Jazz /
Solo:Trio
** In process of Stocking. 2021 Stock ** John Fordham It would make an absorbing blindfold test to present a panel of interested listeners with a track from this disc and one from the same pianist's Little Klunk trio session for Decca, 40 years ago, and invite them to decide which one's played by the 71 year-old. Not that the early record didn't sound as fresh, witty and jostling with clamorous harmonies and sidelong melody as Tracey has done for most of his life, but that the later one is, mira…
Don't Worry 'Bout Me
** In process of Stocking. 2021 Stock ** Cadillac presents Don't Worry 'Bout Me by Bobby Wellins Quartet. Recorded At – The Vortex Jazz Club, Stoke Newington, London 16 Feb 1996. Tenor Saxophone, Bobby Wellins, Piano – Graham Harvey, Bass – Alec Dankworth, Drums – Martin Drew, Engineer, Mixed By – Dave Bernez, Mixed By – Victor Schonfield, Dave Bernez, Bobby Wellins, Producer – John Jack for Cadillac Music & Publishing with financial assistance from Shirley Thompson, Photos by Kent Matthews and …
For Heaven's Sake
Cadillac presents For Heaven's Sake by The New Stan Tracey Quartet. Recorded in Wembley, 14 September 1995. Engineered and mixed 3 October 1995. The opportunity to present this first recording by the New Stan Tracey Quartet has been an event of great importance to me for a number of reasons. It perfectly fulfils the motivation for the Cadillac Label's creation and continuance since 1973, to wit the documentation and dissemination worldwide of unique moments of creative music making by artists wi…
The Crane River Jazz Band
Cadillac presents The Crane River Jazz Band. John Jack reissued this album in 1996 as part of a projected series in honour of his friend and mentor Doug Dobell. This compilation brings together rare live and studio recordings from the early 1950s and includes extensive notes from Bill Colyer and Pat Hawes and rare photos from the Pat Hawes archive. This is the first time the album has been made digitally available.
Instruments [Suitcase], Liner Notes – Bill Colyer, Executive-Producer [Assistant]…
The Real Ken Colyer
Cadillac presents The Real Ken Colyer by Ken Colyer's Jazzmen featuring Pat Hawes, recorded live at The White Horse, Willesden, London, February 27, 1964. John Jack reissued this album in 2000 as part of a projected reissue of a number of 77 albums in honour of his friend and mentor Doug Dobell. Extra takes were added from the original session acetate. This is the first time the album has been made digitally available. Ken Colyer's life and musical career have been well documented, but many youn…
The Last Night at the Old Place
** In process of Stocking. 2021 Stock ** Cadillac presents The Last Night At The Old Place by Mike Westbrook Concert Band, recorded at Ronnie Scott’s Old Place 25 May 1968. Exactly 50 years on, a unique event featuring the music of the most exciting British jazz group of its time in full swing, released for the first time. Remembering John Jack
Mike Osborne, Harry Miller, Paul Rutherford. So many good things were contained within the Mike Westbrook Concert Band of 1968 that it’s hard to know wh…
The Birmingham Jazz Concert
The Seventies should be acknowledged as a landmark period in creative music making in Britain and a potent influence throughout Europe. Whilst not economic paradise there was quite a bit of public funding beginning to come to jazz but the most important support was (and still is) the networks of dedicated Individuals throughout the country that provided unstinting support and platforms for the artists. A prime mover amongst these was the group of people in the Midlands that in 1976 came together…
The London Concert
** In process of Stocking. 2021 Stock ** Cadillac presents The London Concert by David Murray. Remastered from the original 2LP set (released in 1979) and including 2 previously unreleased tracks, Nairobia and Flowers For Albert (and reuniting the two halves of Murray’s Steps…). Recorded live at the Collegiate Theatre, London, England on August 11, 1978.
Tenor Saxophone – David Murray, Cornet – Lawrence 'Butch' Morris, Piano – Curtis Clark, Bass – Brian Smith, Drums – Clifford Jarvis.
