Jazz & Improvisation / All styles

Keith Jarrett and conductor-pianist Dennis Russell Davies have been friends and musicalcomrades for forty years. In the mid-70s the St Paul Chamber Orchestra, under Davies’ directionpresented Jarrett’s chamber music. In the 90s Jarrett recorded the Mozart piano concertos with Davies and the Stuttgarter Kammerorchester. Near the beginning of their association, Jarrett invited Davies to play a composition he had written for solo piano. To listen to Ritual is akin toexperiencing the core of a Jarre…

The repertoire features original compositions and Norwegian folk themes, balancing lyrical melodies with subtle harmonic exploration. Pieces such as “The Circle” and “Stream” highlight Gustavsen’s ability to let themes emerge organically, favoring patient development and deep listening over overt virtuosityWith Opening, Tord Gustavsen returns to the classic piano trio format that has defined his ECM legacy, unveiling a fresh perspective on his distinctive blend of Scandinavian folk hymns, gospel…

On his second release for ECM New York-based saxophonist Oded Tzur introduces a heightened sense of urgency and a conceptually augmented approach to his distinctive voice, weaving one underlying musical idea through a series of elaborate and impassioned designs. The quartet’s lineup is unchanged from 2020’s Here Be Dragons and the group’s interplay has grown even more expressive in the meantime. Throughout Isabela the saxophonist and his collaborators – pianist Nitai Hershkovits, Petros Klampani…

On Once Around The Room ECM recording artists and key jazz musicians from several generations unite in a small ensemble to celebrate the musical legacy of drum icon Paul Motian in a big way. Joe Lovano and Jakob Bro lead a party of seven through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Lovano and Motian had been intimate colleagues for many years with their most notable collaboration being the groundbre…

2025 stock There is a distinguished tradition of solo bass albums on ECM, but Provenance is the first to be devoted to the electric bass guitar. Björn Meyer, Swedish-born and Swiss-based, has shaped a unique voice for his instrument inside the most diverse contexts, working alongside Persian harpist and singer Asita Hamidi, Swedish nyckelharpa player Johan Hedin, and Tunisian oud master Anouar Brahem. For a decade he was a member of Nik Bärtsch’s Ronin, in which his bass guitar was frequently th…

Over the years, Pat Metheny Group's Grammy-winning double live album Travels has earned a singular reputation among jazz aficionados as one of the most distinctive and impeccably recorded live jazz albums of all time. Upon its initial release, it appeared on numerous year-end best-of lists, with The Wire hailing it as simply "remarkable" and "superbly recorded." The album captures the Pat Metheny Group during their 1982 US tour, a period when Brazilian percussionist Nana Vasconcelos had become a…

The New York Composers Orchestra is a big band formed in 1986 by its artistic directors Wayne Horvitz and Robin Holcomb with the idea of giving new life to a classic format and to further the tradition of new music bridging the worlds of notated and improvised music. “ ... the music evokes Aaron Copland and Igor Stravinsky as much as Count Basie and Charles Mingus; the playing is not just precise but committed to making the music jump.” —            －The New York Times

When time pulled the rug from under Earl Hines in 1983, he was still enjoying a comeback that had lasted almost twenty years. That comeback was one of the most important events in recent jazz history and the music included here was recorded when his return to action was in high gear. The classic quality that Hines maintained throughout his career, and that dominates these interpretations, was a persistent exuberance, a spirit of engagement. Hines was not incapable of meditative melancholy or the…

Jay McShann secured a lasting place in jazz history on April 30, 1941, when he became the first bandleader to usher Charlie Parker into a studio for a commercial recording session. For years, that was how McShann was remembered, if at all—as an early benefactor of the most influential figure in modern jazz. Shamefully, it took the jazz literati three decades to recognize Bird's old boss as a dynamic force himself. McShann's advocacy of Parker was hardly his only distinction as a bandleader. A ri…

The Texas Twister is a relaxed, gently probing session; its several highlights begin with the title selection, a thirty-two-bar riff confection with a characteristically willful opening solo by Buddy Tate. His best playing on the date is heard on "Talk of the Town," a memorable example of his ability to invest a ballad with emotional generosity, melodic invention, and playfully rhythmic finesse, and on "Topsy," in which he follows the piano solo with a plaintive, wailing, yet impeccably shaped s…

