Jazz /
Our Thing
From the halls of Kashmere High School to the discographies of funk aficionados worldwide, the Kashmere Stage Band’s debut album Our Thing, self-released in 1969, stands as a defining artifact of American funk. Born from a Texas student ensemble under the exacting direction of musical director Conrad O. Johnson, the band forged a sound steeped in raw, unfiltered groove and high-velocity horn work that would resonate for decades.
Our Thing captures the Kashmere Stage Band at a pivotal moment: a r…
We Insist! Max Roach's Freedom Now Suite
One of the major statements in the history of Jazz and African American liberation movements. Originally released in 1960 on Candid Records, Max Roach’s Freedom Now Suite consists of five original compositions and performances staging and celebrating different moments and aspects of the African American history and culture. Here is a wonderful cast of musicians reunited around Max Roach – drums and Abbey Lincoln – vocals. Throughout the album you can find great contributions from the likes of Bo…
Mongolian Chant
Super rare Japanese original by bassist Isao Suzuki. Much in demeand by collectors and original issue copies sell for $$$!
Dusty groove says: "A really inventive little record from Japanese bassist Isao Suzuki -- and a set that, like most of his best 70s work, really defies any sort of easy categorization! Suzuki's got a wonderfully wide range of ideas running through his music -- at one level a really close-up and personal interprtation of the bass that makes for some beatiful solos (including …
Survol à basse altitude
Third album by the Jérémie Ternoy Trio, Survol à basse altitude (“Low-Altitude Flight”) extends the story of a group that, for over twenty years, has moved beyond the well-trodden paths. Away from noise, effects, and speed, the trio continues its quest for clarity, balance, and meaning. Around Jérémie Ternoy (piano, compositions), Nicolas Mahieux (double bass), and Charles Duytschaever (drums), an open space for dialogue takes shape — one where listening drives everything, where each sound finds…
Sangoma
Matsuli Music is proud to announce the first vinyl reissue of Philip Tabane’s Sangoma ("Spiritual Healer") since its 1978 release. Remastered from the original tapes with lacquers cut by Frank Merrit and pressed on 180g heavyweight vinyl at Pallas in Germany, this definitive edition re-asserts the power of one of South Africa’s landmark recordings. Featuring new liner notes by cultural critic Kwanele Sosibo and artwork restoration by Siemon Allen, Sangoma returns in full force through an extende…
The New Street In Old City
The album "The New Street In Old City" by December Thirty Jazz Trio, released in 1993, is recognized as an important jazz work. The trio consists of pianist Giorgio Occhipinti, bassist Giuseppe Guarrella, and drummer Francesco Branciamore. This album showcases their development of a unique sound and artistic expression in jazz, blending melody with freedom of improvisation. The music combines inventive concepts with intense yet clean melodic lines, making it compelling and a significant part of …
Banquet
Banquet was the fourth album by the legendary German rock band, fronted by British singer John Lawton. This album featured the band temper their usual hard rock style with a Santana-esque jazz-fusion edge, with help from a full brass section. Rated their most progressive album by fans. Five lengthy band-penned tracks, with standout opening pirate-themed 'Spanish Galleon' and the string-enhanced ballad 'Sorrow'.
Mahku
Manizeh's debut album "Mahku" is a bold entry into the world of contemporary spiritual jazz. Co-produced by Leiter labelmate ganavya—who recently released the celebrated "Daughter of a Temple" and "Nilam"—and Leiter co-founder Felix Grimm, the album was recorded in early 2025 at the label’s renowned Funkhaus Studio in Berlin.
"Mahku" comprises eight chants, including a striking reimagining of Fleetwood Mac’s “Landslide,” sung by Manizeh’s daughter, Mahku Rimer. The album’s title, meaning “eclips…
Fly Or Die II: Bird Dogs of Paradise
jaimie branch’s FLY or DIE II: bird dogs of paradise, originally released in the fall of 2019, was hugely anticipated in its time.
