Jazz /
Gathering
European edition ★ With obi ★ Gary Marks ‘ Gathering’ is exactly what you would call a miracle. Self-produced in 1974 and engineered at Vitra Sonic Recording Studios in New York, the album introduced the crispy talent of the guitarist/pianist and producer. A genuine blend of folksy harmonies and jazzy arrangements, the record could have been possibly the missing link between Tim Buckley ‘Starsailor’ and some early seventies Impulse ! Session. Now it’s about time to get a hold of this masterpiece…
Thoughts Of Why
★ First reissue ★ With obi ★ Gary Marks, a folky jazz singer-songwriter with a career spanning 50 years, has left behind a long list of works, and the second album in his highly acclaimed trilogy released in the 1970s is finally being reissued for the first time on LP!
Gary Marks is a folky jazz singer-songwriter with a unique musical style. Born in New York in 1950, he moved to the West Coast in 1976 after releasing his first album, where he worked with Art Rande and Oregon member Paul McCandle…
Upon Oanda's Wing
★ First reissue ★ With obi ★ Gary Marks, a folky jazz singer-songwriter with a career spanning 50 years, has left behind a long list of works, and the second album in his highly acclaimed trilogy released in the 1970s is finally being reissued for the first time on LP!
Gary Marks is a folky jazz singer-songwriter with a unique musical style. Born in New York in 1950, he moved to the West Coast in 1976 after releasing his first album, where he worked with Art Rande and Oregon member Paul McCandle…
How Many Clouds Can You See?
How Many Clouds Can You See? is the second album by English saxophonist John Surman featuring Alto Saxophone – Mike Osborne; Baritone Saxophone, Flute – John Warren; Baritone Saxophone, Soprano Saxophone, Bass Clarinet – John Surman; Bass – Barre Phillips, Harry Miller; Drums – Alan Jackson, Tony Oxley; Piano – John Taylor; Tenor Saxophone, Flute – Alan Skidmore; Trombone – Chris Pyne, Malcolm Griffiths; Trumpet – Dave Holdsworth; Trumpet, Flugelhorn – Harold Beckett; Tuba – George Smith. John …
Ornette!
Ornette! is the seventh album by Ornette Coleman as a bandleader and the second credited to his quartet (following This Is Our Music). Though considered one of his early works, by the time it was recorded on 31st January 1961, Coleman was already an established jazz legend. His reputation had been cemented by the release of ground-breaking albums such as The Shape of Jazz to Come and Free Jazz.
These two albums embody the central, seemingly contrasting, elements of Coleman's early career: a meti…
Collector's Item
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
Doble Mano
Doble Mano a two-way street, or anything with opposite directions within one road. One-way and two-way roads, imperceptibly moving in one and opposite directions. Similar instruments but from different geographies mirror each other, evoking ambiguity and unlike realities. Likewise, composer, conductor and performers all mirror each other, reflecting the shifting sounds. Laura Andel: "One of the focal points in my search as a composer is the concept of identity linked to the search of ambiguity. …
Teshuvah
"Teshuvah' reflects a first meeting between of two experienced veteran improvisors: Tim Hodgkinson (Henry Cow, Konk Pack, etc.) and Milo Fine. The career of Fine goes back to 1969 when he started The Milo Fine Free Jazz Ensemble. Throughout his career he was dedicated to free improvised music. I guess both gentlemen are more or less of the same age. Also Hodgkinson has a longlasting relation with free improvisation, as it was already part of the Henry Cow. They combined rock and free improvisati…
DLW: Extended Beats
bastille musique presents its twenty-eighth release »DLW: Extended Beats« featuring world premiere recordings by Dell-Lillinger-Westergaard, Klangforum Wien, Sonar Quartett, Tamara Stefanovich (piano), Martin Adámek (clarinets) and Johannes Brecht (electronics). Together with the guests, Dell-Lillinger-Westergaard extend their beats in terms of co-composition and form as well as instrumentation. In addition to the recordings produced at the Paul-Robeson-Studio, the set also contains a 48-page bi…
Kawaida
A member of the radical black nationalist US Organisation, percussionist James Mtume championed the Kawaida way of life, aiming for collective creativity linked to its pan-African and Socialist ideals. With uncle Albert and father Jimmy Heath on board, Mtume cut this intense modal jazz concept album in December 1969 with Don Cherry, Herbie Hancock, Ed Blackwell and Buster Williams, yielding a masterpiece of percussion-heavy jazz, with every player on exceptional form, the five extended tracks re…
Down By Law
The soundtrack to Jim Jarmusch's 1986 film Down By Law is composed and performed by John Lurie, who also plays the pimp Jack in the movie. His world-weary avant-jazz pieces like "Please Come to My House," "What Do You Know About Music, You're Not a Lawyer," "Strangers in the Day," and "Fork in the Road" convey the film's seedy but humorous crime story.
