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Psych /

Kip Of The Serenes
Dr. Strangely Strange were an experimental Irish folk group, formed in Dublin in 1967 by Tim Booth and Ivan Pawle. the Strangelys were friends and contemporaries of the Incredible String Band, whose producer Joe Boyd signed them to his Witchseason management and production company in 1969. This first album originally came out in mid 1969 on Island Records. Over the years, Kip has acquired a considerable cult status; in 2007, Record Collector Magazine proclaimed it one of the UK's hundred most co…
Ronda
"Brilliant, inspired and somewhat surprising collaboration between Chicago's premier free-rock trio and the truly legendary percussionist, Hamid Drake, who has played with everyone from Don Cherry to Peter Brötzmann to Lee Perry. This collusion was precipitated by Matt Jackowiak, a mutual friend, who thought a merging of their sounds might make for an ecstatic explosion. This feeling became mutual after they played a show together at Constellation. The set mixes Mako Sica tunes with improvis…
Turn On, Tune In, Drop Out
One part psychologist, one part psychonaut, and one part huckster, Dr. Timothy Leary was one of the most fascinating and enigmatic figures to emerge from the '60s, and the fact that he released a soundtrack to a film that nobody ever saw fits right in with his modus operandi. Indeed, mass confusion reigns as to the origin of the tracks found on Turn On, Tune In, Drop Out. First of all, Leary had released an album by the same name a year earlier on the ESP-Disk label; that one was a spoken-word r…
Paper Garden
Gatefold cover vinyl reissue of 1968 psych record originally released on the Musicor label. Sgt. Pepper taught a lot of bands to play in 1967, including New York's Paper Garden, whose absorption of the Fab Four's Summer of Love statement came out on Musicor Records the following year. What Paper Garden can't match in terms of the Beatles sophistication they make up for in ambition, as exhibited on the harpsichord-enhanced pop genius of 'Lady's Man', orchestrated gems like 'Way Up High', the fuzz…
Begin
The Millennium looms large in the hearts of fans of the '60s sunshine pop genre. The studio group was the creation of legendary tunesmith/studio genius Curt Boettcher, who had previously been instrumental in the formation of the fabled '60s cult acts the Ballroom and Sagittarius. In 1968, Boettcher assembled a group of talented California singers and musicians (including singer/guitarists Lee Mallory, Sandy Salisbury, Joey Stec and Michael Fennelly and Music Machine drummer Ron Edgar) to record …
Red Weather
After leaving Blue Cheer in 1969, guitarist Leigh Stephens, whose pulverizing roar was an essential element of the band's original sound, made his solo debut with Red Weather. In contrast to his former band's stripped-down metallic blast, Stephens spread his musical wings to explore new musical territory. Although Stephens' trademark guitar sound is still prominent, it's featured in a more eclectic context that encompasses elements of avant-psychedelia and electric blues. Also featured is stella…
Outside Inside
Blue Cheer's second album, Outsideinside, fully matches its predecessor's primal power. The last Blue Cheer release to feature the beloved lineup of Stephens, Peterson and Whaley, Outsideinside is a bracing orgy of volume, distortion and aggression, with such highlights as "Just a Little Bit," "Come and Get It," the instrumental "Magnolia Caboose Babyfinger" and the band's distinctive take on the Rolling Stones' "Satisfaction." Like its predecessor, Outsideinside has been out of print on vinyl f…
Vincebus Eruptum
Blue Cheer looms large in the annals of hard rock, laying down the sonic foundations of heavy metal, and serving as a crucial influence on the birth of punk, grunge and stoner rock. While the rest of the rock world was mellowing out and embracing the spirit of the Summer of Love, the seminal San Francisco power trio was churning out ballsy blues-rock anthems whose fuzz-heavy, adrenaline-charged intensity helped to alter the course of contemporary music.Vincebus Eruptum, Blue Cheer's landmark 196…
The Verve/MGM Albums
This beautiful, deluxe boxed set gathers the rare mono versions of the band's first three studio albums along with the superior mono version of Nico's Chelsea Girl and a definitive edition of the band's unfinished fourth album! Mastered by Bob Irwin, cut by Kevin Gray, and pressed at RTI, this collection is an essential purchase for the discerning vinyl devotee. For all tomorrow's parties, this is your soundtrack. At a time when the Rolling Stones were forbidden from singing about spending the n…
North Atlantic Raven
Previously unreleased album by German trio Sand, composed and recorded in 1973, '75, and '76. The once-croaking raven now flies silently over the ocean, higher and higher. Where are you rolling, sun-ball, and why don't you fall? The sandy Golem crumbled into dust. His brave struggle against the mighty forces of darkness soon dissolved in voiceless space. There is something magical and inexplicable in creation, and Sand absolutely manifest these mysterious phenomena. Storytellers, musicians, sham…
