Jazz /
Ahead Of July
Tip! In 40 minutes of improvised music, the Pipeline ensemble creates a piece that can unhesitatingly be described as orchestral, collective, and even choral. Without patterns, scores, and reference points, the group shapes an organic and cohesive course.
Dance! Skip! Hop!
Tip! *350 copies limited edition* The Tomeka Reid Quartet - dance! skip! hop! (OOYH 041) releases February 13 2026 (LP/CD/limited streaming) on Out Of Your Head Records, featuring the steady quartet of Tomeka Reid (cello) with Mary Halvorson (guitar), Jason Roebke (bass), and Tomas Fujiwara (drums). Soon after finishing these compositions in June 2025, Reid realized that much of the music made her want to dance. Inspired by the title of Josh Berman’s stellar A Dance and a Hop, as well as her ten…
Extra Stars
Extra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.
Impressions of Samos
While most holidaymakers in Greece lounge by the pool, soak up the sun on sandy beaches, or pick up a few souvenirs, British jazz pianist Greg Foat took a different path last year. Inspired by the island of Samos, he returned not with trinkets, but with Impressions of Samos – a captivating album blending synthesizer, grand piano, and traditional Greek folk instruments with immersive field recordings.
Teaming up with Sokratis Votskos and The Giorgos Pappas Trio on Blue Crystal Records, Foat craft…
Live At The Hungry Brain
A cross-generational summit between the legendary pianist Marilyn Crispell (member of the Anthony Braxton Quartet and Reggie Workman Ensemble) and Midwest improvising trio of bass clarinetist Jason Stein, bassist Damon Smith, and drummer Adam Shead delivers all the range and expressivity one would expect from such seasoned players. The concert captured on Live at the Hungry Brain moves organically from searing free jazz to contemplative, lyrical balladry, all of conceived in the urgency of the…
Document'Azione-86-7 (LP)
1987 sole album by Giacomo Verde's punk music-theatre group, released on red vinyl by Attack Punk Records. Never re-issued on either vinyl or CD. With original innersleeve.
One For Archie
On One For Archie, Moor Mother joins Nicole Mitchell and Nduduzo Makhathini to turn a cancelled duet into a living monument, threading Shepp’s titles, politics and tonal language into a fierce hymn of gratitude, grief and ongoing struggle, paired with the incendiary, future‑facing “They’ve Got A Plan.”
Frank Gratkowski's In Cahoots Feat. Ingrid Laubrock
After playing complete improvised music with no constraints from 2016 on and releasing their first Album “Torbid Dayligtht” the quartet “Gratkowski / Zoubek / Landfermann / Mahnig” got renamed in 2023 to “In Cahoots” and now performs compositions by Frank Gratkowski, still with plenty of space for creative improvisation. In Cahoots also extends to a Quintet featuring Ingrid Laubrock on Tenor and Soprano Saxophones. The new Quintet version had its debut in Darmstadt 2023.
“Beneath the subatomic…
Sketches Of Spain
On Sketches of Spain, Miles Davis floats through Gil Evans’s lush, flamenco‑tinged orchestrations like a solitary witness, turning Spanish folk and classical themes into slow‑burning tone‑poems where jazz improvisation melts into modal ritual.
The Final Tour: Copenhagen, March 24, 1960
On The Final Tour: Copenhagen, March 24, 1960, Miles Davis and John Coltrane turn a standard club set into a knife‑edge drama, Davis all poised understatement, Coltrane in full escape‑velocity experimentation over one of the greatest rhythm sections in jazz.
My Kind Of Music
Our latest Holy Grail reissue is this private press spiritual jazz gem out of California from Rickey Kelly and his vibes & marimba. Features Diane Reeves (vocals) & Adele Sebastian (flute)!
Tsuki?
Kin Gajo is a Brussels based electro-acoustic jazz trio drawing inspiration on the one hand from J Dilla and Flying Lotus, and on the other from the sound of British jazz artists such as The Comet Is Coming, Yusef Dayes, and Alfa Mist. With their atypical instrumentation-accordion, saxophone, and drums-the trio has developed a sound entirely of their own, with the accordion often resembling a heavy analog synthesizer.
