Jazz /
Nahuel Jazz Quartet
The group's debut album, recorded in May 1963, was to prove a great incentive to many other Chliean jazz acts, not least the Chilean Jazz Messengers and the Village Trio. However, the album proved more that just a motivator and inspiration to others, it stands by itself as a solid, tight jazz album. Recored for the independent label Ediciones LR Ortiz and engineered by Rafael Hidalgo, it was a genuine milestone by being the first full jazz album recorded in Chile by a professional Chilean group.…
Planetary
2010 release ** "Following the success of their 2010 collaborative CD with Nels Cline Singers, Rova returned to the classic acoustic quartet format for the first time on CD since 2007. “Planetary” brings the listener to several of Rova’s music worlds and shows that the band, as always, was still refining that “Rova sound,” still pushing the envelope, and still looking for new sound worlds to inhabit and make their own. This also marks Rova’s reconnection with the Russian music scene. The band m…
Thinking About
2004 release ** "It is easier to say what it doesn’t mean: Intuitive means not controlled by reason, not planned, not calculating, not superficial, not egomaniacal. It may mean: Creative, organic, alive, spiritual. All this at least is the music of the duo and it even possesses this astonishing quality when it has been thus announced. It magically appears to draw directly on the inward, as well as on a system of sounds that seems to exist beyond our involvement. The trumpet player Markus Stockh…
Taking Off
1995 release ** "Taking Off was first released as an LP in 1982 and re-issued as a CD by Bleu Regard in France in 1995. Wallenstein increases the size of his jazz accompaniment/collaboration, featuring Bill Chelf on piano, Charles Tyler on saxophones, Jeremy Steig on flute, and Jeff Meyer on percussion. The opening poem "Careful Bump," begins with a jolting kick and cymbal crash leading into a bop-jazz drum beat. "The Short Life of the Five Minute Dancer," which describes action in the face of f…
The Indeterminate Existence
2008 release ** "Jack Wright lays down a whole disc's worth of monumentally impressive solo alto sax recordings on The Indeterminate Existence, taking some cues from the idiom-expanding sonic experimentation of Evan Parker, whose vocal-styled squawks and splutters are incorporated into Wright's impressive sense of melody and bebop fluency. Clocking in at over an hour , only the bravest of free improv explorers need apply, but the reward will be ample. Anyone who was floored by Paul Flaherty's un…
Diciannove Calefazioni
1999 release ** "Very idiosyncratic and very beautiful improvisations by one half of the Takla Records collective, these nineteen pieces sound like nothing much else on the planet. Individual notes hang in the air; no particular statement lasts for long, and yet the duo manage to sustain a sense of momentum across the silences. They've programmed unusually long pauses between the tracks, perhaps in an attempt to encourage the casual listener to hear distinct pieces. On in the background, these p…
John Blum Astrogeny Quartet
2025 stock John Blum (piano), Denis Charles (drums), Antonio Grippi (alto sax, alto clarinet), William Parker (bass). Studio recordings from 1998. There are few sessions to rival this one for sheer urgency and gusto. It's as if something pent-up in these four musicians waited for this combination of players to unleash it... the music explodes into action. Pianist John Blum is a secret hero of New York's free jazz community, known as a proficient and forceful improviser in the tradition of his me…
We Don't
2025 stock We Don't is a previously unreleased 1981 session pairing Jemeel Moondoc with Denis "jazz" Charles (1933-1998). in the 1970s, Moondoc was a member of ensemble muntu with William Parker. Moondoc's quirky & vivid alto style suggests the influence of Ornette Coleman, but the comparison "does not do justice to Moondoc's originality" (the penguin guide to jazz). Moondoc's grandfather, the original 'moondoctor' & the family namesake, sang & danced in medicine shows at the turn of the century…
A Hero's Welcome: Pieces For Rare Occasions
2025 stock Alan Silva's playing and live composition have been a highlight of the avant garde's living history for the past 35+ years. from his work with sun ra's arkestra, through extended relationships with Bill Dixon, Cecil Taylor, and Albert Ayler, on into the celestial communications orchestra and the frank wright center of the world band, silva has been one of the music's most consistently valuable thinkers. A child of alan silva's other-worldly strategies for double bass, William Parker i…
Babylonia Wind
A deep and mysterious groove that makes you hesitate to give in to it. Kiyoshi Sugimoto is a guitarist who has sharply shot through the heart of the times. This is the highest point of his achievement.
