Jazz /
The Malcolm X Memorial
A live performance recorded on February 25, 1968 at the Affro-Arts Theater, a cultural center in Chicago operated by Philip Cohran from 1967-1970. This concert was a tribute to the late Malcolm X in the form of a suite of 4 tracks, each capturing a period of his life, 'Malcolm Little,' 'Detroit Red,' 'Malcolm X,' and 'El Hajj Malik El Shabazz.' The personnel and instrumentation are almost identical to Cohran's 'On the Beach' session. This historic and mesmerizing concert was originally an LP iss…
Live in Vilnius
RESTOCKED! At the tail end of 2008, the folks at NoBusiness Records got in touch with us to propose the release of the last recorded work by the David S. Ware Quartet in an exclusive vinyl edition. Terms were met, authorization was given, and the gorgeous result is now available. The very last U.S. performance by the DSWQ (June 18, 2006 at the Vision Festival) was documented and released by AUM Fidelity on the CD Renunciation. David then brought the group overseas for one final European tour in …
Marvellous Boy: Calypso From West Africa
endlessly satisfying' (Boston Phoenix); 'Blending cheeky calypso with rocking highlife — and by turns breezy, wistful and downright uproarious' (Daily Telegraph); 'gems at every turn... weaving highlife, swing, military brass bands, Afro-Cuban jazz, into a hell of a compilation... Honest Jon's have added to the highest order of this simple music of heartbreaking celebration' (Brainwashed). The inter-war dance bands of British West Africa are often strikingly similar in sound to Trinidadian orche…
Religious Electronics
No Fun are keen to assert "This is not a jazz record." Yeah, no kidding. Noise maestro Greg Kelley puts his trumpet down and attends to his collection of analogue elecronics, belting out some sublime passages of unstable drones, echo chamber feedback derangement and rampant oscillator fuzz. This is pretty exceptional stuff, up there with the finest non-digital noise excursions currently out there, and one of the very best No Fun emissions in quite some time. Typically, despite Kelley being a pre…
Seven
Third album from Oslo's PAAL NILSSEN-LOVE & Chicago's KEN VANDERMARK who have previously worked together in SCHOOL DAYS & FME follows their 2 "Dual Pleasure" releases. While it seems barely possible, the duo have become even more groovy on this third album. Free Jazz w/roots in both the American & European traditions: warm, groovy, melodic & funky at the same time as it is raw, wild & energetic. The pure art of spontaneous music. Independent underground jazz at its very best & a free jazz master…
Splatter
The duo is back with a mini album, 4 tracks and 20 minutes of music recorded live when Smalltown celebrated its 10 year anniversary in Oslo in February 2004. As with their debut album Gustafsson & Nilssen-Love`s punkrock roots are highly visible & the musical expression is an explosion of energy created by breath & muscles. ÒSplatterÓ is raw power that brings to mind the the wild & beautiful days of Albert Ayler and Peter Brotzmann`s Machine Gun session.
The Fat Is Gone
Recorded live at Molde International Jazz Festival in 2006. The meeting between the godfather of free-jazz & the innovators of the modern free-jazz scene in Scandinavia, Mats Gustafsson & Paal Nilssen-Love, resulted in this mastodon of an album. This is the European free-jazz underground at its best. A devastating, blasting, raw, ferocious sonic assault on all senses. And beautiful, painfully beautiful.
Bag It
After 4 intensive days of recording with Steve Albini (WTF!?! Thought he didn't like jazz) The Thing created Bag It!, a new mastodon of ecstasy music. The Thing is well known for their free jazz versions of rock classics from artists such as PJ Harvey, White Stripes, The Sonics, Yeah Yeah Yeahs & Lightning Bolt. This time the band is only doing two rock interpretations, one by Japan's 54 Nude Honeys & one by the The Ex/ Muzsikás. The rest of the tracks on the album are written by Mats Gustafsson…
Slap & Tickle
Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!