Live in France March 18th, 1989
The final chapter of the legendary Brotherhood of Breath unfolds in this captivating live recording from the Banlieues Bleues festival in France, March 18th, 1989. This release is a historic testament to the dynamic fusion of South African jazz influences with broader jazz traditions, capturing the band at a pivotal moment. Adding palpable excitement to this installment is the presence of the iconic Archie Shepp, who delivers compelling performances on tenor saxophone throughout the concert and …
Indefinitive Atmosphere
Giovanni Tommaso is the greatest Italian Jazz bassist and founder and member of the most important ever Italian Jazz Rock ensembles, the Perigeo band. Sonor entirely restored the full session from the original tapes found, and digitally remastered the sound for a greater sound experience, chasing the original analog source
Solo Brooklyn
Leo Genovese Returns with New Album Solo Brooklyn, Live from the New York Forward Festival
Dark Days
Stirring with poetic force, Dark Days by Neil Charles sets the bass as both anchor and insurrection, channeling the spirit of James Baldwin into a contemporary jazz crucible. Here, searing improvisation and taut spoken word entwine, yielding an album that radiates both urgency and gravitas.
HobbyHouse
HobbyHouse is the self-titled debut album by the Berlin-based duo featuring Mia Dyberg (DK) on saxophone and Axel Filip (ARG) on drums. Rooted in avant-garde improvised jazz, HobbyHouse explores diverse musical structures and sonic playgrounds, crafting spontaneous compositions with a strong focus on timbral nuance and authenticity. The duo weaves these elements into vivid, evolving sound narratives that reflect their commitment to exploratory expression and creative immediacy.
A Reflection Distorts Over Water
"Whether Camila Nebbia is freely improvising or playing originals that toggle between poetic rumination and fiery blowing, she is all in. With "A reflection distorts over water" she’s formed one of the most febrile, elastic ensembles in a very prolific career, uniting with two of the strongest improvisers in the US: veteran pianist Marilyn Crispell and rising percussionist Lesley Mok.
The new trio set up at Nevessa Studio without any prior rehearsal. They played Mok’s composition “Longing” while…
At The Montreux Jazz Festival
This live jazz album, recorded on June 15, 1968, at the Montreux Jazz Festival in Switzerland, showcases the extraordinary artistry of Bill Evans on piano, accompanied by Eddie Gómez on bass and Jack DeJohnette on drums. Capturing the trio at a peak of creative interplay, the album presents a captivating blend of original compositions and classic standards.
The repertoire features Evans originals such as “One for Helen” and “Nardis”, alongside his masterful interpretations of timeless pieces lik…
The Unseen Pact
The Unseen Pact marks the first recorded encounter between percussionist Sofia Borges and saxophonist Ada Rave—a meeting shaped by fierce yet lyrical energy, and a shared commitment to spontaneous storytelling through sound. Borges and Rave move like co-conspirators in a ritual of fire and ether, navigating the space between control and surrender. Rave masterfully weaves narratives that evoke characters and shifting personalities—stories that unfold as she plays. Borges, in turn, bends time and …
Spirits Of The Dead Are Watching
Believe’s debut album ‘Spirits of the Dead are Watching’ is a potent statement from four of Australia’s most experienced and dedicated improvisers. A powerhouse unit of rare intimacy, flexibility and passion, Believe connects the spectrum of contemporary creative sound making with the fluid, anything is possible momentum of free jazz.
Taking Place
Asked to create a solo album, Adia started looking for a creative way to re-invent her solo saxophone music. Her new improvisations are inventive pieces which take advantage of the full range of her instrument and different playing techniques, but also the sounds of her surroundings in the unusual locations where she recorded – the echo of a silo, the clucking of a chicken coop, or passing cars. These sounds inspired the music, creating a dialogue with the environment.
Frontalier
Unchained—a name which at the project’s inception or on earlier recordings spoke perhaps to the ecstatic saturation of high gain guitar—has over the past three albums (N.D. Visitor, Pic, and Gabbeh) come to represent more and more an acknowledgement of and sensitive remove from a crashing world. An excuse of oneself from trend towards a siloed artistic development. On Frontalier, Nate Davis crosses further into this patient personal lexicon of guitar composition, presenting a new set of richly …