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Though short-lived, the New York Contemporary Five brought together NY free players Don Moore on bass, J.C. Moses on drums, Archie Shepp on tenor saxophone, and Don Cherry on trumpet with Danish alto saxophonist John Tchicai, in a remastered edition of their 1966 album "Consequences", expanded with Shepp's revisiting of the material in a sextet with Sunny Murray and Ted Curson.
A magnificent document of the music of the young Paul Bley. Recorded at the end of 1965 with Kent Carter - double bass and Barry Altschul - drums, "Touching" shows the already advanced musical conception of someone who over the years will establish himself as one of the greatest pianists in the history of Jazz. Between original pieces and compositions by Carla Bley and Annette Peacock, Bley's music unfolds with an autonomous step and extreme originality compared to most of the avant-garde pianis…
An album of piano / drums duets that Louis named for his beloved, and now tragically departed, wife Mpumi. The recordings took place in London in September, 1995, though the album was not actually released until 2002.
"Louis Moholo-Moholo, Son of the soil, has embarked on this musical journey with two of South Afrika's treasures - pianists Mervyn Africa and Pule Pheto. The third Pianist being his old favourite and friend, Keith Tippett. Louis's vibrant, warm and marvellous sounds celebrate the m…
Ogun presents Bò Kay La Vi-a by Francine Luce. One of the lesser-known gems in the Ogun catalogue - check the the list of participating musicians to start with! Francine, originally from Martinique but a long-time resident of the UK, has contributed her unique vocals to Louis Moholo-Moholo's Unit and Septet, and to the Dedication Orchestra, but this her debut album from 1999 remains her only recorded output under her name on Ogun.
Ogun presents Bush Fire by Louis Moholo, Evan Parker, Pule Pheto, Gibo Pheto, Barry Guy Quintet. Recorded at Gateway Studio, London in July, 1995 and released in 1997. "Musicians who refuse to follow passing fashions represent a vital rejuvenating force on any music scene, and perhaps especially today in a jazz world dominated by nostalgia and revisits to the past. The influence of South African musicians on the British jazz scene has been a crucial inspiration to that kind of independence. Loui…
A second volume of valuable documents from the Ogun archives by label co-founder Harry Miller. the tracks come from three sessions spanning 1977-1982. All feature Harry on bass with Louis Moholo-Moholo behind the drum kit and Trevor Watts on sax, other musicians included are Alan Wakeman (sax), Bernie Holland (guitar), Keith Tippett (piano), Alan Tomlinson (trombone), Dave Holdsworth (trumpet). This joyful music, at times rough around the edges but full of life and spirit, conviction and enthusi…
Precious artefacts from the Miller family's box of tapes. This album presents three tracks recorded in London (1973) with a line up of Harry Miller, Louis Moholo-Moholo, Chris McGregor, Mike Osborne, Nick Evans. Four more tracks come from a French festival (1976) with Miller, Moholo-Moholo and Osborne joined by Keith Tippett, Mark Charig and Malcolm Griffiths.
“Procession” captures Chris McGregor’s Anglo/South African big band in explosive form. Originally released on LP in 1978, this historic recording has been painstakingly restored from the original two-track analogue masters for this 2013 CD edition, which features an additional 23 minutes of music.
King Crimson/Soft Machine alumnus Mark Charig played in Keith Tippett's group and Centipede big band, and here on his sole Ogun album Keith and vocalist Ann Winter formed a trio to create a gem of free improvisation. Recorded over two cold days in January 1977, in a Bristol church, it was released on LP as OG 710, then reissued in 2010 on CD (OGCD033) with an extra previously unreleased track.
The phenomenal trio of Mike Osborne, Harry Miller and Louis Moholo-Moholo at their fiery best. Tracks 1-6 were recorded at the Willisau festival in Switzerland in April 1975. Track 7 is of vague origin but is of a similar vintage, recorded live in Europe (somewhere...)
** Two LPs (Border Crossing + Marcel's Muse) on one CD, in a six-panel digisleeve ** Reissue (from 2004) of the two Mike Osborne albums released by Ogun on LP format now together on CD: 'Border Crossing', featuring the renowned Trio with Louis Moholo and Harry Miller, recorded live at the famous Peanuts Club in Bishopsgate, London, in 1974, and 'Marcel's Muse' recorded in 1977.