The fullness and clarity of the six solos and six duets that comprise Mostly Ballads set them apart from the typical encounter of post-Parker jazz musicians with "the tradition." Standard songs, once the improviser's training ground, fell out of favor in the sixties as jazz became freer on the one hand and more tolerant of rock on the other; far too many players viewed pop tunes merely as opportunities for broad comedy or rote displays of musicianship. But Steve Kuhn, a post-Parker improviser wi…

3 Phasis is the companion disc to the Cecil Taylor Unit, both set down over four miraculous days in April 1978. It too is a testament to the perfectionism and unpredictability that are hallmarks of Taylor’'s music. As always, he is the instigator and barometer of the torrents of energy channeled through his able and sympathetic collaborators. This is music of a fierce and uncompromising beauty which sweeps all before it.

The naive romanticism of the Jazz Age, when, as F. Scott Fitzgerald saw it, "people danced in a champagne haze on the rooftop of the world," was nowhere more clearly reflected than in America's popular music of the 1920s. The banal optimism, the desperate gaiety, the tinsel pretentiousness, the childish excitement, and the innocent beauty of the songs between the end of World War I and the Depression demonstrate how sweet and sad and silly a time it was. The subject matter of the love songs, the…

In this time of charged debate about immigration and the concomitant stereotyping of minorities, this collection of fourteen songs drawn from musicals and minstrel shows reminds us that the habit of stereotyping has been with us longer than we care to remember. Musical snapshots of prevailing attitudes towards certain minorities at the turn of the century, these songs are revealing in what they say about America then and now. Edward Harrigan's five songs about the Irish are affectionate, wistful…

This record presents further evidence of Cecil Taylor’s genius and awesome ability to work within the group context, in which he furthers his exploration of the piano “as catalyst feeding material to soloists in all registers.” This music at times gets very intense. It will take you down forgotten little streams in your mind and swell them with rivers of sound as Taylor pours notes on your ears. Listen. * * * "More than free, the music has a beguiling formal structure, and Taylor feeds all the e…

Keyboardist-composer Vijay Iyer’s energized sequence of ECM releases has garnered copious international praise. Yet his fifth for the label since 2014 – Far From Over, featuring his dynamically commanding sextet – finds Iyer reaching a new peak, furthering an artistry that led The Guardian to call him “one of the world’s most inventive new-generation jazz pianists” and The New Yorker to describe him as “extravagantly gifted… brilliantly eclectic. Far From Over features this sextet of virtuoso im…

** Special Time-Limited Offer ** "Languishing off-catalogue for many years, McCoy Tyner's Extensions may be the pianist's most unjustly neglected album. Strange days, for not only is the music ineffably vibrant, but Extensions is the only recording ever to feature Tyner alongside pianist and harpist Alice Coltrane, who replaced him in saxophonist John Coltrane's group in 1966. The album has one foot in the echoes of John Coltrane's "classic quartet," of which Tyner was a member from 1960-65, and…

Special Time-Limited Offer “Night Dreamer is an album that finds Wayne Shorter in a state of transition as he was still rooted in the hard bop style that started his career, but also starting to lean toward the more abstract style that will serve for the greater part of his remaining career. It’s a talented, and somewhat unusual ensemble that Shorter has assembled here. McCoy Tyner and Elvin Jones, at that time, were mostly known for their famous work with Coltrane, but in 1964, when this album…

Hank Mobley octet session arranged by Duke Pearson, with Lee Morgan, James Spaulding, McCoy Tyner, Bob Cranshaw, Billy Higgins, Kiane Zawadi and Howard Johnson, recorded on 18 March 1966 and first released in 1979 (LT-995). Tone Poet reissue, 180g.