Live In Amsterdam
*2025 stock* Warehouse fund ! The legendary Monk's quartet appearance at the world-famous Concertgebouw in Amsterdam in May 1961. The high priest of Bop, one of the most important, if enigmatic figures in modern Jazz together with three of his main disciples, tenor sax specialist Charlie Rouse and the ultra dynamic rhythm section of John Ore - double bass and Frankie Dunlop - drums, in a wonderful performance based on super tight renditions of classic tunes such as Jackie -ing, Straight No Chase…
Temple of Muses
Norwegian guitarist Stian Larsen joins London-based musicians Colin Webster (alto sax), Andrew Lisle (drums), and Ruth Goller (bass) for an exciting collision of energetic free jazz, post-rock and noise that is dynamic, playful and hard-hitting.
Shakkei
These duets exemplify a compelling musical interplay, characterized by symmetrical encounters and an organic, intuitive dialogue that seamlessly weaves together elements of core improvisation, contemporary classical influences, and jazzy choruses, resulting in a rich tapestry of sound that is captivating in its spontaneity and depth.Alexandra Grimal: tenor and soprano saxophonesGiovanni Di Domenico: acoustic grand pianos, celesta, pipe organ
Old Adam on Turtle Island
The Amsterdam based improvisers quartet performs a song cycle composed by John Dikeman reflecting on colonisation, and the double edged sword of religion which can lead to transcendence or tyranny.
Draw Bridge
"Sophie Agnel and Michael Zerang are relentless on every surface and in the diving pit of improvisation. You've got to hear it to see it to believe it: it's a water lily drum set in the soundboard of a pond piano. At times, it seems as if a single instrument is being played by two people, with razor-sharp clarity" - Alexandre Pierrepont
The Foreign In Us
After a wonderful concert at the Elastic Arts Foundation, Chicago, the ES Trio (Kwan/Zerang/Steyer), decided to record their music to document this inspiring collaboration. In their trio work they focused on sound oriented pieces, that were nurtured by the individual approaches to their instruments. The duo works of Zerang and Steyer also reflect the work of Steyer concerning instrumental ornamentation, that is inspired by the multi-ethnic, mostly near eastern sounds of the streets in Berlin.
Scree
"We hear harp, electronics, piano, cello and percussion convene in clash and collusion, setting forth a dazzling array of sound and expression. Plains of disarticulation and misdirection are cut by moments of inextricable entanglement, where we hear discrete sounds fuse, instruments bleeding into one another, at times taking on the warp and weft of a companion. The recording is of an extraordinary performance of improvisational prowess by four musicians working at the very limits of their techni…
Desatornillándonos
"This record has stark aesthetic shifts, going between bluesy and abstract territory. After the first two pieces, which “set the ends of the spectrum”, the others move between these two languages. What’s cool is that this allows you to pay close attention to textural qualities of Luciana’s playing. She gets good snap on her pull offs and picking. There is a personal quality to this record that comes out of the juxtaposition of these sounds. As someone who started with rock music and now improvis…
The Stone
Mega Tip! Purple Trap, the powerful trio of Keiji Haino (voice, guitar), Bill Laswell on bass, and Rashied Ali (drums), recorded live on stage at The Stone. Recorded in December 2005, this furious live album by what can easily be called a super group remained unreleased till in 2023 Bill Laswell made it accessible in a rough-mixed digital version for his bandcamp subscribers program exclusively. For this vinyl version, the music has been newly mixed by Dirk Dresselhaus (SchneiderTM) and mastered…