her last studio work for nearly three decades. While Eternity and Radha-Krsna Nama Sankirtana followed the composer's muse through an exciting range of musical styles and influences, Transcendence is perhaps the most fully realized of the three LPs, synthesizing the best elements of each into a monumental whole. Side one consists of intimate compositions with Alice's poin…

'An exciting and forceful album of free jazz from the trio of pianist Simon Nabatov, bassist Max Johnson and drummer Michael Sarin, recording in the studio in New York City with each player propelling themselves in dynamic, inventive collective free playing with an experimental bent, but never departing from the traditions of identifiable jazz music; recommended! "While Nabatov and Sarin met over 30 years ago (as participants of the famous Banff Jazz Workshop), the Johnson-Nabatov connection clo…

After a creative break of more than 10 years the Contemporary Noise Ensemble returns with the brand new album called "An Excellent Spiritual Serviceman”. With the band’s line-up reduced and the sound of the brass section replaced with programmable synthesizers comes an entirely new sound of the band’s music. Leaning towards composition instead of improvisation the music is now less jazzy sounding - with electric bass being used instead of double bass and drums actually being the only strictly ac…