"There was a school of philosophy in ancient China whose core theory stems from a debate entitled “A White Horse Is Not a Horse.” In a book by Gongsun Long (公孫龍 320-250BC, about 200 years after Confucius) in the Warring States Period, two persons argue if a white horse is a horse: the protagonist argues it is not, because ‘white’ is the color of a (particular) horse while a ‘horse’ is a shape and a generic term. It’s a linguistic/logical paradox, or sophistry. Ridiculed by his contemporary philo…

With Call on the old Wise Nitai Hershkovits delivers an entrancing solo album. In this largely improvised solo rendering, the pianist draws from broad influences, ranging from his extensive work in jazz contexts and cutting-edge contemporary explorations to his background in classical music. This immaculate balance of idioms gives rise to an abundance of colours and timbres, explored by a pianist, who has successfully forged his very own voice as improviser and shape-designer.   With a soft tou…

The Italian jazz label Black Saint was launched with Harper's 1975 album, Black Saint, making this not just a remarkable recording but a foundational document in European jazz history. Recorded July 21-22, 1975 at Barclay Studios, Paris, this album announced the arrival of one of the most powerful voices in post-Coltrane jazz. Billy Harper had already proven himself in the crucible of jazz's most demanding ensembles. He served with Art Blakey's Messengers for two years (1968-1970); played with t…

For the follow-up of his ECM-leader-debut La traversée, French saxophonist Matthieu Bordenave expands his trio of German pianist Florian Weber and Swiss bassist Patrice Moret with the unique sensibilities of drummer James Maddren, whose unrelenting pulse adds deft counterpoint to the group’s already idiosyncratic sound. Besides the soulfully angular rendering of John Coltrane’s “Compassion”, the quartet tackles eight Bordenave-originals that bridge the gap between chamber-jazz dynamics and post-…

We are pleased to announce the upcoming reissue of “Min Bul”, a milestone of Norwegian rock and jazz, included in the renowned Nurse With Wound list, from the band whose leader was a young Terje Rypdal. Recorded in the Rosenborg studio in September 1970, with Egil Eide as engineer, “Min Bul” is a highly experimental work for its time that grew out of the Samklang projects at the Henie-Onstad Art Center, where director Ole Henrik Moe encouraged adventurous composers and improvising musicians to j…

1992 release ** "When it came out in 1992, Firestorm went quite unnoticed. Many missed this very strong, very untypical string-only free jazz date. Cellist Diedre Murray and bassist Fred Hopkins developed a profound musical relationship in the Henry Threadgill Sextet. This CD was the duo's first release. Murray favors a written-down approach; her compositions lay out melodies, phrases, and sections, but also include lots of improvisation and time stretching, and they require the kind of underlyi…

Biiig Tip! Edition of 300. Paal Nilssen-Love and Joe McPhee started playing together when Paal was 25. Now he’s 50, so this musical dialogue has been going on for the quarter of a century. It has taken many forms, first with The Thing, then The Thing/Cato Salsa Experience big-band, on to the Peter Brötzmann Chicago Tentet, with several one-off collaborations on the way (some previously released on PNL) – but throughout the years the duo format has been the best way to hear these two voices. It’s…

180 gram reissue / Limited Edition 400 copies Includes OBI and 4 pages insert. Text in Japanese / English . Cinedelic presents Jazz in Fabbrica by Enrico Intra. Recorded in Ratti’s Factory in Guanzate (Como) on October 31, 1972. Pianist, composer, arranger and conductor, among the most important ones in the history of European jazz, Enrico Intra has developed a poetics aiming at the encounter betwee the most exquilisitely jazz language and contemporary music of a cultural matrix, and for this re…

*200 copies limited edition* Technicolor Band is a revolving-cast, cross-genre improv unit based in Bloomington, IN. The group, initially instigated by multi-instrumentalists David Brown and Caleb Hickman as a regular gathering to explore improvisation behind closed doors, eventually made its way into public via a residency at a 50 cap bar called Orbit Room. Over the next two years a core lineup formed around the quintet of Brown (keys, percussion, tape manipulation), Hickman (alto sax, electron…

This album captures the debut performance of Billy's 12-piece chamber-jazz ensemble Grande Família, recorded live at London’s Pizza Express Jazz Club. The concert, which sold out two months in advance and received a full standing ovation, features expanded arrangements of music from his critically acclaimed debut album 'Penelope'. The original studio album was created as a surprise for Billy’s mother Penny during her struggle with pancreatic cancer in summer 2023. Released in her memory in Janua…

