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2026 stock Genie Of The Keys: The Best of Korla Pandit collects 16 choice cuts from this era—all featuring Pandit’s inspired blend of Eastern, Latin, and South Pacific musical traditions. Among the artist’s original compositions is his famous “Magnetic Theme,” which opened Korla Pandit’s Adventures in Music. Genie of the Keys also includes a variety of pop covers, including “Somewhere Over the Rainbow,” “Polka Dots and Moon Beams” and “Speak to Me of Love.” This collection—which not only celebra…
The Take Vibe E.P. is the breakout 7" release from musician Laurence Mason, born from an unexpected lockdown experiment that quickly captured global attention. Fusing the iconic keyboard-driven melody of Golden Brown with the laid-back sophistication of classic jazz, Mason created a version that resonated instantly—amassing over a million views online and sparking overwhelming demand for a physical release.
Released by Jazz Room Records, the EP pairs its headline track with a smooth, late-night …
Hatka performed at Telakka Jazz on the first Friday night of January 2025. The following Sunday the trio visited the studio to record a session - music captured in the festival afterglow, fuelled by a shared commitment to free expression. The album is titled Quartet for a reason. A fourth voice, saxophonist Jone Takamäki, was originally meant to join the group for both the live performance and the studio recording. Quartet is what was planned and what remains. Jone couldn’t make it, so he never …
*Back in print!* By the time this album was released, Antonio Carlos Jobim was already an international superstar. Having recently won a Grammy (1965) for "The Girl From Ipanema", by 1967 all the big name stars from up north were breaking down his door to work with the new "Gershwin of Brazil." In fact, Jobim had just finished working on an album with Frank Sinatra when he went into the studio to record this album. Recorded in 1967, Wave is actually one of the lesser known masterpieces of Brazil…
Roscoe Mitchell and Michele Rabbia are made for each other, because they've always made everything audible in their respective music and improvisations. The materials their instruments are made of; the bodies, gestures and movements that breathe life into them; the ideas and visions that guide them or lead them astray; the systems of play and thought they freely use; their imaginations. You can hear everything on the percussion of one, the slightest contact, the slightest clash, the slightest im…
The Tokyo Sessions, the dazzling new album project by Dutch alt sax icon Benjamin Herman, oozes a deep affinity for the Land of the Rising Sun. In 2024 and 2025, Herman – along with bassist Thomas Pol and drummer and The Tokyo Sessions album producer Jimmi Jo Hueting – found themselves knee-deep in Tokyo’s hyper-eclectic musical underbelly – districts like Shimokitazawa and Koenji where underground scenes in the city continue to flourish. Minds were ceaselessly and consistently blown: noise art…
Matt Gold and Dustin Laurenzi present Devotional Fade, a collaborative record of electroacoustic rhythmic improvisations – equal parts meditation and dance, released on We Jazz Records, 24th April. Laurenzi and Gold, key collaborators in the Chicago creative scene and with genre spanning artists such as Bill Callahan and Makaya McCraven, step forward here with a major artistic statement, a product of extended improv sessions capturing the duo's hypnotic interplay. This is the sound of two of Chi…
On Actionreaction 2, Pippo Lionni, Sergio Corbini and Stefano Franceschini turn the studio into a single, improvising organism, where spackle knives and rollers become percussion, free‑jazz piano and sax tangle with electronics, and each canvas is written twice – in sound and in paint.
"These are not musicians trading licks or showing off individual virtuosity - they are six voices engaged in genuine conversation, responding to each other with the kind of intuitive understanding that only comes from years of shared musical history. The music breathes, shifts, transforms. Moments of delicate interplay give way to passages of ferocious intensity; dense textures dissolve into sudden clarity. Nothing is predictable, yet everything feels inevitable." - Mark T., Third Millennium
Remastered LP edition. Finally back in print! Originally released by EMI's Pathé Marconi imprint in 1969, People in Sorrow — a 40-minute work by the four-piece lineup of Roscoe Mitchell, Joseph Jarman, Lester Bowie, and Malachi Favors — has long been unavailable on vinyl and CD, and then only in hard-to-find European and Japanese issues. It is arguably the finest and most ambitious of the 14 studio albums recorded by the Art Ensemble of Chicago during their 23-month sojourn in France, which laun…
The charming, thoughtfoul Oracle conveys the familiarity and empathy of partners who have worked together for years – light touch, intricacy and sensitivity pervade the session. Oracle wins you over with its warmth and melodicism.