Design [Or…
Alone & Together
Newly discovered recording of two British Jazz Legends gets a welcome first release! This double album consists of, for the first time ever on CD, the Stan Tracey solo recording Live at Wigmore Hall, made for Cadillac Records in 1974. The re-release of this set is valuable enough in itself, but added golddust comes in the shape of the additional material - the previously unreleased second half of the evening - a duo recording with alto saxist Mike Osborne. Two of the greats of the English jazz s…
All Knavery & Collusion
** In process of Stocking ** For many years Evan Parker, one of the greatest post-Coltrane saxophonists, has played a monthly gig at the London club The Vortex. These gigs in part illustrate Evan’s close ties with the fragile ecosystem of clubs that support the jazz world; the small venues that allow an intimate and powerful connection between the artist and audience that is at the heart of jazz creativity. Evan called these events his ‘jazz’ gigs, the knowing hyphenation an indication of the pr…
Migration of Silence into and Out of the Tone World
That William Parker is a bassist, composer and bandleader of extraordinary spirit and imaginative drive is common knowledge among any with an interest in the progressive jazz / any music scene of the past 25 years and more. What's become increasingly apparent, though, is Parker's stature as a visionary of sound and song -- an artist of melody and poetry who works beyond category, to use the Ellingtonian phrase. The latest multi-disc boxed set from Centering Records/AUM Fidelity devoted to Parker…
The Room: Time & Space
** 2021 Stock ** Those artists that have the courage to bare themselves are often warned to "brace up." Since few things in improvised music are considered as dangerous as allowing space to others. Someone might easily grab all of that space and position themselves as ringleader, in the contest that a concert sometimes is. The Seppe Gebruers, Hugo Antunes and Paul Lovens trio are definitely not at each other's throats, though. The title of their 2018 album recorded 2016, The Room: Time & Space, …
Anemic Cinema
Anemic Cinema is a fresh instrumental quartet at the junction of (free) improvised music, contemporary classical and heavy metal. Created for Citadelic 2020 by guitarist Artan Buleshkaj, it features some of Belgium’s most adventurous young improvisers. The omission of a conventional bass instrument allows other instruments to assume this role (or not). This creates certain interesting compositional and improvisational challenges. The timbre distinct for (heavy) metal simultaneously provides an a…
Square Talks
Don't judge a man by the size of his discography. Paul Van Gysegem can only be heard on a handful of releases, but he played a crucial role in the development and visibility of improvised music in Belgium. More than half a century ago, he started inviting international heavyweights to Ghent and performed with many of them. Aorta, recorded by his Sextet in 1971, was one of the key documents of that turbulent era and was rightfully reissued by French Futura label in 2011. However, let's not focus …
BackBack 4
** 2021 Stock ** Dust, darkness, headlights. Motion in the nothingness, the wasteland. Like a single, lost particle, the first track roams through this black night. Exposition. We discover. We see how form and shape come into being, how a construct creates itself: A civilization, buildings, people, interaction. Paths intersect and the tension bursts. The sharp baritone saxophone (Marc De Maeseneer) cuts through the air, drilling into ones ear. The conflict is physically tangible and we see that …
Fundament
** 2021 Stock ** The cornerstone of an ensemble like Fundament is the creation of a corporeal acoustic tour de force, via XL-sound bodies, be it strumento a fiato, a corda and corde vocali. 5 double-basses; 1 tubax, 1 bass saxophone, 1 trombone; 2 bass tuba's, 2 baritone saxophones; 5 throat-singers: all indispensable parts of the ensemble. By using the strumento a fiato, the sound is created by the breath current causing the air column to vibrate. The power of the breath and the nature of breat…
Fitz Gore & The Talismen
** Including 7inch Single "Gisela (Lion Rock)" b/w "Summertime" (previously unreleased). Limited to 500 numbered copies. Heavy old school tip-on cover ** Perfect Toy Records presents Fitz Gore & the Talismen. Licensed by Gisela Gore. Tenor Saxophone – Fitz Gore, Bass – Gérard Ebbo - Obama Ngomo, Congas – Lamont Hampton, Drums – Emmanuel Dipanda, Guitar – Gil Nguema, Piano – Lukoki Mampasi.
Moshi
Much needed repress. Originally issued by the seminal imprint Saravah in 1972, and among the most uncategorizable and sought after artefacts of the French avant-garde, Barney Wilen’s Moshi is nothing short of a masterpiece - long holding a coveted spot in the hearts of adventurous listeners and record collectors alike. A wild unkept cultural collage. A series of sonic experiments. A spiritual, psychedelic pilgrimage into the unknown - darting from one continent to the next, each of its tangents …
Conspiracy
** 700 copies in black vinyl, inside a heavyweight reverse-board sleeve, flooded pocket, in hand stamped inner-sleeve. with insert ** Jeanne Lee (1939-2000) was an African-American vocalist, poet, composer, improvisor, activist and educator. In her 40 year career she performed with Archie Shep, Marion Brown, Gunter Hampel, Frank Lowe, William Parker, Andrew Cyrille, Anthony Braxton, Ran Blake, Billy Bang, Cecil Taylor, John Cage, Rashsaan Roland Kirk, Pauline Oliveros, Reggie Workman, and many o…
Evidence
Soprano saxophonist Steve Lacy continued his early exploration of Thelonious Monk’s compositions on this 1961’s Evidence Lacy worked extensively with Monk, absorbing the pianist’s intricate music and adding his individualist soprano saxophone mark to it. On this date, he employs the equally impressive Don Cherry on trumpet, who was playing with the Ornette Coleman quartet at the time, drummer Billy Higgins, who played with both Coleman and Monk, and bassist Carl Brown. Cherry proved capable of p…