1993 release (RARE) **  ""This lovely duet between avant guitar kingpin Derek Bailey and drummer/trumpet player John Stevens is a fine example of what Bailey was up to in the early '90s, before he discovered drum'n'bass and Bill Laswell, among other things. While the date is, as usual, completely improvised, relying more on nuance, texture, and timing than tonality, subtle timbral studies are evident, particularly in the middle of the recording on "Ping Pong" (where Bailey forgoes the electric g…

1994 release  ** "Affinity consists of Joe Rosenberg on soprano, Rob Sudduth playing tenor, bassist Richard Saunders and drummer Bobby Lurie. They have a very inclusive approach in picking out "nine modern jazz classics," so this inventive CD ranges in repertoire from Lee Morgan and Thelonious Monk to Ornette Coleman and Anthony Braxton (two compositions, including his infamous march). Affinity's playful interplay is a bit reminiscent of Steve Lacy's early recordings, and the versatile solos fit…

1997 release  ** "The Vinny Golia quintet on this CD is comprised of Golia on every woodwind known to man although he seems to prefer the extremes of range (e.g., piccolo, sopranino and contrabass saxes) alone with Tad Weed on the piano, Rob Blakeslee on trumpet, flugelhorn and cornet, Michael Bisio on the contrabass and Billy Mintz on the drum set. The music is in a style I have heard called freebop although I am not sure how common a usage that is. Freebop usually has a harmonic structure that…

1995 release ** “The music on L’âme de l’objet is strongly fed by Côté’s work for theater and dance performances, as it bears a remarkable plastic quality. One can feel the movement. All pieces (initially written by individual members and worked out by the whole band) are very atmospheric and often fitting a strange avant-gardist film noir mood, thanks mostly to the trumpet plus saxophone arrangements and Martin Tétreault’s remarkable performance (and highly original choice of LPs).”

1992 release ** "The first live documentation of this, at the time, three-year-old, hard working trio. A wild romp of different jazz and world music styles connected by intense improvisation." Michael Moore - alto saxophone, clarinet, melodicaErnst Reijseger - cello, electric celloHan Bennink - drums, percussion

1996 release ** "Recorded live in 1995, Italian woodwind specialist Stefano Maltese along with fellow countryman, percussionist Antonio Moncada garner the services of modern jazz/improvising superstars pianist Keith Tippett and saxophonist Evan Parker for this engaging affair. Here, some of Italy's finest team with two musicians who respectively helped shape the oft-fabled British free jazz movement for two lengthy improvisational pieces consisting of spurious dialogue, turbulent reinvention, an…

1994 release ** "Although altoist Julius Hemphill gets top billing on this CD, his heart surgery in 1993 forced him to stop playing. However, this saxophone sextet was his regular group; he contributed six of the eight compositions (the other two are free improvisations) and the chancetaking heard throughout this adventurous music definitely makes most of the performances sound like they came from a Julius Hemphill recording even if his alto is missed. The sextet has a very strong lineup (altois…

Tip! Featuring William Hooker (drums), David S. Ware (tenor saxophone), and Alan Braufman (alto saxophone), this recording captures a rare and electrifying moment in time. Recorded live at the New York Jazz Museum on January 14, 1977, the album has been newly mastered by Joe Lambert and is now released for the first time on March 28, 2025 via Valley of Search. This album was recorded at a pivotal moment in each musician's career. William Hooker, already recognized as one of the most innovative …

Torche! is a Euro-Quebec supergroup bringing together French clarinetist Xavier Charles, Austrian trumpeter Franz Hautzinger, and Quebec musicians Philippe Lauzier (bass clarinet), Éric Normand (bass), and Michel F. Côté (drums). All specialists in extended techniques and textured noise, the quintet delivers music that is mesmerizing, hypnotic, and abstract."It’s a highly evolved art…" - Stuart Brommer, Musicworks "…captivating bursts of fire, crackling energy, and beautiful incandescence—enough…

Il Giro Del Giorno In 80 Mondi by Enrico Rava is a landmark of early 1970s European jazz, blending burning trumpet invention with eclectic grooves and poetic improvisation. Recorded in 1972, this album stands out for its adventurous spirit, balancing fiery expressiveness with delicate textures.

Hank Mobley quintet session with Kenny Dorham, Sonny Clark, Jimmy Rowser and Art Taylor, recorded for Blue Note on 18 August 1957 and first issued in Japan in 1984. Tone Poet 180g LP reissue.