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Entirely recorded at Tunefork Studios on the outskirts of Beirut, Burj al Imam's five tracks include three largely improvised numbers, a loose reworking of early Sun City Girls track "The Imam," and a cover of traditional Americana song "Gently Johnny." The album displays remarkable coherence, for four musicians coming from such different backgrounds. True to their habits, the Lebanese trio of trumpeter Mazen Kerbaj, guitarist Sharif Sehnaoui, and bassist Raed Yassin create acoustic improvised d…
One venue, 28 shows and 48 hours of live, improvised music. These are the ingredients for Chicago-based drummer Makaya McCraven's album In the Moment. However, McCraven, as the producer he also is, has not just thrown some random sounds together. Instead, he has carefully culled, cut and remixed the music into a coherent whole and 19 complex and catchy compositions emerge from his hands. The meeting between completely fresh improvisations from some of Chicago's finest musicians and the shrewd se…
The first half of the decade has seen cornet virtuoso and composer Rob Mazurek through significant achievements and personal losses, often linked inextricably through his creative processes. In and around the passing of his mentor and colleague, the trumpeter Bill Dixon in 2010 and his mother in 2013, Mazurek has found inspirations that are unique even for an innovator of his caliber. Mazurek and Dixon worked closely in achieving a deeper understanding of the pure tone of the trumpet (or cornet,…
Thurston Moore’s résumé is monolithic – with his band Sonic Youth and as a solo artist few people has had the same impact on music in the last 35 years. Moore has been instrumental is building bridges between the mainstream and underground experimental music.Coming out from the jazz scene, Mats Gustafsson holds a similar position, with endless projects, collaborations and three decades of non-stop touring, recording and performing.The duo have collaborated several times before, starting with Son…
A new release on Hideaki Shimada (Agencement) label. It is new title after 13 years! Double CD of subtle-Tokyo Group improvisations by Tetuzi Akiyama (guitar), Junji Hirose (tenor sax), Hideo Ikegami (contrabass), Ko Ishikawa (sho), Kazushige Kinoshita (violin), Toshihiro Koike (trombone), Madoka Kouno (tape recorders), Maresuke (contraviola), Kenichi Matsumoto (tenor sax), Hideaki Shimada (violin)Manabu Suzuki (electronics), and Daysuke Takaoka (tuba).Recorded two concerts with septet of differ…
Recorded at Tonic, Norfolk St., New York, 17 & 19 April 2001Alto Saxophone – John Zorn (tracks: 6)Cello [Violoncello] – Mark WastellDouble Bass – Simon H. FellHarp – Rhodri Davies
This marvellous release from Mark Wastell’s Confront label documents a meeting of these three heavy hitters convened at Dalston’s Cafe Oto, last March. This was the first time all three had played together, although, as John Eyles remarks in his liner notes, they had all worked with each other, before, in outfits such as Powelchsel (Butcher and Beins), The Sealed Knot (Beins and Wastell) and Chris Burn’s Ensemble (Wastell and Butcher).