Bounced Check
Wally Shoup, Chris Corsano and Paul Flaherty make up this screamin' free punk jazz liquid solid noize trio captured LIVE 'in your face' style in Seattle, WA. Totally improvised double sax and drum explosions that break down into duos and solos and re-ignite as trio howlin' paint splattered madness gone butt-naked wilder. Recorded at an art gallery with artwork melting off the walls and frightened fans nervously mopping their furrowed blood-stained brows (they were especially afraid one or both o…
Phonometak Series # 5
limited to 500 numbered copies, 5th opus of the Phonometak Series featuring this time US Rock band Talibam! (with member of Storm&Stress,...) and italian cband Jealousy Party
Nature-Culture
A 2008 sequel to his highly-acclaimed first solo CD 'More is More' on psi 06.08. Peter Evans writes: Over the past couple of years one of my main creative outlets has been solo trumpet performance. These discs are meant to show various aspects of my music's development and were recorded in two different settings (studio and concert) and under two different circumstances. Jazz musicians have often referred to the playing of a solo as 'telling a story', which is essentially how I look at this musi…
Zombie Fela Kuti And Afrika 70
Includes liner notes by Jacqueline Grandchamp-Thiam, Rikki Stein and Mabinuori Kayode Idowu. Digitally remastered by Pompon (Translab Paris, Paris, France). With the inclusion of Nigerian master musician Fela Anikulapo Kuti's incendiary 1977 single, "Zombie," "Mr. Follow Follow," a typical anti-authoritarian exhortation, and a couple of hitherto-unreleased live cuts from the 1978 Berlin Jazz festival, ZOMBIE finds the iconoclastic singer and bandleader at his electrifying best. The title track, …
Live In Amsterdam
Personnel includes: Fela Kuti (vocals, soprano saxophone, electric piano, organ); Laspalmer Ojeah (guitar); Femi Kuti (alto saxophone); Oyinade Adeniran (tenor saxiphone); Tajudeen Amimashaun, Achampong (baritone saxophone); Moses Sobo Wale, Akameah (trumpet); Dele Soshimi (keyboards); Lamtey (drums); Benjamin (congas). Producer: Fela Kuti. Reissue producer: Jean-Pierre Haie. Recorded live in Amsterdam, The Netherlands on November 28, 1983. Includes liner notes by Jacqueline Grandchamp-Thiam, Ri…
23 Standards Quartet
This 4-CD set (4.5 hours of music) was recorded during a series of concerts in 2003 by Antony Braxton's quartet featuring Kevin O'Neil on guitar, Kevin Norton on percussion, Andy Eulau on bass and Anthony Braxton on saxophone. Here they perform standards. Personnel: Anthony Braxton (saxophone); Kevin O'Neil (guitar); Andy Eulau (bass instrument); Kevin Norton (percussion). Recording information: 2003.
Fanfare For The Warriors
Fans of the A.E.C. and cutting-edge-music rejoice! Long unavailable in this country, the Art Ensemble of Chicago's landmark album recorded in 1974 for the Atlantic label is back in print. Though not "easy listening" to be sure, the A.E.C. present challenging music that's worth the effort. Witness the relentless, Louis Jordan/Louis Prima-rooted swing of "Barnyard Scuffel Shuffel" and the sublime African/Japanese/Javanese-influenced rhythmic soundscape of "What's To Say." The eerie, pensive, breat…
Gravity
Former Henry Cow guitarist Fred Frith pays homage to three giants of contemporary classical music: John Cage, Morton Feldman and Earle Brown. In his own inimitable fashion, Frith has tried to incorporate the chosen composer's own working methods into each of the three pieces that make up The Previous Evening. As he explains in the enclosed booklet regarding his John Cage homage: 'Fragments of text heard in Part 1 were taken at random from Cage's book Silence. Tape editing, the structure of the e…
Récital Paris 1971
Beautiful solo work from Anthony Braxton -- recorded live in Paris at the start of the 70s, and a fair bit more sensitive than some of his earlier work on that scene! Side one features a beautiful take on Duke Ellington's "Come Sunday" -- one that runs for 25 minutes, and which features Braxton blowing straight, and almost with some of those Lee Konitz-inspired modes he was using around the time. The tune's still got some of the darkness you might expect from Braxton -- but things really go out …
Gracilty
a mindblowing archival double cd centered around Laurie Scott Baker, who has been involved in experimental music since he was a teenager. A pioneer of live electronics and graphic scores back in the 60s, a member of the Scratch Orchestra & Peoples Liberation Music with Cornelius Cardew, played many first performances of new music.Gracility comes out of the development of free improvisation & groups such as Scratch Orchestra etc. & the general questioning of the music establishment. Text and grap…
Electricals
EKG : Kyle Bruckmann (oboe, english horn & analogue electronics) & Ernst Karel (trumpet & analogue electronics). Electricals' is the fourth duo release by Kyle Bruckmann (oboe, English horn & analogue electronics) and Ernst Karel (trumpet & analogue electronics). As on previous discs, the music is carefully constructed and extended from extracts of duo improvisations recorded in the studio and at concerts.But as the title suggests, the disc has a more electronic feel than much of their previous …