DJ and producer Lefto featured Kin Gajo on his compilation Lefto Presents Jazz…
Prérie(s)
*200 copies limited edition* "Emmanuelle Bonnet’s second album is an ode to free horizons, insects, and the passing of time. Prérie(s) is an ethereal moment filled with breath. It is a breeze of warm air which blows a shared space much like into a balloon and traces a way made of the constant search for sonic togetherness. Together, the four musicians expand the bounds of spontaneous composition, toying not only with sound, (non)harmony and textures but also, with each other. Working with words,…
No Longer, Not Yet
In November 1926, Tina Modotti wrote: “I accept the tragic conflict between life continuously changing its form, and also immutably fixing it in time.” “No longer, not yet”, the second album from the Italian band “She’s Analog”, is an “instant film” that pretentiously tries to stop movement. The title refers to a zone of transit, in which everything unfolds and blooms. This space isn’t interpreted as exclusively musical; instead it represents that liminal space in which we move and create, both …
Ready For Freddie
** Special Time-Limited Offer ** The Indianapolis-born trumpeter Freddie Hubbard introduced his prodigious talent on Blue Note Records with a run of remarkable albums recorded thru the early 1960s. At first rooted firmly in hard bop, Hubbard began to broaden his approach on his masterwork Ready for Freddie, recorded in August 1961. “The way in which I’m most interested in going is Coltrane-like,” Hubbard told liner note writer Nat Hentoff. Hubbard had recorded with Coltrane earlier in the year o…
Breaking Point
** Special Time-Limited Offer ** Despite having performed on several of the most revolutionary avant-garde jazz records of the 1960s, including Ornette Coleman’s Free Jazz and John Coltrane’s Ascension, Freddie Hubbard’s own albums tended to hew closer to the mainstream. Perhaps no other single album captures the trumpeter’s awe-inspiring breadth of ability and versatility than Breaking Point!, which was recorded in May 1964 shortly after Hubbard had departed Art Blakey’s Jazz Messengers in orde…
Unit Structures
** Special Time-Limited Offer ** The intrepid free jazz pianist Cecil Taylor produced some of his best work for Blue Note Records, including his explosive 1966 label debut Unit Structures featuring Eddie Gale on trumpet, Jimmy Lyons on alto saxophone, Ken McIntyre on alto saxophone, oboe, and bass clarinet, Henry Grimes and Alan Silva on bass, and Andrew Cyrille on drums. Over the course of four extended original pieces by Taylor—“Steps,” “Enter, Evening,” “Unit Structure/As Of A Now/Section,” a…
Herbie Nichols Trio
** Special Time-Limited Offer ** Herbie Nichols was one of the most original pianists and composers in Jazz history. Blue Note founder Alfred Lion considered him to be as unique and important a voice as Thelonious Monk, another singular talent who Lion was the first to record a few years before he signed Nichols in 1955. Little-known during his lifetime, recognition has begun to grow in recent decades for Nichols’ incredibly hip, angular compositions, each of which were miniature marvels built w…
New York Is Now!
** Special Time-Limited Offer ** On April 29 and May 7, 1968, iconoclastic saxophonist Ornette Coleman brought a dynamic quartet with tenor saxophonist Dewey Redman, bassist Jimmy Garrison, and drummer Elvin Jones into the studio to record what would yield his final two albums for Blue Note: New York Is Now! and Love Call. The alchemy of this group, which combined Coleman’s first-time two-saxophone pairing with a rhythm team deeply associated with John Coltrane, produced thrilling results.UHQ-CD…
Spring
** Special Time-Limited Offer ** Tony Williams Spring represents the drummer-composer at a crucial moment in his artistic trajectory. By 1965, Williams had already participated in landmark Blue Note sessions - Herbie Hancock's Empyrean Isles, Eric Dolphy's Out To Lunch, Andrew Hill's Point Of Departure, Jackie McLean's One Step Beyond. Despite barely being in his twenties, he had already established himself as a musician capable of listening at the highest level, responding to ensemble dynamics …