"Uneven and raw, but full of unflinching magic and flinty beauty." - John Fordham, The Guardian
Recorded live in a French club in May 1978, this important document captures the Soft Head line up on cracking form and in quality audio crispness. The original LP was released in 1978 (OG527) and the CD reissue (OGCD013) in 1996, including two extra tracks. Please note the typo on the spine - Soft Heap - this album does not feature Pip Pyle!
Hugh Hopper - bass guitarElton Dean - alto sax, saxelloAlan Gowen - electric piano, synthesiserDave Sheen - drums
Ogun presents Coxhill on Ogun by Lol Coxhill. Packaged in a double-gated cardboard sleeve including a short biography of Lol Coxhill, portrait photo and visuals on inner panels. Artwork [Inside Etching] – Claire Coxhill. Artwork [Inside Painting] – Stephen Cochrane. Executive Producer – Hazel Miller. Layout – David Ilic. Mastered By [CD Mastering] – Shawn. Photography [Portrait] – An Italian Friend. Soprano Saxophone, Producer – Lol Coxhill. Visuals: "Diverse" illustration (front) from Victorian…
This famous recording previously released as an LP now on CD with extra music launched the Ogun label. Recorded live at the Willisau Jazz Festival, Sept. 1974. Chris McGregor's Brotherhood of Breath big band was exciting packed audiences throughout Europe, and needed an outlet provided by this new label, home of the South African family. The cover was designed by Niklaus Troxler with sleeve notes by Val Wilmer.
Recorded live at Willisau, Switzerland, 27 January 1973 by Roland Janz. Edited and re…
** Carefully remastered. 4 page booklet with rare and unpublished photos ** In May 1972, the wave of anger and the thirst for freedom that had swept the world in 1968 arrived in Madagascar. The Malagasy youth took the opportunity to exile in search of a brighter future. Several of them, all jazz musicians and often polyintrumentalists, came to Paris with their afro hair and bellbottoms. Their names were Sylvin Marc, his cousin Ange "Zizi" Japhet, Del Rabenja, Gérard Rakotoarivony and Frank Rahol…
** Carefully remastered. 4 page booklet with rare and unpublished photos ** While he was working on the repertoire for the new version of his group Malagasy, with young Malagasy musicians he had met in Paris in 1972 (and who can be heard on the album "Malagasy At Newport-Paris"), Jef Gilson realised that two of his new discoveries, in addition to being established polyinstrumentalists (who both had sharpened their skills in the legendary seja-jazz band from La Réunion, Le Club Rythmique), were a…
** Carefully remastered. 4 page booklet with rare and unpublished photos.** Paris, May 13th 1968. There was a general strike. One last plane left the runway, strewn with flaming oil drums. On board were three jazz musicians wondering whether they would be able to return home one day. But for the time being they really want to make it to Madagascar where concerts and workshops with young local musicians were waiting for them. Pianist and bandleader Jef Gilson was accompanied by his bassist Gilber…
* Featuring contributions from the queen of afrofuturism, June Tyson. Includes a bonus cut from the same sessions, not available on the original LP. * True studio albums of Ra with the Arkestra are rare on this planet or beyond. This studio saucer is an interplanetary interpreter, here to convert even the faintest of heart to the sounds of Sun Ra. Recorded with Arkestra veterans at the same NY studio that hosted countless Sun Ra sessions since the late 60s, this first ever reissue of Celestial L…
** 2021 Stock ** Assagai's debut for Philips' progressive subsidiary Vertigo was realized in 1971 to quiet applause. Critics soon became favorable as Afro-rock gained a foothold as the "next big thing" and it wasn't long before they would make their (only) appearance on Top of the Pops. Their journey in London's predominantly progressive underground music scene was brief, but also established a further chapter in the annals of Afro-rock alongside Black Velvet, Osibisa, Thor's Anvil, Uhuru and Th…
The title of Horace Tapscott's debut release is apt, if not self-referential, for indeed a giant of West Coast jazz had awakened with this, the pianist / composer / bandleader's 1969 album for the Flying Dutchman label. Tapscott went on to form two groups crucial to the flowering of modern jazz in the Los Angeles area, the Pan Afrikan Peoples Arkestra (or P.A.P.A.; the name is an homage to Tapscott's predecessor and peer, Sun Ra), which eventually became part of a larger umbrella organization, U…