Nachtfalter
Günter Schickert's debut Samtvogel (1975) was one of the most significant guitar albums of the krautrock era. Points of comparison from today's perspective are Syd Barrett or Pink Floyd's more adventurous early recordings. Schickert's follow-up, Überfällig (1980) was released on the legendary Sky label. Once again a milestone recording, it showcased Schickert's hypnotic echo guitar which developed into one of the hallmarks of the krautrock sound. Schickert's new album Nachtfalter, translating as…
Last Wave
LP version. Bureau B presents a reissue of Bernard Xolotl's fifth album Last Wave, originally released only on cassette in 1982. This is French electronic music from California. He named himself after the Aztec god of lightning and death; his music is influenced by the Berlin school of electronic music. As a teen, Xolotl (b. 1951) was introduced to electronic music through the works of Musique Concrete composers like Pierre Henry and Pierre Schaeffer, although he found the early recordings of Pi…
Xalph
The story begins in the city of Bordeaux in 1964. Captivated by Hank Marvin's guitar-playing, Jean Pierre Daran teaches himself to play Shadows tunes, working out their intricacies by the unusual method of slowing 45RPM singles down to 33RPM. Jean Pierre joins forces with Yvan Blanl?il, Jean Jacques Pouget, and Serge Blachère to form the band Les Franglais. In 1971, a new musical project takes shape when Jean Pierre and Yvan form Lucie Dans le Ciel with three other students: Francis Ferrer, Chri…
Balaklava
A record that virtually defies categorization, Pearls Before Swine's 1968 epic Balaklava is the near-brilliant follow-up to One Nation Underground — and second masterpiece from Tom Rapp's merry band. This quasi-historical mystery album featuring a lisping songwriter who was recording 78 RPM cylinders and talking about Florence Nightingale existed, if not in the middle, then somewhere over there. It was fitting that the album had a home on ESP Records then—and now it has one on Drag City. A host …
Reviure
Edition of 500. First ever official LP reissue of Spanish prog/symph legends Atila’s mega rare third LP Reviure, originally released in 1978. Atila where one of the best Spanish bands in the genre, their three albums are highly sought after pieces exchanging hands for high prices in the collectors’ market. After our reissues of Beginning Of The End and Intención, Reviure is here to complete your collection. Highly influenced by the sound of bands like King Crimson and Pink Floyd, Atila also ente…
Live In Koeln Sartory Saal 1975
Featuring two tracks from the previous year’s Autobahn including an epic sidelong rendition of the title cut this 1975 live set from Koeln is one of the finest of the legendary Kraftwerk group’s career. Rounded out by “Ruckzuck”, the first track from the very first Kraftwerk record from 1970, this beautiful set of brilliant motorik jams is crucial for any fan of krautrock and the work of Ralf and Florian.
Bullshit 3 1/4
Ultra limited Israeli reissue (300 only!) of this classic masterpiece of protest music/freak/funk/psych album from 1970. A mix of freak psych and avant-garde, full of fuzzed out and distorted guitars, studio effects, tape loops, tone generators etc. Bullshit 3 1/4 was a quantum leap away from all of Danny Ben-Israel's previous musical endeavours as evidenced by the title's decided lack of commercial potential, the provocative cover artwork and songs that free-formed and furry-freaked all ove…
Tanz Der Lemminge
There aren't many double art-rock albums from the early '70s that have stood the test of time, but then again, there aren't many albums like Tanz, and there certainly aren't many groups like Amon Düül II. While exact agreement over which of their classic albums is the absolute standout may never be reached, in terms of ambition combined with good musicianship and good humor, the group's third album, is probably the best candidate still. The musical emphasis is more on expansive arrangements and …
Lemmingmania
Originally released in 1974, 'Lemmingmania' is a compilation made up of, mostly rare AD II singles. Vocalist Renate Knaup's vocals are  astounding, especially when guitarist Chris Karrer jumps in and shares the vocal duties with her. Brings to mind [sort of] like Germany's reply to Jefferson Airplane
Wolf City
Distilling the insane sprawl of the "Yeti" and "Tanz" into a more concise, song-based affair, Amon Duul refine their sound without watering it down and turn out one of their best albums (they began this process on the previous quite good in its own right transitional album "Carnival In Babylon". The new formula is clear from the opening bars of "Surrounded By The Stars". Chugging guitars build to ecstatic organ swells. The first side continues in solid form with the appropriately bubbly "Green B…