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Frédéric Acquaviva, born in 1967, has been since 1990 a sound artist and experimental music composer, creating chronopolyphonic installations and CDs (published by Al Dante) and playing in art galleries (Galeria Peccolo, Incognito, Lara Vincy, Archives and others), in museums (Palais de Tokyo, Centre Pompidou in Paris, Tate Modern in London, Neues Museum in Weserburg, La Fenice in Venezia and others) or in underground venues, such as Les Voûtes, le Donjon de Maîtresse Cindy, Festival Indisciplin…
A facsimile of the first works by Lettrist artist Broutin, who joined the French avant-garde movement in 1968. This pamphlet features asemic writing by Broutin, a kind of wordless writing characteristic of Lettrist art that has no meaning in terms of language.
The book contains Ecopolitik, an introduction as an epilogue by José Luis Espejo, a letter to the Huaorani people, two research texts and one bertso, descriptive texts and photos of recordings, a possible chronology, a glossary, a compilation of several texts with testimonies, reports and declarations from different people, groups, institutions, and publications in reference to the impact—direct or indirect—of the noise from the oil industry during its various phases of development on the peopl…
FO(A)RM no. 4 (topography) treats the movement over, through or across a landscape and the act of documenting, utilizing or noticing an interaction with that landscape. It concerns a mapping of the points between self and space – traversing and/or transforming natural and urban environments. Within these pages, intelligent perspectives find fertile soil.Included within are essays by sound theorist Douglas Kahn (Noise Water Meat) on spherics and and cultural theorist Steven Connor (Dumbstruck) on…
Recently The Guardian critic Jonathan Jones wondered scathingly if the late Terry Pratchett might have wanted his final posthumous novel “…pulped by a steamroller”; pulped…? Surely flattened more like. Here, as if plucked from a laundry list, then hung out to dry—aired in public maybe—this fourth issue has once again been naturally attracted to, whilst avoiding, some theme or other.
Five new Uniformbooks titles have been published so far this year: in the spring a new edition of the modernist se…
The following commentary was written about three books by Richard Long from the late 1970s: “Throughout these publications, the photographs are definitive records of moments within a landscape, whether of a single geometric form made with material from the particular terrain, or a composed view of a landscape from within the duration of a journey. Where a sculptural form has been introduced into the landscape, this will occupy a central, foregrounded position within the image. The language is di…
In Unshelfmarked: Reconceiving the artists’ book, Michael Hampton vets the medium’s history, postulating a new timeline that challenges the orthodox view of the artists’ book as a form largely peculiar to the twentieth century. Post-Deweyed, these works form an entirely new corpus, showcasing the artists’ book not as a by-product of the book per se, but both its antecedent and post-digital flowering, many salient twentieth-century features proleptically flickering here and there through time, it…
A career-spanning catalogue featuring excerpts from Raven Chacon's scores, musical prompts, and drawings interspersed with full-color documentation and descriptive texts of installations, sculptures, and performances. The publication features newly commissioned texts including three long-form essays by Aruna D'Souza, Anthony Huberman, and Dylan Robinson/Patrick Nickleson; experimental short-form writing by Raven Chacon, Lou Cornum, Ingir Bål Nango, Marja Bål Nango, Eric-Paul Riege, Ánde Somby, a…
Alvin Lucier ranks among the most important, influential, and radical avant-garde composers of his generation. "Vespers" (1969) and "Chambers" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn.
40 pages booklet in English with artwork and photos, by Paul Panhuysen and Johan Goedhart which compiles several performances and installations by this two artists around Europe. Born 1934, Panhuysen was heavenly involved with the fluxus-related "De Bende Van De Blauwe Hand" before founding the Maciunas quartet. Increasingly concentrated in sound-art, he went on to produce the remarcable sound installations known as "Long String Installations"·
Since 1982 Panhuysen has created over 200 such …
An archive of aural sensations past, teeming with rare and previously unpublished vintage hi-fi brochures Remember roller-skating while wearing your first Walkman? Or relaxing to easy listening in your pure white Philips lounge? Or playing chess on your JVC tabletop radio? All these scenarios can be found in the geeky and rarefied world of the vintage hi-fi brochure, where graphic design and acoustic apparatus make magical music together.From austere postwar Britain to poppy pre-millennium Japan…
** 2024 Stock **360-page hardback biography with CD, includes 290 sepia photographs CD features rare and electrifying audio recordings of Pentecostal worship services in the mountains of Kentucky and Virginia accompanied by a fiery sermon preached by Brother Claude Ely.Penned by Macel Ely II, Ain’t No Grave: The Life and Legacy of Brother Claude Ely is written as an oral, biographical history taken from the recorded interviews of more than 1,000 people in the Appalachian Mountains who knew Broth…
** 2024 Stock ** This catalogue book gathers for the first time the work of artist/inventor Ariel Guzik, focusing on the sound experiment he carried out for his project Cordiox: a monumental stringed instrument animated by invisible magnetic forces. The project, chosen to represent Mexico at the 55th Venice Biennial, is examined in this bilingual (Spanish/English) edition in an introductory essay by curator Itala Schmelz and texts by Osvaldo Sanchez, Karla Jasso, Maria Paz Amaro, and Ariel Guzik…
** 2024 Stock ** This book about the experimental musician Andy Guhl at first looks loud and somewhat confusing, but this is part of its programmatic intent. It is a reference to Guhl’s musical credo: for four decades, he has often moved on the border between music and noise with his disassembled and rewired everyday electronic devices. In addition, two important design decisions remind the reader that a book, like live music, has a temporal dimension: the left hand pages show full-bleed still i…
** 2024 Stock ** Yann Paranthoën? His name symbolizes the art radio (as they say cinema or art photography). He discovered a way to tell the world through sound, inventing a language and totally renewing the basics of radio broadcasting. In its broadcasts, speech is a material carving, as well as the life of sounds or silences. Similarly, for him, the voice is primarily a music before being meaningful. In both written desecrating the image, he changed the order of things and renewed our relation…
** 2024 Stock ** The Art of Noise presents the 1913 Futurist manifesto “L’arte dei Rumori” as translated by Robert Filliou. Luigi Russolo calls for an infinite expansion of musical vocabulary and sensibility in coordination with that of industrial machinery—“We must enlarge and enrich more and more the domain of musical sounds”—envisioning a machine-based music that would dispense entirely with inherited forms. This publciation made the text widely available in English for the first time. Also i…
** 2024 Stock ** This collection of musical works is as visually and poetically striking as any of the Great Bears, with the individual pieces flowing together in a sprawling collage. Philip Corner’s Popular Entertainments incorporate pop music as a raw material and a motor, an ever- changing sound source with an aura of heightened energy: pulsating rhythms, dancing, and the frenzy of teenage fans. The spectacular, molten immediacy of the work—which prioritizes intense experiences of listening v…