We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Jazz /

Voices & Rhythms Of The Creative Profile
One of the most righteous albums ever issued by the always-righteous Tribe Records label of Detroit – a really collective effort, one that features ensemble vocals and spiritual jazz – all pulled together by pianist Harold McKinney! The album showcases a group named Voices Of The Creative Profile – formed by McKinney to accompany his Creative Profile instrumental group – and the overall style is a great blend of spiritual soul jazz that gives equal time to the voices and instruments in the set. …
A Message From A Tribe
Genius work from the Detroit underground of the 70s – one of the greatest records ever on the now-famous Tribe Records label, and a masterpiece of soul, jazz, and righteous spirit! The session's headed by tenor player Wendell Harrison – and it's got an all-star Motor City lineup that includes Marcus Belgrave on trumpet, Phil Ranelin on trombone, Jeamel Lee on vocals, Charles Eubanks on electric piano, and Charles Moore on flugel horn.The tracks have a spacious spiritual approach that recalls som…
Music Inc
The remarkable Music, Inc. Big Band remains the apotheosis of trumpeter Charles Tolliver's singular creative vision. Rarely if ever has a big band exhibited so much freedom or finesse, while at the same time never overwhelming the virtuoso soloists on whom the performances pivot. Built around the core of Tolliver, pianist Stanley Cowell, bassist Cecil McBee, and drummer Jimmy Hopps, the music boasts the kind of give-and-take born equally of talent and telepathy -- each player seems to communicat…
Vibes From The Tribe
Phil Ranelin was a session trombonist recording with the likes of Steve Wonder before setting up the Tribe label with Wendell Harrison in Detroit. Like other contemporary artist run labels like Strata East and Black Jazz, Tribe releases were characterised by a heady mix of post Coltrane free jazz, soul and funk, all informed by a strong political conscience. Vibes From the Tribe is a fine record. The title track is lusciously, greasily funky and stands in pretty stark contrast to the kind of air…
Bright Moments
Rahsaan Roland Kirk's live club gigs were usually engaging, freewheeling affairs, full of good humor and a fantastically wide range of music. The double album Bright Moments is a near-definitive document of the Kirk live experience, and his greatest album of the '70s. The extroverted Kirk was in his element in front of an audience, always chatting, explaining his concepts, and recounting bits of jazz history. Even if some of his long, jive-talking intros can sound a little dated today, it's clea…
Love from the Sun
This jazz recording is considered as the 'magnum opus' of master "drummer extraordinaire'', composer, arranger, producer, and leader Norman Connor's in a career that has spanned 4 decades. This recording is what many will consider the debut of the legendary vocalist Dee Dee Bridgewater who has since gone on to a brilliant career. Connor's put together an all-star group with Herbie Hancock and Onaje Allan Gumbs on piano and Fender Rhodes, Dr. Eddie Henderson on trumpet/flugelhorn, Carlos Garnett …
Love-In
Five decades after the event, Charles Lloyd's Love-In, recorded live at San Francisco's Fillmore Auditorium in 1967, endures as much as an archaeological artefact as a musical document. From sleeve designer Stanislaw Zagorski's treatment of Rolling Stone photographer Jim Marshall's cover shot, through the album title and some of the track titles ("Tribal Dance," "Temple Bells"), and the inclusion of Lennon & McCartney's "Here There and Everywhere," Love-In's semiology is a powerful reminder of t…
A symphony of amaranths
**Repress limited to only 500 copies in textured art paper. Included inner sheet with liner notes and pictures. Newly mastered sound from the original tapes and will include one bonus track recorded in the same sessions.** First ever vinyl reissue of this 1972 masterpiece by another of the big names in UK Jazz. Neil Ardley was offered the leadership of the seminal New Jazz Orchestra in 1964. Under his direction the Orchestra moved though different styles and changes of personnel, bringing in mus…
Awareness
2017 Release. LP version. Gatefold sleeve. Wewantsounds present a reissue of Buddy Terry's Awareness, originally released in 1971. Following the highly-acclaimed release of theHarold Land's 1971 album A New Shade Of Blue. Awareness was Buddy Terry's first album for Mainstream Records, one of the three he recorded for Bob Shad's label. This is pure, undiluted spiritual jazz that is both deep and funky. Prior to the release of Awareness, Terry had recorded a couple of soul jazz albums for Prestige…
Agharta