Kiyoshi Sugimoto is a guitarist that Terumasa Hino longed for and Akira Ishikawa fell in love with. His cutting-edge and diverse sound has always been at the forefront of modern jazz and jazz rock, and has sharply shot through the heart of the times. There is no doubt that this work, "Babylonia Wi…
Drum Method
The raging drums scorch the times. Accompanied by a whirlwind of young talents, Takeshi Inomata proudly heralds the arrival of the golden age of jazz-rock. Takeshi Inomata, a drummer who led the jazz scene in Japan with his precise stick work and musicality that looked ahead to the times. At the end of the 1960s, he was influenced by brass rock, which was flourishing at the time, and formed Sound Limited.
"I want to fuse jazz and rock and bring together young musicians to do music with vitality,…
Kiso
"Kiso", "Asama", "Hakuba" and "Hida". He recalls the landscapes of his past and carefully weaves his feelings and emotions into the music. This work is one of the pinnacles that Akira Miyazawa has reached.
Trio By Trio + 1
Yosuke Yamashita, Itaru Oki, Yuji Ohno, and Kimiko Kasai. An astonishing jazz workshop with a never-before-seen encounter. Japanese jazz was so sharp and original.
Debut
This is the first album by Takao Uematsu, who played in the George Otsuka Group. His blackness of blowing, spirit and technique, which are directly descended from Joe Henderson, set him apart from other Japanese players.
Step!
A memorable first album by the very accomplished yet restrained artist, Naosuke Miyamoto. Thrilling straight-ahead jazz with Takashi Furuya and other Kansai-based members!
Midnight Sugar
This is the monumental first album by Tsuyoshi Yamamoto, who later became one of the two major artists on the TBM label along with Isao Suzuki. A groovy and heartwarming popular disc by the Japanese piano trio
Green Caterpillar
Previous album, "Brow Up," which made it known to the jazz world, this is Isao Suzuki's second album. You can enjoy the interplay with the Watanabe Kazumi, ...etc. This is a masterpiece of one creature.
Ad Hoc
Repressed! Black recycled vinyl with offset-printed covers. 'This recording was done on a four track tape recorder. Meaning the process of recording was a bit different this time around. Most of the tracks had to be recorded more or less in one take all the way through which means more room for mistakes. As I didn't have the ctrl-z option of the computer I had to try and fix my mistakes by turning them into features. This problem solving on the fly approach is why I'm calling the record ad hoc'…
Fit for Consequences: Original Recordings, 1984–1987
LP + Limited edition cassette, Over & Over, is a supplementary collection of music available only directly from the label and select shops - Fit for Consequences: Original Recordings, 1984–1987 is the first ever archival release from Repetition Repetition, the “two-man electric minimalist band” consisting of Ruben Garcia and Steve Caton hailing from Los Angeles in the mid 1980’s. Repetition Repetition’s unique blend of cosmic art-rock minimalism / maximalism was self-released across a series of …
Min Bul
We are pleased to announce the upcoming reissue of “Min Bul”, a milestone of Norwegian rock and jazz, included in the renowned Nurse With Wound list, from the band whose leader was a young Terje Rypdal. Recorded in the Rosenborg studio in September 1970, with Egil Eide as engineer, “Min Bul” is a highly experimental work for its time that grew out of the Samklang projects at the Henie-Onstad Art Center, where director Ole Henrik Moe encouraged adventurous composers and improvising musicians to j…