The trio-debut of pianist, composer and 2025 MacArthur Fellow Craig Taborn with Tomeka Reid and Ches Smith has been eagerly awaited. In its review of the group’s live show from Fall 2025 the German daily Hamburger Abendblatt found nothing put praise for their performance, calling it “unpredictable, exhilarating”. The trio’s approach on Dream Archives is full of complexities, and as the title suggests, a wide musical spectrum is covered as multitudes of idioms seem to be pulled from history and r…
With Convergence, his second solo album, Swedish-born bassist Björn Meyer further develops music on the blueprint established with his recording Provenance (2017), making use of the technical potential of the bass guitar to establish striking sonorities and grained textures while also being acutely aware of the acoustic space in which his sounds emerge. In its review of Björn’s previous solo statement, London Jazz News found the bassist demonstrating “that melodic high-jinks and emotional intens…
Panamá 77 – a vibrant and verdant suite of multi-textural, jazz-laced psychedelic instrumental folk-funk – is the debut album by Panamá-born, Chicago-based drummer and DJ Daniel Villarreal.
Brooklyn-based pianist and composer Eva Novoa presents Eva Novoa Solo (I), her first solo piano recording and seventh album with 577 Records. Recorded at the legendary Sear Sound Studios in Manhattan, the album captures Novoa alone in the studio, embracing the artistic challenge of vulnerability, introspection, and creative freedom that defines the solo piano format. After several years working primarily within piano trio settings and other ensemble configurations, Novoa turned inward, embarking…
Brazilian avant-jazz vanguardists Grupo Um celebrate their 50th anniversary, sharing a second previously lost 1970s album from the vaults. Nineteen Seventy Seven (titled after the year it was recorded) is another rip-roaring instrumental fusion treasure from the band which spawned from within Hermeto Pascoal’s famed mid-1970s São Paulo collective.
Like their debut album Starting Point, Grupo Um’s Nineteen Seventy Seven was recorded when Brazil's military dictatorship was at its most repressive. …
Bayeté Umbra Zindiko’s Seeking Other Beauty is a visionary statement from keyboardist and composer Bayeté, also known as Todd Cochran, newly available in a definitive all‑analog reissue that brings its futuristic spiritual jazz into sharp contemporary focus.
Recorded in 1973 for Prestige, Seeking Other Beauty channels the electricity of early‑70s Miles Davis while drawing on the cosmic funk of Parliament‑Funkadelic and the astral explorations of Lonnie Liston Smith—only with a fuzzed‑out clavine…
The Awakening’s debut album Hear, Sense and Feel is a landmark spiritual jazz statement that captures the restless, creative energy of early‑1970s Chicago and the vanguard of the Black Jazz Records catalog. Recorded in 1972 at Streeterville Studios and newly available again after years as a coveted collector’s item, the album finds the group balancing deep groove, free improvisation, and Afrocentric consciousness in a way that feels timeless and urgently contemporary.
Hear, Sense and Feel was t…
The only 'group' on the Black Jazz roster, The Awakening today should be heralded as one of the great bands in early '70s jazz. That they're not is the result of the Black Jazz label's distribution woes; witness the fact that original copies of both of their records for the imprint command prices in the hundreds of dollars if you can find them at all. Mirage is their second (1973) album, the last one they made together; it boasts the same Chicago-based, AACM-centric line-up as the first, with th…
Tip! The Tomeka Reid Quartet - dance! skip! hop! (OOYH 041) releases February 13 2026 (LP/CD/limited streaming) on Out Of Your Head Records, featuring the steady quartet of Tomeka Reid (cello) with Mary Halvorson (guitar), Jason Roebke (bass), and Tomas Fujiwara (drums). Soon after finishing these compositions in June 2025, Reid realized that much of the music made her want to dance. Inspired by the title of Josh Berman’s stellar A Dance and a Hop, as well as her tendency to skip in public, the…