Soundohm

"Tee" in Tee and Company is the nickname of Three Blind Mice's founder and producer Takeshi Fujii, who formed the all-star group of eight top Japanese jazz musicians in 1977 for a series of concerts and seven days of studio recording that produced three separate albums.This supergroup included who's who of the Japanese jazz scene: Kenji Mori and Takao Uematsu on saxophones, Masaru Imada on piano, Masayuki Takayanagi on guitar, Hideto Kanai on bass, Nobuyoshi Ino on electric bass, Hiroshi Murakam…

Craftman Records, CS Record, Three Blind Mice

Lonely Woman

*2022 stock* Guitarist Masayuki "Jojo" Takayanagi (1932-1991) was a towering leader in the Japanese jazz world. His first influence was Lennie Tristano, but through the 1960s and 1970s he explored and pushed the boundaries in free form jazz, leading a group called New Direction, among others. Ever a fighting spirit, in 1982, shortly after recovering from a life-threatening medical condition and surgery, Takayanagi decided to take on a challenging task for any guitarist: To record an entire solo …

Masaru Imada

Green Caterpillar

Pianist Imada Masaru was 42 years old when he recorded this album in 1975. His adventurous spirit led him to use the electric piano for the first time in a recording, and thanks to his musicianship, he made it sound like he'd been playing the instrument for years. The program opens with the title track, a sophisticated urban funk. Guitarist Kazumi Watanabe plays a big role here. It is followed by a more intricate, fusion-like "Straight Flash."The all-original-composition program switches gear on…

Masaru Imada

Poppy

Yoshio Otomo, Tsuyoshi Yamamoto

Poppy was pianist Masaru Imada's second album for the Three Blind Mice label. Imada brought the idea of playing slow ballads by himself to the TBM producer Takeshi Fujii, who greenlit the project but requested Imada to perform his original compositions with his current trio. The result was this album. Side A consists of four solo piano performances of jazz standards, and the trio takes on Imada's three originals on Side B.Produced by Takeshi Fujii. Recorded at Aoi Studio in Tokyo on January 25 a…

Moon Ray

Keizo Inoue, Tatsuya Nakatani

"Otomo is an alto player from the Jackie McLean school of tone and the Art Pepper institute for improvisation. In other words, his tone has an edge, but he always phrases and improvises melodically. With Tsuyoshi Yamamoto leading the rhythm section, the other two members, Tamiko Kawabata on bass and Arihide Kurata on drums, had to be ever watchful and vigilant that these proceedings didn't escape them altogether. The set opens with the hard blues wing of the title cut by Artie Shaw. Otomo pushes…

Live at Hachioji Alone Sep.3 1977

DIW Rrecords

Kaoru Abe was an influential Japanese free jazz alto saxophonist, who is often regarded as being the greatest abrasive sounding saxophonist. He generally performed solo, and died young from a drug overdose, and has since been immortalized in the jazz scene. He became close friends with Milford Graves, Masayuki Takayanagi, Derek Bailey, and Motoharu Yoshizawa, and was married to the author Izumi Suzuki. His cousin was the famous singer Kyu Sakamoto.

Masahiko Togashi, Masayuki Takayanagi

Pulsation

DIW Rrecords

Two side-long improvised tracks – recorded in a spacious concert hall in Tokyo, and featuring the drums and percussion of Masahiko Togashi alongside some very inventive work on guitar from Masayuki Takayanagi! Togashi is very different than the usual jazz drummer – and even when working the kit, has this way of moving forward, then stopping, moving forward, then turning – almost as if he's trying to be as a-rhythmic as possible! Takayanagi's guitar is a great accompaniment in this mood – as he…

Masahiko Togashi, Steve Lacy

Eternal Duo

DIW Rrecords

One of the most compelling albums Steve Lacy recorded during the 80s – a spare set of duets with Japanese percussionist Masahiko Togashi, who really helps shape Steve's style on the record! Togashi approaches his instruments with a very introspective, almost tentative style – hardly the bold rhythms of other drummers, and instead this subtle stepping forward that almost feels, at times, as if Masahiko is discovering his instruments for the first time – and figuring out the sounds in a careful wa…

Three Improvised Variations On A Theme Of Qadhafi

Jinya Disc presents Three Improvised Variations On a Theme of Qadhafi. A live recording board that includes live performances of improvisation by Action Direct, which was performed on the theme of "personal image" of Muanmar al-Gaddafi rather than ideology or political position. Jim O'Rourke refers to Three Improvised Variations On a Theme of Qadhafi as "a constellation of moving celestial bodies, expanding gas, exploding stars densely packed" and "a corridor of endless possibilities and discove…

Mass Hysterism: In Another Situation

John Butcher, Michael Duch

Mass Hysterism: In Another Situation, a 1983 record by the late Japanese noise-guitar hellion Masayuki Takayanagi (1932–1991) is one of those albums that always going to be lurking in my attic, so to speak. I can put it away for a while, but it never goes to sleep—it's always calling me. Even if it takes a few years, I'll be back. (As an illustration of this, I obsessed over Takayanagi in a February 2007 post as well.) It's a bashing, clanging exorcism: two electric guitars (the other played by …

Doug Carn

Adams Apple

Snow Dog Records

Further distanced in time from John Coltrane's spiritual new-jazz and the influential second Miles Davis quintet, Doug Carn showed a close affinity with R&B when recording his fourth and final Black Jazz album Adam's Apple. Sharing his interest in R&B was a platoon of committed, resourceful jazz musicians including young star-in-the-making Ronnie Laws, who had worked with Earth, Wind & Fire before that band's big commercial breakthrough. Of the others, ace guitarists Nathan Page and Calvin Keys …

Fjordgata

Confront Recordings

John Butcher, saxophones. Michael Duch, contrabass. Jazzfest Trondheim, Trondelag Senter for Samtidskunst, 9th May 2015. Recorded in concert by Jonas Krossli and mastered by Karl Klaseie. Thanks to Ernst-Wiggo Sandbakk and Randi Martine Brockmann. 'I first heard John Butcher in 2001 playing duos with Rhodri Davies and Derek Bailey on the CD Vortices and Angels. I was completely mesmerized, particularly by the two tracks in the end with John and Rhodri playing together. Vortices and Angels is sti…

Angry Waves Vol.2

Masayukia Takayanagi, electric jazz guitar. Nobuyoshi Ino, contra bass. Hiroshi Yamazaki, drums. Recorded live at Yokohama Airegin on August 26, 1984. Remastering and remix by Yukio Kojima from Takayanagi's private tapes. Linernote (in Japanese) by Kazuo Imai.

Angry Waves Vol.1