Jazz /
Live At Maya Recordings Festival
Superb improvisation from three masters - Evan Parker on sax, Barry Guy on bass and Paul Lytton on drums - performing at the Maya Recordings Festival, September 23 - 25, 2011 at Theater am Gleis, Winterthur, Switzerland." After twenty one recordings there may not be too much more to say about the superlative English threesome of saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton. Some 30 years on since their debut Tracks (Incus, 1983), they converse in a language entirely of th…
Melodic Art-Tet
**CD edition** 1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sought to push the Fire Music of late C…
For We Have Heard
"As a band leader, Lugerner has released multiple albums to critical acclaim - Narratives (2010) These Are The Words (2010) & Live at The Bunker (2012). His compositions have been described as "a textured, nearly seamless blend of composition and improvisation" by Francis Davis of The Village Voice - while the New York Times calls him "an impeccably trained multi-reedist, with an emphasis on 'multi' - he plays clarinet, bass clarinet, oboe, English horn and flutes, along with saxophones...…
Inner peace suite #2
"Deep & sophisticated spiritual jazz, following Mr. Gale's Ghetto Music tradition... including the marvellous African Sunshine, a 17 minute piece which goes on and on, and on and on... and you'll never get tired of the on; right ON ! Inner Peace music." EP/Sagittarius A-Star. Eddie Gale - flugelhorn & muted trumpet, James Garrison - tenor sax, Emily Haozous - alto sax, Leonard Thompson - piano, Yvette Zee - violin, Colette Zee - violin, Richard Duke - double bass, Allen Santos - double ba…
Infinite flowers
"Good old free music and the best one: never too wild but always outta sight. I liked it from the very beginning 'cos it's DIFFERENT & UNIQUE." EP/Sagittarius A-Star. Sabir Mateen - Tenor saxophone, Sirone - Bass, Andrew Barker - Drums. Recorded June 30, 2008 by Andrew Barker in Brooklyn, NYC. Cover painting by Karl Francke.
Berlin
Ernesto Rodrigues, viola. Chris Heenan, alto saxophone, contrabass clarinet. Alexander Frangenheim, double bass. Ofer Bymel, percussion. Recorded 2010 in Berlin.
All about Mimi
Ernesto Rodrigues, viola. Ricardo Guerreiro, computer. Christian Wolfarth, cymbals. Recorded 2012 in Lisbon.
Zeitschrei
Dominik Blum (Hammond C3 organ); Marino Pliakas (E-bass); Lucas Niggli (drums). The Swiss trio Steamboat Switzerland tackle the energetic and innovative border-crossings between hardcore and avant-garde and play compositions by Michael Wertmüller (drummer of Peter Brötzmann's Full Blast outfit) -- breath-taking, radical, exact. "The Hammond avant-core trio Steamboat Switzerland is a damn wild and absolutely virtuoso project. They have played many different festivals -- from Donaueschinger Musikt…
European Echoes
A vital and inspired early European Free Improvisation masterpiece. Cien Fuegos presents a 1969 album from the Manfred Schoof Orchestra -- headed up by popular European avant-garde jazz figure, Manfred Schoof. Originally issued on FMP, the label's first release. Features appearances from musicians such as Peter Brötzmann, Derek Bailey, Han Bennink, Paul Rutherford, Evan Parker. Born 1936 in Magdeburg, Manfred Schoof is one of the most popular jazz avant-gardists in Europe. He played in projec…
Revelation
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
Let The Sun Shine In
Beautiful material from this legendary Bay Area soul jazz combo! The Sons & Daughters of Lite have an incredibly spiritual sound – one that sounds sort of like the best groups on the Strata East label, with touches of Roy Ayers or James Mason-esque soulfulness, but with a little less polish. Many of the cuts have sweet female vocals in the lead – with backing that includes vibe, electric piano, tenor, alto, and percussion by Babatunde. The record's a great one if you dig spiritual jazz funk – al…
Soul Translation - A Spiritual Suite
A beautiful little record – and one that definitely earns the "suite" distinction in the title – given the thoughtful longform approach of the set! The album's got a more composed feel than other spiritual jazz sessions of the time – not in a stiff way, but in a style that shows that leader Donald Alexander Strachan really has a strong vision in his music – not just in the compositions he spins forth on the record, but also in the way he directs the rich energy of the ensemble! The lineup featur…
Ethnic Expressions
Ethnic Expressions by Roy Brooks & the Artistic Truth is one of two recordings drum master Roy Brooks cut for the tiny Afrocentric New York imprint Im-Hotep. Released in 1973, it has been one of the most sought-after "Holy Grail" recordings on the collector's market, with copies selling at auction for over $1,200. The reason is not merely its rarity, but the stellar quality of its music and the focus of its vision reinventing the unity of African-American self-determination through music. Record…
Rubaiyat Of Dorothy Ashby
Incredible work from the amazing Dorothy Ashby – a brilliant set of funky and spiritual tunes, set to full backings from Chicago soul arranger Richard Evans! This album is easily one of Ashby's greatest, and it's dedicated to the writings of Omar Khayyam – one of the forces guiding Dorothy's more spiritual sound at the end of the 60s, clearly opened up in a way that's not unlike the direction of Alice Coltrane's work, but a lot more focused and a lot more funky! Ashby not only plays her…
African Songbird
Matsuli Music is proud is announce the re-issue of African Songbird, the masterpiece from South Africa's greatest jazz singer, Sathima Bea Benjamin. Originally released in 1976, African Songbird was a debut long overdue. The splendid vinyl reissue of African Songbird opens with a cavernous, spacious, enormous sound, Bea Benjamin’s voice is introduced by Dollar Brand’s plangent, lingering electric keyboards before the ensemble joins in like rolling thunder. The vibrant plucked bass (provided b…
Second Breath
CD. Ken Vandermark, tenor sax, Paal Nilssen-Love, drums, Lasse Marhaug, electronics. Recorded live November 23rd 2011 at the Vortex, London UK by Mick Ritchie. Mixed by Lasse Marhaug. Produced by Fire Room. Artwork by Naiel Ibarrola.
Vaincu.Va! Live at Western Front 1978
Western Front New Music is proud to announceÊEvan Parker's return to the Western Front to celebrate our 40th anniversary with a live performance and the release ofÊVaincu.Va! Live at the Western Front 1978. Restored and mastered from the original archived quarter-inch tape that captured his dynamic, innovative performance 34 years ago, Parker'sÊVaincu.Va!Êremains well ahead of its time. His work is unconventional and unpredictable, and this album, to be issued on limited-edition LP, with n…
Plenty Good Eaton
Cleveland "Cleve" Eaton is a member of the Alabama Music Hall of Fame, right there with Nat Cole, Wilson Pickett, Martha Reeves, Jerry Wexler, The Blind Boys Of Alabama, and a few dozen other notables. "I don't play like nobody else," he told The Birmingham News when inducted in 2008. "I do my own thing. It's absolutely Alabama." Eaton's Plenty Good Eaton, recorded in Curtis Mayfield's soul Chicago at Chess Recording Studio with local hired-guns and first out in 1975, belongs to the R&B genre,…
2nd Wave
In a fair and reasonable world, Roland Haynes would have compelled more attention than he did when his jazz-funk record 2nd Wave appeared on Black Jazz in the mid-1970s. Not to say the keyboardist was totally neglected back then, but he and other plugged-in pianists of his stylistic inclination (such as label-mate Doug Carn, Hampton Hawes, Don Grolnick, Larry Willis, and Gordon Beck) existed in the deep shadow cast by jazzman-turned-jazz-funk powerhouse Herbie Hancock, whose records with the H…