This familiarity, combined with rigour and expertise o…
The classic restored. No extra tracks, just this legendary release as it was originally conceived. Kew Rhone was made soon after Peter and John left Henry Cow, at Carla Bley and Mike Mantler’s Grog Kill studio in New York (they both appear on the CD). Fellow conspirators included singer Lisa Herman and drummer Andrew Cyrille. It’s one of those records which sums up a moment; a creative moment in which ideas have come into clear focus, and just need to be got down; an historical moment at which a…
The trio of Chris Corsano (drums), Okkyung Lee (cello) and Bill Nace (guitar) performing live at John Zorn's NYC improv club The Stone in 2014, three free improvising titans of the modern age in a very limited LP
Grey-area LP reissue, originally released as Eternal Now on Sonet Records in 1973. Don was living in Sweden at the time and made 2 great spaced-out records (in the freeform "Universal Music" style) for Sonet (Live Ankara being the other) -- the prior CD reissue of this material has seemingly disappeared into the wind. If this album had been made by some Vietnam vet living in a windowless cove in Northern California -- with a picture of leaves on the cover, no less -- it would have made the NWW l…
Heralded by many as Charles Mingus' masterwork, "Black Saint and the Sinner Lady" stands as one of his most powerful and difficult compositions. Recorded during his brief tenure on Impulse! (1963, during which Mingus turned out three of his best works), "Black Saint and the Sinner Lady" is a suite for a ballet, perhaps a representation of the tortured psyche of the composer. It is dark, haunting, and probably the most difficult work Mingus has ever done-- drawing as much from contemporary classi…
Superior Viaduct's second Mingus reissue shows a more introspective side of the composer with Mingus Plays Piano. One of his most straightforwardly beautiful recordings, there is a meditative calm found in Mingus' piano work, touching on shades of Debussy, Satie, Bill Evans, and Duke Ellington. There's no showboating, and not an ounce of amateurism considering Mingus was primarily known as a bassist. Making its way through standards, original compositions, and the blues, Mingus Plays Piano is a …
One of the truly legendary recordings from the early period of European free improvisation Pressed on 180-gram vinyl. Cien Fuegos presents a reissue of Pakistani Pomade by the Schlippenbach Trio, originally released on FMP in 1972. Evan Parker: soprano and tenor saxophone; Alexander von Schlippenbach: piano; Paul Lovens: drums. Recorded by Dietram Köster in November 1972, Bremen. Artwork by Benjamin von Schlippenbach; layout by Peter Brötzmann. One of the truly legendary recordings from the earl…
2015 reissue. Not counting a couple of sessions he co-led with John Coltrane and Albert Ayler, Complete Communion was the first album Don Cherry recorded as a leader following his departure from the Ornette Coleman Quartet. It was also one of the earliest showcases for the Argentinian tenor saxophonist Gato Barbieri, who Cherry discovered during a stay in Rome. While the music on Complete Communion was still indebted to Coleman's concepts, Cherry injected enough of his own personality to begin d…
2007 release. "CD reissue of this 1975 album from jazz trumpeter Don Cherry, originally titled Don Cherry. Certainly one of his best releases during the '70s, Brown Rice is an album that takes the tripped-out spacey jazz sound he was working on, and adds some nice electric moments, with occasional slight touches of funkiness. It has a cool vibe and a tightness that only adds more to his great playing. Features guest appearances from Ricky Cherry on piano, and Frank Lowe on tenor sax."
Three early recordings by the long lasting duo of Milo Fine (clarinet, percussion and piano) and Steve Gnitka (electric guitar). The first two sessions, HAH! from 1976 and "The constant extension of inescapable tradition from 1977, were issued on two hat Hut LPs (with two tracks missing). The third, "When I was five years old I predicted your whole life" from 1978, was scheduled to appear on Horo, but that label went bust before it happened, so this material is now making a very belated first ap…
A reissue of the first LP by the exceptionally fine improvising trio of John Russell (guitar), Phil Durrant (violin and trombone) and John Butcher (saxophones). This group came into being in 1984 after Russell and Durrant had spent the previous two years performing in private with another saxophonist. For this debut LP, made in 1987, they performed eleven short pieces. This CD has been expanded by the inclusion of a previously unissued extended concert performance made a few years later. The str…
Marcio Mattos has been an important member of the free improvisation and free jazz scenes since moving to London in the early 1970s. This, however, is his first solo album. There are six short solos on cello, three of which also use electronics, and three brief double bass solos, followed by an extended concert performance on bass with electronic enhancement. An overdue chance to hear this consistently fine musician in the foreground. 59 minutes.From the linernotes "Marcio Mattos’s first instrum…
Milestone reissue! Evan Parker's monolithic 1978 solo record Monoceros was originally released on Incus in 1978, and distinguishes itself in several respects: first, because it was recorded by the direct-cut process, whereby the sound pathway went directly from the microphone to a vinyl master. By virtue of eliminating the tape intermediate, the hope was to reduce noise and limit the need for processing and filters. The important functional consequence of this technology was that the musician (…