Agharta was recorded on the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion. Produced and recorded by Teo Macero, the album's four seemingly unstructured segments emphasize the playing of Davis' sidemen rather than his own tr…
Get Up With It
Miles Davis' 1974 album Get Up With It is a collection of tracks recorded between 1970 and 1974. Released as a double LP, it was Davis' last studio album before five years of retirement from music. He Loved Him Madly was recorded by Davis as his tribute to then-recently deceased Duke Ellington, who used to tell his audiences I love you madly. English musician Brian Eno cited it as a lasting influence on his own work.This album is an essential. An overlooked classic of Psychedelic Soul, represent…
In A Silent Way
"Listening to Miles Davis' originally released version of In a Silent Way in light of the complete sessions released by Sony in 2001 (Columbia Legacy 65362) reveals just how strategic and dramatic a studio construction it was. If one listens to Joe Zawinul's original version of In a Silent Way, it comes across as almost a folk song with a very pronounced melody. The version Miles Davis and Teo Macero assembled from the recording session in July of 1968 is anything but. There is no melody, not ev…
Black Beauty
Black Beauty, Miles Davis At Fillmore West, was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles' classic album Bitches Brew. The album was released in 1973, originally in Japan only. Black Beauty, a true jazz-rock album, captured one of Davis' first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxop…
What Color Is Love
180 gram audiophile vinyl. Terry Callier's What Color Is Love (1973) is an essential Soul Jazz album that should belong in anyone's record collection. This record was produced by Charles Stepney, whose work with Cadet / Chess records, Rotary Connection and Earth, Wind & Fire earned him popular acclaim. Filled with Funk, Rock, Folk, Jazz, and even Classical influences, vocalist Callier can be heard on this album to the most intriguing heights.
A Safe Return
Re-issue on Everland of an overlooked Dutch Jazz LP 'A Safe Return' by the Surinam jazz flutist Ronald Snijders. Recorded in 1980, flute-centered, spacious as it is soulful, which makes for a perfect mix with the album's use of keyboards and other electric instrumentation .'Lenox' the opening track, has a playful haze escaping from every groove,with a solid hypnotical rhythmical base and haunting flute melodies that have the character of the lead vocals. Despite the slower pace, the jazzy approa…
Of Echoing Bronze
 Nate Wooley and Torben Snekkestad recorded live at "KoncertKirken – Blågårds Plads" in Copenhagen, July 5, 2015. The result is an astonishingly focused music, which transfers listeners into a completely different world and different order of things, enclosed in sounds played with great care, as if each of them was so fragile that any inattention could destroy its structure
Wet Robots
"Few vocalists have the sheer boldness – the outright fearlessness – of Fay Victor as an improviser. The New York native has long been a creative force on the avant-jazz scene, as a singer, bandleader, composer, arranger, and teacher. She has worked on both sides of the Atlantic with the likes of Misha Mengelberg, Roswell Rudd, and Anthony Braxton, along with recording several distinctive albums as a leader. Reviewing her recent disc Absinthe & Vermouth, NPR declared evocatively that Fay’s origi…
River, Tiger, Fire
Last year Maciej Karlowski invited me to participate in the Ad Libitum Festival and perform four different concerts to celebrate my 60th birthday. From among the many projects I have been a part of, he chose three: The Aurora trio, which had been performing regularly for over ten years and has released four CDs; the piano solo El Laberint de la Memòria; and the Thunder trio, which was a world première. The fourth concert was an invitation to play and conduct a group of Polish musicians who had t…
Spontaneus Chamber Music vol. 2
The second album of Zakrocki & Olak is even better than the first one. The reason is simple: it is recorded with Agustí Fernández, whose inside piano effects enrich the general sound of the ensemble.
City Of Gardens
The City of Gardens is an album that is a natural consequence of the artistic initiative "Contemporary Sonus", initiated by RGG in 2015. It is an idea, within which a completely new musical story was created, composed and dedicated to performers with a specific approach to improvisation. Artistic agreement and a friendly bond between the members of the quintet was a key deciding factor of the character and emotional charge, flowing directly from the creation of sound. The Contemporary Sonus of o…